3 526 résultats
0595468063.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008SONG0595705308iUniverse 2008-04-23. hardcover. Used: Good. 5.50x0.75x8.50. Buy with confidence. Excellent Customer Service & Return policy. iUniverse hardcover
19751209099PN. New. 1975. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
193110361931. Etching on watermarked antique laid J Whatman Japon paper 14 1/2 x 7 5/8 inches 368 x 195 mm full margins. Signed dated and inscribed "II" in pencil in the lower margin. One of only 26 impressions of the second state of 2 printed in 1931. With the John Taylor Arms ink stamp in black ink in the lower-center margin. <br /> <br /> Fletcher 241 II; French Church Series No. 31. This magnificent etching was awarded the Mrs. Henry F. Noyes Prize Society of American Etchers 1931; the Carle Blenner Best Entry Prize New Haven Paint and Clay Club 1950; and the Best Print Annual Exhibition Arts and Crafts Association Meridan Connecticut 1952.<br /> <br /> Paper: Arms was typical of the artists of this period - he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. <br /> <br /> - William Dolan Fletcher A Man For All Times p. 15. unknown
193119021931. Etching on antique laid Japon paper 14 1/2 x 7 5/8 inches 368 x 195 mm full margins. Signed dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressions of the second state of 2 printed in 1931.<br /> <br /> Fletcher 241 II; French Church Series No. 31. This magnificent etching was awarded the Mrs. Henry F. Noyes Prize Society of American Etchers 1931; the Carle Blenner Best Entry Prize New Haven Paint and Clay Club 1950; and the Best Print Annual Exhibition Arts and Crafts Association Meridan Connecticut 1952. <br /> <br /> Paper: Arms was typical of the artists of this period: he was obsessed with paper a mania for collecting paper that could/would improve an edition. The quantity he left after his death distributed by his wife to fellow artists witnesses his love for finely made paper -paper interesting because of texture color distinctive weave. The earliest paper known to have been used by Arms came from a Baptismal Register Kirchen Ordnung The Reformed Church Middletown Dauphin County Pennsylvania 1708 bought in a bookshop in Philadelphia. His early prints 1915-1919 evidence paper taken from old books with gilded edges. Some prints appear on stationary from the Cisalpine Napoleonic Italy still bearing the estampe of the office or department; others carry penned ink page numbers taken from old ledgers of the Eighteenth Century-all beautiful shades of grey blue and green handmade ribbed and otherwise. Some of his color aquatints were printed on full sheets of heavy chine or Japanese vellum giving a sense of luxury in the richness of the stock and the width of the margins. There was a myriad of modern papers gleaned in England France Italy and the United States. - William Dolan Fletcher A Man For All Times p. 15. unknown
1453543848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1992Q-185409145XArms & Armour 1992-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Arms & Armour hardcover
1904286206Ernst Siegfried Mittler und Sohn Königliche Hofbuchhandlung Berlin 1904. Hardcover Pappe mit Leinenrücken und -ecken ohne Schutzumschlag Nur 3. Teil 3. Heft 1. Gruppe 2. Abteilung. Zustand: Keine Beschädigungen mit einer Eintragung im Vorsatz. Rücken Ecken Kanten leicht bestoßen und berieben. In allem original. Aus der K.B. Kadetten-Corps-Bibliothek mit Kennungen Stempel Rückenschild. Ernst Siegfried Mittler und Sohn, Königliche Hofbuchhandlung, Berlin, hardcover
1706080-nnew. unknown
1706080like new. unknown
A9780387954110Paperback / softback. New. The book compiles information on the polycyclic hydrocarbons from C5 to C14 including the IUPAC Chemical Abstracts and trivial names; basic chemical companies and petroleum companies. The author is a well-known chemist and former president of the American Chemical Society Board of Directors. paperback
B9780387954110Paperback / softback. New. The book compiles information on the polycyclic hydrocarbons from C5 to C14 including the IUPAC Chemical Abstracts and trivial names; basic chemical companies and petroleum companies. The author is a well-known chemist and former president of the American Chemical Society Board of Directors. paperback
ria9780387954110_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This is a reference manual of the heats of formation and conformation of polycyclic hydrocarbons. The book compiles information on the polycyclic hydrocarbons from C5 to C14 including the IUPAC Chemical Abstracts and trivial names; th paperback
63106904Springer pp. 288 . Papeback. New. Springer unknown
2002Q-0387954112Springer 2002-01-08. Paperback. New. In shrink wrap. Looks like an interesting title! Springer paperback
0387954112.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002SONG0387954112Springer 2002-01-08. 2010. paperback. Used: Good. 6.10x0.65x9.17. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
2002DADAX0387954112Springer 2002-01-08. 2010. paperback. New. 6.10x0.65x9.17. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
19278751927. Etching with drypoint on fine F.J. Head Japon laid paper 6 7/8 x 4 15/16 inches 175 x 126 mm full margins. Edition 96. In excellent condition with paper tape remnants at the top right and left corners verso. <br /> <br /> Fletcher 204; Demonstration series #18. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
19274961927. Etching on antique cream laid paper with a partial watermark 9 5/8 x 4 1/4 inches 246 x 109 mm; full margins. Siged and dated "1928" in pencil lower margin. Inscribed "Street in Porto Maurizio" in the plate. Edition of 100. Printed by Frederick Reynolds. Minor toning at sheet edges and at corners with paper tape remnants from a former mount. Number 13 from the Italian Series. <br /> <br /> Fletcher 207<br /> Illustrated: Page 4 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy.". Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
19279731927. Etching on antique handmade laid paper 9 5/8 x 4 1/4 inches 246 x 109 mm full margins. Signed and dated 1928 in pencil lower margin. Printed by Frederick Reynolds. In very good condition with some marginal toning around the extreme sheet edges. An excellent inky impression. <br /> <br /> Fletcher 207. Italian Series No. 13<br /> Illustrated on p. 4 in Dorothy Noyes Arms Hill Towns and Cities of Northern Italy. unknown
1984198354Maidenhead Berks. England: Pergamon Infotech Ltd. 1984. Ex-library: label on spine; jacket taped to endpapers; torn FEP; bookplate on pastedown; ink stamps on endpapers edges of page block front matter. Contents otherwise clean sound. Light wear to covers. Dust jacket tanned and notably worn at edges and corners. Nicked and chipped. First Edition. Hardcover. Good/Acceptable. Pergamon Infotech Ltd. Hardcover
194012701940. Etching on cream wove paper 5 9/16 x 2 3/4 inches 142 x 70 mm full margins. Signed titled numbered "III" and inscribed in pencil by the artist in the lower margin recto. In very good condition with some pencil inscriptions in the margins adhesive residue and canvas tape tabs at the top corners and a small loss in the lower left corner from a natural paper defect all well outside of image area. With the John Taylor Arms collector's stamp in black ink in the lower left margin on the recto not in Lugt. The third impression of 3 from the third trial state of 3 before the regular edition of 443. Printed by the artist. <br /> Fletcher 336<br /> English Series No. 8; Miniature Series No. 25. This image was used in part to illustrate David Strang Etching: The Printer Proves the Plate Print II: 3 4 October December 1941. unknown
2007x-0470129964John Wiley & Sons Inc 2007. Hardcover. New. 1st edition. 195 pages. 10.00x7.00x0.75 inches. John Wiley & Sons Inc hardcover
4955831-nnew. unknown