Solomon, Robert CBiblio.com
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0199764840New. Brand new and still unused unknown
1963H39886Washington DC: Washington Gallery of Modern Art 1963. Wraps. Very good. 12 x 12 inches softcover very good with minor wear gentle bending to lower margins and faint surface soil to rear cover 20 pp illustrated with cover design and image by Jim Dine accompanied by LP vinyl record of interviews with the participating artists conducted by Billy Kluver housed in jacket replicating the cover image of the catalog but in bluetone; the thin paper jacket somewhat edgeworn with some light repairs and coffee cup-ring stains to blank verso but record itself looks near mint unplayed scratch-free and shiny housed in original white sleeve light discoloration. Some of the records were issued in jackets designed by Warhol: $1.57 Giant-Sized -- unfortunately ours doesn't come in that which would have exponentially increased the resale value of this lot! Interviews include Jim Dine George Brecht Jasper Johns Roy Lichtenstein John Wesley Robert Watts Tom Wesselmann Andy Warhol Claes Oldenburg Jim Rosenquist and Robert Rauschenberg. Both the catalog and the record are rare in the trade: the only copy of the catalog currently for sale online is priced at or close to ours but does not have the record! Washington Gallery of Modern Art unknown
159453431Leipzig: Z. Barwaldt 1594. Second edition. Hardcover. Very good. Folio. 12 83 1. title in red and black. Marbled boards 19th century backed in vellum. Moderately embrowned throughout. A very good amply-margined copy.<br /> <br /> Second edition of an important historical chronical for the years 1551-1590 in the Baltic areas of Lithuania Livonia and Couland Latvia. References: VD16 - H1937. [Z. Barwaldt] hardcover
51-4516Lugduni: apud Johan Tornaesium 1554 or 1558. 12mo. 12 x 17cm. Contemporary stiff vellum . 8-1152-74. Lacking title page and preliminaries to A4. Pages to no. 45 somewhat soiled reinforced and damaged. Hundreds of wooducts. Expertise by Alice Renier Université de Mons-Hainaut Belgium from 1999.OCLC Number: 65572001.Biblia Sacra. 1554. Biblia Sacra ad optima quaeque veteris ut vocant tralationis exemplaria summa diligenta pariq ; fide castigata. Lugduni apud Johan Tornaesium M.D.L.IIII. 1554. In-8° 175 x 12 cm 8-1152-74 p. Relié vélin. Bible illustrée de gravures sur bois du Petit Bernard dans un très beau tirage. Les estampes du Nouveau Testament sont encadrées des deux côtés par une vignette d'arabesques. Belle impression en caractères de huit sur deux colonnes. Cet exemplaire a été accidenté seuls 2 des 8 ff. liminaires ont été conservés et les 50 premières p. ont été renforcées ou remontées avec des salissures et déchirures. La suite du volume est en bonne condition. La page de titre étant manquante nous ne pouvons pour cet ouvrage qu'induire des informations à partir de données bibliographiques ce qui après une comparaison présice nous a conduit à soutenir qu'il s'agit de cette édition lyonnaise de 1554. AUDIN Bibliographie des éditions des Deturnes 458-59. 60 / 80 Lugduni: apud Johan Tornaesium, [1554 or 1558] hardcover
1966548362Boston Massachusetts: Institute of Contemporary Art 1966. Softcover. Near Fine. Exhibition catalog. Introduction by Alan Solomon. Quarto. Stapled pictorial wrappers with four bright pink pages in the text. Faint price erasure on first page a bit of modest rubbing near fine. Exhibition catalog featuring a description of Warhol's silk screen technique and 35 items from his second major show at the Institute of Contemporary Art in Boston from October 1 - November 6 1966. Institute of Contemporary Art unknown
stela1930New York: Holt Rhinehart Winston 1967. First Edition. folio. pp. 337 7. Profusely illus. in b/w. cloth faint damp-stain to top of covers. dw. short tears to head & foot of spine rubbed along rear outer hinge with some surface loss New York: Holt Rhinehart Winston, 1967 hardcover
183927384Paris: Baillere 1839. leather_bound. Gut. 1 Blatt 8 Doppeltafeln 1 Blatt. Halbleder der Zeit mit vergoldetem Rückentitel und marmoriertem Bezugspapier. Folio 35 x 27 cm. etwas beschabt und bestossen etwas gebräunt und braunfleckig im Rand stärker als in der Darstellung insgesamt farbfrisch und recht gut erhalten. Atlasband OHNE den Textband ! Der Arzt Segalas 1792-1875 war Urologe und verfasste diverse Schriften zu diesem Thema. Von vorliegendem Werk erschien eine erste Ausgabe 1835-36 wobei die Abbildungen nur im gewöhnlichen Oktav-Format beigegeben waren. Zur zweiten stark erweiteren Ausgabe erschien dann 1839 der hier vorliegende Atlasband im Großformat. In dieser Form ist der Band deutlich seltener und in nur wenigen Bibliotheken nachweisbar. Die Tafeln zeigen allerlei Nierensteine und deren Behandlung wie etwa durch Zertrümmerung. Wegen Urlaub kann Ihre Bestellung / Anfrage erst nach dem 21.06.2026 bearbeitet werden. - Because of holidays your order / question can be handled only after 06/21/2026. Baillere hardcover
1685JLOebSOL70Amsterdam: '5445' ie. 1684 or 1685. 1685. folio. ff. 224. Hebrew title within elaborate woodcut border. woodcut ornaments & title vignette. 2 columns. Hebrew text. contemporary vellum overlapping fore-edges lacking rear endleaves Hebrew title repaired at lower & gutter edge some light browning. Third Edition including the second edition of the super-commentary Leket Shikchah first printed in the 1660-61 edition by Jacob Abendana Haham of the Spanish and Portuguese Synagogue London 1681-85. Amsterdam: '5445' [ie. 1684 or 1685]. hardcover
177788692Zuric, Chez l’Auteur 1777 2 volumes. In-4. Reliures de l’époque plein veau havane raciné, dos à nerfs encadrés de fers dorés, roulette dorée sur les coupes, 12-184-190 pp., 2 titres gravés à la même date, 20 figures, 6 vignettes et 33 culs-de-lampe imagés, dessinés et gravés par l'auteur lui-même. Bien complet des 2 Avis au relieur. Infimes et rares rousseurs, rsetaurations aux mors et aux coins, dos d’un volume un peu frotté, deux coins émoussés. Les deux reliures ne sont pas tout à fait identiques, sinon belle édition.
20021-0684805685Charles Scribners Sons/Reference 2002. Hardcover. New. 1st edition. 2004 pages. 12.00x9.00x6.50 inches. Charles Scribners Sons/Reference hardcover
179640012(Paris), Imprimerie de Patris, 1796. In-8 de XIV-XXVI-310-(2) pp., frontispice et 6 figures gravées hors texte, veau fauve, décor d'éclats et poussière d'or sur les plats, bordure florale et double encadrement de filets dorés, frise criblée à froid, dos lisse couvert de maroquin noir orné de bandeaux et instruments de musique dorés, roulette intérieure, tranches dorées (reliure de l'époque).
153445Talleres gráficos de la Nación 1949 México. Primera edición. 24x17. Plena tela. 88 pgs. Ejemplar con la firma autógrafa del autor. T5629 Talleres gráficos de la Nación, 1949, México. Primera edición. unknown
177758985BB2 Bände. Zürich Beym Verfasser. 1777-1778. 4°. 191 S.; 194 S., 1 w. Bl. Mit 2 gestochenen Titeln, 20 radierten Tafeln und 40 radierten Vignetten. Halblederbände um 1900 im Stil der Zeit mit 2 verschiedenfarbenen goldgeprägten Rückenschildern und wenig Rückenvergoldung.
1861BB2214Boston: printed by Samuel N. Dickinson Washington Street / Published by Luther Stevens 186 Washington Street 1861. Two works documenting the first public obelisk in the United States and the technology developed to create it. First and only Edition of the Willard quite scarce. Royal 8vo 340 x 253 mm: 56-311pp with 14 inserted leaves including frontispiece of plates one folding. Original drab boards brown muslin spine upper cover with publisher's paper title label ruled and printed in black. Inscribed on front fly-leaf in pencil: "Charles W. Pearson August 13 185" A handsome survival tightly bound hinges neatly reinforced with Japanese tissue pages and plates generally clean and free of foxing with occasional smudges and stains. American Imprints 43-5291; Hitchcock 1409. The second work by Smillie: Slim demy 8vo 223 x 175mm: 16pp with frontispiece view of the monument engraved by E. A. Fowle from a drawing by R. P. Mallory seven-part accordion-fold panoramic view engraved for Drakes History of Boston of 160 important sites and institutions pp 2-12 provide "A key to the engraving" and woodcut in text. Publisher's green paper-covered boards printed in black rebacked with black cloth spine mimicking the original. End sheets and first page of text tanned from binder's glue else pages and plates including folding panorama fresh bright and free of foxing. Also issued in 1848 by Redding & Co. 8 State Street Boston in brown cloth decorated in blind and gilt. Stokes & Haskell P.1855—G-37. Abbey Life 573 for Mallory's panorama issued by Redding. The Battle of Bunker Hill actually was fought on Breed's Hill site of the Willard's Bunker Hill Monument on June 17 1775. The first monument commemorating the major opening battle of the American Revolution was an 18-foot wooden pillar with gilt urn erected in 1794 by King Solomon's Lodge of Masons to honor the fallen patriot and mason Major-General Dr. Joseph Warren who was killed during the battle's third and final assault. From 1824 to 1842 Willard designed and built the present monument a 221-foot tall granite obelisk for which he also developed the granite quarry in Quincy Massachusetts that provided stone. The first railroad in the country was built to transport granite from that quarry to the waterfront where it was taken by boat to Charlestown and hauled to the building site. N. B. With few exceptions always identified we only stock books in exceptional condition carefully preserved in archival removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. [printed by Samuel N. Dickinson, Washington Street] / Published by Luther Stevens, 186 Washington Street unknown
35148Zürich, Gessner, 1756 et 1762. 2 ouvrages reliés en 1 seul volume in-8°, 134-260p. Reliure demi-veau moucheté à coins, dos à nerfs orné de fleurons dorés, pièce de titre noire.
114838aaf1868 24x33 cm, 28.5x37.5 cm. (Mit unterlage).
1582M13446Vitaebergae:: Typis Zachariae Lehmani 1582. 1582. 16 cm. Small 8vo. 75 1 pp. Signatures: A-E A2 missigned A3; pages 35 and 37 both with "C3" Wellcome copy differs slightly lacks E8 blank. Plain wrappers. Laid into quarter green morocco cloth sides folding box 23 cm. Occasional early ink marginalia. Early ownership signature at foot of title. RARE: no record of copies found on market. First edition one of two known issues. VERY RARE & EARLY ACCOUNT ON PERSPIRATION CRYING & BLOOD. A classical account on perspiration crying and blood all fluids. O'Malley writes for the DSB 'such then curious but rational problems as why boys ought not to be forbidden to cry why sobbing usually accompanies weeping" - apparently referring to this work. Thorndike who notes the author's work on the classical writers Galen and Rasis notes further that he was not a physician who ascribed to the occult sciences: "he also discussed such questions as why boys should not be forbidden to cry why sobbing generally goes with tears. . ." p. 230. The Bayerische Staatsbibliothek copy has an added 2 leaves marked as signature "-2" which is a preface by Paulo Alberto Paulus Albertus not available in this copy but supplied in facs. The text refers to bloody sweat noted by Stolberg "Modern medicine acknowledges such phenomena as "hematidrosis" but premodern accounts of bloody sweating may well have to be taken in a much wider sense including what physicians today would consider as bleeding disorders." - Michael Stolberg 'sweat. Learned Concepts and Popular Perceptions 1500-1800" within: Manfred Horstmanshoff Helen King & Claus Zittel editors Blood Sweat and Tears: The Changing Concepts of Physiology from Antiquity into Early Modern Europe Brill 2012 p. 509. Alberti born in 1540 Naumburg Germany a year later his father died. He and his mother relocated to Nuremberg 1541. Remarkably the city paid for Alberti's education including his doctoral studies at the University of Wittenberg 1574 rising to become Professor of Philosophy and Physics in Wittenberg then Professor of Medicine and in 1582 becoming physician to Duke Friedrich Wilhelm of Saxony. His last residence was in Dresden where he passed away. He wrote tracts on the pancreas 1578 on the lacrimal apparatus De Lacrimis 1581. In 1585 he published Historia plerarunque partium humani corporis membratim scripta et in usum tyronum retractatius edita Vitaebergae excudebant Haeredes Iohannis Cratonis. ". . . some years later the German anatomist Salomon Alberti 1540–1600 published his studies of the lacrimal apparatus in a volume entitled De Lacrimis." "Initially tears were considered to be more or less similar in composition to other body fluids in particular sweat and urine." - Ad Vingerhoets Why Only Humans Weep: Unravelling the Mysteries of Tears 2013 pp. 51 but does not mention this text. - DSB. REFERENCES: Dictionary of Scientific Biography I p. 98 O'Malley; Durling 76. See: Hans Theodor Koch: Die Wittenberger Medizinische Fakultat 1502-1652 - Ein biobibliographischer Uberblick pp. 299-300 in Stefan Oehmig Medizin und Sozialwesen in Mitteldeutschland zur Reformationszeit Leipzig 2007; Evangelische Verlagsanstalt Leipzig; August Hirsch: Biographisches Lexikon 1884 Bd. 1 p 85; Fritz Roth: Restlose Auswertungen von Leichenpredigten fur genealogische und kulturhistorische Zwecke. Selbstverlag 1976 Bd. 9 p. 188; Lynn Thorndike A History of Magic and Experimental Science The Sixteenth Century VI New York 1941 pp. 229–230. Bibliotheque nationale France Catalogue general des livres imprimes de la Bibliotheque Nationale Paris 1897 p. 518. FFrye C188 Typis Zachariae Lehmani, 1582. hardcover
106984Basel Wilhelm Haas 1816. . First edition 4to 21.6 x 17.7 cm; original printed paper boards with a fine geometric design edges rubbed occasional old tape repairs without loss block cracked but holding; 24 woodcut illustrations in text; browning and staining to pages previous owners' signatures to inside cover. Text in Hebrew and Yiddish. 2 54 pp. <br /> Scarce first edition of the Basel Haggadah in its original ornamental binding.<br /><br />One of the more attractive Haggadah editions that were published in 19th century Europe. Its text is a reprint of Joel Brill's German translation of 1785. The magnificent woodcut illustrations of this edition 'were copied from Friedrich Battier's illustrations to a German Bible published in Basel in 1710 by Johann Brandmüller Jr. The woodcut of Moses at the Burning Bush shown here on the title page was taken from the frontispiece of the Amsterdam Haggadah of 1712' Yerushalmi.<br /> Vinograd Basel 284; Yudlov 565; Yaari 399; Yerushalmi 86; Harvard 21.5:17. Basel, Wilhelm Haas, 1816. hardcover
107129London E. Justins printer 1824. . First edition 8vo; modern half-calf marbled boards spin gilt in compartments some damp-staining to leaves Hebrew half-title text in English and Hebrew. 12 152 66 pp.<br /> Scarce first edition of this book of laws and regulations of the New Synagogue of Leadenhall Street founded in 1762. Includes a special section on the election and duties of the Gabaim.<br /> London, E. Justins (printer), 1824. hardcover
185522 January 1819. 1p. 12mo. Bifolium. In good condition on lightly-aged paper. Addressed on second leaf with broken seal in red wax 'A Madame Madame Sophie de Gail &c &c &c Paris'. Nine lines of neatly and elegantly written text. A somewhat flirtatious acceptance of an invitation with Bartholdy noting 'les belles choses que vous daignez me dire . Votre maniere est trop sedisante pour ne pas faire de l'impression'. It was at Bartholdy's suggestion that his sister Lea the mother of the composer Felix Mendelssohn joined him in adopting the surname Bartholdy. 2 January 1819. unknown
19530012058<p>Vedado Havana Cuba: Dr. Frederick K. Solomon Rabbi of Temple Beth Israel in Havana Cuba. Very Good with no dust jacket. 1953. Non-Book. On offer is an excellent relic of post WWII judaica being a Pesach sermon typed edited and signed by progressive rabbi Dr. Frederick K. "Fritz" Solomon originally Solomonski 1899-1980 SEE BIO NOTES FOLLOWING LISTING. Rabbi Solomon dated this sermon 1953 which is the year the Cuban Revolution began and when he was rabbi of the Temple Beth Israel synagogue in Vedado Havana Cuba. Solomon's sermon does not tell the story of Passover Solomon tells his audience to go read that for themselves! . Instead he gives context and insight into the roots of the many Passover traditions Jews undertake. He explains "Passover is more than anything else a time for memories personal as well as historical". Solomon discusses the Passovers of his childhood and segways into legends surrounding the Seder traditions drawing comparisons between tradition religion and modern behaviour. An excerpt follows to provide the flavour of the sermon: "It is the Chad Gadyah with which we end the Seder night's Service. It has the character of a Nursery Rhyme and it makes happy singing. But hidden behind the gay form is a serious meaning and a message. All around you you observe that strength and power rule almost unopposed in the world. As the cat eats the kid and the dog eats the cat so it appears the stronger devours the weaker. Oppression seems a law of nature: until God comes to help and stops all injustice. You would not stand by if you saw a dog trying to bite a kitten; you would not look on if you saw a big strong boy scaring a little one: if I know you you would go and intervene and stop the unequal fight. And this is what God wants you to do it is what the prophets as God's messengers have taught us this is what we must teach the world" page 5. In 1953 Passover took place from March 30 through April 7th. Only three months later Cuba would be thrown into turmoil when the revolution began with an armed revolt conducted by Fidel Castro and his fellow revolutionaries on the 26th of July against the military dictatorship of Cuban President Fulgencio Batista. Solomon being a progressive liberal Jewish rabbi was in Havana at the time running a synagogue. This is a special piece of judaica that is as meaningful today as it was in the 1950s as the world was recovering from the second world war amidst ongoing political and social turmoil. BIO NOTES: Frederick Solomon 1899-1980 painter and Rabbi was born in Berlin Germany in 1899. In 1938 when the synagogue he was serving at was torched by Nazis and he was subsequently summoned by the Gestapo he left Germany with his wife Margot and emigrated to England. Solomonski was interned in the Isle of Man in Hutchinson Square camp in the early 1940s as a prisoner of war along with many other artists. While still in Europe Solomon had studied art under the German-Jewish artists Max Liebermann Martin Brandenburg and Eugene Spiro and German expressionist Willy Jaeckel. In England he continued his artistic career exhibiting his religious and expressionistic work at various galleries throughout the country including the Royal Academy and the Kensington Art Gallery in London where he had a one-man show. His work is in the permanent collections of the Courtauld Institute the Bazalel Museum in Jerusalem and the Ben Uri Art Gallery St. John's Wood London now incorporating the London Jewish Museum of Art. In 1954 he left England to take a position as Rabbi for Temple Beth Ha Shalom in Williamsport PA. After three years in Pennsylvania he sought another position and as a member of the Central Conference of American Rabbis was appointed rabbi at Temple Beth Israel in the Vedado suburb of Havana where he wrote sermons and hosted religious services for his congregation a part of the Union of American Hebrew Congregations. Solomon was also active in the Jewish Progressive movement frequently communicating with representatives of The World Union for Progressive Judaism throughout the 1950s in an attempt to officially associate his congregation with the organization Bio Note Credit to East Coast Books. The sermon is six pages long and measures 8x10 inches. It is unbound. Rust marks from a paperclip that had held it together are present. The manuscript is typed with a signature by Solomon on page one in pen and multiple pen and pencil edits by Solomon throughout. No notable bends or tears normal age toning. Overall Very Good. ; Manuscripts; 8vo 8" - 9" tall; 6 pages; Signed by Author .</p> Dr. Frederick K. Solomon, Rabbi of Temple Beth Israel in Havana, Cuba
200323418Milan/Paris: Skira and Wildenstein Institute 2003. three volumes complete. cloth hardcovers in dust jackets in illustrated slipcase. no flaws or wear. clean bright set. no markings. no bumps tears. strong tight bindings. an unused copy.; english text.; over 1700pp. between the 3 vols. illustrated throughout mostly in color. catalogue raisonne of edouard vuillard's paintings and pastels. a major reference on the artist. First English Language Edition/First Pri. Hardcover. Fine/Fine. Folio - over 12" - 15" tall. Multi-Volume Set. Skira and Wildenstein Institute Hardcover
183044001Boston: Gray and Bowen 1830. 1st Edition American Imprints 3535; Erickson p. 225; Graff 3875; Howes S-739; Sabin 85429. Original publishers salmon colored cloth spine over drab paper boards; leather title label to spine with gilt stamped lettering. General wear. Spotting & browning throughout. P. xiii with prior owner initials & date 1936 in gutter. A VG copy. xvi 162 pp. Illustrated with a two-page map frontis & t.p. vignette 37 intratextual cuts. 12mo. 6" x 3-5/8" <br/><br/>The volume consists of "Lewis and Clark's Travels" pp. 1 - 105 "Long's Expedition" and "Jewitt's Narrative." The work publishes the earliest known printed image of Fort Clatsop Oregon. Per Graff "This was Snelling's first book the earliest juvenile on the Far west." Howes adds "First American juvenile book on the trans-Mississippi region giving account of its early explorers wild tribes etc." While well represented in institutional settings now somewhat uncommon in the trade. Gray and Bowen hardcover books
18561401303Miller Orton & Mulligan 1856. 5th or later Edition. Hardcover. Very Good. Very good early printing. Basis for award winning movie this year. Housed in a custom-made collector's slipcase. Miller, Orton & Mulligan hardcover books
18561401303Miller Orton & Mulligan 1856. 5th or later Edition. Hardcover. Very Good. Very good early printing. Basis for award winning movie this year. Housed in a custom-made collector's slipcase. Miller, Orton & Mulligan hardcover
