185 résultats
1955209986United States: Lloyd Friedgen and Rajkamal Kalamandir Studio. circa1955. Movie Front of House/Lobby card 28 x 35.7 cms inset sepia photographic still from the film surrounded by a red border with the movie title in yellow a white dragon curling above the title in very good condition. Striking Front of House/Lobby card for a 1955 film produced at the height of anti-Communism in the West. <br> <br>The byline for the film was lurid: "Swooping down from the North they ceated a brutal Reign of Terror" and as The Movie Database TMDB notes the film was "culled from footage of a Hindi film titled 'The Journey of Dr. Kotnis.' Producer Lloyd Friedgen added real and staged footage of wartime atrocities." It played to both American and Indian suspicions about the rise of China and appeared the year after Nehru's visit to Beijing. <br> <br>During the Communist Revolution in China a young Indian physician Dr Dwarkanath Kotnis Shantaram Rajaram Vankudre aids the resistance movement working against the development of germ warfare by Communist doctors and develops a serum then meets and courts a Chinese girl Ching Lan Jayashree. . Lloyd Friedgen and Rajkamal Kalamandir Studio. unknown
163318No publication details. No date. Large Chinese Cultural Revolution papercut on red paper with paper backing featuring Mao clapping and looking benevolently towards the huge crowds around him the sun with its bold rays extending behind him some people around Mao are in different minority costumes and others in their work outfit many of them are holding the red little book of Mao's quotations up high above their heads. Block of text lower margin in Chinese excellent condition papercuts sheet measures 53 x 73.9cm. Chinese text in lower margin reads "The East is Red. The Sun is Rising." the first line of a very popular Cultural Revolution song 东方红 The East is Red. Adapted from northern Shaanxi folk song the song was "re-composed" by 李有源 Li Youyuan and 公木 Gong Mu lyrics 李涣之Li Huanzhi Melody in 1940s. . No publication details. unknown
1942175578Circa1942. Small airborne propaganda leaflet printed on one side only featuring a colour illustration. Appears to have been dropped during the Malayan Campaign. 14.6 x 19.8 cm creased and marked on the reverse. Image still very clear and strong. Airborne colour propaganda leaflet urges the British troops to surrender to Japan. The rather oddly worded text reads: <br> <br>"Iron-rationed. Stranded. <br>Nothing but dog biscuits. <br>Day after day positively. <br>How about a dish of salad like this <br>For a change of diet. just a change of mind". <br> <br>The image shows three figures two of whom are identifiable as British soldiers in a desperate situation on a small piece of land possibly representing Singapore. In the distance their warships are burning. A plate of salad which dominates the image looks enticingly fresh and colourful albeit rather surprising that the Japanese military propaganda believed salad would motivate the soldiers to surrender! Similar messages published and dropped by the Allies were distributed to Japanese troops in Japanese towards the end of the Pacific War with the same aim in mind. <br> <br>Although we have not been able to identify the area depicted with absolute certainty we believe this leaflet was likely dropped during the Malayan Campaign rather than Guadalcanal as we have seen it attributed to. Our reasons for this include the leaflet showing British soldiers whereas American servicemen were primarily involved in Guadalcanal. The burning ships offshore seem to fit more with the sinking of the HMS Prince of Wales and HMS Repulse particularly as only two are depicted and they are being destroyed by what seem to be land-based bombers not other ships or carrier-based aircraft. Likewise at the late stage in the Pacific War that the Guadalcanal Campaign took place Japan was no longer in a position where they could cope with POWs nor were they likely to be in a position to print colour leaflets or distribute them. <br> <br>Commonly airborne leaflets were used over land battles rather than in naval battles. . unknown
004909London: H.M.S.O. Single sided lithographic poster approximately 370mm x 490mm in size n.d. c.1943. Very light browning to white border otherwise quite bright and clean. Attractive image of an airman with his finger up to his lips. The designer is seemingly unknown sometimes attributed to Charles John Noke the ceramicist but he was dead by 1941. There was an 'L Noke' listed as an artist who sold work to the War Artist's Advisory Committee but nothing definitive. The IWM have both this and the Australian reprint of this poster printed by McLaren and Co. where the airman is described as being of the Royal Australian Air Force. First Edition. Unbound. Very Good. Illus. by Noke. Elephant Folio. Poster. H.M.S.O. Paperback
19411736111941. One of the series of "careless talk" posters produced by the British government during the Second World War. This design was put in public telephone boxes see Hastings and St Leonards Observer 19 July 1941. Offset lithograph 169 x 145 mm. In fine condition. unknown
193788271Barcelona: Commissariat de propaganda de la Generalitat de Catalunya. 1937. 1st ed. thus. Nice Copy. oversize. pictorial wrappers 40pp. b/w plates map Inc. contributions by Dolores Ibarruri to all mothers Angel Lazaro on Garcia Lorca P. Catala new propaganda J. P. Fabregas spirit of revolution. ENGLISH TEXT. Some chipping to wrapper o/w an unusually nice copy of a srarce & important propaganda piece from the early part of the Spanish Civil War Commissariat de propaganda de la Generalitat de Catalunya. unknown
160149No publication details. No date. Late 20th Century. Large Chinese Propaganda papercut on red paper with paper backing featuring an image of Mao holding up high the "May 16th Circular" in his right hand the the earth spins behind him. The great ideological pioneers and philosophers Karl Marx Friedrich Engels Vladimir Lenin and Lu Xun are also shown upper section with a sailing boat between them. A group of armed soldiers march forward below them. Very good. Text in Chinese. Papercut measures 73.1 x 50.7cm. The May 16th Circular formally known as 中国共产党中央委员会通知 Circular of the Central Committee of the Communist Party of China was first circulated on May 16th 1966 and was regarded as the official document which triggered off the beginning of the Chinese Cultural Revolution. . No publication details. unknown
158708No publication details. No date. Late 20th Century. Large Chinese Cultural Revolution papercut on red paper with paper backing featuring an image of Mao holding up high the "May 16th Circular" in his right hand the the earth spins behind him. The great ideological pioneers and philosophers Karl Marx Friedrich Engels Vladimir Lenin and Lu Xun are also shown upper section with a sailing boat between them. A group of armed soldiers march forward below them. Very good. Text in Chinese. Papercut measures 72.7 x 50.2cm. The May 16th Circular formally known as 中国共产党中央委员会通知 Circular of the Central Committee of the Communist Party of China was first circulated on May 16th 1966 and was regarded as the official document which triggered off the beginning of the Chinese Cultural Revolution. . No publication details. unknown
157469No place of publication.: No publication details. No date. Late 20th Century. Large Chinese propaganda papercuts onf red paper with paper backing depicting a large Mao's half-body portrait. Mao is wearing the 红卫兵袖章 Red Guard Armband and 红领巾 Red Scarf a neckerchief worn by Young Pioneers of several communist countries. Excited crowds are looking admiringly at Mao some of them hold the little red book of Mao's quotations some hold revolutionary banners posters and red flags. Nine balloons carry banners floating behind Mao two banners with texts. Excellent condition blocks of text in Chinese papercuts paper measures 51.5 x 73.6cm. Upper margin text 你们要关心国家大事,要把无产阶级文化大革命进行到底! You must pay attention to state affairs and carry the great proletarian cultural revolution through to the end! a propaganda slogan first announced by Mao Zedong on August 10 1966. Later that year Mao had received thousands of Red Guards and young Cultural Revolution supporters at Tiananmen Square. <br> <br>Text on the flying banners 毛主席万岁!Long Live Chairman Mao!; 中国共产党万岁!Chinese Communist Party lasts for ten thousand years! <br> <br>Text on the banner holding by the crowds 无产阶级文化大革命胜利万岁!The great victory of the great proletarian Cultural Revolution lasts for ten thousand years! . No publication details. unknown
160241No publication details. No date. Chinese Cultural Revolution papercut on red paper with paper backing featuring a full-body portrait of Mao Zedong looking benevolently a few branches of plum blossom behind him. A poem of Chairman Mao cut in the style of Chinese calligraphy is featured on the left section. Very good copy papercuts sheet measures 72.6 x 50cm. Included a handwritten poem by Mao Zedong titled 卜算子·咏梅 Ode to the Plum Blossom - to the Tune of Pu Suan Tzu created in December 1961. A re-creation based on 陆游 Lu You's a famous Southern Song Dynasty poet popular poem of the same title "Ode to the Plum Blossom - to the Tune of Pu Suan Tzu". . No publication details. unknown
160154No publication details. No date. Late 20th Century. Large Chinese Cultural Revolution papercut on red paper with paper backing. Head and shoulders portrait of Mao in the centre the sun with its bold rays extending behind him. A large crowd cheers in the background cheers many of the crowd hold their hands high in the air while waving their little red book of Mao's quotations. Two people on the right are holding a banner showing the character 囍 double happiness. The outer section is decorated with sunflowers. <br> <br>Excellent condition blocks of text in Chinese papercuts sheet measures 60 x 47.6cm. Text at upper margin reads "The Great Victory of the Great Proletarian Cultural Revolution Lasts for Ten Thousand Years!" On September 7th 1968 China Daily and People's Liberation Army Daily jointly released an article announcing that all regions except Taiwan established the local Revolution Committees. <br> <br>Lower margin text reads 'To Celebrate that the Whole Country is Red". . No publication details. unknown
160153No publication details. No date. A large size Chinese Cultural Revolution papercut on red paper with paper backing featuring Mao Zedong chatting with two peasants at Yan'an communist base. More peasants are working on the farm in the background. <br> <br>In excellent condition text in Chinese upper margin papercut sheet measures 50.5 x 73.1cm. Text upper margin reads "Chairman Mao is at Yang Jia Ling Yan'an./ 1939." The image of Mao in discussion with the peasants is based on an old photo of Mao Zedong and two peasants at Yan'an taken in 1939. Chinese communist party's leaders were based at 杨家岭Yang Jia Ling from 1938 to 1944. . No publication details. unknown
157473No publication details. No date. A large size Chinese Cultural Revolution papercut on red paper with paper backing featuring Mao Zedong chatting with two peasants at Yan'an communist base. More peasants are working on the farm in the background. <br> <br>In excellent condition text in Chinese upper margin papercut sheet measures 49.8 x 72.2cm. Text upper margin reads "Chairman Mao is at Yang Jia Ling Yan'an./ 1939." The image of Mao in discussion with the peasants is based on an old photo of Mao Zedong and two peasants at Yan'an taken in 1939. Chinese communist party's leaders were based at 杨家岭Yang Jia Ling from 1938 to 1944. . No publication details. unknown
158683No publication details. No date. A large size Chinese Cultural Revolution papercut on red paper featuring Mao Zedong chatting with two peasants at Yan'an communist controlled base. More peasants are working on the farm in the background. <br> <br>In excellent condition text in Chinese upper margin papercut measures 49.8 x 71.9cm. Text upper margin reads "Chairman Mao is at Yang Jia Ling Yan'an./ 1939." The image of Mao in discussion with the peasants is based on an old photo of Mao Zedong and two peasants at Yan'an taken in 1939. Chinese communist party's leaders were based at 杨家岭Yang Jia Ling from 1938 to 1944. . No publication details. unknown
158636No publication details. No date recorded. Large size Chinese Cultural Revolution papercut in red with paper backing. The lower section features a portrait of the young Mao Zedong standing sky high with mountains rivers and clouds behind him. Upper section shows a handwritten poem by Mao Zedong in 1934. Excellent condition text in Chinese calligraphy papercut measures 70.4 x 46.7cm. The poem on the papercut translates as: <br> <br>清平乐·会昌 <br>一九三四年夏 <br>HUICHANG <br>--to the tune of Ching Ping Yueh <br>Summer 1934 <br> <br>东方欲晓, <br>莫道君行早。 <br>踏遍青山人未老, <br>风景这边独好。 <br>Soon dawn will break in the east. <br>Do not say "You start too early"; <br>Crossing these blue hills adds nothing to one's years <br>The landscape here is beyond compare. <br> <br>会昌城外高峰, <br>颠连直接东溟。 <br>战士指看南粤, <br>更加郁郁葱葱。 <br>Straight from the walls of Huichang lofty peaks <br>Range after range extend to the eastern seas. <br>Our soldiers point southward to Kwangtung <br>Looming lusher and greener in the distance. <br> <br> translated by 袁水拍 等 Yuan Shuipai and others . No publication details. unknown
158681No publication details. No date. Large Chinese Cultural Revolution papercut on red paper. This papercut features Red Guards soldiers workers and farmers marching forward to a postive future two people hold a banner showing the name of the committee. The benevolent figure of Mao Zedong waves to all the sun with its rays behind him. <br>Excellent condition blocks of text in Chinese papercut measures 50.4 x 74.5cm. Text in right margin reads "Many congratulations to the founding of the Revolution Committee of Jilin Province./March 6th 1968". <br> <br>Text in left margin reads "China Military China Daily Editorial./The red sun is shining brightly on the Mount Changbai./ March 10th 1968." Mount Changbai is located on between China and North Korea. . No publication details. unknown
160160No publication details. No date. Late 20th Century. A striking large size Chinese propaganda papercut on red paper. Th image shows one soldier and two civilians each with a very determined look on their faces one is armed with a bayonetanotoher a sickle and a third a copy of Mao's Little Red Book. Crowds in the background also hold high their weapons. <br>In very good condition text in Chinese lower margin and middle section 71.1 x 51.2cm. Lower margin a slogan reads "Everyone one is a soldier". The slogan first used by Mao Zedong in late 1950s to make sure China was in readiness for any anti-aggression war and to raise defence awareness among the civilians. <br> <br>Text on left section reads "Stand in combat readiness./Be prepared against war; be prepared against natural disasters; and do everything for the people." <br> <br>On August 23rd 1965 during the meetings for organising The Third Plan of Five-year Plans of China 1966-1970 Premier Zhou Enlai concluded the important ideas raised by Mao Zedong to three crucial points "Be prepared against war; be prepared against natural disasters; and do everything for the people". The slogan was regarded as one of the most frequent quoted slogans during the Cultural Revolution. <br> <br>Text on right section reads "Down with American Imperialism./Down with Soviet Revisionism." . No publication details. unknown
1977215861Beijing.: 人民美术出版社. People's Fine Arts Publishing House. 1977. Large anti-Gang of Four propaganda poster featuring a heroic young female worker in an industrial setting. Some lightly browned holes along upper edge of poster. In very good condition colours fresh and bright. 77 x 53cm. Poster was designed by Sun Quan 孙荃 who was assigned to the People's Fine Arts Publishing House in 1973. The background banner calls for people to swear to struggle together to the end against the anti-Party group of Wang Zhang Jiang and Yao. . 人民美术出版社. People's Fine Arts Publishing House. unknown
1977151285Hong Kong: Wenhua ziliao gongying she 1977. Chairman Mao's widow under attack First edition first printing of this collection of propaganda cartoons seldom seen in commerce and presenting here in exceptional condition. This visually striking work was issued by a Beijing-backed publisher in Hong Kong to bring to the colony the tumultuous politics of the post-Mao mainland in particular the denunciations of a fallen political faction led by Chairman Mao's widow. The roots of the present publication lie in the dramatic political changes that gripped the People's Republic of China in autumn 1976. After Mao's death in early September a new leadership grouping quickly coalesced around the up-and-coming politician Hua Guofeng and less than a month after Mao's passing Hua arranged the arrest and imprisonment of a rival wing of the communist party leadership led by Mao's widow Jiang Qing. Hua's faction argued that Jiang and her allies posed an existential threat to Mao's revolutionary legacy. Jiang along with Zhang Chunqiao Yao Wenyuan and Wang Hongwen were quickly christened the "Gang of Four" by state media and they became the go-to scapegoats for the chaos of the Cultural Revolution years 1966-1976. Ultimately their fate was decided in a sensational televised trial in 1981 at which they were sentenced to lengthy prison sentences. After the "Gang's" arrest to make the official narrative stick and to prepare the way for the trial state propaganda organs pumped out huge quantities of anti-"Gang" agitprop. This material was often visual with professional and amateur caricaturists and cartoonists drafted in to draw memorable condemnations of the "Gang's" political crimes. The present work anthologises some of the best of these drawings from the Chinese mainland for readers in Hong Kong. The publisher's Beijing links can be seen in the way the text accompanying the cartoons mirrors the party lines emanating from communist newspapers such as the People's Daily while the blurb on the rear wrapper talks of the Chinese people's "hatred" of the "Gang." The caricatures present all the standard political refrains of state media: the work begins with images of Jiang Qing showing her pseudo-imperial political aspirations while her allies toady at her feet; Zhang Chunqiao and Yao Wenyuan become grotesque pen-wielding ideologues; and Wang Hongwen is depicted primping and preening ready to take on the position of premier. The "Gang" are often depicted together as a choir singing counter-revolutionary anthems as a group indulging in an hedonistic decidedly un-socialist lifestyle and as a four-headed monster with tentacles extending across the political world. Quite apart from their entertainment value these materials were extremely successful. The anti-"Gang" narrative remains in vogue today and still exerts a strong influence on academic research into modern Chinese politics. Octavo. Cartoons and drawings throughout title page and copyright page printed in blue. Original green paper wrappers title and caricatures printed in red white and black. Spine lightly sunned with touch of wear to foot. A fine copy. unknown
157440No publication details. No date. Large Chinese Cultural Revolution papercut on red paper with paper backing. This papercut features a crowd of people cheering together for the establishment of Shanghai Revolution Committee. Among them two female red guards are holding a banner showing the name of the committee people on left corners are playing musical instruments many are holding high of the little red book of Mao's quotations. There is a head and shoulders portrait of Mao Zedong's with the sun with its bold rays extending behind him. <br> <br>Excellent condition blocks of text in Chinese papercuts sheet measures 50.3 x 73.2cm. Text in right margin reads "Many Cheers on the Founding of the Revolution Committee of Shanghai City./February 5th 1967". The dates here shows the committee was established on February 5th 1967. <br> <br>Text in left margin reads "China Military China Daily Editorial./The victory of January Revolution last for ten thousand years./ January 12th 1967." The dates shows when the article was published in the newspaper. <br> <br>In January 1967 a political campaign led by 张春桥 Zhang Chunqiao and supported by Mao Zedong had undergone in Shanghai. Zhang and other leaders of this campaign took over the local Shanghai government and established a local revolution committee by rebellion factions. This event marks the beginning of the power seizure movement nationwide and it propels the Cultural Revolution into full swing. . No publication details. unknown
157438No publication details. No date. Large Chinese Cultural Revolution papercut on red paper with paper backing. Papercut features a crowd of people cheering together for the establishment of Jiangsu Revolution Committee. Among them two people are holding a banner showing the name of the committee some soldiers in uniform are playing musical instruments some are holding the little red book of Mao's quotations a worker on left corner is holding a flag showing 囍 Double Happiness and a peasant is lifting a banner showing The Highest Order from Central Communist Party of China which says "Never forget the class struggle". A head and shoulder's portrait of Mao Zedong the sun with its bold rays extending behind him and a road-rail bridge in the background completes the picture. <br> <br>Excellent condition blocks of text in Chinese papercuts sheet measures 49.9 x 73.4cm. Text in right margin reads "Many Cheers on the Founding of the Revolution Committee of Jiangsu Province./March 24th 1968". The dates here shows the committee was established on March 24th 1968. <br> <br>Text in left margin reads "China Military China Daily Editorial./Heaven-and-earth overturned bringing great changes. People are overjoyed./ March 25th 1968." This phrase is quoted from a poem by Mao Zedong. The dates shows when the article was published in the newspaper. . No publication details. unknown
160161No publication details. No date. Large Chinese Cultural Revolution papercut of red paper loosely presented on paper backing. This papercuts features a crowd of people cheering together for the establishment of Hunan Revolution Committee. Among them two people are holding a banner showing the name of the committee some of them are playing musical instruments and the majority of them are holding their hands high with the little red book of Mao's quotations. Mao Zedong's head and shoulder portrait the sun with its bold rays extending behind him. Views of mountains and villiage are also at the background. <br> <br>Excellent condition blocks of text in Chinese papercuts sheet measures 51.7 x 71.7cm. Text in right margin reads "Many Cheers on the Founding of the Revolution Committee of Hunan Province./April 8th 1968". The dates here shows the committee was established on April 8th 1968. <br> <br>Text in left margin reads "China Military China Daily Editorial./Confederate roses are opening beautifully at my home town. The Sunshine at dawn is shining there/ April 10th 1968." This phrase is quoted from a poem by Mao Zedong. The dates shows when the article was published in the paper. <br> <br>The blocks of texts on the banners and flags are the names of the committee and rebel factions. . No publication details. unknown
157441No publication details. No date. Large Chinese Cultural Revolution papercut of red paper loosely presented on paper backing. This papercuts features a crowd of people cheering together for the establishment of Hunan Revolution Committee. Among them two people are holding a banner showing the name of the committee some of them are playing musical instruments and the majority of them are holding their hands high with the little red book of Mao's quotations. Mao Zedong's head and shoulder portrait the sun with its bold rays extending behind him. Views of mountains and villiage are also at the background. <br> <br>Excellent condition blocks of text in Chinese papercuts sheet measures 49.4 x 71.9cm. Text in right margin reads "Many Cheers on the Founding of the Revolution Committee of Hunan Province./April 8th 1968". The dates here shows the committee was established on April 8th 1968. <br> <br>Text in left margin reads "China Military China Daily Editorial./Confederate roses are opening beautifully at my home town. The Sunshine at dawn is shining there/ April 10th 1968." This phrase is quoted from a poem by Mao Zedong. The dates shows when the article was published in the paper. <br> <br>The blocks of texts on the banners and flags are the names of the committee and rebel factions. . No publication details. unknown
19362309280012Sociedad de Ingenieros de Bolivia y Centro de Propaganda y Defensa Nacional La Paz 1936. Maps. Very Good. Large color map of pre-WWII Bolivia. 146 x 185 cm. Mounted on muslin wood rods top and bottom. Scale 1:1000000. Relief shown by gradient tints and spot heights. Includes text climate diagram and 4 inset maps. Inset maps of: Vias de comunicacion internacional Sud America -- Vialidad y comunicaciones en Bolivia -- Riquezas explotables en Bolivia -- Isogonas magneticas para los anos 1930 y 1940 -- Perfil del territorio. <br> Note: This is a large heavy map. Additional postage will apply depending on delivery location Sociedad de Ingenieros de Bolivia y Centro de Propaganda y Defensa Nacional, La Paz, unknown
1975156371Shanghai: Shanghai renmin chubanshe 1975. First international edition first printing of this scarce septalingual propaganda poster representing the unity of Communist China's ethnicities and classes. Designed by model workers in Shanghai it was released to promote the Campaign to Study the Dictatorship of the Proletariat - the last hurrah of the Cultural Revolution's revolutionary politics before Mao's death in 1976. Chinese posters from the 1970s are uncommon in such collectible condition. In this poster multiple figures are shown clutching a pamphlet published in 1975 titled Makesi Engesi Liening lun wuchan jieji zhuanzheng Marx Engels and Lenin on the Dictatorship of the Proletariat. With Mao ailing and more moderate economic reformers resurgent radical members of the Chinese Communist Party's leadership spearheaded a new campaign to study Marxist-Leninist theory and reinvigorate the Cultural Revolution. In keeping with the period's emphasis on collectivized cultural production the artwork was produced by amateur artists from Shanghai's Jing'an District Cultural Palace with assistance from Li Min and Hu Yiren two factory workers and You Longgu from the publisher Shanghai renmin chubanshe Shanghai People's Press. A domestic edition of 30000 copies was printed in tandem with this international edition distributed abroad by China's state bookstore. We have traced one institutional copy of this edition at Hong Kong Baptist University as well as a copy from the domestic print-run at the University of Westminster. Examples only occasionally appear in commerce. Poster 530 x 760 mm showing a group of revolutionary figures with a slogan lettered in yellow in Mandarin Mongolian Tibetan Romanized Uyghur Korean Romanized Kazakh and Pinyin. A fine example with just a little creasing. unknown