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[Bahrain].MareMagnum

Taqrir muqtarah an insha’ Quwwa Bahariyya li-Dawlat al-Bahrayn [Sketch proposal to build a Naval Force for the country of Bahrain]. [Bahrain, mid-1970s].

[Costumes].MareMagnum

Neu-eröffnetes Amphitheatrum [...] aus dem Gantzen America [...] Asia [...]. Neu-eröffnetes Amphitheatrum Turcicum. Erfurt, Johann Michael Funcke, 1723-1728.

Folio (214 x 342 mm). 3 vols. bound in one. (4), 120 (instead of 124) pp. (2), 142 pp. 172, (4) pp. Two title pages printed in red and black. With a total of 97 (instead of 98) half-page woodcuts in the text. Period style dark brown calf, elaborately gilt decorated spine and boards, red morocco spine label, raised bands, marbled endpapers. First editions of three separately issued parts of the very scarce "newly-opened amphitheatre", comprising the America, Asia, and Turkey volumes. The exceptional large woodcuts show the native inhabitants of the various parts of the world. Of special interest is the rare volume dedicated only to Ottoman society, as well as that on Asia: together, they cover the Islamic countries of the early modern period, including details on the Arabian Peninsula. Among the illustrations are various Muslim clerics, Northern Arabians and desert Arabians in Bedouin costume, coffee salesmen, sweetmeats salesmen, and a Turkish gentleman carrying the Qur'an on his head, as well as Persians, the Sultan, Janissaries, archers, dancers, etc. The Asia volume, produced later, repeats a single illustration but contains much new matter on Arabia, including a discussion of the Muslim religion, the Qur'an, ablutions performed with sand, and the trade in incense, coffee, and spices, as well as pearl fishing in Bahrain (p. 54). The America volume covers the discovery and exploration of America, with woodcut illustrations including portraits of Columbus, Vespucci, Magellan, and 30 depictions of Native Americans from throughout the New World, including Virginia, California, Pennsylvania, Maryland, etc. - This present set omits the parts on Europe and Africa, which were published first, and thus contains parts 3 (America) and 4 (Asia) of the four-part "Neu-eröffnetes Amphitheatrum" (the final part of which was produced only after a five-year hiatus), along with the "Neu-eröffnetes Amphitheatrum Turcicum", separately issued in 1723, from which the 1728 volume on Asia drew freely. Severely browned throughout due to paper. Title page of "America" vol. remargined; edge-wear to first and last few leaves only; wants quire G (pp. 25-28, including one illustration). Quire K in "Turkey" vol. (pp. 37-40) with expert paper repairs. In a highly appealing modern binding. Lipperheide Ac 5. Colas 2187. Hiler 652. Sabin 52360. Palmer 364. Not in Atabey or Blackmer. Not in Hünersdorff (Coffee).

Inlibris · Wien, AT28 000,00 €

[Drinkwater collection] - John Drinkwater, English poet and playwright (1882-1937).MareMagnum

Collection of autograph letters, signed menus, photographs and other ephemera, assembled for Penelope Ann Drinkwater, daughter of poet and dramatist John Drinkwater. Various places, ca. 1929-1934.

Album containing ca. 50 autograph and typed letters letters, signed menus, photographs and other ephemera. Oblong folio (365 x 265 mm). 31 leaves, brown calf giltstamped "Penelope Ann Drinkwater / July 26 1929" on upper cover (scuffed and stained, burn marks to spine). With a folder of ca. 100 loose autograph and typed letters, a printed Churchill address, and typed transcripts of letters by Rupert Brooke and others in folder annotated "sold to America" (ca. 160 pp., 8vo and 4to). Also, an original cartoon by David Low (pen, ink and coloured pencil, image 295 x 450 mm / 457 x 610 mm with frame, published in the Evening Standard, 28 April 1930, and in The Best of Low, 1930). An album assembled by John Drinkwater for his daughter Penelope Ann, celebrating the first years of her life from her birth in 1929 to her fifth birthday with a collection of letters and ephemera from literary and political figures of the day, and including an encounter with royalty. Despite being in the running for Poet Laureate, as the Low cartoon included here suggests, the position was taken by John Masefield after the death of Robert Bridges in April 1930. The collection comes from the family of Penelope Drinkwater. - Comprises: notes written by the Prince of Wales (the future Edward VIII) for his speech at the Stage Golfing Society Dinner, Savoy Hotel, 2 Nov. 1930 ("Handicapp / B-DARWIN / Filthy golfer / Filthy speaker / Keep pun clean"), accompanied by an explanatory letter from Drinkwater ("I was the guest of Sir Gerald du Maurier who sat between me and the Prince of Wales [...] The response was made by the Prince, and he put his notes on two sheets of paper. These were pocketed by Sir Gerald, and he gave me one of these for you [...] another scrap of history in a tiny way for you when you are growd up"). Also, some 50 autograph and typed letters by Edward Elgar (thanking him for the "exquisite Penelope's Trees - a beautifully inspired poem"), Arnold Bennett, John Galsworthy (including a poem in her honour), Hugh Walpole, Joan Sutherland, Sybil Thorndike, Harold Nicholson, William Rothenstein, Herbert Hoover (two on White House headed paper), E. G. Robinson, Ramsay Macdonald, and others; a menu from the Savoy Hotel, 24 June 1930, signed by Drinkwater, J. B. Priestley, H. G. Wells, Arnold Bennett, Edgar Wallace, Desmond Macarthy and others, with another from a dinner on 19 September 1930 inscribed by Max Beerbohm ("to dear little Penelope Anne. I know she is little because she is so young. And I know she is a dear because I know her parents"); ephemera including a programme for Drinkwater's play "A Man's House" signed by the cast (with Errol Flynn as 'First Soldier'), telegrams of congratulations (including James Joyce and John Galsworthy), a printed copy of Drinkwater's 1930 poem "Penelope's Trees", inscribed "This copy is darling Penelope's own / John Drinkwater", numerous photographs and press cuttings of the family, etc. - The folder of loose correspondence includes H. G. Wells (postcard, "warmest thanks for the poem. It's a nice habit this poetry" and autograph letter to Miss Jeffreys sending love to Penny, "I think she is a dear"), a pencil drawing annotated "sketch by T[homas] H[ardy] of a hay-knife", Edmund Blunden ("I would like you to leave me out of your anthology"), Vita Sackville West ("She seems to be a fruitful source of inspiration to you"), Eddie Marsh, Shane Leslie, Stefan Zweig, and others; with a printed Churchill address from 25 April 1925 with covering letter, as well as typed transcripts of letters by Rupert Brooke and others. - The David Low cartoon, signed "Low" and titled "Situation Vacant", depicts Drinkwater, Masefield, Kipling, Edith Sitwell and other possible candidates for the post of Poet Laureate lining up to see the Prime Minister ("W. B. Yeats and W. H. Davies arriving by the next bus"), labelled "The Property of Penelope Ann Drinkwater" on reverse.

Inlibris · Wien, AT28 000,00 €

[Marcel, Jean-Joseph?MareMagnum

Islamic coins and medals. Paris?, ca. 1791-1817?].

Mostly folio (315 x 210 mm). A manuscript compilation of loose leaves and bifolia, with about 104 drawings (some in ink; some in coloured gouaches, many including gold, silver and other metallic colours) and about 53 engravings (some black on white; some white on black), each drawing and engraving showing the obverse and reverse of an Islamic coin or medal (except for about 3 that show only one side). Most of the drawings and engravings are on slips attached to leaves with notes in Arabic and French. An extensive study of Islamic coins, medals, and seals prepared on loose leaves and bifolia, with about 104 drawings (in ink or coloured gouaches, many with gold and/or silver and occasionally copper or metallic blue) and about 53 engravings, most drawings and engravings with manuscript notes in Arabic and French. Nearly every drawing and engraving shows both the obverse and the reverse of the coin or medal, some shown at the original size and some enlarged, so the diameter of the coins in the drawings ranges from about 1½ cms to about 10 cms, though even some of the larger ones note that they are drawn at the original size. Some of the ink drawings were made directly on the leaves, but nearly all of the colour drawings and engravings are on separate slips mounted on the leaves (some pasted, some with sealing wax, some with pins). The notes on these leaves usually give the dates of the coins (whether or not the coins themselves are dated) following the Islamic Hijri calendar and sometimes also following the Christian calendar. They often give a transcription of the inscriptions in a naskh Arabic hand (though they appear on the coins in several styles of Arabic script, including Kufic). A few include longer notes in French. The coins come from Egypt, the Ottoman Empire, Morocco, Algeria, Tunesia, Tripoli and elsewhere. - The dates given for the coins range from at least AH 93 to at least AH 1203 and probably to AH 1219 (712-1788 CE and probably to 1804/05 CE). The compilation of these drawings, engravings and notes probably began in the 1790s and may have spanned two or three decades. A few of the leaves (including some with drawings made directly on the leaves) show a paper stock with a watermark date "1791", and many leaves show a distinctive kind of watermark that was used in 1805. They frequently include abbreviated references to Jacob Georg Christian Adler, Museum Cuficum Borgianum velitris, Rome, 1782; Denis Samuel-Bernard, Mémoire sur les monnaies d'Egypte, Paris, 1809; and Description de l'Égypte ... État moderne, plates vol. II, Paris, 1817 (plates h-k show 127, 123 and 178 coins and medals), the last giving the earliest possible date for the completion of the compilation. Many of the engravings in the present compilation are taken from these three sources, and there is even what may be a proof of an unfinished plate from Bernard. One leaf has a mounted letterpress fragment with a biography of Ahmed ben Mohammed Khan, clipped from p. 67 of the 1776 Maastricht edition of Barthelemy d'Herbelot de Molainville, Bibliotheque orientale. - Although the manuscript nowhere names its compiler(s), Jean Joseph Marcel (1776-1854), grandnephew of the Consul Général in Egypt, was a brilliant student at the University of Paris, where he received many prizes in 1790 and 1791 and began his study of oriental languages. He came into contact with the orientalist Louis-Mathieu Langlés, who arranged for him to accompany Napoleon on his 1798 Egyptian Campaign (1798-1801), where he took charge of the Campaign's printing office (printing an Arabic type specimen in 1798), made the first steps toward deciphering the Rosetta Stone, and collected medals, manuscripts and inscriptions. Back in Paris he became director of the Imprimerie Impérial, a post he held until 1815. He wrote, compiled or translated numerous works concerning Arabic and other oriental languages. He may have planned to produce a publication based on the present compilation, but no such publication appeared. The compilation in any case shows Europe's new interest in Islamic studies after Napoleon's Egyptian Campaign, with Paris as its most important centre. - About 3 small drawings appear to have been made on oiled paper, probably in order to trace coins or engravings of coins, and a few are drawn on tissue paper. Many of the larger drawings are in colour, and a few are enlarged copies of the smaller drawings or engravings. Some leaves are tattered along the edges and a few have had their corners cut off, none of this affecting the illustrations or text. In a very small number the ink has corroded in the paper, more severely in 2 leaves, and one of the drawings on oiled paper has been cut up with 3 (of 4?) pieces surviving, but most of the leaves remain in good condition. A remarkable record of Islamic coins and medals, compiled ca. 1791-1817, with about 157 illustrations. For Marcel: Alain Messaoudi, Les Arabisants et la France coloniale (2015), pp. 239-240.

Inlibris · Wien, AT28 000,00 €

[Qur'an].MareMagnum

Al-Coranus s. lex islamitica Muhammedis, filii Abdallae pseudoprophetae [...]. Hamburg, Gottfried Schultze & Benjamin Schiller, 1694.

4to. (90), 560 [but p. 255f. repeated], (10) pp. Latin title printed in red and black; one Latin and two Arabic (woodcut) half-titles. Preface in Latin, text in vocalized Arabic throughout. Contemporary half calf with marbled covers and giltstamped label to sparsely gilt spine. The famous "Hamburg Koran": while not actually (as it was long considered) the first printed Qur'an ever, the first accessible printed edition of the Arabic text. Only in 1987 was a unique copy of Paganino de Paganinis's Venetian edition (c. 1538) rediscovered, a work whose press run either was destroyed immediately or was limited to the sole surviving specimen, apparently a proof copy (cf. A. Nuovo, "Il Corano arabo ritrovato", in: Bibliofilia LXXX, IX, 1987). Four years after the present edition, in 1698, Lodovico Marracci produced his own Qur'an, but its two big tomes were anything but easy to consult - hence, the Hamburg Koran remained "the only available and handleable" (Smitskamp) edition until the early 19th century. - Abraham Hinckelmann (1652-95), a Hamburg theologian, studied at Wittenberg and collected many Oriental manuscripts. He compiled a Quranic lexicon in manuscript and planned a Latin translation of the Koran, but this was never realised. - Some browning throughout, as common due to paper; slight waterstaining near end. Ms. ownership of Joseph Venturi in Arabic, Hebrew, and Latin ("emit Romae An. 1789") on Latin title (his quotation from Brunet on first Arabic title), with early 19th c. ownership of Blasius Milani. This is the uncommon variant with two different woodcut Arabic titles. Schnurrer 376. Smitskamp, PO 360. Fück 94. Le Livre et le Liban 135f. Woolworth 279. Hamilton, Europe and the Arab World 33. Brunet III, 1306. H. Bobzin, From Venice to Cairo, in: Middle Eastern Languages and the Print Revolution (2002), p. 151-176, at p.160f., with 2 illustrations (figs. VI and 74). The Heritage Library: Treasures of Islamic and Arabic Heritage (Qatar 2006), s. v. "Religion", with illustration.

Inlibris · Wien, AT28 000,00 €

Al-Qabisi, Abu Al-Saqr 'Abd al-'Aziz Ibn 'Uthman Ibn 'Ali (Alchabitius).MareMagnum

[Libellus Isagogicus - Al-madkhal]. Preclarum su[m]mi in astroru[m] scientia principis Alchabitii opus ad scrutanda stellaru[m] [...]. Venice, Petrus Liechtenstein, 1521.

4to. 64 ff. With several diagrams and woodcut initials in the text and the printer's full-page woodcut device on the final page, printed in red and black. Modern limp vellum with ties. "Early edition of Alchabitius' 'Introduction to the Mystery of Judgments from the Stars', with the 'modern' version by Antonius de Fantis. Sessa issued the same work at the same time, but Liechtenstein's edition is superior and especially esteemed for the fine woodcut in black and red (printer's mark) at the end" (Weil). Translated by Joannes Hispalensis (in 1144), with the commentary of Joannes de Saxonia. "Although al-Qabisi's education was primarily in geometry and astronomy, his principal surviving treatise, 'Al-madkhal ila sina'at ahkam al-nujum' ('Introduction into the Art of Astrology') in five sections [...], is on astrology. The book, as the title indicates, is an introductory exposition of some of the fundamental principles of genethlialogy; its present usefulness lies primarily in its quotations from the Sassanian Andarzghar literature and from al-Kindi, the Indians, Ptolemy, Dorotheus of Sidon, Masha'allah, Hermes Trismegistus, and Valens. Although completely lacking in originality, it was highly valued as a textbook [... The] Latin version was commented on by Joannes de Saxonia at Paris in 1331" (DSB). - Title slightly smudged; occasional light waterstaining. From the library of Curt Wallin with his armorial bookplate on the pastedown. Rare; a single copy in auction records since 1975. Edit 16, CNCE 834. Adams A 24. BM-STC 1. BM I, 307. IA 102.864. Essling 301. Sander 223. Houzeau/Lancaster I, 3848. DSB XI, 226. Weil, Cat. VI, 29. OCLC 46413115. Cf. M. H. Fikri, Treasures from The Arab Scientific Legacy in Europe (Qatar 2009), nos. 9f.

Inlibris · Wien, AT28 000,00 €

Al-Qabisi, Abu Al-Saqr Abd al-Aziz Bin Othman Bin Ali (Alchabitius).MareMagnum

[Libellus Isagogicus - Al-madkhal]. Preclarum su[m]mi in astroru[m] scientia principis Alchabitii opus ad scrutanda stellaru[m] [...]. Venice, Petrus Liechtenstein, 1521.

4to. 64 ff. With several diagrams and woodcut initials in the text and the printer's full-page woodcut device on the final page, printed in red and black. Near-contemporary limp vellum with 19th century spine label. "Early edition of Alchabitius' 'Introduction to the Mystery of Judgments from the Stars', with the 'modern' version by Antonius de Fantis. Sessa issued the same work at the same time, but Liechtenstein's edition is superior and especially esteemed for the fine woodcut in black and red (printer's mark) at the end" (Weil). Translated by Joannes Hispalensis (in 1144), with the commentary of Joannes de Saxonia. "Although al-Qabisi's education was primarily in geometry and astronomy, his principal surviving treatise, 'Al-madkhal ila sina'at ahkam al-nujum' ('Introduction into the Art of Astrology') in five sections [...], is on astrology. The book, as the title indicates, is an introductory exposition of some of the fundamental principles of genethlialogy; its present usefulness lies primarily in its quotations from the Sassanian Andarzghar literature and from al-Kindi, the Indians, Ptolemy, Dorotheus of Sidon, Masha'allah, Hermes Trismegistus, and Valens. Although completely lacking in originality, it was highly valued as a textbook [... The] Latin version was commented on by Joannes de Saxonia at Paris in 1331" (DSB). - Some traces of worming throughout, mainly confined to margins and expertly repaired. 17th century ownership "Francois Claret" to title page. Rare; a single copy in auction records since 1975. Edit 16, CNCE 834. Adams A 24. BM-STC 1. BM I, 307. IA 102.864. Essling 301. Sander 223. Houzeau/Lancaster I, 3848. DSB XI, 226. Weil, Cat. VI, 29. OCLC 46413115. Cf. M. H. Fikri, Treasures from The Arab Scientific Legacy in Europe (Qatar 2009), nos. 9f.

Inlibris · Wien, AT28 000,00 €

Berquen, Robert de.MareMagnum

Les merveilles des Indes orientales ou nouveau traitté des pierres precieuses & perles, contenant leur vraye nature, dureté, couleurs & vertus: chacune placée selon son ordre & degré, suivant la cognoissance des marchands orfévres, le tiltre de l'or & de l'argent, avec augmentation à plusieurs chapitres, les raisons contre les chercheurs de la pierre philosophale & souffleurs d'alquemie, et de deux autres chapitres du prix des diamans, & des perles. Paris, C. Lambin, (1668-)1669.

4to. (8), 152 pp. With engr. portrait frontispiece of Anne Marie Louise d'Orleans and numerous pretty woodcut initials and tailpieces. Contemporary richly gilt calf, gilt dentelle central cover decoration showing the Sacred Heart of Jesus, gilt spine on five raised bands (upper spine-end and corners repaired). Marbled pastedowns. Second, enlarged edition of this rare work on precious stones and pearls found in the East and West Indies, written by a Parisian "marchand orphèvre" in Paris and first published in 1661. Both editions are dedicated to "La Grande Mademoiselle" Anne Marie Louise d'Orléans, Duchess of Montpensier and niece of Louis XIII, with her finely engraved portrait, which is here more delicately executed (by Nicolas de Larmessin, in 1664). The large chapter devoted to pearls and pearl fishing cites the Gulf and several specific places there as among the main locations of pearl fishing: "on pesche les perles en divers endroits du monde. Dans le Golfe Persique, principalement aux environs de l'Isle d'Ormus & Bassora: aupres de Baroyn [i.e., Bahrain], Catiffa, Iuffa, Camaron, & autres lieux de ce Golfe [...]" (p. 68). This chapter is here "augmented with an appendix which recounts the history of the Spanish conquest in the New World and additionally gives remarks on pearl fisheries, natural history, and production [...] New chapters comprise Ch. 17, on the pricing of diamonds according to size and quality, and Ch. 18 on pricing of pearls. In tems of substance, this edition [the second one, here offered] is considerably superior to the first; both are rare" (Sinkankas p. 97f.). It is these new, additional chapters in particular for which this second edition is sought after: "Du prix des Diamans" and "Du prix des Perles", as well as one entitled "Raisons contre les chercheurs de la Pierre Philosophale & souffleurs d'Alquemie. Et ne sera pas mal à propos de parler de Nicolas Flamel sur ce sujet". - Lower spine-end and corners somewhat bumped, otherwise fine. A good copy in an appealingly decorated contemporary French binding. Sinkankas 593. Duveen 71. Sabin 4957. Brunet VI, 4780. Graesse I, 348.

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De Bry, Theodor / Johann Israel de Bry / Joris van Spilbergen.MareMagnum

Indiae Orientalis pars septima [...]. Including: Icones, hoc est verae variorum populorum et regum, ceremoniarum item, superstitiosorum rituum et rerum aliarum [...]. Frankfurt, Wolfgang Richter, 1606.

Folio (325 × 200 mm). With the letterpress title within an engraved architectural border, an individual letterpress title-page for the Icones, an engraved coat of arms on the dedication leaf, 20 engravings in text and 2 double-page engraved plates. 20th-century green half morocco. First edition of the Latin translation of book seven of Théodore de Bry's Petits voyages, the greatest single collection of material on early voyages to the East Indies, which is considered unique in its extraordinary wealth of cartographical and visual material. Crucially, this much-sought volume includes Gasparo Balbi's groundbreaking account of the Middle East, first published in 1590 as Viaggio dell' Indie Orientali - a mere 16 years before this present issue, making this the second appearance in print altogether and the first Latin translation. Balbi, a Venetian jewel merchant, travelled extensively in the Arabian Peninsula in search of precious stones. From Venice he sailed for Aleppo, proceeding to Bir and from there overland to Baghdad, descending the Tigris to Basra, where he embarked for India. While in the Gulf, he studied the pearl industry, noting that the best pearls were to be found at Bahrain and Julfar. He refers to islands in the Emirate of Abu Dhabi (including Sir Bani Yas and Das) and to several coastal settlements that were to become permanently established, such as Dubai and Ras al Khaima. Balbi was the first to record the place names along the coast of modern Qatar, the United Arab Emirates and Oman. Practically "none of the names of places on the coast between Qatar and Ras al Khaima occur in other sources before the end of the eighteenth century" (Slot). The volume also comprises the account of Joris von Spilbergen's voyage to Ceylon in 1601-1604 (with excellent plates). - A note with red pencil on the second leaf, browned, some small spots, otherwise in good condition. Brunet I, col. 1334. Cf. Carter, Sea of pearls, p. 79. Howgego, to 1800, B7. Slot, The Arabs of the Gulf, 1602-1784. United Arab Emirates yearbook 2006, p. 20.

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Leo Africanus, Johannes (al-Hasan ibn Muhammad al-Wazzan al-Fasi).MareMagnum

Historiale description de l'Afrique, tierce partie du monde. Lyon, Jean Temporal, 1556.

Folio (305 x 200 mm). Vol. 1 (of 2) only. (40), 495, (23) pp. Wood-engraved title border, double-page woodcut map of Africa, including Arabia, and 26 illustrations, all but one coloured by a contemporary hand. 18th c. mottled calf with giltstamped red label to fully gilt spine. Marbled endpapers. Scarce first French edition of the famous description of Islamic Africa and Arabia, with the illustrations coloured by a contemporary hand; the first collection of voyages printed in France. The book was originally written in Arabic around 1526 by the Berber Andalusi geographer and traveller al-Hasan ibn Muhammad al-Wazzan al-Fasi (ca. 1494-ca. 1554), known in the West as Johannes Leo Africanus, translated into Italian by the author and first published in Venice in 1550. The Arabian Peninsula is depicted nearly complete on the double-page woodcut map and is treated extensively in the first chapter, which contains information on its people, cities, geography, religion, customs, costumes, etc. Illustrations include Arabian camels and veiled women. - Johannes Leo took his Christian name from his sponsor Pope Leo X when he converted to Christianity after his capture in 1520. While still very young he began to travel widely in the Barbary States; in 1513 he appears to have started on his famous Sudan and Sahara journeys (1513-15). In 1516-17 he travelled to Constantinople, probably visiting Egypt on the way; it is more uncertain when he visited Arabias, Armenia and Tartary. His three Egyptian journeys, immediately after the Turkish conquest, all probably fell between 1517 and 1520; on one of these he ascended the Nile from Cairo to Aswan. - Binding somewhat rubbed; spine head and hinges professionally repaired. Repairs to lower margin of first two leaves (very slight loss of title border), some toning and soiling, water- and inkstains. Very occasional marginal tears or worming. Early marginalia and ink ownerships on title page ("Pacauld" and "Ex Bibliotheca Joh. Huyseri", i. e. Johann Huyser). No other auction record of a coloured copy in RBH or ABPC. Adams L 482. Howgego A17. Gay 258. USTC 1136. Sabin 40044.

Inlibris · Wien, AT28 000,00 €

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