CARANDINI GuidoMareMagnum
CARANDINI Guido.MareMagnum
Un altro Marx. Lo scienziato liberato dall'utopia.
In-8° pp. XIX-196, bross. edit. Come nuovo.
Libreria Gullà · Roma, IT11,00 €
9 492 résultats
(Percorsi).<BR>8°, pp.XIX, 196 (8), br. edit.
In-8° pp. XIX-196, bross. edit. Come nuovo.
198735805Frankfurt, Institut für Marxistische Studien und Forschungen (IMSF), 1987. (Marxistische Studien, Jahrbuch des IMSF 13, II/1987) 429 S. (24,5 cm) Pappband / gebundene Ausgabe
Moretti & Vitali 2002. LIEVI SEGNI DEL TEMPO Quale spazio può essere oggi allestito dall’etica? Quali sono le condizioni per ricostituire un luogo dove il soggetto possa dimorare al di fuori di ogni pretesa di fondazione ontologica? La filosofia viene convocata con la psicoanalisi per un ripensamento delle categorie fondative, a partire dall’assunto che la centralità del linguaggio non è segno individuante il genere umano e non lo esaurisce nella sua “fisionomia” di animal rationale, limitato in un’etica puramente valoriale oppure affondato nella solitudine di un’etica tragica. Al vettore del linguistico inteso come ciò che marca la discontinuità con “il resto dell’accadere universale” (Freud) non si tratta però di contrapporre 1′”altro dal linguistico”, come risulta, per certi versi, da alcune delle posizioni filosofiche discusse in questo libro. Occorre piuttosto riprendere a percorrere, sulla scorta del lavoro teorico di Sergio Finzi e di Virginia Finzi Ghisi, “la via lunga e discensionale delle forme”, attraverso cui il soggetto si costituisce coestensivamente al resto dell’accadere universale. Da quest’angolazione, il linguaggio non ha più la funzione di differenziare “l’uomo dall’animale” ma di esplicitare “i legami che intercorrono tra i due” (V. Finzi Ghisi), e diventa punto di arrivo “di un processo silenzioso di metamorfosi della luce e del colore” (S. Finzi). Attraverso questa via lunga e discensionale si dischiude, in virtù del fondamentale e inaugurale passo costitutivo di ogni soggettività che è l’invenzione del luogo della fobia, l’etica della verità del soggetto. Per la preminenza che in tale luogo ha la dimensione rappresentativa, quest’etica si configura come un’etica della rappresentazione. Riconosciuto ed elaborato con le sue “prime invenzioni” (teorie sessuali infantili e romanzo familiare) il proprio fondo psicotico (“l’espandersi disordinato del godimento paterno da cui si nasce”), il soggetto articola il proprio esserci in continuità con quel mondo delle forme da cui discende e ritrova, per questa via, il proprio posto nella grande politela della natura.
pp. 419, mm. 215x155, rileg. edit. con sopracoperta, Biblioteca Cultura Filosofica 30
73-6499New York: Liz O'Brien circa 2000s-2010s. Fo. 216 pp. Black and white and color plates. Hard cover with dust jacket. Very good. Heavy Item Heavy volume additional shipping may apply. Provenance: UC Berkeley Art Professor Peter Selz.Heavy volume may cost extra for shipping New York: Liz O'Brien, [circa 2000s-2010s] hardcover
1827533421827. Hecker's Annalen 7. - Berlin im Verlagee von Theod. Christ. Friedr. Enslin 1827 8° VIII 512 pp. 1 Taf. Halbledereinband d.Zt.; feines Expl. Erstdruck! Auf Karl Friedrich Heinrich Marx 1796-1877 geht - mit Berufung auf Bacon als philosophischem Vordenker - die Begriffsfindung "Euthanasie" im unverfälschten Sinne eines Linderns des Sterbens zurück. Marx zufolge hat der Arzt die moralische Aufgabe dem Sterbenden durch Zuspruch Beistand und durch medikamentöse Milderung seiner Leiden das Sterben zu erleichtern. Eine solche "Todeslinderung" entsprach dem damaligen Zeitgeist doch wurde sie von Marx erstmals in den ärztlichen Pflichtenkanon aufgenommen. Marx betonte ebenso die Trennung der theologischen Seelsorge am Kranken von der psychischen Hinwendung und medikamentösen Betreuung durch den Arzt. "Wenn es so unabwendbar beschossen ist daß der Mensch wie jedes andere erschaffende Gebilde untergehe so fragt es sich was er thun kann um den letzten Ausgang wenn dieser nicht durch einen Schlag sondern allmählig heranrückt so erträglich und so leicht als möglich zu machen. Da er in so vielem Meister ist und so unzählige Künste erfunden hat so wird er ja wohl auch eine Kunst zu sterben besitzen und auch hierin eine Meisterschaft vor allen übrigen Geschöpfen behaupten. Der Philosoph und der Geistliche wissen für die Stunde wo der Wille nichts mehr vermag wo es im Geiste dunkelt und wo die Frage über die persönliche Fortdauer keinesweges gelöst wird vielen aufrichtenden Trost; um wie viel mehr mufs der Arzt der beständige Zuschauer des schmerzvollen Zustandes in der höchsten Zeit der Noth wo seine eigene Hoffnung gesunken ist und wo dennoch der Leidende von seiner Kunst um Hülfe fleht eine beruhigende und besänftigende Methode besitzen. Das ist denn die Euthanasie oder diejenige Kunst welche alle drängenden Symptome der Krankheit unterdrückt jeden schmerzlichen Zufall mäßigt und die Todesstunde die nicht abgewehrt werden kann so leicht als möglich vorbereitet." C.F.H. Marx unknown
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RO20237825Dietz Verlag. Non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 671 pages.Ouvrage en allemand.. . . . Classification Dewey : 430-Langues germaniques. Allemand
4089On a business trip to NYC Groucho writes a rich family letter about possible work in musicals radio and movies. To his family "Svenskie Arthur Miriam and Ma" on Sunday afternoon. Probably written between 1931 and 1932 this letter to his family in Los Angeles talks about his work and mentions many people he knew in those days but also expresses his loneliness missing his family and his home. He addresses the letter to "Svensk Arthur Miriam and Ma." It seems plausible to assume that Svensk is a nickname he called his wife Ruth Johnson as she was the daughter of a Swedish immigrant. They were married in 1920 their son Arthur was born in 1921 and their daughter Miriam was born in 1927. Groucho's mother Minnie died in September of 1929 so it seems likely that his reference to "Ma" would be his mother-in-law. Â The Marx family moved to Los Angeles in 1931. According to "Groucho Marx and Other Short Stories and Tall Tales." edited by Robert S. Bader Groucho first met Arthur Sheekman in Chicago during the run of "Animal Crackers." Sheekman was a columnist for the Chicago Times. Before working on "Duck Soup" Sheekman moved to New York in 1932 to work on Groucho and Chico's radio show "Flywheel Shyster & Flywheel." Groucho begins by describing New York being nostalgic for California and wishing his family was with him. "This is Sunday afternoon a particularly gloomy Sunday too." He mentions walking in Central Park saying "how I miss the green grass and the trees. thing that would drive me crazy about living in the city. Nothing to look at but stone and asphalt and nothing to smell but carbon monoxide" Â He tells his family news of his work and social life. "Am still working on the radio script and although I don't think it's too good we will probably audition it. if we get it too smart the sponsors nor the public understand it if it isn't smart enough we don't like it so there you are." He seems to be referring to the radio show he was trying to create with Chico which eventually became "Flywheel Shyster & Flywheel" for Standard Oil's "Five Star Theatre" on the air from 1932-33. Â "Had dinner last night with Hecht" he says referring to Ben Hecht the screenwriter who was a friend and writing partner of Charles MacArthur who Groucho also mentions. Further discussing Hecht "We are trying to get him to do an outline for either a play or a movie. we have definitely abandoned the first Sherwood and Hart idea." here referring to the collaborators of musicals Robert E. Sherwood and Moss Hart whose "Miss Liberty" came out in 1949. Â Further to colleagues and friends "I am going with Sheekman and Perrin and the Goodmans and the Bennys to Lea Sachs for dinner. Last Friday I was out with Ross Harold. Luchow's. food was fair but the beer was superb." Arthur Sheekman as mentioned above and Nat Perrin were writers who wrote "Duck Soup" 1933 for the Marx Brothers. Groucho became a close friend of Sheekman's and in 1967 edited "The Groucho Letters." See "Monkey Business: The Lives and Legends of the Marx Brothers" by Simon Louvish pages 129-130. He also refers to Harold Ross editor of "The New Yorker." Â Groucho spends much of the letter talking about missing his family and wanting them to arrange to come to New York as soon as they can. He says he wants them to come when he gets "something definite." His emotion for his family shows throughout "I hope my little sweetheart has completely recovered from her fall. I look at the pictures every day and getting increasingly lonesome." He refers to the troubles Chico and his wife Betty were having by stating that "Betty is returning to California next Sunday.". The letter is signed with great love and devotion not at all close to how he might feel one day when in 1942 he and Ruth are divorced. "Kiss yourself and Arthur and Miriam for me and love to you all from your ever lovin man Groucho" then signed in pencil "Groucho." He writes in pencil "Did you cut down the vines" and signs again "Love - Groucho." Two holograph corrections in the body of the letter in pencil. unknown books
0266940250.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
20141-1939864046Editorial Projects in Education inc 2014. Paperback. New. 554 pages. 8.75x5.75x1.50 inches. Editorial Projects in Education inc paperback
198215778Leipzig, Verlag für die Frau 1982. Mit zahlreichen fotografischen Abbildungen auf Tafeln., 351 Seiten., 8°. OLeinwand mit Schutzumschlag (dieser mit Gebrauchsspuren).,
20021204309Kiepenheuer & Witsch, 2002. 304 Seiten gebundener Originalpappband mit Schutzumschlag
Nur der Schutzumschlag am Rücken lichtbedingt etwas ausgeblichen, sonst gutes und sauberes Exemplar ISBN 9783462031393
alb59b525407df28150M. Thought. 1969. 222 Please contact us for details on condition of available copies of the book.�SKUalb59b525407df28150. unknown
62414, Hannibal Books, 2023 HB, 265 x 220 mm, 196 pages, ENGLISH edition ISBN 9789464666786.
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46654818like new. unknown
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1956645801956 Union Latine d'Editions - Collection "Médiévale" éditée sous la direction de Maurice Robert - 1956 - 1 volume in-8 (19.5x24.5 cm environ), reliure pleine basane cognac, dos à nerfs plats portant titres dorés et motif à froid, décor à la plaque à froid sur les plats avec un cabochon à chaque angle, tranche de tête dorée, sous emboîtage - 292 pages + table - Exemplaire numéroté illustré de bois originaux de Jean Chièze
