48 018 résultats
1950589WEIß GEBRÜDER 1950. 1. hardcover. Sirmkovrilo! WEIß, GEBRÜDER hardcover
1940AMO-4517Vers 1945 Voici la liste et la taille des dessins : - Mon curé dans les bois (environ 24 x 22,5 cm) - Mon curé chez les riches (environ 19 x 19 cm) - [Les gymnastes] (avec légende que nous ne comprenons pas) (environ 23 x 18,5 cm) - [Enculine Paris] (texte dans le dessins) (environ 21 x 20 cm) * ce dessin n'est pas montré dans cette fiche - Derrière la scène (environ 19 x 18,5 cm) - L'affaire ... légendée au crayon en dessous La vengeance du juif (environ 21 x 19,5 cm) ** ce dessin daterait la série de l'année 1945 - Cuisine bourgeoise (environ 18 x 16 cm) - Education spirituelle (environ 17,5 x 15 cm) - ... du nègre (environ 16,5 x 16 cm) *** nous ne lisons pas le premier mot avec certitude - Vive la lieberté (environ 17,5 x 17,5 cm) ** ce dessin daterait la série de l'année 1945 - Mon curé chez les pauvres (environ 21,5 x 19,5 cm) * ce dessin n'est pas montré dans cette fiche - Séduction (environ 25 x 20 cm) * ce dessin n'est pas montré dans cette fiche Chaque dessin a une forme différente, soit rectangulaire, soit carré, soit avec des pans coupés. Ces dessins sont sur papier bristol blanc. Excellent état de l'ensemble des dessins. Ces dessins se trouvaient depuis tout ce temps conservés dans une enveloppe de papier kraft accompagnés d'un billet autographe de l'éditeur parisien René Kieffer. Dans ce billet d'instruction René Kieffer s'adresse à son photograveur en ces termes : "Toute la série. Des dessins au crayon doit être en simili détourée comme vous avez fait le dernier. Signé René Kieffer. Même réduction. Très soigné (au crayon). [un mot illisible à droite]. Ce billet est rédigé au verso d'une photogravure d'un dessin par Jacques Touchet.
192412317London: n.p. 1924. Used; Like New/Used; Like New. Irving Thalberg's personal copy of this splendid Limited production Grigoriev's artwork beautifully presented in the form of 30 color and black and white plates tipped to embossed mat pages separated by vellum leaves. The title page is inscribed and signed by the publisher "To Irving Thalberg with kindest regards and best wishes Morris Gest". Original half vellum over paper-covered boards the upper side illustrated and titled in gilt spine lettered in gilt. With minor soiling and handling to cover light toning on backing paper pages else fine condition. From the estate of Norma Shearer whom Thalberg married in 1927. 100 pp. 11 x 14 .5 in. <br><br><br />A remarkable association copy inscribed to the legendary Hollywood production executive Irving Thalberg who took hold of Universal City at age 20 and supervised such films as Ben Hur and Mutiny on the Bounty among many others. He died of pneumonia at age 37.<br><br><br />Morris Gest born 1881 in Vilna Lithuania as Moses Gershonovitch died May 16 1942 at the age of 61. He produced "The Miracle" in 1924 and "Lady Precious Stream" in 1936 introduced an original Russian ballet to America Baliev's 'Chauve-Souris' and brought Stanislavski's Moscow Art Theatre in repertory to America in 1923. n.p. hardcover books
104937Venice California, Sure Co, 1975, 128x382mm, 146 pages non paginées composées chacune de 42 images (72 pour la page 1) juxtaposées pour former un texte photographique. Cartonné, couvertures muettes recouvertes de papier argenté.
102906New York, Library Fellows of the Whitney Museum of American Art, Série Artistes et Ecrivains vol 6, 1988, 34 folios non numérotés (y compris les pages de garde), demi cuir rouge de l’éditeur, plats en acier brossé, horloge digitale incluse dans le premier plat, boîte de l’éditeur en toile grise avec pièce de titre au dos.Edition originale tirée en tout à 250 exemplaires sur Rives tous signés par l’auteur et l’illustrateur.L’illustration de Barbara Kruger comprend 9 lithographies et 8 sérigraphies réalisées d’après des images photographiques ; le texte est imprimé en typographie manuelle.Reliure réalisée par Booklab à Austin. (102906)
19881041191988 New York, Library Fellows of the Whitney Museum of American Art, 1988, 34 folios non numérotés (y compris les pages de garde), demi cuir rouge de l’éditeur, plats en acier brossé, horloge digitale incluse dans le premier plat.Edition originale tirée en tout à 250 exemplaires sur Rives tous signés par l’auteur et l’illustrateur. Conçu par Barbara Kruger et produit par May Castelberry. Impression en rouge et noir pour le texte et l’illustration de Barabara Kruger qui comprend 9 lithographies et 8 sérigraphies réalisées d’après des images photographiques.Reliure réalisée par Booklab à Austin.Riva Castelman, A Century of Artists Books, Moma 1994, p. 216 ; Deborah Wye, Thinking Print , New York Moma 1996 p.22 n°4(104119)
1973187771973. Mixed media on paper. Signed "Grasse" Design for Bricklin car company.<br/> <br/>This strikingly handsome sports car design was designed for Malcolm Bricklin's unsuccessful car manufacturing effort of the mid-1970's. Handsomely engineered on the outside the cars were poorly made and designed within and very few survive. Herb Grasse began designing cars professionally in 1968 for Dodge. He worked for Chrysler Ford and Nissan and eventually had his own design firm. From 1973-75 he was Chief Designer for Bricklin. He died in 2010.<br/> <br/>"herbGrassedesign"; The Museum of Automobile Art and Design website. unknown books
30832Executed in ink pencil gouache and silver paint on wove paper. Unsigned but with monogrammatic handstamp to lower left corner. With annotations in ink in Russian relative to various parts of the costume. 13.125" x 8.75" 332 x 222 mm.<br/><br/>Slightly worn and soiled; some edge tears and repairs; upper right corner with erasure resulting in minor paper loss. Korovine designed costumes for productions of Russian operas including Borodin's Prince Igor Mussorgsky's Khovanshchina and Rimsky-Korsakov's Sadko and Le Coq d'Or.<br/><br/>"Konstantine Korovine is one of the most famous of Russia's twentieth-century stage designers. He made his debut as a theatrical painter in 1885 when he executed the sets and costumes for the production of Snegurochka at Savva Mamontov's Private Opera after Vasnetsov's designs and thereafter he emerged rapidly as an independent stage designer - decorating according to one souce 80 operas 37 ballets and 17 dramas during his lifetime. Korovine brought to the Russian stage a vibrancy and richness that was lacking in the traditional Imperial theaters. He felt more at ease when called upon to design operas and ballets treating of Russian history and legend such as Prince Igor Sadko and The Golden Cockerel and he designed sets and costumes for such spectacles at home and abroad." Bowlt: Russian Stage Design Scenic Innovation 1900-1930 from the Collection of Mr. & Mrs. Nikita D. Lobanov-Rostovsky pp. 175-176. MacDougall Arts Ltd. London auction June 9 2011 lot 413 catalogue p. 17. unknown books
193226554Wien-Leipzig: Universal-Edition PN U.E. 10.050 1932. Small folio. Original publisher's wrappers. 1f. 13 pp. Publisher's catalogue dated July 1932 to verso of lower wrapper.<br/><br/>Autograph inscription from the composer to title in black ink: "Dr. David Bach herzlichs überreicht von seinem Webern Nov. 1932." <br/><br/>From the collection of the pianist and teacher Jacob Lateiner 1928-2010 with a note laid in from the distinguished music antiquarian Albi Rosenthal 1914-2004: "for Jacob - as a souvenir of his first and frustrating visit to Otto Haas - Albi London 12 May 1967." <br/><br/>Wrappers slightly worn and soiled. First Edition. Moldenhauer pp. 714-15. <br/><br/>"Alban Berg repeatedly assured the composer of his special admiration for this work. On 19 August 1932 he wrote: 'This Quartet is a miracle. What amazes me above all is its originality.' Schoenberg was equally impressed. On receipt of the printed score he thanked Webern for the 'fabulous piece.' Today theorists recognize the Quartet as a masterpiece of formal construction." Moldenhauer pp. 426-27.<br/><br/>Dr. David Josef Bach 1874-1947 an important figure in Viennese cultural life in the first quarter of the 20th century was a significant patron of the arts an academic and a writer who championed the dissemination of the arts to the masses. Many important musical and visual artists were indebted to his patronage and support including Webern Schoenberg who wrote an atonal birthday canon of 21 measures for him in 1934 and Oskar Kokoscha who executed a portrait of him. Universal-Edition [PN U.E. 10.050] unknown books
197042434TITANIA 1970. 28. hardcover. Pucki Sirmkovrilo! TITANIA hardcover
196021693TITANIA 1960. 13. hardcover. Pucki Sirmkovrilo! TITANIA hardcover
196021701TITANIA 1960. 15. hardcover. Pucki Sirmkovrilo! TITANIA hardcover
197042431TITANIA 1970. 29. hardcover. Pucki Sirmkovrilo! TITANIA hardcover
197042430TITANIA 1970. 25. hardcover. Pucki Sirmkovrilo! TITANIA hardcover
21676TITANIA. 15. hardcover. Pucki Sirmkovrilo! TITANIA hardcover
1930266671930. Etched signed lower right remarque of a cowboy on horseback in pencil lower left. Rare sepia printed example of a superb Edward Borein print signed and with a pencil drawn remarque.<br/> <br/>Edward Borein 1872-1945 was born near San Francisco. He showed a very early talent for drawing which developed with very little training. He spent a number of years working as a cowboy throughout the southwest and Mexico sketching at the same time. His career as an artist evolved beginning with magazine illustrations and going on to more ambitious oil and watercolor paintings. He spent a number of years in New York City where he met Charles Russell and Will Rogers then returned to California based in Santa Barbara as of 1921. By this time he was working largely in etching a method he perfected always working with cowboys Indians and the West as his subject matter. This fine sepia printed etching of the Navajo is especially desirable because of its setting in Oraibi an ancient continuously inhabited Hopi town in Navajo County Arizona in the northeastern portion of the state. The etching is unusual too for the mild psychological drama evoked: the four Navajo riders face in various directions as if they were uncomfortable or uncertain none is actually looking at the village and one is prepared to ride away.<br/> <br/>Galvin 210. unknown books
1936314549Washington D.C.: Smithsonian Instiution 1936. First edition. Smithsonian Miscellaneous Collections. Volume 95 Number 3. 11 plates on 6 leaves. 2 10 pp. 8vo. Original side-stitched printed wrappers; partially unopened. Minor shelfwear but fine. First edition. Smithsonian Miscellaneous Collections. Volume 95 Number 3. 11 plates on 6 leaves. 2 10 pp. 8vo. An important marker in the development of rocketry and space flight the pamphlet sums up Goddard's pioneering work in rocketry over the previous two decades. On March 16 1926 Goddard launched the world's first liquid propellant rocket from a site near Auburn Massachusetts and he would continue to develop the technology for the rest of his life. He held over 200 patents relating to rocketry and space flight and in honor of his contributions NASA named its first space-flight center after him. The pamphlet was produced in part as a report back to the Smithsonian who had begun contributing financially to his research beginning in 1915. Smithsonian Instiution unknown books
1938319579New York 1938. 87 silver print photographs each captioned in the negative. Each measuring approx. 7 3/4 x 9 5/8 inches. Mounted on linen at a period date with two-ring punched linen guards at the left margin. Many stamped on verso "Official Photograph / President Borough of Queens. Fine. 87 silver print photographs each captioned in the negative. Each measuring approx. 7 3/4 x 9 5/8 inches. Mounted on linen at a period date with two-ring punched linen guards at the left margin. Many stamped on verso "Official Photograph / President Borough of Queens" This photographic archive documents the construction of a massive double-barrel sewer line running from the World's Fair grounds largely in the vicinity of Grand Central Parkway and Roosevelt Avenue. Many of the images are dated in the negative depicting the surveying of the region in June 1937 to ground breaking in July through completion of the lower barrel in September and the work on the upper barrel through November of that year. Additional photographs depict a second sewer project on the grounds through March 1938 including images of the completed tunnel with a group of well-dressed gentleman standing inside.<br/><br/>"The magnitude of the work may be appreciated when it is realized that on a site previously considered useless except as a rubbish dump a city has been constructed to supply a million people all the business and living facilities except shelter. Its construction therefore involved all braches of municipal enginineering architectural construction terminals for rapid transit and bus transportation internal travel bridge construction landscape engineering utility construction and management for light power and water supply and general sanitation" -- Henry Welles Durham "Construction of the New York World's Fair" in The Military Engineer Vol. XXXI Sept.-Oct. 1939. <br/><br/>Construction and development of the site was undertaken by the Fair Corporation's own engineers and workers but also by outside contractors the latter which was evidently the case here as many of the images are identified by contract and project numbers. Chief Engineer and Director of Construction John P. Hogan likened the work on the site to "an expeditionary force of an army in the field." In the end the World's Fair grounds included some 50 miles of water and sewage lines and would be the second most expensive fair of all time. 1 unknown books
1956477611956 Paris, Tallandier - 1956 - In-4 - Cartonnage éditeur illiustré, coins émoussés - Nombreuses illustrations en monochrome dans le texte et en planches couleurs - 40 pages - Bon exemplaire - Réf. 47761
Format (Bildbereich): 48 x 32 cm. Blattgröße: 75 x 56 cm. *Originale Lithographie in einem Exemplar der Ausgabe auf Japanpapier ("Japon sur grand papier") in einer Auflage von 30 Exemplaren. Von diesem Motiv wurde von Mourlot mit Authorisierung von Picasso eine Lithographie in kleiner Auflage geschaffen. Es gab davon jedoch mehrere Farbvarianten sowie mehrere Zustandsvarianten, ferner Varianten mit einem eingedruckten Datum von 1958 sowie Varianten ohne diesem Datum. Die meisten dieser Variationen in einer numerierten Auflage von je 100 numerierten Exemplaren und die meisten mit einer zusätzlichen Signatur von (oder nach) Picasso in Weißstift oder Farbstift. - Das vorliegende (mir bislang nicht bekannte und auch nicht nachweisbare) Exemplar auf Japanpapier mit einer handschriftlichen Numerierung von 30 Exemplaren auf "großem Papier", d.h. das Blattformat ist hier mit 76 x 56 cm deutlich größer als die sonst übliche Blattgröße der verschiedenen Farbvarianten mit ca. 55 x 37 cm. Offenbar eine Art Vorzugsausgabe, die jedoch (zumindest beim vorliegenden Exemplar) nicht mehr eigenhändig signiert wurde. Keines all dieser vielen Varianten ist in den gängigen Werkverzeichnissen aufgeführt. - Unterrand beiseitig in den Rändern etwas angestaubt, das Papier teils mit leichten Knitterspuren. Graphiken de
199444183HEYNE WILHELM 1994. 1. softcover. 328732713254 Sonderausgabe! Mit "Sonderpreis"-Aufkleber! Drei berühmte Klassiker des bekannten deutschen SF-Autors in einem Band! DREI SCIENCE FICTION ROMANE IN EINEM BAND HEYNE, WILHELM paperback
19804280AB(Hamburg, Christians und CC-Verlag, 1980). 21 Blatt mit Texten, Abbildungen und Faksimiles. OBr., 1
3471815 pages in4 sur 15 + le texte imprimé dans les journaux soit un total de 34 pages en tout - Reliure à la bradel demi velin - Très bon état - On y joint un second volume in8, dans une reliure demi toile écrue et comprenant les deux lettres autographes signées à Bernard Grasset à propos de cette enquête et le texte intégral découpé dans Candide en 1931 -
196841357HEYNE WILHELM 1968. 1. softcover. Professor Eggerth SCIENCE FICTION CLASSICS HEYNE, WILHELM paperback
195021771TITANIA 1950. 11.ND. hardcover. Pucki Farbbild! TITANIA hardcover