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In-16 (C, 19 x 14), pp. 78-2, br. ed., poche leggere ingialliture al front. e margini della br. Timbri di possesso. Ordinari segni del tempo. MOLTO BUONO
1990Q-0887402526Schiffer Publishing Ltd 1990-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Schiffer Publishing, Ltd hardcover
399-Eo.J. Bleistift, teils aquarelliert, auf Velin, rechts unten Nachlassstempel. 14,5:12,3 cm. Verso an den oberen Ecken Reste von Verklebungen, recto rechts oben Leimspur. Provenienz: Nachlaß Otto Seitz, München. Studie zu einem Gemälde, das vermutlich in Zusammenarbeit mit seinem Vater Albrecht Adam (1786-1862) entstanden ist.
1784912727.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
542-Eo.J. Schwarze Kreide und etwas Bleistift, auf bräunlichem Velin, verso bezeichnet ?Ferdinand von Rayski?. 2124,7 cm. Verso an den Rändern Reste einer alten Verklebung. Vorstudie zu einem Porträt, vermutlich um 1845/55 entstanden. Zur Körperhaltung des Dargestellten vgl.: Ausst. Katalog: Ferdinand von Rayski. Dresden, Galerie Neue Meister 2006, Farbabb. Ss. 65 und 75.
200922493Piper, München, 2009. 239 S., 8°, ungekürzte Taschenbuchausgabe, mit Abb., am Seitenschnitt staubfleckig, sonst sehr gut
200922492Piper, München, 2009. 239 S., 8°, ungekürzte Taschenbuchausgabe, mit Abb., sehr guter Zustand - wie neu
1821004-L1821. Kreidelithographie, 1821, nach Anne-Louis Girodet-Trioson, 1801. 42,5:59,3 cm. Lith. de G. Engelmann. - Im ganzen nicht ganz frisch. Provenienz: Trockenstempel, nicht bei Lugt. Literatur: Meyers Künstlerlexikon 128, 6; Thieme-Becker II, S. 233; McAllister Johnson 72, 6. ? Blatt 6 der Folge ?Têtes tirées du tableau représentant les ombres des héros francais recues dans les palais aériens d?Ossian??. ? 1801 hatte Napoleon Anne Louis Girodet-Trioson (1767-1824) den Auftrag gegeben, für Schloß Malmaison die Apotheose der gefallenen Helden Frankreichs, deren Schatten im Elysium Ossians empfangen wurden, zu malen. Noch zu Lebzeiten Girodet-Triosons lithographierte dessen Schüler Aubry-Lecomte unter seiner Aufsicht eine Folge von Köpfen aus diesem Gemälde.
24038Ten of the poems dated to 1912; one from Burnham Beeches. Prose piece without date or place. Archaeologist poet soldier writer of crime fiction - it seems extraordinary that such a man should not have been accorded an entry in the Oxford DNB. In 2001 Napier University in Edinburgh published twenty-one of her father’s ‘Poems from the Great War’ transcribed from his notebook by his daughter Lady Jennifer MacLellan. At least ten of the eleven poems present here date from before the war. The are conventional in structure and somewhat immature in tone: the influence of Francis Thompson is apparent. The prose piece is altogether more successful. In choosing as his subject a fictitious individual with an almost primal connection with rock and stone Casson could almost be writing about himself. He was the author of ‘The Technique of Early Greek Sculpture’ 1933 and ‘Sculpture of To-day’ 1939 and carefully oversaw the transportation of the two and a half tons of sculptured marble and iron railings of Rupert Brooke’s monument to the remote olive grove where he is buried. All eleven poems present here are fair copies in autograph nor has the typescript prose piece any manuscript emendations. There is no indication that any of the items were ever published. The eleven poems are grouped over two bifoliums and two loose leaves each of the four groups dating from a different time. ONE: Six poems on a bifolium headed ‘Sept. 1912. M. F.’ 3pp 12mo. The first lines of the six poems are as follows. First poem twelve lines: ‘Little Brothers of the Grasses / Let me stay awhile with you.’ Second poem five lines: ‘On the warm stones beside the sea I lie’. The last four poems appear to have the collective title ‘Sea Sorrow.’ Third poem four lines: ‘Wild waves that fling their foam & fall’. Fourth poem eight lines: ‘O passionate waves that never tire!’ Fifth poem eight lines: ‘’Tween grey of the sea & grey of the sky’. Sixth poem four lines: ‘Over the downs at dusk of day’. TWO: Three poems on a single leaf headed ‘Burnham Beeches. / Oct. 1912. M. F.’ 1p 4to. First poem twelve lines: ‘Deep down in the woods when the leaves are falling’. Second poem six line: ‘A cold gold moon climbed up a steely sky’. Third poem sixteen lines: ‘Life like leaves that were green & now are sere’. THREE: Single poem twenty-one lines on bifolium headed ‘MÆSTITIA DIERVM NON REVOCANDARVM QUIA CONFECTARVM. / Nov. 1912.’ First of three stanzas: ‘Amind the singing of the stars / Amid the singing of the sea / The old dead days from devious ways / Came drifting drifting up the / hilltop still and secretly. / All grey the earth and grey the sky / As the ghosts of days went drifting by.’ FOUR: Single poem ten lines on one side of torn piece of paper. 1p landscape 12mo. Begins: ‘What has been and what is to be / Surges around and covers me.’ FIVE: Mimeographed typescript of a prose piece titled ‘THE MAN FROM THE HILLS’ with the author’s name given at top right as ‘S. CASSON.’ 5pp 4to. Printed on one side each of five leaves held together with a brass stud. Neatly folded twice. Reminiscences and assessment of the character of a almost certainly fictional departed friend of the narrator’s an otherworldly figure with a ‘close friendship of inanmate things’ and in particular stone ‘He told me once that the grandest feeling he had ever experienced was when he was crossing the Aegean and knew he was near Paros and its marble quarries.’. First paragraph reads: ‘His senses told him of the proximity of mountains just as we of cruder sensibility know when we are near the sea. He was not endowed with the more abnormal gifts of those in whose hands hazel twigs bend at the knowledge of flowing water or who can tell without enquiry what sort of men they were who scarred the hilltops with trenches or carved the slopes into lynchets. He was just an ordinary man but his capacities had bever been blunted with the trivialities of routine or the banal things of everyday existence.’ Ten of the poems dated to 1912; one from Burnham Beeches. Prose piece without date or place. unknown
1992205368Reinbek bei Hamburg: Rowohlt, 1992. 191 S., Ill., 19 cm. kart., broschiert.
2006105150Bozen, Ed. Raetia, 2006. 239 S. Gr.-8°, Softcover/Paperback
18693CBFrankfurt am Main, Fachhochschulverlag, der Verlag für angewandte Wissenschaft, 2020. 8°, 245 S., illustr. original Kartonage (Paperback), ordentlich ausgesondertes Bibliotheksexemplar mit kleinem Aufkleber auf Titelseite, 2 Seiten oben mit Eckknick, sonst schönes, sauberes Exemplar.
19696240BBMünchen, Südwest-Verl., 1969. 4. 528 S., mit Abb. u. Ktn. OLwd. m. Or. Umschl. Umschl. m. Randläsur. u. Anriss. m. Kleberband verstärkt ansonsten Buch in gut. Zust.
2011239296Zürich : Diogenes, 2011. 182 S., 19 cm. Leinen, gebundene Ausgabe, SU.
63-9505London UK: Edward Stanford 1854. 8vo. Bound Section 15 pp. Good with Boards & Spine Missing. Scarce.PROVENANCE: Collection of Books from the Library of Hugh Small author of Florence Nightingale: Avenging Angel.Hugh Small as a child lived above his surgeon father's consulting rooms in Harley Street almost opposite Florence Nightingale's first hospital. He graduated from Durham University in 1966 with honors in physics and psychology and worked in the US Chile and France before becoming a partner in a multinational management consultancy based in London. He is also the author of The Crimean War Tempus 2007. Hugh is widowed with two daughters and four grandchildren. London, UK: Edward Stanford, 1854. hardcover
1962278206Stegen am Ammersee : Druffel & Vowinckel, 1962. 140 Seiten. Originalleinen mit Original-Schutzumschlag.
19812111902160602233Culture publishing company 1981. Soft Cover. Fine. The book is in fine condition. Culture publishing company paperback
20111352930PN. New. 2011. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
20041202372004 Editions Nivoit - 2004 In-8, broché, couverture illustrée en N&B - 423 p.
19251156021925 A. Lantraut, éditeur, Strasbourg - Octobre 1925 - In-4, broché format à l'italienne - Sans pagination - Nombreuses reproductions photographiques en N&B hors texte
19391133991939 Editions Albin Michel - 1939 - Edition sur vélin supérieur - In-8, broché - 316 pages - Quelques illustrations (cartes) en N&B
R160166809PLON. NON DATE. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. VII+304 Pages - Tampons sur la page de titre - Coiffes abîmées -. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
19891153571989 Editions Bernard et Raymond Cima, collection "Côte d'Azur, Ligne Maginot" N° 8 / S.F.A.M. (Secteur Fortifié des Alpes Maritimes) - 1989 - In-4, broché - 48 pages - Nombreuses illustrations et reproductions photographiques en N&B in et hors texte
HIS4001MNEL, 1988. In-8, broché, 190 pages. Nombreuses illustrations et reproductions de lettres n&b. Ex-libris manuscrit. Exemplaire satisfaisant
19349936Glasgow: Kinnaird Press. Glasgow Kinnaird Press n.d. 1934. First Edition. First Impression. Hardback. A very good copy. Sargent it seems has this down as one of the worst written Utopias. I'll let you judge. Inscribed by the author in pencil to the front endpaper. Spine tanned a little bumping A few spots of foxing. 9936 Hyraxia Books. n.d. 1934 . Very Good. Hardback. 1st Edition. 1934. Kinnaird Press hardcover