[STRAND]. Roy, Claude and Paul StrandBiblio.com
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195254274Lausanne: La Guilde du Livre 1952. First edition. Strand Paul. 4to. 127 pp. full-page and other plates from b&w photographs. Pictorial wrappers over boards with the original glassine over-wrapper. There is the slightest of wear at the top end of the spine 3 cm. A fine near new copy in the photo-illustrated dust jacket with the plain glassine over-jacket as issued. This limited numbered edition precedes the Editions Clairefontaine imprint. Considered one of Strand's most beautiful and sensitive bodies of work superbly printed . For many years Paul and Hazel Strand made their home in the French village of Orgeval. La Guilde du Livre unknown
196251433London: MacGibbon & Kee 1962. First UK edition. Hardcover. Strand Paul. 4to. 151 pp. 145 b&w photographs. There is a slight leaning at the spine and light toning to the endpapers else near fine in the publisher's cloth. The photo-illustrated dust jacket shows light wear at the edges with a soft crease on the rear panel else very good. Laid-in is a printed complimentary slip from the author. Published under this title in England the U.S. and Germany with no priority. Boldly SIGNED and presented " To Louise and Mike photographer Louise Dahl-Wolfe and her husband Meyer With affection Paul Strand & Hazel. Frenchtown July 1963." Presentation copies by Strand are rare especially to another prominent photographer. MacGibbon & Kee hardcover
1970002603New Haven: Strike News 1970. 1st Edition . Soft cover. Very Good. New Haven CT: Strike News 1970. 8pp. Two folded sheets offset printed in black. Flattened horizontal fold; toning to outer leaves. Very good. A single issue of this radical newspaper produced daily beginning on April 23 1970 by students at Yale. This issue published on the day of the epochal May Day rally on the New Haven Green held largely as a protest of the 1969 arrest of Bobby Searle and other Black Panther Party leaders. With information about the rally updates and history of the Panther trial information on legal aid faculty support etc. and with a brief "Comment" by Dale Kutnick urging nonviolence at protest events. This copy with the original insert containing a map of downtown New Haven service centers along with emergency contact numbers and a schedule of events including lists of speakers and music acts. A little-held publication; OCLC locates even fewer institutions with copies of this important issue. <br/> <br/> Strike News paperback
198486113Vancouver: William Hoffer 1984. First Canadian edition. 58 pp. Fine in full Coromandel silk over boards with printed cover and spine labels. No dust jacket as issued. Designed by Robert Bringhurst. One of 90 of 110 numbered copies on Carlyle Japan paper. Translated from the original German by Greve with his Afterword. Originally published in Germany in 1903. Publications of the F.P. Greve Seminar Number One. Vancouver: William Hoffer hardcover
1990103423Tucson AZ: Center For Creative Photography 1990. First edition. Softcover. 104 pages. Essays by Mike Weaver on Strand and Anne Hammond on Adams. Includes numerous photographs as well as letters exchanged by these two master photographers. A close to near fine and tight copy with some small spots to the front panel but internally very clean. Center For Creative Photography unknown books
1994272998PN. New. 1994. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1993267033PN. New. 1993. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1992255104PN. New. 1992. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1991248044PN. New. 1991. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1993010052Uppsala: Uppsala University 1993. Soft cover. Very Good. Wraps clean. Bit of scuffing to spine at base. No prev ownership marks or o/w. 119pp. incl. two maps. Very scarce. Uppsala University paperback
19720067631972. Hardcover. Good. Signed By Author On Fep.Not Ex-Library Copy.Hardcover Edition Issued Without Dustjacket.Nice Copy.Text Unmarked.Binding Is Solid.Not Ex-Library Copy.First Edition First Printing.Slight Foxing. hardcover
194523855U.S.A.: International News Photos 1945. Black and white photograph; depicting about 8 casually dressed men playing a hand of cards using a strike sign as a 'table'; another sign states that '50c an hour aint Patriotic.'; photo approx. 6 1/2" x 8" size; trimmed at bottom edge with old crop-marks at borders; top corner edge-clipped in the margin does not affect image; reverse has the International News Photos back-stamp and also Liberty Art Dept. giving subject date of Sep. 15 1945 and a few other markings; some edge-wear and crinkling; in good condition; interesting union workers wage demand & strike visual ephemera from the immediate post World War II period. " The sharp increase in employment during the war caused a dramatic growth in union membership. By 1945 more than fourteen million American workers were enrolled By the end of the war the trade-union movement was big and had established firm collective bargaining bases in most of the important industries of the United States . Wartime controls inevitably built up tensions within the rank and file. With the war's end a wave of nationwide strikes battered the maritime railroad coal oil auto electrical telephone and steel industries; four and a half million workers were on the picket lines " Americans in Depression and War by Irving Bernstein US Dept. of Labor site. Photograph. Not Bound. Good. International News Photos Paperback books
194925006France: Not Published 1949. These very personal letters & ephemeral items were written to friends of the Strands William Golden & Cipe Pineles and after Golden's death to Cipe & her son Tom. The friendship extended back to their mutual participation in the Group Theater in New York in the 1930s. After WWII Strand and his wife Hazel Kingsbury took up residence in Orgeval France and traveled extensively often in relation to their photographic projects. Background: Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Paul Strand 1890 -1976 American photo-artist; Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America" John B. Rohrbach in the ANB Group includes: Aug. 29 1949 autograph letter signed 1 ½ pages condolences addressed to Cipe on hearing the news of the death of her mother: "sad news reached me yesterday evening upon my return to Paris from Switzerland. My heart felt sympathy and understanding of what this loss means to youI remember your mother so well just the few times we met at your house - the kind of wholeness she had of one who quietly does things and always does them beautifully and wellsigned Paul" Approx. 8 ¼" x 10 ½" size; light cream airmail paper old fold lines light wear; in very good condition; with the original post-cancelled mailing envelope return addressed Paul Strand c/o Kleinholz 25 Rue Mademoiselle Paris France; envelope opened roughly corner torn. ALS dated Oct. 28 1959 Orgeval 2 page. "On our return home we find here a telegram from Louise with the terrible news about BillYou know what dear friends Bill and you have been and for many yearssigned Paul" with and additional short note of condolence signed from Hazel these written on the sudden death of Bill Golden Cipe Pineles' husband Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the original postally cancelled mailing envelope return addressed Paul & Hazel Strand Orgeval. ALS dated Nov. 12 1959 Orgegal 1 ½ pages. "It was kind of Bernarda to have written to us and above all we were so glad to know that such good friends were with you as Bernarda and Ben ShahnYou know how close Bill and I always were - how long and splendid the friendship between us - unmarred by even the slightest misunderstanding over the many years. No one could have a more wonderful friend than he was - an artist in his work and in his human relationships - bothsigned Paul" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. With the cancelled mailing envelope return addressed Paul Strand Orgeval. ALS dated May 12 1962 Orgeval. 3 handwritten sides thanking Cipe for the book regarding Bill Golden a posthumous tribute to his work and discussing her participation in the Strand Scotland book and Morocco work: "I am happy to be part of it with the photograph made just before coming to France - which Bill used so beautifullyplus the remarkably clear statements he made about design and designers - These complimenting each other & reveal both the man and his workHazel and I are reasonably well. We spent two months in Morocco working almost every day - and driving over almost all of this remarkably beautiful country some 6000 klms. I am in the middle of developing the negativescan expect to receive a copy of Tir a'mhurain in the next months. It is a good job that however could have been better. I never had the opportunity of checking the cover at all which is printed on paper much too thin for a jacket and very much different in color from what we had discussed and chosen. If one is not right there to control every part anything can happen. In fact it does happen. Nevertheless your design stands up. Hope you will not feel badly about the inadequacy of its carrying outAffectionately signed Paul & Hazel" Approx. 8 ¼" x 10 ½" size; light blue airmail paper old fold lines light wear; in very good condition. Miscellaneous: French Postes et Telecommunications printed 'Telegramme' form; not dated. Address: Hoffman Aperture New York. "Thanks Million Cipe Will and You All Suggestions received fully accepted stop footnote different titles Mexican Film necessary sure Cipe can solve Love Paul Paul Strand Orgeval Yvelines" approx. 5 ¼" x 8 ¼" size; old fold line; light wear very good condition. Postcard dated March 1966 Mexico. "Had sun & rain and all the diseases going - Better now - see you soon H. & P." Light wear post-cancelled; in very good condition. Postcard not dated postal cancellations obscure and circa 1959 Dakar Afrique Occidentale Francaise. To Cipe & son Tom probably just after Bill Golden's death "Sent you a painting from Caracas which we hope you like - a night watchman has been painting some pretty exciting things with crayons - We have two ourselves. The trip has been fineP. made some photos but he said 'not seriously.' Hope the heat and humidity have not ruined themlove H & P" Light wear in very good condition. Postcard May 5 1958 Orgeval. "Started my semi-annual postcard correspondence on a trip to the film festival and only managed to address the things! We visited with many friends Paul swam a few timessaw a couple of films and travelled a few different roadslove from us both Hazel & Paul" Light wear post-cancelled; in very good condition. Autograph note signed July 8 1975. A condolence letter to Cipe: "Paul is always so much better than I am at expressing himself but can't write at all. We both send our deepest lovesigned Hazel" Approx. 6" x 7 ½" size light gray notepaper; with the original postally cancelled mailing envelope return addressed Strand 244 E. 5th St. New York; light wear; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
195424812Orgeval France: Not Published 1954. The letters give much background to the creative process of Strand and were written to the designer-artist couple William Golden & Cipe Pineles here addressed as 'Bill & Cipe' who were friends and professional colleagues extending back to their collaborations as participants in the Group Theater in New York in the 1930s. Paul Strand 1890 -1976 American photo-artist Strand and his fellow-photographer wife Hazel Kingsbury took up residence in Orgeval France after moving to Europe in 1950 "driven into self-exile Strand later would suggest by the repressive anti-Communist climate in America after publishing La France de Profil 1952 a portrait of postwar small-town French lifeStrand would spend the rest of his life assembling and completing similar book portraits celebrating primarily rural cultures" as Un Paese & others "Many established photographers from Walker Evans to Eliot Porter have admitted to having been strongly influenced by Strand's impeccably rich and detailed prints concern for formal relationships respect for his subjects and ability to distill the essence of his subjects. However through much of the 1950s and 1960s his reputation fell into eclipse. His dedication to view cameras and fine printing his largely frontal compositions and his devotion to creating politically motivated celebrations of traditional largely rural cultures did not fit an artistic world fascinated with the hand camera and the constant change of contemporary life. By the late 1960s however Strand received renewed acclaim first through European exhibitions and then by means of a retrospective exhibition sponsored by the Philadelphia Museum of Art 1971." John B. Rohrbach in the ANB Cipe Pineles 1908 - 1991 Austrian-born American graphic designer & art director associated with Conde Nast Vogue & others; William Golden 1911 - 1959 American graphic designer especially noted for his work at CBS. Letter 1: Four handwritten pages with very good content throughout; dated May 10 1954 just prior to the publishing of "Un Paese" the Italian-produced photograph & text collaboration between photographer Paul Strand and neo-realist screenwriter Cesare Zavattini. Written in blue ink on airmail paper: "just back from Milan with very good news. The book is finished and accepted by Einaudi one of the best and biggest publishers in Italy. Zavattini has written a fine and moving text very direct very simplethis outcome after months of nothing happening made us both feel pretty good. Printing is going to be done by Pizzi in Milanone of the best around for gravure. We had one conference and find that the nephew of the boss speaks English and seems both intelligent and cooperative. Won't be any problem of putting my finger in the pie I think. We have to be back in Milan on the 20th with the negatives and Pizzi offered to make a few quick tests for us to see. Einaudi is being very flexible as to size and format cover etc. They seem to want to do a good job and one that doesn't look like the present rash of photo book. I mentioned that my good friend Golden might take a crack at the cover and they were only too pleased. We decided on a slightly larger page size than La France de Profil both to get away from the standard thinking and also to give more space for text. Size we chose was 23 x 29 cms. Naturally the cover will be a little larger. I would say add about 3mm for the cover size length & width. The title so far chosen is "Un Paese." In Italian this has the double meaning of a village and the whole country. This is Zavattini's title and we think it is good - Simple and excites curiosity by not being too explicit. As for other printing on the cover - Cesare Zavattini and Paul Strand. He is a big name in Italy and I have the feeling that both names can be larger and more effective than in "La France de Profil." Lastly this publisher usually puts his own name Einaudi on the cover not too conspicuously. Now as to the photographs for the cover. The publishers are favorable to one of people and there are two which attracts them. One you have. It is the photograph of a family the mother in the doorway and five sons. For me it is one of the most important photographs and one that many people respond to. That is a horizontal. The other is a vertical portrait of a little girl which I will print this week and mail to you before we go back to Milan. I have the feeling that the impact of the cover should not rely entirely on the photograph itself but rather on a total layout in which the whole page is eye compelling. In short not like the French book. What do you think Last of all we thought the photograph of the white wall with all the iron things- sides etc. might do well for the back cover - no type. The photograph you mentioned of the people in front of the café is good but perhaps too sad - for most of those folks are from the old people's home across the street. Einaudi are not interested in bleed pages. If I wanted some they would agree. If you were around maybe there would be some. On my own I think to have none at least at this stage. But that doesn't mean I guess that the cover photos can't be bled if you see it that way on one or more sides. Guess that about covers the news. I think we will go to Scotland in June at least to have a look around and perhaps work if it looks good. It's awfully damn kind of you think about the cover of the new book and to let us have your ideas.As always signed Paul." The cover photograph discussed was used as planned on the finished "Un Paese" photo-volume; the Scotland trip mentioned eventually led to the publication of Strand's "Tir a'mhurain Outer Hebrides." Letter 2: Dated June 13 1955; three pages handwritten and also sent to Cipe Bill and Tom their son Golden. Strand inquires as to Bill Golden's opinion on the final version of 'Un Paese': "for I just received the first letters from America from very enthusiastic people. Everyone comments on the beauty of the cover such words as 'superb.' We think it is swell and a real 'Golden' job. The general feeling is that although the Swiss printing is a bit better that as a whole this is a better book more warm and human. I think that is so because it was much more planned and concentratedhoping there may be an edition in French and one American publisher has expressed interest. If this develops I may have to call on you Bill again for we must keep the cover intact" Also about half the letter is concerned with the purchase redesign and descriptions of the property & gardens of their home in Orgeval France which was eventually a subject of another Strand photo-book and was the haven from which much work originated. The letter signed by Paul and Hazel. The letter-sheets approx. 8 1/4" x 10 1/4" size; old fold lines little bit of edge-wrinkling; in very good condition. . Manuscript. Not Bound. Very Good. Not Published paperback books
19991-0865777624George Thieme Verlag 1999. Hardcover. New. 1st edition. 408 pages. 10.25x7.50x1.00 inches. George Thieme Verlag hardcover
190317337Washington D.C.: Government Printing Office 1903. First Edition. Octavo 22cm. Blue ribbed cloth titled in gilt on spine; 257pp; frontispiece map. Slight external wear and soil; front endpaper chipped and tape-repaired; Very Good. Official report of Theodore Roosevelt's independent Commission appointed "at the request of both the operators and of the miners" in October 1902 to investigate the causes of the Great Anthracite Strike of that year. The Commission's report marked an important mileston in the history of American labor negotiations as this was the first instance of the Federal government acting as an independent arbitrator in a labor dispute. The results were varied but generally were considered favorable to the United Mine Workers whose members received a 10% pay increase and a reduction in working hours. Government Printing Office unknown books
1949100147352La Bibliothèque Française 1949 in12. 1949. Broché. 2 volume(s). « Les Communistes » de Louis Aragon est un roman qui plonge au cœur des luttes sociales et politiques du mouvement communiste français notamment autour de la grève patriotique des mineurs de 1941. L'œuvre mêle un lyrisme original à une volonté de réalisme social de témoignage historique et de prise de position politique
1959103317New York: Hill and Wang 1959. First edition. Hardcover. Translated from the Spanish by Joseph M. Bernstein. A fine copy in a close to near fine dust jacket that has some minor rumpling to the top of the front panel. On the back flap there is a terrific picture of the Arenal with Fidel Castro and Castro is holding a Spanish edition of the book. Hill and Wang unknown books
193946009Sevilla: M. Carmona Impresor 1939.- 42 p.: 6 láminas y 2 ilustraciones a toda plana; 4º menor 207 x 135 cm; Cubierta a dos tintas; Cartulina Ed.- SUMARIO: Primavera poetatil por Eugenio d'Ors; Italia en la mano por Eduardo Llosent y Marañón; Glosa llamada de la ciudad de Venecia y de la historia de un calamar del Adriático por Adriano del Valle; Romanticismo y democrácia por R. Laffón; Francis James poeta de lo cotidiano y de lo mÃnimo por JoaquÃn Romero Murube; Domenico Náufrago por Antonio Cano; Ecija y Eugenio d'Ors por E. LL. M. Ofrecemos este Nº 2. Solo se llegaron a publicar los Nos 1 y 2. LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español M. Carmona, Impresor paperback
196919105ABLeipzig, Jena, Berlin, Urania, 1969. 21 cm. 375 S. mit 80 farbigen und schwarzweißen Tafeln von Johannes Breitmeier und Heinz Dost. Dekoriertes Leinen (Hardcover), Fadenheftung. 1. - 15. Tsd. Einband minimal angefleckt, sonst tadelloses gepflegtes Exemplar.
19752995New York: George Braziller 1975. 1975 First Edition. 8.75 x 5.5 inches. 208 pp. Creme cloth boards lettered in red and black. Boards toned minor soiling. Very Good. 1st Edition. Hardcover. Very Good. New York: George Braziller, 1975. hardcover
1979INSURRECT1211016Paris, Christian Bourgois éditeur, "Autonomies", 1979, 13,5 x 20,5, 253 pages cousues sous couverture rempliée illustrée.
1970237024New York: August 26 Strike Committee 1970. Leaflet text & graphs on one side only browned in one margin done using a copier at the time and done off center ink residue from the copier on the verso minor creasing 8.5x11 inches. Illustrated with graphs showing pay inequality between men and women. Leaflet for the demonstration that was the public debut of second wave feminism. The demonstration was on the date of the fiftieth anniversary of the ratification of woman's right to vote. Demands included: Equal opportunities in jobs and education free abortion on demand -- no forced sterilization free 24-hour childcard centers -- community controlled. August 26 Strike Committee unknown books
19702178New York: August 26 Strike Committee 1970. Loose_leaf. White paper black printing. Very good. 27.5 x 21 cm. Leaflet printed for the New York demonstration marking the 50th anniversary of the passage of woman suffrage - the Women's Strike for Equality March led by the National Organization for Women NOW calling for new rights: free childcare equal opportunities in education and employment no forced sterilization and a right to free abortion. The strike was called for by Betty Friedan the Queens-based author of The Feminine Mystique and the first president of NOW. Friedan urged work stoppages for "everyone who is doing a job for which a man would be paid more" as well as women whose labor at home was unpaid. Sponsors included Rep. Shirley Chisholm Robin Morgan Kate Millett Helen Southard YWCA Beulah Sanders National Welfare Rights Organization New York Radical Feminists National Organization for Women and Columbia Women's Liberation. Lower portion designed to be removed - for contribution and support. Printed on one side only creased else good condition. <br/><br/> August 26 Strike Committee unknown books
1980T53861Haarlem/ Antwerpen, De Haan/Standaard 1980-1984 Volledig in 10 delen: samen +/- 4000pp., linnen banden, geïllustreerde stofwikkels, in-4, mooie staat
