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74 pages. Articles: Troubles of College Deans; The Germans Wait Only For a Leader - argues we must make a fresh start toward stopping the rise of old-line Nazis - with color photo of John J. McCloy, High Commissioner for U.S. Occupied Germany; Lover with a Ball Bat - actor Paul (Dreamboat) Douglas - article with colour photos of Douglas and Linda Darnell; Saturday Afternoon Meat Grinders; The Christian Science Monitor - Gentleman of the Press (part 2 of 3); Always Heading for Salt Water - Bob Lane has been making boats since he was five; Fabulous Jacques Fath - article and color photo of fashion's most talked about designer;. Fiction: Any Friend of Sam's; Man in the House; Where Else in the World?; The Case of the Negligent Nymph (part 3 of 6); The Black Pearl; Cat's Cradle. Nice vintage ads include: Springmaid Fabrics; Ipana toothpaste; Botany Sportswear (very attractive ad); Chevrolet trucks; Span (color photos); Borden mild products - featuring Elsie the Cow; Nunn-Bush shoes; Willys "Jeep" Station Wagon; Lucky Strike cigarettes (featuring LG. Griffin); Ford cars; General Motors - nice centerfold color ad featuring the GM proving ground near Milford, Michigan; Fisher Body; 2-page Dodge car ad; Great Northern Railway; Winthrop shoes; Schlitz beer; Awesome back cover colour ad for Chesterfield cigarettes features Glenn Ford, with inset illustration of tobacco farmer Herbert L. Lupo of Tabor City, N.C. Average wear. Unmarked. A sound vintage copy. Book
19720067631972. Hardcover. Good. Signed By Author On Fep.Not Ex-Library Copy.Hardcover Edition Issued Without Dustjacket.Nice Copy.Text Unmarked.Binding Is Solid.Not Ex-Library Copy.First Edition First Printing.Slight Foxing. hardcover
LIGUORI 2001 596 PP. FONDO DI MAGAZZINO: LIEVI SEGNI DEL TEMPO, VOLUME INTONSO, MAI SFOGLIATO, PERFETTO. Il testo si caratterizza come un lavoro al contempo storicoe teorico. Storico: in quanto ripercorre alcune delle tappe edei temi fondamentali che hanno attraversato la storia della fotografia nel XX secolo (dalla fotografia sociale al reportage), mettendo in luce il valore delle singole pratiche fotografiche in rapporto agli eventi storici,sociali e politici, nonché alla sensibilità e al gusto del tempo. Teorico:in quanto si è posto l'obiettivo di tematizzare i grandi problemi che stanno a fondamento della fotografia come fatto di cultura in un'epoca come la nostra in cui l'immagine ha assunto un ruolo di grande rilievo nell'esistenza di ognuno di noi. La politica, la guerra, i fenomeni di moda, l'erotismo: cosa sarebbero questi significativi settori della storia e dell'esistenza senza l'immagine riproducibile, senza la fotografia, il cinema, la televisione? La planetarizzazione di tali ambiti, nel senso soprattutto delle conoscenze che abbiamo delle loro specificità o dei comportamenti da noi adottati nella pratica, dipende, in modo determinante, dal ruolo svolto dall'immagine, dalla sua capacità di mettere tutto alla portata di tutti, di far conoscere la maggior parte di cose al maggior numero possibile di individui.
0366724185.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1333214154.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366724193.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
45133698like new. unknown
0266682375.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
74 pages. Articles: My Pal, Drew Pearson; Richest Man in the Cemetery - warning to wives who don't want to be widows; It Happened in Mississippi - Thousands of sharecroppers in the 13 fertile delta counties are buying and equipping their own farms with aid from the Farmers Home Administration; Voyage of the Pagan - John Caldwell's Sailing Adventure (part 2 of 3); I Cover the Animals - nature writer John (Tex) O'Reilly; The Surprising Phillip Jessup - the man who helped lift the Berlin blockade; It's in the Cards - Jack Jarvis of Seattle prints funny membership cards; Marvelous Mel Parnell; - Pitcher with a Bat; Johnny Lujack - photos; Green-Eyed Movie Madcap - Shelley Winters - article with color photo. Fiction: The Legal Bride (part 1 of 6); Bitter Honey; Everyone Needs a Pet; Zone of Interior; Just Like I Hate Money; The Bells of St. Pierre. Nice vintage ads include: Herbert Tareyton cigarettes - featuring photo of Miss Audrey Keon; DeSoto cars; RCA Victor radios; Plymouth; Canada Dry - super one-page ad in color; Kool-Aid; Companion Magazine; Oldsmobile; Back cover ad for Lucky Strike features tobacco buyer B.G. Conner. Average wear. Unmarked. A sound vintage copy. Book
100 pages. Features: Fantastic Chrysler/Plymouth color-photo 4-panel ad inside front cover features the Scamp, Valiant Brougham and Gold Duster; State of the President (Richard Nixon); Electronic Vision - research aims for artificial sight; Film "The Exorcist" leads to frenzy of interest in exorcisms; Pending coalminer strike in Britain; America's oil companies seen as villains in the energy squeeze; Dr. Thomas E. Deiker argues for gun control; Nice color-photo ad for the Ford Maverick; Watergate scandal - John Dean, H.R. Haldeman; Photo of President Nixon and family with Billy Graham; Illinois Democratic candidate Jimmy H. Martin; Murder of John Bambic in San Francisco; John Margulies steals art from his parents, Irwin and Paula; What Makes Syria Tick?; Communist Dissidents Ludvik Vaculik, Paul Goma, Wolf Biermann and Wladyslaw Bienkowski; Terror in Phnom Penh - Frenc Exodus; Eric Gairy of Grenada; Nice color ad for the Zenith Chromacolor II TV; Horrible photos of Sao Paulo highrise fire - with falling bodies; The Cooling of Fidel Castro; John F. Kennedy Jr. with Muhammad Ali; Color-photo GM centerfold ad features the memorable front grills of the 1974 Buick LeSabre, Pontiac grand Am, Oldsmobile Delta 88, Chevelle Laguna Type S-3 and Cadillac Coupe deVille Cabriolet; Bart Bradish has cerebral palsy; Chess article on Boris Spassky; Boxer Joe Frazier - The End of the Road; American Folk Art; Alice Roosevelt Longworth; Increasing demand for kosher meals on Western Airlines; The Devil - a durable personifcation of evil; Cover photo of priest holding crucifix in exorcism-mode; Robert Goulet is featured in a Lauder's Scotch ad; Milton Friedman writes about volunteer armed force; Sam Goldwyn, 1881-1974; Colorful photo ad for Inteerwoven socks features a smiling Al Hirt; The development of flywheel power - most likely to come with the Advanced Concept Train; Color photo at for Twist lemon menthol cigarettes on back cover; and much more. Average wear. Unmarked. A sound copy. Book
20172-6202233958Editorial Académica Española 2017. Paperback. New. 312 pages. Spanish language. 8.66x5.91x0.71 inches. Editorial Académica Española paperback
194523855U.S.A.: International News Photos 1945. Black and white photograph; depicting about 8 casually dressed men playing a hand of cards using a strike sign as a 'table'; another sign states that '50c an hour aint Patriotic.'; photo approx. 6 1/2" x 8" size; trimmed at bottom edge with old crop-marks at borders; top corner edge-clipped in the margin does not affect image; reverse has the International News Photos back-stamp and also Liberty Art Dept. giving subject date of Sep. 15 1945 and a few other markings; some edge-wear and crinkling; in good condition; interesting union workers wage demand & strike visual ephemera from the immediate post World War II period. " The sharp increase in employment during the war caused a dramatic growth in union membership. By 1945 more than fourteen million American workers were enrolled By the end of the war the trade-union movement was big and had established firm collective bargaining bases in most of the important industries of the United States . Wartime controls inevitably built up tensions within the rank and file. With the war's end a wave of nationwide strikes battered the maritime railroad coal oil auto electrical telephone and steel industries; four and a half million workers were on the picket lines " Americans in Depression and War by Irving Bernstein US Dept. of Labor site. Photograph. Not Bound. Good. International News Photos Paperback books
194925006France: Not Published 1949. These very personal letters & ephemeral items were written to friends of the Strands William Golden & Cipe Pineles and after Golden's death to Cipe & her son Tom. The friendship extended back to their mutual participation in the Group Theater in New York in the 1930s. After WWII Strand and his wife Hazel Kingsbury took up residence in Orgeval France and traveled extensively often in relation to their photographic projects. Background: Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Paul Strand 1890 -1976 American photo-artist; Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America" John B. Rohrbach in the ANB Group includes: Aug. 29 1949 autograph letter signed 1 ½ pages condolences addressed to Cipe on hearing the news of the death of her mother: "sad news reached me yesterday evening upon my return to Paris from Switzerland. My heart felt sympathy and understanding of what this loss means to youI remember your mother so well just the few times we met at your house - the kind of wholeness she had of one who quietly does things and always does them beautifully and wellsigned Paul" Approx. 8 ¼" x 10 ½" size; light cream airmail paper old fold lines light wear; in very good condition; with the original post-cancelled mailing envelope return addressed Paul Strand c/o Kleinholz 25 Rue Mademoiselle Paris France; envelope opened roughly corner torn. ALS dated Oct. 28 1959 Orgeval 2 page. "On our return home we find here a telegram from Louise with the terrible news about BillYou know what dear friends Bill and you have been and for many yearssigned Paul" with and additional short note of condolence signed from Hazel these written on the sudden death of Bill Golden Cipe Pineles' husband Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the original postally cancelled mailing envelope return addressed Paul & Hazel Strand Orgeval. ALS dated Nov. 12 1959 Orgegal 1 ½ pages. "It was kind of Bernarda to have written to us and above all we were so glad to know that such good friends were with you as Bernarda and Ben ShahnYou know how close Bill and I always were - how long and splendid the friendship between us - unmarred by even the slightest misunderstanding over the many years. No one could have a more wonderful friend than he was - an artist in his work and in his human relationships - bothsigned Paul" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the cancelled mailing envelope return addressed Paul Strand Orgeval. ALS dated May 12 1962 Orgeval. 3 handwritten sides thanking Cipe for the book regarding Bill Golden a posthumous tribute to his work and discussing her participation in the Strand Scotland book and Morocco work: "I am happy to be part of it with the photograph made just before coming to France - which Bill used so beautifullyplus the remarkably clear statements he made about design and designers - These complimenting each other & reveal both the man and his workHazel and I are reasonably well. We spent two months in Morocco working almost every day - and driving over almost all of this remarkably beautiful country some 6000 klms. I am in the middle of developing the negativescan expect to receive a copy of Tir a'mhurain in the next months. It is a good job that however could have been better. I never had the opportunity of checking the cover at all which is printed on paper much too thin for a jacket and very much different in color from what we had discussed and chosen. If one is not right there to control every part anything can happen. In fact it does happen. Nevertheless your design stands up. Hope you will not feel badly about the inadequacy of its carrying outAffectionately signed Paul & Hazel" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. Miscellaneous: French Postes et Telecommunications printed 'Telegramme' form; not dated. Address: Hoffman Aperture New York. "Thanks Million Cipe Will and You All Suggestions received fully accepted stop footnote different titles Mexican Film necessary sure Cipe can solve Love Paul Paul Strand Orgeval Yvelines" approx. 5 ¼" x 8 ¼" size; old fold line; light wear very good condition. Postcard dated March 1966 Mexico. "Had sun & rain and all the diseases going - Better now - see you soon H. & P." Light wear post-cancelled; in very good condition. Postcard not dated postal cancellations obscure and circa 1959 Dakar Afrique Occidentale Francaise. To Cipe & son Tom probably just after Bill Golden's death "Sent you a painting from Caracas which we hope you like - a night watchman has been painting some pretty exciting things with crayons - We have two ourselves. The trip has been fineP. made some photos but he said 'not seriously.' Hope the heat and humidity have not ruined themlove H & P" Light wear in very good condition. Postcard May 5 1958 Orgeval. "Started my semi-annual postcard correspondence on a trip to the film festival and only managed to address the things! We visited with many friends Paul swam a few timessaw a couple of films and travelled a few different roadslove from us both Hazel & Paul" Light wear post-cancelled; in very good condition. Autograph note signed July 8 1975. A condolence letter to Cipe: "Paul is always so much better than I am at expressing himself but can't write at all. We both send our deepest lovesigned Hazel" Approx. 6" x 7 ½" size light gray notepaper; with the original postally cancelled mailing envelope return addressed Strand 244 E. 5th St. New York; light wear; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
195424812Orgeval France: Not Published 1954. The letters give much background to the creative process of Strand and were written to the designer-artist couple William Golden & Cipe Pineles here addressed as 'Bill & Cipe' who were friends and professional colleagues extending back to their collaborations as participants in the Group Theater in New York in the 1930s. Paul Strand 1890 -1976 American photo-artist Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America after publishing La France de Profil 1952 a portrait of postwar small-town French lifeStrand would spend the rest of his life assembling and completing similar book portraits celebrating primarily rural cultures" as Un Paese & others "Many established photographers from Walker Evans to Eliot Porter have admitted to having been strongly influenced by Strand's impeccably rich and detailed prints concern for formal relationships respect for his subjects and ability to distill the essence of his subjects. However through much of the 1950s and 1960s his reputation fell into eclipse. His dedication to view cameras and fine printing his largely frontal compositions and his devotion to creating politically motivated celebrations of traditional largely rural cultures did not fit an artistic world fascinated with the hand camera and the constant change of contemporary life. By the late 1960s however Strand received renewed acclaim first through European exhibitions and then by means of a retrospective exhibition sponsored by the Philadelphia Museum of Art 1971." John B. Rohrbach in the ANB Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director associated with Conde Nast Vogue & others; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Letter 1: Four handwritten pages with very good content throughout; dated May 10 1954 just prior to the publishing of "Un Paese" the Italian-produced photograph & text collaboration between photographer Paul Strand and neo-realist screenwriter Cesare Zavattini. Written in blue ink on airmail paper: "just back from Milan with very good news. The book is finished and accepted by Einaudi one of the best and biggest publishers in Italy. Zavattini has written a fine and moving text very direct very simplethis outcome after months of nothing happening made us both feel pretty good. Printing is going to be done by Pizzi in Milanone of the best around for gravure. We had one conference and find that the nephew of the boss speaks English and seems both intelligent and cooperative. Won't be any problem of putting my finger in the pie I think. We have to be back in Milan on the 20th with the negatives and Pizzi offered to make a few quick tests for us to see. Einaudi is being very flexible as to size and format cover etc. They seem to want to do a good job and one that doesn't look like the present rash of photo book. I mentioned that my good friend Golden might take a crack at the cover and they were only too pleased. We decided on a slightly larger page size than La France de Profil both to get away from the standard thinking and also to give more space for text. Size we chose was 23 x 29 cms. Naturally the cover will be a little larger. I would say add about 3mm for the cover size length & width. The title so far chosen is "Un Paese." In Italian this has the double meaning of a village and the whole country. This is Zavattini's title and we think it is good - Simple and excites curiosity by not being too explicit. As for other printing on the cover - Cesare Zavattini and Paul Strand. He is a big name in Italy and I have the feeling that both names can be larger and more effective than in "La France de Profil." Lastly this publisher usually puts his own name Einaudi on the cover not too conspicuously. Now as to the photographs for the cover. The publishers are favorable to one of people and there are two which attracts them. One you have. It is the photograph of a family the mother in the doorway and five sons. For me it is one of the most important photographs and one that many people respond to. That is a horizontal. The other is a vertical portrait of a little girl which I will print this week and mail to you before we go back to Milan. I have the feeling that the impact of the cover should not rely entirely on the photograph itself but rather on a total layout in which the whole page is eye compelling. In short not like the French book. What do you think Last of all we thought the photograph of the white wall with all the iron things- sides etc. might do well for the back cover - no type. The photograph you mentioned of the people in front of the café is good but perhaps too sad - for most of those folks are from the old people's home across the street. Einaudi are not interested in bleed pages. If I wanted some they would agree. If you were around maybe there would be some. On my own I think to have none at least at this stage. But that doesn't mean I guess that the cover photos can't be bled if you see it that way on one or more sides. Guess that about covers the news. I think we will go to Scotland in June at least to have a look around and perhaps work if it looks good. It's awfully damn kind of you think about the cover of the new book and to let us have your ideas.As always signed Paul." The cover photograph discussed was used as planned on the finished "Un Paese" photo-volume; the Scotland trip mentioned eventually led to the publication of Strand's "Tir a'mhurain Outer Hebrides." Letter 2: Dated June 13 1955; three pages handwritten and also sent to Cipe Bill and Tom their son Golden. Strand inquires as to Bill Golden's opinion on the final version of 'Un Paese': "for I just received the first letters from America from very enthusiastic people. Everyone comments on the beauty of the cover such words as 'superb.' We think it is swell and a real 'Golden' job. The general feeling is that although the Swiss printing is a bit better that as a whole this is a better book more warm and human. I think that is so because it was much more planned and concentratedhoping there may be an edition in French and one American publisher has expressed interest. If this develops I may have to call on you Bill again for we must keep the cover intact" Also about half the letter is concerned with the purchase redesign and descriptions of the property & gardens of their home in Orgeval France which was eventually a subject of another Strand photo-book and was the haven from which much work originated. The letter signed by Paul and Hazel. The letter-sheets approx. 8 1/4" x 10 1/4" size; old fold lines little bit of edge-wrinkling; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
ria9780415991933_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Creating rich connections between language and literary studies and exploring the intersection of ideologies of language gender and nation this book shows how American discussions of language in various forms have often disguised dee hardcover
ria9780415541619_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Creating rich connections between language and literary studies and exploring the intersection of ideologies of language gender and nation this book shows how American discussions of language in various forms have often disguised dee paperback
5973875-nnew. unknown
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B9780415541619Paperback / softback. New. paperback
A9780415541619Paperback / softback. New. paperback
A9780415991933Hardback. New. Creating connections between language and literary studies and exploring the intersection of ideologies of language gender and nation this book shows how American discussions of language in various forms have often disguised deeper social and political concerns about the voices of women African Americans and immigrants in national life. hardcover
64668624Taylor & Francis Group pp. 274 . Papeback. New. Taylor & Francis Group unknown
ria9781032675572_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Political Prayer in Nineteenth-Century American Literature explores how white American women writers translated petitioning -- a political form for redress of grievances with religious resonance or what Strand calls "political prayer" hardcover
47625494-nnew. unknown
BIB-1607217Trade Paperback. Publisher: Studentlitteratur AB Utg. 2016 Trade Paperback 259 p. This book is brand new. Language: Svenska We have this book in our store house - please allow for a couple of extra days for delivery. paperback
