367 357 résultats
Folio (556 x 735 mm). (6), VI, 90 pp. Tinted lithographed title with a pictorial border comprising 11 scenes of hawking by J. B. Sonderland, 2 hand-coloured lithographed plates of falconry equipment by Portman and von Wouw, and 10 (of 12) hand-coloured lithographed plates of hawks by Wendel after Joseph Wolf (8 of which mounted on board). Stored loosely in original cloth-backed printed boards. First edition of "the finest work on falconry that has ever been produced; not only on account of the beauty of the plates, wherein the hawks are depicted life-size and of the natural colours, but also for the general accuracy of the letterpress" (Harting). Schwerdt concurs that "the life size illustrations of birds are by far the finest ever produced in any book on falconry. It is impossible to describe the mellowness and beauty of the colourings." The "Traité de fauconnerie" is the rarest, most beautiful and most desirable book on falconry ever published. According to the exhibition catalogue documenting the falconry books in the Dutch Royal Library (The Hague, 1993), probably no more than 100 copies were printed, of which no more than 50 can be located today. - Covers of portfolio somewhat rubbed and stained; spine cloth and extremeties professionally restored. Some foxing and browning to plates; several marginal tears and chips professionally repaired and rebacked. Lacking 2 lithographed hawking scenes by J. Dillmann after Sonderland. Still an attractive set, uncommonly encountered in the original portfolio as issued. Harting 194. Schwerdt II, 150. Thiebaud 833. Nissen IVB 832. Fine Bird Books, p. 105. Zimmer p. 554.
London, 1855. 8vo. Entire volume 16, second series of ""The Annals..."" present, bound in a very nice red half morocco with richly gilt spine. A nice, clean, fresh, and sturdy copy. A vague stamp to title-page (London Institution) and a blindstamped marking to top of first leaf of contents (Cranbrook Institute of Science). Pp. 184-196. [Entire volume: VII, 472 pp. + 11 plates].
10 text volumes bound in 11 (8vo) and 2 atlas vols. (oblong folio), altogether 13 vols. With a total of 300 engr. plates (13 folding, 2 in original hand colour, some with touches of colour) and 160 engr. portraits as well as 6 (1 folding) facsimiles, almost all on China paper. Green grained half morocco, spines gilt. First edition, almost never encountered complete as thus. Important source for the history and activities of the 1798 French expedition to Egypt, published in ten text volumes by Louis Reybaud and two atlas volumes. The portraits of the members of the expedition (usually forming part of the text volumes) have here been bound separately; also contains two additional portraits (not counted). "The 160 profile portraits by Dutertre [...] are of particular interest" (Blackmer). Many of the plates showing views, antiquities, maps etc. were engraved after drawings by Vivant Denon, whose work opened up the Middle East for western eyes as no other had done before (cf. Henze II, 50). - Plates numbered 1-309 (each of the 13 folding plates counting as a double), followed by "dernière planche" and 3 maps. Five of the facsimiles have been bound at the end of the second atlas volume, another in vol. 3. The text volumes contain the "Histoire ancienne" (vols. 1-2) and the "Histoire moderne de l'Égypte" (vols. 9-10) as well as the expedition report proper (vols. 3-8). All text volumes have four title pages (slightly departing from those in Blackmer's copy). Vol. 1 also contains a "Rapport" of the work for the Académie by G. Saint-Hilaire, dated Nov. 1836, which names Louis Reybaud as "principal rédacteur". - A magnificent set in period bindings, interior clean and spotless throughout. No complete copy recorded at auction within the last decades. Blackmer 1476. Gay 2209. Cf. Hage Chahine 4277 and Ibrahim-Hilmy I, 80 (both citing individual text volumes only).
Oblong folio (335 x 245 mm). 188 silver gelatin photographs, one hand-tinted, mostly 105 x 80 mm, mounted in photo corners with handwritten captions. Original green cloth binding with hand-drawn map of Africa, Europe, and Asia on the front pastedown labelled "England to Aden 4643 miles" and four small maps of Kuwait, Ceylon, Iraq, and India mounted on rear pastedown with hand-coloured borders in blue and orange. A previously unknown collection of unique photographs by an anonymous British serviceman, documenting an interwar deployment to Aden and featuring one of earliest known photographs of Sheikh Juma bin Maktoum bin Hasher Al Maktoum (b. 1891) and Sheikh Saeed bin Maktoum bin Hasher Al Maktoum (1878-1958) of Dubai. Early photographs of Dubai or its rulers are quite uncommon, making this an exceptionally important piece. Here, the brothers are shown touring a British Royal Navy cruiser. Sheikh Juma (on the left) was the founder of the Al Maktoum branch of the Dubai royal family; his brother, Sheikh Saeed (on the right), was the longest-tenured ruler of Dubai, and presided over many of the huge economic changes of the first half of the 20th century. Both were deeply important to the formation of Dubai as it is today, but relics of their lives are extremely scarce. - Another rare photograph captures the Sultan of Oman Said bin Taimur (1910-72) as a young man touring a British light cruiser no more than a few months after the start of his reign in 1932. At only twenty-one, Said inherited both the sultanate and the difficulties faced by his predecessor. Though his reign was not easy, he was famously successful in uniting the warring factions within the sultanate. - The photographer behind this collection was likely a serviceman based on the H.M.S. Emerald, an Emerald-class light cruiser of the Royal Navy which would go on to provide support service during the D-Day landings at Gold Beach in WWII, but spent much of her career in the Indian Ocean and the Gulf. The serviceman has snapped a shot of a Fairey Flycatcher pontoon plane with the registration number N9670 - the Flycatcher known to have been assigned to the Emerald - photographed from the deck, and the Emerald appears repeatedly throughout the collection. Though the Emerald had a long tenure in the Gulf, photographs of the crash of the same ill-fated Fairey Flycatcher N9670 date the collection to circa December 1931, and the appearance of the young Sultan of Oman can only have been taken after the start of his reign on the 10th of February, 1932, covering a reasonable span of six months or more. Additionally, the Hawkins-class heavy cruiser H.M.S. Effingham appears in tow at the East Indies Station Trincomalee, Sri Lanka, which could only have occurred in early 1932, as later that same year she was sent back to Britain as part of the Reserve Fleet. - The photographs of ship life are full of action: men bathing over the side in the warm waters off Gibraltar, views of the Suez Canal, the use of a "smoke box" on the ship to generate a smokescreen, and torpedo drills, one capturing a launched torpedo in motion. However, no small part of the collection is dedicated to rare early views of Bahrein, Oman, and Iran. Bahrain is introduced by the Flycatcher plane crash; the British desired to impress their allies among the local dignitaries in Bahrain with a demonstration of military power, and sent Flight Lt. Peter Dabney Heinemann out in the Flycatcher to machine-gun targets which had been floated in the sea just off Bahrain. Heinemann reportedly lost control and spun out, and was killed when the plane crashed into the sea. Seven photographs show the British retrieving the wreckage, and the following photographs show a funeral procession in Manama, the bed of a military truck laid out in carpets acts as a hearse, and the burial in the Old Christian Cemetery. Two more photographs show a cityscape view of Manama and the clock tower of the Church of Christ in Bahrein. - Photographs of Old Muscat show the al-Jalali and al-Mirani forts, the former then still in use as a prison, and a view of the city "from hill top". Rounding out the tour of the Gulf, two photographs show the Abadan oil refinery in Iran. - The photographer spent some time in the Indian Ocean, and made port at Columbo, Trincomalee, Anuradhapura, Kandy, and Diyatalawa in Sri Lanka, as well as Karachi, Negapatam, Visakhapatnam, Kolkata (Calcutta), Sittwe (Akyab), and Port Blair. In Karachi, several photographs show the city's newly constructed airship mast and the cavernous airship shed, built as one of the main "terminals" of Britain's Imperial Airship Communications Scheme. The mast and shed were never used: a decade before the more famous Hindenburg disaster, the inaugural flight of the Scheme saw the R101 Airship leave London bound for Karachi, only to crash over France, killing all but six of the fifty-four crew and passengers and effectively ending the Scheme. Also of interest are several photographs of the large prison at Fort Blair, and include a photograph of an inmate strapped onto a "flogging board". - A touch of light wear; a few photographs are apparently missing as shown by their empty mounts; however, in excellent condition. Altogether a tour de force, featuring incredibly rare portraits of dignitaries and numerous photographs of cities of the Arabian Gulf.
4to (168 x 212 mm). 8 watercolour drawings, some heightened with white or gold, captioned in German in a late 16th-c. hand, on 8 leaves and a further 24 blank leaves (for the watermark cf. Briquet 917: Nuremberg 1554 or 1565-82). Contemporary limp vellum without ties. An album of eight splendid costume paintings, by a talented, unidentified artist who may have been a member of the entourage of a German ambassador to the Porte. The subjects in this collection are captioned: "Der Kriechen Patriarch" (the Greek Patriarch); "Der Türckisch Keiser" (the Turkish Sultan); "Der Türckisch Babst" (the Grand Mufti); "Türckische weiber wie sie pflegen auf der gaßen zu gehen" (Turkish women, as it is their wont to dress in the street); "Also sizen die Türckischen weiber" (Thus sit the Turkish women); "Ein Epirotische frau wie sie in Iren Heusern zu Galata pflegen zu gehen" (a woman of Epirus, as they walk about in their houses in Galata); "Ein Kriegische fraw" (a Greek woman); and "Ein Armenerin" (an Armenian woman). - Great attention to both accuracy and details is shown: indeed, the suite may be related to another set of similar drawings in the Gennadius Library (A896 B), dated to about 1573 (cf. Blackmer Cat.). There is also some resemblance in style and presentation to certain of the costume illustrations in Nicolas de Nicolay's Navigations (1568, and later editions). Although Nicolay travelled in the Levant in the 1550s and was long thought to have drawn his costume subjects from life, doubt has been cast on this view, and it is now generally considered that he drew his subjects from the work of other artists and illustrators. - A little light dust-soiling, binding with minor wear, soiling and wormholes. Provenance: from the collection of Ferdinand Sigismund Kress von Kressenstein (1641-1704), councilman of Nuremberg whose father signed the Peace of Westphalia treaty (his armorial bookplate on the front pastedown). Later in the library of Franz Joseph II, Prince of Liechtenstein (1906-89), with his armorial bookplate on the flyleaf. Latterly in the collection of Henry Myron Blackmer II (1923-88), with his bookplate to the pastedown, sold at Sotheby's in 1989 (Blackmer sale, lot 80) and purchased by Herry W. Schaefer (1934-2016). Blackmer 1887 (with two illustrations: p. 42 and frontispiece facing p. 1). Cf. Haydn Williams, "Additional printed sources for Ligozzi's series of figures of the Ottoman Empire", in: Master Drawings, vol. 51, no. 2 [Summer 2013], pp. 195-220; Metin And, Istanbul in the 16th century: the city, the palace, daily life (Istanbul, 1994).
4to (259 x 182 mm). 4 vols. Altogether 369 ff. with 145 entries. With 13 full-page gouaches and ornamental frames on each leaf, all heightend in gold. Contemporary red velvet with gilt-stamped spines and moiré silk endpapers. All edges gilt. Stored in custom-made slipcase. Exceedingly prestigious and luxurious friendship album with the signatures of Alexander II and Alexander III of Russia, the German Emperor Wilhelm I, Queen Victoria, seven kings including Frederick William IV of Prussia, Ludwig I, Maximilian II, and Ludwig II of Bavaria, five empresses including Alexandra Feodorovna, Maria Alexandrovna, and Elizabeth of Austria, seven queens consort, and several ruling princes. - The album is beautifully illuminated by the eminent Russian architect and designer Ippolit Monighetti, who was also responsible for the sumptuous book decorations of the famous imperial coronation album of Alexander II and Maria Alexandrovna published in 1856. It is organized as a calendar, each volume comprising three months and each month being represented by a title gouache with biblical quotes and illustrations and one decorated page for each day. An additional title gouache in the first volume shows the calendar year 1855 and the arms of the Grand Duchy of Hesse, as Elisabeth of Prussia (1815-85) was by marriage a Princess of Hesse and by Rhine. The Hessian Lion reappears in the illustration for November, whereas the illustration for June includes a beautiful veduta of St Petersburg. Monighetti signed the title gouache as well as those for January and February; the latter is additionally dated to 1853, which indicates the time and effort invested in this exceptional work of art. - The 145 entries - mostly from members of the aristocracy, of which 131 could be identified - are unrelated to the calendar. They include, in volume I (January-March): Maria Alexandrovna, née Princess Marie of Hesse and by Rhine, Empress of Russia (1824-80), her son Grand Duke Alexei Alexandrovich of Russia (1850-1908), Duke Elimar of Oldenburg (1844-95), Helene of Mecklenburg-Schwerin, Princess of Orléans (1814-58), Princess Sophie of Bavaria, Archduchess of Austria (1805-72), Maria Anna of Bavaria, Queen of Saxony (1805-77), Alexandrine of Prussia, Grand Duchess of Mecklenburg-Schwerin (1803-92) and her son, Grand Duke Frederick Francis II (1823-83), Caroline Augusta of Bavaria, Empress of Austria (1792-1873), Louise Frederica of Anhalt-Dessau, Landgravine of Hesse-Homburg (1798-1858), Prince Alexander of Hesse and by Rhine (1823-88), Emperor Alexander III of Russia (1845-94), Luitpold, Prince regent of Bavaria (1821-1912), Caroline of Hesse-Homburg (1819-72), Adelgunde of Bavaria, Duchess of Modena (1823-1914), and German Emperor Wilhelm I (1797-1888). - Among the signatories of volume II (April-June) are Alexander of Battenberg, Prince of Bulgaria (1857-93), Grand Duke Vladimir Alexandrovich of Russia (1847-1909), Princess Alice of the United Kingdom, Grand Duchess of Hesse and by Rhine (1843-78), Ferdinand, Landgrave of Hesse-Homburg (1783-1866), Otto of Bavaria (1848-1916), later king but who never actively ruled because of his mental state, Emperor Alexander II of Russia (1818-81), Prince Arthur, Duke of Connaught and Strathearn (1850-1942), Grand Duke Sergei Alexandrovich of Russia (1857-1905), Archduke Ludwig Viktor of Austria (1842-1919), Princess Sophie of Sweden, Grand Duchess of Baden (1801-65), Queen Victoria (1819-1901), Anna of Hesse and by Rhine, Grand Duchess of Mecklenburg-Schwerin (1843-65), Princess Helena of the United Kingdom (1846-1923), King Otto of Greece (1815-67), Louis III, Grand Duke of Hesse (1806-77), and Prince Charles of Prussia (1801-83). - Volume III (July-September) comprises the signatures of Prince Karl Theodor of Bavaria (1795-1875), Princess Irene of Hesse and by Rhine (1866-1953), Alexandra Feodorovna, née Princess Charlotte of Prussia, Empress of Russia (1798-1860), Prince Alexander of Hesse and by Rhine (1823-88) and his daughter Princess Marie of Battenberg (1852-1923), Prince Adalbert of Bavaria (1828-75), Princess Augusta of Hesse-Kassel, Duchess of Cambridge (1797-1889), Carola of Vasa, Queen of Saxony (1833-1907), Alfred, Duke of Saxe-Coburg and Gotha (1844-1900), King Ludwig I of Bavaria (1786-1868) and the later King Ludwig II of Bavaria (1845-86) on one leaf, Stéphanie de Beauharnais, Grand Duchess of Baden (1789-1860), Princess Ludovika of Bavaria (1808-92), the mother of Empress Elisabeth of Austria, Frederick I, Grand Duke of Baden (1826-1907), Grand Duchess Olga Nikolaevna of Russia, Queen of Württemberg (1822-92), Louis IV, Grand Duke of Hesse (1837-92), and the German Empress Augusta of Saxe-Weimar-Eisenach (1811-90). - The fourth and final volume (October-December) includes signatures by Grand Duke Paul Alexandrovich of Russia (1860-1919), King Frederick William IV of Prussia (1795-1861), Marie of Prussia, Queen of Bavaria (1825-89), Frederick William, Elector of Hesse (1802-75), again Maria Alexandrovna and her daughter, the Grand Duchess Maria Alexandrovna of Russia, Duchess of Saxe-Coburg and Gotha (1853-1920), Prince Gustav Vasa (1799-1877), Elisabeth Ludovika of Bavaria, Queen of Prussia (1801-73) and her sister Amalie Auguste of Bavaria, Queen of Saxony (1801-77) on a single leaf, Princess Mary Adelaide of Cambridge (1833-97), King Maximilian II of Bavaria (1811-64), King John of Saxony (1801-73), Amalia of Oldenburg, Queen of Greece (1818-75), and Empress Elisabeth of Austria (1837-98). The final entry was written by Empress Maria Alexandrovna of Russia. - Ippolit Monighetti studied design at the Stroganov Art School in Moscow and later architecture at the Imperial Academy of Arts in St Petersburg. He started his career as an architect with several villas for the Russian nobility in Tsarkoye Selo (Pushkin). These early successes led to his discovery by Emperor Nicholas I, who commissioned Monighetti with the design of the Turkish Bath in Catherine Park in 1850. Many prestigious commissions followed, both for architecture and design, by members of the Romanov family including Emperor Alexander II. The commission of the friendship album for Elizabeth of Prussia was certainly facilitated by Elizabeth's close family ties to the Russian imperial family: Empress Alexandra Feodorovna was Elizabeth's cousin, whereas Alexandra's daughter-in-law Empress Maria Alexandrovna, who left three entries in the album, was a sister of Elizabeth's husband Prince Charles of Hesse and by Rhine. Although it is the only book known to have been illuminated by Monighetti, the intricate ornaments closely resemble his book decorations for the lithographed coronation album of Alexander II and Maria Alexandrovna. Thus, the friendship album of Princess Elizabeth of Prussia is not only unique in the scope of its signatories but also closely connected to one of the most famous illustrated books of the 19th century. - Insignificant chafing to the title illustration for October. Overall very well preserved. Provenance: removed from the library of the Barons de Bassus at Schloss Sandersdorf.
Vorerschlossen in 12 Faszikeln: - 1) 10 Schreiben von Friedrich dem Großen an bzw. für Valory (zumeist mit eh. U., davon 2 gänzlich eh.) sowie eine teils chiffrierte Beilage. - 2) 8 Schreiben von Louis XV. an Valory bzw. Friedrich den Großen, alle mit eh. U. - 3) 25 Schriftstücke (Korrespondenz, Memoires, Verträge) zur europäischen Politik in zeitgenöss. Abschrift. - 4) 8 Schreiben des frz. Premierministers Kardinal André-Hercule de Fleury an Valory mit eh. U. - 5) 5 Schreiben frz. Diplomaten an Valory. - 6) 6 Schreiben verschiedener Diplomaten an Valory sowie 1 Teilabschrift eines Geheimvertrags. - 7) 6 Schreiben des preußischen Kabinettsministers Heinrich Graf Podewils an Valory, davon 3 gänzlich eh. - 8) Schreiben von Karl Albrecht von Bayern, als erwählter Kaiser Karl VII., und Schreiben von Karl Eugen Herzog von Württemberg, beide an Valory, mit eh. U. - 9) 3 eh. Schreiben mit U. von Johanna Elisabeth von Schleswig-Holstein-Gottorf an Valory. - 10) 4 Schreiben von Friedrich Wilhelm II. von Preußen an den Marquis de Boyer d'Eguilles. - 11) 9 diverse Schriftstücke, zumeist Korrespondenz der 1740er/50er Jahre in Abschrift. - 12) 33 diverse Schriftstücke des späten 16. und frühen 17. Jhs., zumeist von deutschen Fürsten an den König von Frankreich. - Zus. 353 SS. Versch. Formate, zumeist Folio und 4to. Hochinteressante Dokumentsammlung aus dem Nachlass des französischen Diplomaten Louis Guy Henri de Valory (Valori), der 1739 als französischer Gesandter an den preußischen Hof kam und dort bis 1750 wirkte, dann 1756 kurzfristig als Botschafter nach Berlin zurückkehrte. Der greise Kardinal und de-facto-Premierminister André Hercule de Fleury hatte den Offizier Valory, der sich im Spanischen Erbfolgekrieg ausgezeichnet hatte, nach Preußen geschickt, um am Hofe Friedrich Wilhelms I. die Interessen von Louis XV. zu vertreten; insbesondere sollte er das französisch-preußische Bündnis gegen das Habsburgerreich festigen. Valory entledigte sich seiner Mission erfolgreich: Er wirkte mehrfach auf die preußische Bündnispolitik ein, arrangierte die Ehe zwischen dem Dauphin und Maria Josepha von Sachsen (1747) und zählt zu den Architekten des Friedens von Aachen (1748). Obwohl der Kronprinz Friedrich zunächst wenig von Valory hielt, fand er bald Gefallen an dem so gebildeten wie originellen Kopf, und nach seiner Thronbesteigung als Friedrich II. bezeugte er ihm mehrmals seine Freundschaft. - Zu den vorliegend überlieferten zehn Schreiben Friedrichs des Großen zählen zwei eigenhändige Billetts (davon eines im Umfang von 3 Seiten); ein weiteres weist eine sechszeilige eigenhändige Nachschrift auf (während Friedrichs Bevollmächtigung für Heinrich Graf Podewils zu einem preußisch-französischen Defensivbündnis neben der Unterschrift das wohlerhaltene königliche Lacksiegel trägt). Die meisten dieser Schriftstücke stammen aus dem ersten Jahr des Ersten Schlesischen Kriegs, mehrere sind in Feldlagern verfasst. Bei Valorys Abschied aus Berlin 1750 spricht ihm Friedrich mit warmen Ausdrücken seine Zufriedenheit aus, und bei seiner abrupten Abberufung 1756 widmet er ihm mit eigener Hand die persönlichen Worte: "Après la façon outrageante dont votre cour se comporte envers moi, vous ne trouverez point étrange que je ne réponds point au ministre de France, mais à mon vieil ami. Je suis fâché de votre départ, et vous pouvez être persuadé que je ferai non seulement des vœux pour votre santé, mais encore pour votre fortune. Faites mes compliments à mes amis dans le pays où vous allez, si j'en ai encore. Pour moi, je vois toutes les extravagances qui arrivent, de sang froid, et vous pouvez être persuadé que, bien loin d'en être découragé, ce m'est un nouvel aiguillon qui m'animera à faire l'impossible possible l'année qui vient. Adieu, mon cher Valory, je vous souhaite un heureux voyage. Federic". - Von Minister Podewils liegen sechs teils eigenhändige Schreiben an Valory vor, die von September 1741 bis kurz vor Ausbruch des Zweiten Schlesischen Kriegs reichen. Von französischer Seite enthält der Bestand acht vom König von Frankreich unterschriebene Instruktionen an seinen Gesandten, ferner acht Schreiben Fleurys und eine Fülle weiterer diplomatischer Korrespondenz. Viele Dokumente zur Großmachtpolitik der 1740er bis 1750er Jahre finden sich in zeitgenössischer Abschrift, darunter Verträge und Abkommen, Urkunden Maria Theresias (November 1740), Schreiben des englischen Botschafters Hyndford sowie der berühmte Brief Friedrichs des Großen an den Marquis d'Argens aus Hermannsdorf vom 27. August 1760, aber auch zwei Schreiben der preußischen Königinmutter Sophie Dorothea von Hannover zur Heirat der Prinzessin Luise Ulrike mit dem schwedischen Kronprinzen (1744). Eine Vielzahl älterer Schreiben von Kurfürsten und deutschen regierenden Häusern an das französische Königshaus, verfasst zwischen 1570 und 1632, dürfte Valory nach seiner Rückkehr nach Frankreich in sein Arbeitsarchiv übernommen haben. Angereichert ist die Sammlung um einige spätere Stücke aus dem Besitz der Familie Boyer d'Eguilles (Billetts von Friedrich Wilhelm II., 1795/96). Valory hatte in Preußen Kontakt zur Familie; 1746/47 hatte er sich für die Freilassung von Alexandre-Jean-Baptiste d'Eguilles, Bruder des Marquis d'Argens, aus englischer Kriegsgefangenschaft eingesetzt. Der vorliegende Bestand bildet über weite Strecken die Quellengrundlage für die 1820 erschienenen Memoiren Valorys (Mémoires des négociations du marquis de Valori), in der auch wesentliche Teile publiziert sind. - Residuum der Sammlung Sir Thomas Phillipps (1792-1872). Schöne und umfangreiche diplomatische Dokumentensammlung, die das preußisch-französische Verhältnis in den letzten Jahren vor dem "Renversement des alliances" abbildet.
A pair of original watercolours with traces of pencil, measuring 333 x 485 mm each. Framed and matted, captioned on the mat in Indian ink. Exceptionally rare: a pair of near-contemporary watercolours reflecting the English popular imagination of a crucial event in UAE history, the disastrous first sack of Ras Al-Khaimah in late 1809. - The punitive expedition was carried out by a 16-ship fleet of the British navy headed by HMS Chiffone under the command of Captain Wainwright, allegedly in retaliation for repeated acts of piracy against British ships perpetrated by the Qawasim, but certainly a convenient means for the British to expand their power in the Gulf on behalf of the East India Company. The battle, a massacre that is still locally remembered in story and song, was the beginning of a new era: that of British control in the Gulf. - The fleet sailed from Bombay on 14 September 1809, reaching Muscat on 11 November and descending on Ras Al-Khaimah in the dawn of the 12th. All day long the British ships bombarded the town’s defences and homes. In the early morning of 13 November, 600 of the more than 1,300 British soldiers landed on the beach and, after bitter fighting, soon breached Ras Al-Khaimah’s defences. Having demolished the town, the Chiffonne and the rest of the fleet sailed along the coast, wrecking additional fortresses. - The atmospheric watercolours depict the landing operation, with the Chiffonne firing its cannons and the British soldiers reaching the beach, in one picture setting fire to a pirate ship. The set of drawings at hand, apparently the work of a talented enthusiast, may even pre-date the publication of the aquatints by Richard Temple in his famous “Sixteen Views of Places in the Persian Gulph Taken in the Years 1809-10”, published in 1813 from his own drawings made on location as a private in the 65th Regiment. - Provenance: once sold through the London rare book and autograph dealer Frank T. Sabin (1846-1915), with his labels on the back. Latterly in a private UK collection. Cf. Sultan Muhammad Al-Qasimi, The Myth of Arab Piracy in the Gulf (London, 1985). Charles E. Davies, The Blood-Red Arab Flag (Exeter, 1997).
8 vols. 1mo and folio. With 7 (of 8) engraved frontispieces (lacking that of volume 4), 4 engraved dedications, 117 engraved maps on 61 leaves, 7 engraved plates and 502 engravings in text. Further with 127 (of 128) title-pages (including a general title-page, a title-page to 7 (of 8) volumes, lacking that of volume 4, and 118 for the separate works). Volume 1-3 & 5-8: contemporary mottled calf, gold-tooled spine and board edges; volume 4: modern calf. Large paper copy of the so-called "folio-edition" (although here mostly printed as 1mo) of Van der Aa's voluminous collection of important voyages to the East and West Indies and other countries, undertaken by all European countries, other than the Dutch. Including voyages by Acosta, Balbi, Cabot, Cavendish, Chester, Columbus, Cortes, Coutinho, Da Cunha, Drake, Evesko, Frobisher, Gallonye, Da Gama, Garay, Garcia, Gilbert, Jenkinson, Harcourt, Herberer, Magallanes, Mildenhal and Cartwright, Mouette, Petelin and Andrasko, Raleigh, Saris, De Soto, etc. - The work is falsely attributed on the title-page to Johan Lodewijk Gottfried, by Van der Aa, most likely because he made good money publishing Gottfried's "Chronicle" in 1702. In reality Gottfried had nothing to do with the present work. The work was edited and co-published by Pieter van der Aa, known for his ambitious projects. Where other publishers were primarily concerned about the profits, Van der Aa wanted to publish outstanding books. For the present series of travels he either reused and revised older Dutch translations or had the original accounts translated for the first time into Dutch. In 1706 he already started publishing the translated voyages both in small (8vo) and large instalments (folio or 1mo), and a year later he published a 28-volume set of the 8vo editions. The folio editions were afterwards issued and divided in four large collections of two volumes each. The present issue, is a reissue of these four collections with their own independent title-pages and frontispieces, and ads a new general title-page and list of subscribers. - While all sets seem to be described as "folio" the present set is printed mainly as 1mo, with some occasional quires in folio. And as the large editions of the two volume sets were available on normal paper (80 guilders) and on large paper (100 guilders; Hoftijzer, p. 43), it seems very likely the present set is one printed on large paper. All leaves are unwatermarked and the 1mo leaves are only slightly trimmed (measuring 396 x 238 mm with the tranchefiles often still visible) the folio leaves are trimmed more and don't have visible tranchefiles. The fourth volume is from a different set which is trimmed down much more, but also combines both 1mo and folio leaves. - Some occasional spots, a couple minor restorations and a few wormholes; a very good set, but with the fourth volume from a different and heavily trimmed set (though printed on the same large paper), in a modern binding and lacking the frontispiece and the title-page to the volume. The seven volumes with contemporary bindings slightly worn along the extremities and with some minor wear on the sides, but otherwise very good. Cordier (Sinica) 1942f. Muller, America 1889. Sabin 3 (note). Tiele, Bibl. 10. For Van der Aa: P.G. Hoftijzer, Pieter van der Aa (1659-1733), Leids drukker en boekverkoper (1999).
A set of nine volumes, 8vo and 4to. A rare survival: an ensemble of books, mainly medical, formerly in the library of Sultan Abdul Hamid II of the Ottoman Empire, whose famous collection was dispersed following his deposition in 1909. - Of the nine volumes in the present collection, more than half a devoted to medicine. They include a rare account of Turkish military and civil hospitals by the French physician Paul Aubry (1887), constituting an exceptional documentation of health care infrastructure in the Ottoman world. Further, there is a detailed account of the outbreak of the plague in the Levant by the Swedish polymath Jacques Graberg (1841), also describing the situation in Tangier in 1818 and 1819, which the author had witnessed himself. Finally, the collection comprises three rare volumes from the Ottoman Turkish translation of Adolf von Strümpell's medical textbook on internal diseases (1888-91), here focusing on diseases of the heart and the arteries, diseases of the brain, and diseases of the kidneys and bladder. - Additional volumes discuss the political and religious history of Japan, or the Greek Ten Thousand and their march to the Battle of Cunaxa and back in 401 BC. Other titles are more immediately connected with Turkey, giving a capsule history of the Ottoman Empire in French and Turkish verse, or and extremely rare political analysis of the Turkey's position in the critical months preceding the outbreak of the Russo-Turkish War of 1877/78. - The volumes bear the requisite traces of the Sultan's library marks. All are presentation volumes inscribed to the Sultan by the author (some even inscribed in Turkish and Arabic), or are bound in special presentation bindings, or the in Sultan's personal library bindings with his tughra on the covers. - Sultan Abdul Hamid (Abdülhamid) II (1842-1918) was the last Sultan of the Ottoman Empire to exert effective contol over the fracturing state and also remembered as a poet, translator and one of the dynasty's greatest bibliophiles. While his passion for books is memorialized by the many precious donations he gave to libraries all over the world and which mostly have remained intact to this day (including the 400-volume "Abdul-Hamid II Collection of Books and Serials" gifted to the Library of Congress), his own library was dispersed in the years following his deposition: books were removed to other palaces and even sold to Western collectors; the greatest part of his collection is today preserved in the Chester Beatty Library in Dublin. - Detailed catalogue available upon request.
8vo. IX, (1), 502, 32 pp. With half title, folding lithographed diagram and publisher's adverts at end dated June 1859. 20th century blue half morocco binding with cloth covers, gilt rules, marbled flyleaves. Top edge gilt. Almost unobtainly rare revised issue of the first edition, or rather the intermediary stage to the first issue of the second edition, called by Darwin himself "only a reprint [with] a few important corrections". Published in January 1860, this is the only known copy to retain the year "1859" on the title-page, the original two quotations opposite (while the second edition is usually marked by having three), and the 32 pages of ads at the end, dated "June 1859" (usually lacking in the second edition). Alterations between the first and second editions are minor, though it is notable that Darwin corrected the misprint "speceies" on page 20 and shortened the "whale-bear" story on page 184. - Immediately recognized as revolutionary and controversial, the "Origin's" small first edition of only 1250 copies sold out on the first day, and by the late autumn of 1859 the publisher Murray was asking Darwin to begin revising at once for a new edition. This was to become the second edition (never so called on the title-page), of which a few copies were printed that retain the date "1859". Freeman knows of only two, at Yale and the University of Southern California, LA, both of which, however, already have three instead of two quotations opposite the title: "The existence of such copies has long been known to the trade, although, from their extreme rarity, few booksellers can ever have seen one" (p. 77). Freeman clarifies that while there is "only one issue of the first edition" of the "Origin of Species", "the text being identical in all copies" (p. 75), it was "customary, for many years, for anyone offering a copy of the first edition to describe it as 'first edition, first issue'", and he admits that "the book-sellers were, in a purist sense, right; the new printing was from standing type of the first edition, although with a considerable number of resettings" (p. 77). By this standard, the present specimen is clearly one of the second edition. Yet Freeman, from his evidence, considered "the presence of two quotations only, from Whewell and Bacon, on the verso of the half-title leaf", to be "diagnostic" of the first edition. Unknown to Darwin's bibliographer, the present revised version sits between the first edition and the first issue of the second, exhibiting characteristic features of both. Only a tiny number of copies of this proto-first issue of the second edition can have been produced: it appears a unique variant of what has always been considered the "rara avis" of Darwin bibliography. - Lower and right edges untrimmed, a very short tear in the diagram's first fold; an old repaired tear to the gutter of the following leaf and some very light foxing to the margin of the preceding one. Otherwise an impeccable copy, bound in the mid-20th century for the American petroleum geologist Dr. Edgar Wesley Owen (1896-1981) with a posthumous exlibris ticket loosely inserted. PMM 344. Dibner Heralds (1980) 199. Eimas Heirs 1724. Garrison/Morton (1991) 220. Grolier/Horblit, Science, 23b. Grolier, Medicine, 70B. Norman 593. Sparrow, Milestones 49. Waller 10786. Freeman p. 77 and cf. nos. 373 & 375.
Three vellum membranes. Later endorsements, a few early ink marginal markings and underlinings, substantial fragment of Great Seal in white wax pendant on original vellum tag, ink somewhat faded on first membrane, some light staining, seal discoloured and worn. Framed and glazed. An indenture detailing the exchange of lands between the crown and Thomas, 4th Duke of Norfolk, signed three times by the Queen, recording that the Duke will "sell geve and graunte unto our Soveraigne Ladie the Quene All those his Mannors & Lordshippes of Chesworth and Sedgewicke [...] in the County of Sussex [...] also all that mannor Lordshipp and Forest of St Leonard and all ground and Soyle of the same Forest And also all those his Parkes of Bewbushe and Shelley", and related lands and rights, in exchange for lands in royal gift including the "Celle of Sainte Leonard in her county of Norfolk" and associated lands and buildings "neare unto the Citie of Norwich", Norfolk lands formerly of Wymondham Abbey, lands in Essex (Wigborough, Saltcote, Tollesbury) that were formerly "assigned to the late Ladie Anne of Cleves" and also lands in "Pitchesey" (Pitsea) in the same county, the manor of Dowdike in Lincolnshire (previously of Crowland Abbey), and lands of Newenham Abbey in Devon. The indenture then lists the extensive debts of the Duke to the crown, further detailing that a portion of this debt is discharged by the value of the woodland hereby sold to the crown, and commands the exchequer to produce a new bond for the residue of the debt, being a mere £1823 15s. 5 3/4d. Signed by the Queen at the head of each membrane, additionally signed at the foot by the Lord Treasurer William Paulet, Marquess of Winchester ("Winchester"), the under-treasurer Richard Sackville, and the Chancellor of the Exchequer Walter Mildmay. - Thomas Howard, 4th Duke of Norfolk (1538-72), was the head of the powerful Howard family. He was a Privy Councillor, had commanded English forces in Scotland at the beginning of Elizabeth's reign, and was one of the greatest land-owners in the land, with estates centred on Norfolk. The agreement with the crown that is formalized in this document saw enormous tracts of land near Horsham in Sussex - including the 12 square miles of St Leonard's forest - conveyed to the crown. Norfolk gained considerable land in return, primarily former monastic land scattered across four counties, but - and this was probably of greater importance to him - he also saw his overall debt to the crown, which had been more that £6500, reduced by some £4680. The counterpart of this indenture remains in the Exchequer (The National Archives, E 211/39). Less than ten years after this agreement was made, Norfolk was executed for treason for conspiring with Mary, Queen of Scots. His son and heir, Philip, Earl of Arundel, was permitted to inherit most of his estates.
Chiefly 12mo. Altogether 10 pages on 9 ff. Series of nine letters, notes and cards (all in Gujarati), eight to Jamnabehn and one to Yashwant Prasad, comprising two autograph letters signed, three autograph cards signed, and four cards signed in pencil, discussing Gandhi's diet and health, refusing the offer of a blanket ("one that I have is enough"), and expressing his concern about Yashwant Prasad's heart condition: "Don’t worry about me. I take all the precautions necessary. God is there to take care of all of us. Before the Almighty we are helpless, worrying causes unnecessary problems [...]" (transl.). Jamnabehn, a member of the extended Gandhi clan, was an active weaver of khadi on the charkha and worked alongside Dadabhai Naroji's grandchildren Perin Ben Captain and Khrushed Behn. Most of these letters date from 1926, when Gandhi was living in self-imposed withdrawal from the public world at Sabarmati and experimenting with a diet of fruit. - Small burn holes to two letters, nicks and tears at edges; browned.
Arabic manuscript on paper with somewhat wavy laid lines only (335 x 239 mm; text area 263 x 176 mm), 544 ff., written in a tidy nasta'liq, 35 lines to the page, text frame of red and blue rules, important words and phrases in red or in larger naskhi; chapter headings repeated in margins in a bold calligraphic script, several marginal annotations in various contemporary and later hands. Early 20th century brown roan preserving covers of contemporary morocco binding blind-stamped with a single tool to form a central motif of three interlocking lozenges, smaller lozenges above and below, blind-stamped corner-pieces. Very rare Arabic translation of Al-Jurjani's important medical compendium, the first major medical text written in the Persian language. - Al-Jurjani (d. 1136) "went to live in Khwarizm in 504/1110 and became attached to the Khwarizmshahs Kutb al-Din Muhammad, to whom he dedicated his 'Dhakirah', and Atsiz b. Muhammad [...] His 'Dhakirah Khwarizmshahi', probably the first medical Encyclopaedia written in Persian and containing about 450,000 words, is one of the most important works of its kind; it also exists in an Arabic version, and was translated into Turkish and (in an abbreviated form) into Hebrew" (Encyclopaedia of Islam). - Modelled on the Qanun of Ibn Sina (Avicenna), the "Dhakirah" is divided into ten books, covering: definition and utility of medicine, and the structure and powers of the human body; health and disease, in general, including causes and symptoms of disease, and accidents of the body; the preservation of health; diagnosis, crisis and prognosis; fevers and their treatment; local diseases and their treatment; tumours, ulcers and so forth; the care of the external parts of the body (hair, skin, nails, and so on); poisons and antidotes; and simple and compound drugs. - Binding stained and rubbed. Various seal impressions (some erased) on first and second leaves and at end of text. Paper shows some splashes, soiling and staining, first leaf re-attached and with loss of one or two words on verso (sense recoverable), margins of last few leaves strengthened, but generally in good, sound condition. Provenance: Abdul-Malik bin Mahmud al-Mausuli al-tabib ("the physician"), with his ownership inscription dated 5 Rajab 913 AH (10 Nov. 1507) at the Mu'ayiddi hospital in Mosul; the distinguished German ophthalmologist and Arabist Max Meyerhof (1874-1945), with his bookplate on the front pastedown. GAL I, 487 & S I, 889. Cf. Keshavarz, A descriptive and analytical catalogue of Persian manuscripts in the library of the Wellcome Institute for the History of Medicine, pp. 52-54 & p. 149. Fihrist records no copies of the Arabic translation.
Oblong folio. With 18 tinted chalk lithographs by L. Ekeman-Allesson after R. Kuntz. With lith. title, lith. dedication and 3 ff. of letterpress text. Stored in a modern half morocco leather case. First and only edition. Commissioned by the Board of the Württemberg Stud, the first Arabian stud in Europe, this almost unobtainable series of large format plates shows the Stud's full-blooded Arabian horses with decorative oriental backgrounds. The plates constitute extremely early examples of chalk lithographs (listed individually by Winkler, Frühzeit der dt. Lithographie, 180, 57). Kuntz (1797-1848) was known for his "excellent depictions of horses" (cf. Thieme/B.); throughout his brief career he studied thoroughbreds in England, Hungary, and Paris as well as in Germany. In 1832 he became Painter to the Court of Karlsruhe, Baden; he suffered a stroke in 1846 and died in the newly-founded Illenau mental hospital. - Of the utmost rarity, no copy of the complete series with all three issues as present here traceable in auction records. Nissen 2327. Thieme/B. X, 444 & XXII, 116. Winkler, Die Frühzeit der dt. Lithographie 180.57.
Folio (210 x 308 mm). 60 pp. With 27 engraved and etched plates (some double-page). Contemporary speckled sheep. Marbled pastedowns. First and only edition, printed at the second printing press established in Istanbul. "A rare and very interesting work outlining the military reforms and the regulations for the New Troops established by Selim III in 1796/97" (Blackmer). The author, Mahmoud Ra'if, was a member of the reform movement instigated in Turkey by Sultan Selim III, who tried to change the traditional political structures of the Ottoman Empire and replace them with a political state that owed much to his youthful contact with Europe, and more particularly, the influence of the French Revolution. After his succession in 1789, Selim took steps to establish a new state under the Nizam-Jedid ("new order") regulations - from which the present work derives - underpinning his state with the formation of a new army and military infrastructure. Among the moves towards "Europeanisation" were the installation of printing presses at the military engineering school (where the present work, the first from the press in roman types, was printed), and the establishment of Ottoman embassies in the capitals of Europe, including London, where Mahmoud Ra'if served as secretary to the Ottoman Ambassador in the mid 1790s. As outsiders feared, the very reforms which are the subject of his work led to Selim's murder in 1808, while the author himself was "cut to pieces" by the enraged Janissaries whose elite position had been threatened. "The establishment of these troops - the Nizam-Jedid - and the jealousy which this aroused was one of the main factors leading to the revolt of the Janissaries in 1808 which cost Selim, and later the author of this work, their lives" (Blackmer). - Binding very slightly worn, interior clean and flawless throughout. Provenance: armorial bookplate of the Swedish diplomat Johan Henrik Tawast (1763-1841), who was seconded to Constantinople in 1812-13 to help negotiate the Russian-Turkish peace treaty of Bucharest; his autograph note "Scutari, 9 janvier 1813. 16 piastres, 20 pares" inscribed to front pastedown. Latterly in the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research. Atabey 752. Blackmer 1060.
8vo (130 x 218 mm). Arabic manuscript on paper. (375) pp., 19 lines per extensum. Written in neat black naskh, emphases picked out in red; catchwords. With numerous tables and diagrams, one in red and black. Contemporary brown leather binding with stamped ornaments. A 16th century commentary (sharh), profusely illustrated with diagrams, on Naziraddin al-Tusi's "at-Tadhkira an-Nasiriya", a general outline of astronomy, originally written in Persian. Composed by the Persian Sunni scholar Nizamaddin ibn Muhamad an-Nisapuri (d. 1328/29), who was known as a mathematician, astronomer, jurist, Qur'an exegete, and poet. His teacher Qutb al-Din al-Shirazi had himself been a student of al-Tusi's. An-Nisapuri wrote the present commentary in 711 H (1311 CE). - Binding rather rubbed. Marginal notes throughout; colophon with partial date "14 Jumada II". Scattered minor wormholes, but overall in good condition. GAL I, 511, VI, 40 b.
1 volume of text (4to) and 3 vols. of plates (large folio). Text: 1 bl. f., title leaf, viii, 296 pp., 1 bl. f. With 34 lithogr. plates (all with tissue guards) and 73 text illustrations. Half morocco with giltstamped title to gilt spine. Spine rebacked. Plate volumes all with half title, title, list of contents and a total of 200 engraved plates (130 of which are chromolithographs and 48 tinted lithographs). Plate volumes bound uniformly with text volume in giltstamped half morocco with cloth covers. Very scarce first edition of this splendid, unsurpassed standard work on Islamic art. Prisse d'Avennes spent many years in Egypt after 1826, first as an engineer in the service of Mehmet Ali. After 1836 he explored Egypt disguised as an Arab and using the name Edris Effendi; during this period he carried out archaeological excavations in the valley of the Nile. In 1860, Prisse d'Avennes returned to France with a wealth of documentation and drawings, which he subsequently had reproduced by specially trained draughtsmen and published in this monumental set. "'Arab Art', however, is more than a monument to the author's tenacity, skill, and devotion. For the historian of architecture, it is a precise source, a unique documentary record [...] On an entirely different level, Prisse d'Avennes has provided today's architects, designers, artists, and illustrators with some of the finest examples of measured drawings, pattern details, and illustrations of selected aspects of the built environment of a medieval Islamic city. But 'Arab Art' is not merely an exercise in architectural description. Prisse d'Avennes writes about and records in the plates art forms ranging from elaborately decorated tiles to carpets and fabrics, to Korans and illuminated manuscripts. His text examines how these objects were made and the way they were used, and describes the value placed on them by contemporary society. The result is that his book offers invaluable glimpses of aspects of Arab life as they were viewed by a sympathetic West European" (preface to the 1963 London edition). - Beautiful, complete set (the last copy sold at auction was incomplete). Text and plates uncommonly clean and in an excellent state of preservation throughout, in contrast to the known copies in libraries and in institutional possession. Ibrahim-Hilmy II, 138-140.
Folio (382 x 522 mm). (6), 60 pp. With mounted chromolithographed additional decorative title heightened with gold, tinted lithographed portrait, and 30 hand-coloured lithographs. Numerous wood-engraved illustrations in the text. Contemp. red half morocco with giltstamped cover and spine title. All edges gilt. Marbled endpapers. Modern calf-backed marbled boards, spine gilt with morocco label. First edition. Only a small portion of the press run - as the present copy - was coloured by hand, providing the utmost detail and atmosphere to the splendid plates showing bedouins, horses, local life and costumes. One of the most sought-after and earliest publications by Prisse d'Avennes, who spent many years in Egypt after 1826, first as an engineer in the service of Mehmet Ali. After 1836 he explored Egypt disguised as an Arab, using the name Edris Effendi; during this period he carried out archaeological excavations in the valley of the Nile. In 1848 he first published his "Oriental Album". This unusual visual collection of "characters, costumes and modes of life in the valley of the Nile" is augmented by a commentary by the renowned orientalist and Egyptologist James Augustus St. John. - The frontispiece portrait depicts the artist's friend George Lloyd in the robes of a sheikh reclining with a hookah, and camels in the background. Lloyd, a botanist accompanying the expedition, accidentally shot himself whilst cleaning a rifle. - Final plate with a few minor repairs to margins; final leaf creased and with marginal repairs. One or two other minor marginal defects. - While normal copies of the first edition regularly appear in the trade or at auctions, the present coloured de luxe issue with all the plates is quite rare. The Atabey copy fetched £36,000 (Sotheby's, May 29, 2002, lot 975); the Longleat copy commanded $59,200 (Christie's, June 13, lot 110) that same year. Atabey 1001. Blackmer 1357. Lipperheide Ma 30. Colas 2427. Hiler 772. Brunet IV, 885. Graesse V, 449. Cf. Heritage Library, Islamic Treasures, s. v. "Art" (illustration). Not in Cook (Egyptological Libr.), Fumagalli (Bibliogr. Etiopica), Gay, Abbey.
Various sizes (folio, 4to, 8vo). A total of 460 typescript and 177 manuscript pp. (9 of which comprise merely 2 lines) in 26 fascicles, assembled as 11 portfolios. With a few newspaper clippings as well as 1 photograph each of Hagia Sophia and the gate of Dolmabahce Palace, mounted on cardboard as postcards. A highly important and extensive archive from the secret personal papers of General Auguste Sarrou, France's chief spymaster in the Levant and Turkey during the critical period between 1917 and 1923, when the Near and Middle East were completely re-ordered following the demise of the Ottoman Empire. It features numerous "top secret" spy reports, correspondence and dossiers of political analysis, providing stellar insights into France's central role in shaping the destiny of Syria, Lebanon and Turkey, working to counteract the forces unleashed by Lawrence of Arabia during the Arab Revolt. - The present archive consists of dozens of classified intelligence reports, political masterplans and field notes. Most of the documents are typescripts or carbon copies of typescripts (many written by Sarrou), intended for distribution amongst only the most senior French military and political officials. The documents span Sarrou’s entire career, dating from 1908 to the 1960s, although the bulk of the documents concern the critical period from 1917 to 1923. It includes a typescript copy of Sarrou’s autobiography, written at the end of his 60-year-long career in espionage and diplomacy in Turkey, the Balkans and the Middle East; a series of papers relating to Sarrou’s time serving as a gendarme in Macedonia in the decade prior to World War I, when he notably befriended many leaders of "Young Turks"; and a further series of papers outline his secret "Mission d’Orient", a grand operation to support French ambitions in Syria, Lebanon and Anatolia. Furthermore, a series of highly important and secret analytical reports written by Sarrou provide a "game plan" for how France was to rule Syria and Lebanon (importantly, the Quay d’Orsay largely followed Sarrou’s advice as matters unfolded). Notable is Sarrou’s brutally unflattering assessment of Emir Faisal, Lawrence of Arabia’s old comrade. Additionally, there is an intriguing manuscript report of a meeting held between Arab intellectuals and Djemal Pasha, the Ottoman War Minister, the day before the fall of Damascus, as well as a series of fascinating reports concerning the 1921 attempt on the life of General Henri Gouraud, the French High Commissioner for Syria and Lebanon. Another series of 25 typescript "Secret" intelligence reports compiled by the Service des informations de la Marine dans le Levant (S.I.L.) in Port Said in 1918 and 1919 contain fascinating raw field intelligence on Anti-French elements throughout the Middle East, as well as the efforts of French assets to counteract these forces through counterespionage and propaganda. A diverse collection of typescript and manuscript research documents, as well as correspondence from key assets, assembled by Sarrou from 1919 to 1922, is supplemented by a series of highly insightful typescript reports, written by Sarrou to advise the French government on the situation in Turkey from 1921 to 1931, covering the rise of Atatürk’s new republic and French efforts to gain influence in Ankara. Finally, there is a collection of letters, documents and postcards from Sarrou’s mid to later career, from the late 1920s until his retirement in the mid-1960s. - Many of the elements of the present archive are likely unique survivors, while a couple examples of some of the typescripts may exist in various French official archives. A detailed list is available upon request.
Folio (208 x 310 mm). Latin ms. and illustrations on paper. 184 ff. with gilt-raised title-page and a total of 292 watercolour and gouache plant illustrations (1 double-page), captioned and numbered 1-290 by a contemporary hand (nos. 45 and 149 assigned twice). 19th century green half cloth over marbled boards. Stored in custom-made half morocco case. Unique, museum-quality manuscript herbal, previously unknown to research, compiled for the Memmingen pharmacist Wolfgang Schötz by an unidentified but obviously professionally trained artist. The nearly 300 watercolours and gouaches, all impressively accomplished, show the principal Central European medicinal, poisonous, spice and ornamental plants as they were to be found in the gardens, meadows and forests of the free imperial city of Memmingen: hollyhock, tarragon, snow pea, prunella, dandelion, spiked rampion (phyteuma spicatum), swallow-wort (asclepias vincetoxicum), echium, caper spurge (euphorbia lathyris), white bryony (wild hop, Bryonia alba), staghorn sumac (Rhus typhina), poppy (papaver rhoeas), banewort (atropa belladonna), foxglove (digitalis), hemlock (Conium maculatum), as well as splendid tulips, irises and martagon lilies, Jacob's ladder (polemonium), rose, chrysanthemum, gentian, daffodil, barberry, etc. The shapes of the leaves and blossoms, often also of the roots and bulbs are rendered with extreme precision; occasionally, the illustration is enlivened with beetles, caterpillars and other insects, drawn with similarly meticulous realism. The Latin and German captions are apparently by two different writers; some of the Latin annotations may be in Schötz's own hand. The quality of the draughtsmanship and colouring approaches that of the roughly contemporaneous studies by Nicolas Robert, whose documentation of the plants in the French royal gardens, commissioned by the court of Versailles, were famous even then and remain so to this day. - The pharmacist Wolfgang Schötz (Schütz) also served as judge in the municipal court of his native Memmingen. Correspondence in his hand with the German physician and alchemist Johann Joachim Becker (1635-82) has survived in the latter scholar's posthumous papers in Rostock. Schötz was considered "the largest and strongest man" in town; when he died in 1695, ten men were needed to bear his mortal remains to the graveyard (cf. J. F. Unold, Geschichte der Stadt Memmingen [1826], p. 292). - Title-page somewhat duststained and rubbed. Leaves numbered 1-183 in pencil in the later 19th century, probably during rebinding; a few leaves transposed. A few edge flaws (some with early repairs); edges somewhat fingerstained and dampstained throughout with a larger dampstain near the end, but illustrations preserved in brilliant original colour. A masterpiece of botanical illustration.
8vo. 1 page. In blue and red crayon. A humorous correspondence with his daughter Svetlana, giving her the desired permission to invite two classmates for the weekend: "For Secretary Number 1 Mr Stalin / Decree Number 2 / I order you to permit me to invite two boys and a girl from my class this weekend (12/3/37). / Insurgent - Svetlanka Stalina [stamp] / Signed / I submit myself / Secretary to Svetlanka - insurgent / Stalin". Very well preserved document of Stalin's private family life, pervaded by the formulae of party bureaucracy.
76 volumes, mostly offprints or articles removed from journals, bound in private wrappers or in the original printed wrappers. Mostly 8vo but including a few specimens in small folio. An ensemble of 82 works from the library of Sigmund Freud, comprising roughly half of the known corpus now in private hands. In his census, the medical historian Gerhard Fichtner established the number of works from Freud's former library now in private ownership at only 166 works, or some 4 percent of his former collection of 3725 titles, the vast majority of which (more than 3,400 books) are today preserved by the Freud Museum in London and the Health Sciences Library in New York. Regarding the privately owned works, "it is noteworthy that Freud (during both the Viennese and London time) bestowed upon Eva Rosenfeld, a friend of Anna Freud, 25 important early items from his library. Amongst the privately owned volumes are also some that surfaced in recent years in the second-hand market. They are predominantly offprints, whose dedications show they once belonged to Freud's library and, as a rule, carry the partially erased stamp of the Psychoanalytic Ambulatorium Vienna. They must have arrived long before Freud's emigration in this library, which was seized and destroyed by the Nazis. Did the erasure of the stamp help to save these items, or did it disguise unauthorized possession? They come from the estate of a German analyst" (Davies/Fichtner, pp. 17f.). Indeed, the nature of some of these erasures - rather constituting overpastings with near-contemporary typed transcriptions of those parts of the text obscured by the stamp (as in David Baumgart's article on Spinoza's image in German and Jewish thought) - would strongly suggest the former reason: such an overpasting would arguably have sufficed to conceal the items' provenance from a cursory examination in 1938, but would not at all be helpful to a collector wishing to obscure a third party's title. - The present ensemble includes articles by 40 different authors from a range of disciplines, including Hugo Bergmann, Eugen Bleuler, Carl Clemen, Josef Friedjung, Heinrich Gomperz, Gustav Hans Graber, Jakob Kläsi, Otto Pötzl, and Isidor Sadger. Two specimens preserve the author's inscription to Freud (by Pötzl); others contain autograph corrections by the author (Sadger). Eighteen items show traces of a removed stamp or inscription. Paper often brittle; some wrappers a little rubbed or chipped, but on the whole very well preserved. Acquired from a Belgian private collection. Detailed list available on request. Cf. Davies/Fichtner (eds.), Freud's Library. A Comprehensive Catalogue (Tübingen/London, 2006).
Folio (200 x 306 mm). 2 pp. on a bifolium (written cross- and lengthways, over 700 words in total) with frequent autograph corrections. Laid down on card for reinforcement in the 18th century. To Richard Norton, a leading parliamentarian who had served as a colonel of cavalry in the first civil war and had returned as member of parliament for Hampshire in 1645, seeking to expedite the marriage of his son Richard Cromwell to Dorothy Maijor (1627-76), as the country descended into the Second Civil War. - Dorothy was the daughter of Richard Maijor, an obscure member of the Hampshire gentry. It was probably Norton who had introduced Cromwell to Maijor, and he subsequently served as intermediary in the negotiations, which began in February 1648 and were not concluded until May the following year. Although Cromwell is known to have expressed doubts about the "godliness" of an alternative, more lucrative match, monetary concerns were evidently central to his consideration of Dorothy's own suitability. Cromwell's detailed discussion of such matters offers a fascinating insight into both his financial and domestic arrangements: - "Mr Maior desired 400£ p anum of inheritance lyinge in Cambridge shire and Norfolke to bee presently settled and to be for maintenance, wherein I desired to be advised by my wife [...] Having beene enformed by Mr Robinson that Mr Maior did upon a former match offer to settle the mannor wherein hee lived, and to give 2000£ in monie, I did insist upon that, and doe desire itt may not be with difficulty, the monie I shall neede for my two little wenches, and thereby I shall free my sonn from beinge charge with them. Mr Maior parts with nothing in present but that monie, saving thir board, wch I should not bee unwilling to give them to enyoy the comfort of their society [...] Truly the land to bee settled both what the Parliament gives mee, and my owne, is very little lesse than 3000£ per anum all thinges considered. If I bee rightly enformed. And a lawyer of Lincolns Inn having searched all the Marquess of Worcesters writings wch were taken att Ragland and sent for by the Parliament and this gentleman appointed by the committee to search the sayd writings, assures mee, there is noe scruple concerning the title, and itt soe fell out that this gentleman whoe searched was my owne lawyer, a very godly able man, and my deere friend, wch I reckon noe smale mercy, hee is alsoe possest of the the writings for mee". - His son's marriage to Dorothy produced four children who survived into adulthood, but ended unhappily, as Richard went into semi-voluntary exile on the continent in 1660 following the Restoration, after which the couple did not see each other again. The "two little wenches" are Cromwell's daughters Mary and Frances, who by their own respective marriages later became Countess Fauconberg and Lady Russell. Cromwell was close to Norton and dubbed him "Idle Dick", deploying the nickname towards the end of the letter in a moment of friendly humour ("I know thou art an idle fellow, but prithee neglect mee not now"). - Primary source material for Cromwell's activities during the chaotic spring of 1648 is rare: parliamentary diaries for the period are fragmentary, and Cromwell's whereabouts "are not generally known" (ODNB). Charles made his first attempt at escape from Carisbrooke Castle on 20 March, and the rapid spread of royalist uprisings will have required Cromwell to travel swiftly and widely across the country. In May he fought his first battle in full command, at Preston, during which the invading Scottish force was decisively defeated. By January 1649, having outmanoeuvred Fairfax to see through the trial and execution of the king, he was the single most powerful figure in England. - Old folds; 18th century manuscript docket. Published in: Thomas Carlyle (ed.), Oliver Cromwell's Letters and Speeches I (1845), p. 302.
8vo (155 x 204 mm). Ottoman manuscript on laid paper. 134 pp. on 68 ff., written space ca. 90 x 140-145 mm. 15 lines, per extensum, written in a heavily Persian-influenced naskh style in black ink, gilt ("taddib") section titles, rubricated and sometimes written in gilt for emphasis, no catchwords, but extensively vocalized Turkish text with Arabic diacritics. Gilt gadval borders around introductory double page, remainder of text within double red rules. Frequent marginalia and occasional glosses, with some prayers and charms. Early full leather binding with fore-edge flap, spine and flap hinges reinforced with later leather. Complete Ottoman medical manuscript, copied by the scribe Celalu'd-din Mehmud al-'Ala'i in 1408 CE, still during the lifetime of the book's author, the Anatolian religious scholar and physician Haci Pasha (known in the Arabic tradition as Haggi Basha Galalu'd-Din al-Hidr bin 'Ali bin al-Hattab al-Aydini). - The introduction (1v-2r) sets out the work's content and structure, presented, with Arabic technical terms adopted into Turkish, as a compendium ("muhtasar") and facilitation ("teshil") of medical knowledge, offering a discussion of definitions, medical practices, the administration of solids and liquids, and a description of diseases with their symptoms and related therapies. The following sections treat dietary matters including regimens for exercise ("hereket"), meals ("gazalar"), hot baths ("hammamlar") and vomiting ("istifrag"), as well as self-medication (4v-15v), fevers ("buhran", 16r-17r), and the therapeutic and prophylactic properties of various foods (17v-26r). The third and by far the most extensive section (26r-67r) provides definitions and summary descriptions of the most common ailments with their aetiologies (proceeding from symptomological analysis, "alamet") and treatments. A single final page (67v) entitled "Kitabu'l-Ihtilac" ("Book of attraction or palpitations") contains apotropaic phrases to be pronounced over the patient and a short poem in 11 couplets, followed by the four-line colophon (68r). - Haci Pasha was a famous 14th century physician from Anatolia who moved to Cairo, then the thriving capital of Mamluk Egypt, to refine his medical knowledge during what is today regarded as the beginning of the most famous period of Ottoman medicine. The present treatise enjoyed significant success for many decades and directly influenced the work of one of the most renowned Ottoman physicians of the 15th century, Serefeddin Sabuncuoglu (1385-1468), who composed the first surgical atlas in Ottoman Turkish. - Margins somewhat fingerstained in places with a light waterstain throughout, but generally very well preserved.