LE PETIT JOURNAL Supplément illustréLivre Rare Book
350 résultats
190043572Couverture souple. Numéro complet. 8 pages. Gravures en couleur. Légèrement défraîchi.
1900125400Couverture souple. Numéro complet. 8 pages. Gravures en couleur.
20730Paris, Bernard Grasset, 1996. 14 x 23, 552 pp., broché, très bon état.
7648La Table Ronde In-8,broché,couverture glacée ,titre dans un cadre rouge,dense,191 pages.
8886Berlin, Ernst Wasmuth, Editeur, 1926. 1 fort volume in-4, reliure pleine toile, 34 pp. de texte et 96 planches en couleurs avec texte explicatif, très bon état.
Milano, 1904, estratto con copertina posticcia muta, pp. 907/915 con ill. (Cavalli) - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
19263broché - 16x14 - 263pp - publications de la sorbonne - éditions NAUWELAERTS LOUVAIN 6 1976
8640Paris, Alcan 1915, 240x160mm, 48pages, broché. Sur le dos de la page de titre des inscriptions au crayon.
1980ROD0116764HATIER. 1980. In-4. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur acceptable. Environ 30 pages. Nombreuses illustrations en couleurs hors texte.. . . . Classification Dewey : 843.0692-Livres d'enfants
Very Good English Contemporary bdg. Roy. 8vo. (23 x 16 cm). In French. 40 p., 26 b/w plates. Bibliotheque des 'Questions Balkaniques' No.: 12. Les atrocites Serbes en Macedoine, (1912-1915). Avec 20 portraits joints au texte. Extraits du livre 'Le regime serbe et la lutte revolutionnaire en Macedoine' par C. Parlitcheff, Sofia 1917.
Broch?. 222 pages.
114077Paris, Art et Style sans date, vers 1950, 315x245mm, broché. Bel exemplaire.
200054257E-dite, coll. « Histoire » 2000 Format : 13,5 x 21 broché, 150 pages. Bon état.
Editions d’en bas, collection carton rouge, 1997. In-12 broché de 93 pages. Très bon état
Roma, Tipografia Labicana, 1908. Cartonato editoriale con titoli in r/n. pp. 60, 82), 1 c. b. Intonso.
Stampa antica ed originale con testo al retro
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 167, [1] p. Mahmud II. zamaninda Bosna-Hersek. Bosnia and Herzegovina in the period of Sultan Mahmud II.
Broch?. 178 pages.
Broché. 178 pages.
66845Lausanne, L'Age d'Homme, 1994, in 8° broché, 468 pages ; couverture illustrée (petite déchirure sans manque au plat inférieur).
Mm 120x170 Collana "Poesia" - Brossura editoriale con bandelle, 130 pagine con una introduzione di Andrea Zanzotto; testo a cura di Dubrako Pusez. Libro in stato di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
New English Paperback. 4to. (29 x 14 cm). In English and Turkish. 112 p., ills. Mersad Berber: An allegory Bosnia.= Bir Bosna alegorisi. Edited by Begüm Akkoyunlu Ersöz, Tania Bahar. Curated by Aida Abadzic Hodzic. The exhibition centres on the art of Mersad Berber, who is one of the greatest and most significant representatives of Bosnian?Herzegovinian art from the second half of the 20th century. Inspired by the great European masters, from Renaissance to Art Nouveau, Berber?s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica. The exhibition catalogue includes essays by Aida Abadzic Hodzic, the curator of the show and a well-known art historian, teaching at the Academy of Fine Arts in Sarajevo, and by Edward Lucie-Smith, the art critic and the honorary consultant of the project. While Abadzic Hodzic concentrates on how the art of Berber reflects all the multi-layered cultural history of his country; Lucie-Smith, who had worked with the artist in several exhibitions, focuses on his art within the European art history scene.
