[DESSINS D'ENFANTS DE CHINE]Livre Rare Book
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2425Pékin, Editions en Langues Etrangères, 1959. 1 volume oblong in-8, [60pp.], couverture cartonnée illustrée, dos toilé, illustrations en couleurs à toutes pages, bon état.
1986223015Chongqing.: 重庆出版社. Chongqing chubanshe. 1986. Large colour poster of patriotic children standing proudly to the right of a medal text in simplified Chinese characters 74.7 x 52.5cm. Good copy. This print from a highly symbolic painting done in a modern impressionist style by 张长清 Zhang Changqing would have been a wall poster for use in upper primary classrooms with the aim of encouraging children to strive to be heroes and to achieve. Behind the children is an image of the 1986 Laoshan Hero Commemorative Medal 八一金星配三色绶带 . The girl is holding a text or notebook with the words Laoshan on the cover symbolising sacrifice bravery and usually that the bearer had somehow contributed to the Laoshan war effort but in this case possibly a textbook about Laoshan and the need to learn from the heroes of that military campaign. . 重庆出版社. [Chongqing chubanshe]. unknown
19415699Washington DC 1941. Very good plus. 51pp. Original self wrappers. Soft horizontal crease. A slip-bill printing of the Gillette Propaganda Exposure Bill of 1941 proposed by Iowa Senator Guy Gillette. The bill sought "to protect the integrity of the democratic process by requiring disclosure of persons writing publishing and circulating scurrilous literature in connection with political campaigns; to deny the use of the mails to such literature and to prohibit its importation into the United States in default of such disclosure; and for other purposes." The text of the bill opens by attempting to outlaw "all published matter" which causes "public hatred or contempt" for any American citizen "because of race religion descent or nationality" during national elections and those in Hawaii Alaska and Puerto Rico. The bill also sought to establish an Office of Minority Relations to enforce the law and provided penalties to anyone breaking the new law. The final line of the bill states that it should be referred to as the "Propaganda Exposure Act 1941." Calling for honesty fairness and equal treatment in American political elections It'll never pass and it didn't. unknown
4693Pékin, Editions en Langues Etrangères (1976-1978-1981) 1 ensemble de 4 ouvrages brochés, imprimés et publiés en Chine, à l'usage de l'enseignement des enfants et adolescents.
ORD-3641Ladrid. Saez Hermanos. (1929). Fascicule in-8 (140 x 200mm) broché, couverture illustrée des armes de l'Espagne imprimées en rouge carminé, 16 pages imprimées dans les 4 langues et 15 pages de graphiques. Trace de pliure verticale, papier bruni, couverture un peu défraîchie. Fascicule de propagande peu courant.
1977215861Beijing.: 人民美术出版社. People's Fine Arts Publishing House. 1977. Large anti-Gang of Four propaganda poster featuring a heroic young female worker in an industrial setting. Some lightly browned holes along upper edge of poster. In very good condition colours fresh and bright. 77 x 53cm. Poster was designed by Sun Quan 孙荃 who was assigned to the People's Fine Arts Publishing House in 1973. The background banner calls for people to swear to struggle together to the end against the anti-Party group of Wang Zhang Jiang and Yao. . 人民美术出版社. People's Fine Arts Publishing House. unknown
194167854Berlin: Deutscher Verlag 1941. Very Good. folio. pictorial wrappers 60pp. col. & b/w pls. drwgs. maps Nice copy of the famous German Illustrated Journal produced under the auspices of GoebbelÕs Propaganda Ministry. Each different language edition has some local content usually specifically aimed at the intended recipients. This copy has 30pp. on the war on the Eastern Front inc. a 4pp. colour section on art paper. Some chipping to wrappers o/w a very good copy. Spanish language editions are very scarce Deutscher Verlag unknown
23809P., Nagel (Collection "Documents Contemporains"), 1945, in 12 broché, 154 pages ; pâles rousseurs ; jaquette légèrement fanée.
1960217261Circa1960s. Collection of five colour-printed Nianhua posters each of the central images onlaid within a stiff red paper border with a thin cream paper frame worn and discoloured and at the top of each a fine aqua paper border; the sheets a little creased two images with a visible tide-mark minor edge tears not affecting the images strengthened neatly on the verso with washi one with an early paper repair to the top margin all approx. 93 x 51.5cms sheet size in good condition. Five examples of "new" Nianhua posters dating from the Great Leap Forward all featuring babies and children symbolizing happiness prosperity and the promise of a thriving future. In one a sister braids her hair whilst minding her crawling toddler brother "Sweet Heart". On the wall a poster proclaiming the industrialisation of agriculture "Agriculture is the foundation of the national economy and grain is the foundation" caption; in another five toddlers dance in a circle their flags and lanterns captioned "The Great Leap Forward" and "Long Live Mao". Ephemeral examples of folk art and the use to which it was put for political purpose. . unknown
1960217263Circa1960s. Collection of four colour-printed Nianhua posters three of the central images onlaid within a stiff red paper border with a thin cream paper frame worn and discoloured and at the top of each a fine aqua paper border one without a red border; the sheets a little creased one of the images with a visible tide-mark minor edge tears not affecting the images strengthened neatly on the verso with washi three approx. 93 x 51.5cms sheet size one slightly smaller 58 x 43.5cms in good condition. Four Nianhua posters at least one dating from the Great Leap Forward. In this example a sister braids her hair whilst minding her crawling toddler brother "Sweet Heart". On the wall a poster depicts the industrialisation of agriculture "Agriculture is the foundation of the national economy and grain is the foundation" caption. Two others feature traditional narrative tales and one other features a pair of chubby toddlers holding a tray of peaches and flowers symbols of longevity and abundance. . unknown
Madrid, Servicio Informativo Español, 1963. Folio; 1 h., 126 pp., reproducciones fotográficas entre el texto, documentos y recortes de prensa. Cubiertas originales.
53343P., Bloud et Gay (Publications du Comité Catholique de Propagande Française à l'Etranger), 1916, in 8° broché, XII-401 pages ; non coupé ; quelques rousseurs, surtout à la couverture.
1981783731981 Paris, Laffont, 1981, in 4°, cartonnage illustré en couleurs de l'éditeur, 207 pages.
39908P., Fayard, 1962, in 8° broché, 531 pages.
72633Plaquette de propagande imprimée à Saint-Etienne, petit in 8° brochée, 36 pages.
201303107Munchen, Zentralverlag der Nsdap Franz Eher Nacht, 1940 ; in-8, 76 pp., cartonnage de l'éditeur. En bon état - rousseurs reliure bruni -.
Reliure pleine toile de 37 fascicules in-4° de 30 pages abondamment illustres de photographies en noir. Tres bon etat. [P-32]
2435Pékin,Editions en Langues Etrangères, 1972. 1 plaquette in-8 carrée, [25], agrafée, couverture imprimée illustrée, illustrations en couleurs à toutes pages, bon état.
L13486Éditeur. Saïgon/Hanoï, Office central du tourisme indochinois, 1940. In-4 br. Environ 80 pages. Presses de G. Duval, à Paris, Saïgon, Hanoï. Premier plat illustré. Nombreuses héliogravures et aquarelles exécutées dans chacun des pays de l'Union indochinoise, serpentes imprimées. Textes : A. Brunet, G. Grosler, P. Serruau, A. Consigny. E.O. de cette très belle brochure de propagande.
1944888911944. JAPANESE PROPAGANDA Asahi Shimbunsha. SAKURA. Volume 6 #2 #31 overall. Large wrappered staple bound illustrated photomagazine in the tradition of FRONT and HOMELIFE. This number published in February of 1944 celebrated the plans for a cross continental railway to cross Eurasia from Tokyo to Berlin complete with an undersea tunnel from Japan to the mainland. SAKURA magazine was written in English Chinese and French. The whole world seems to lay at the feet of the Axis in this rosy scenario as sketched throughout the magazine. East Asia under the guidance of Imperial Japan is on the march to build a new world. Yet by February of 1944 the Red Army was in Poland and the Ukraine Sevastopol was cut off times were bleak for the 1000 year Reich indeed. Closer to home the Allies had "turned the corner" in the Western Pacific had isolated the large Japanese force at Rabaul and were headed north towards the homeland. At some point during the war reality and appearance began a rapid divergence and as the end approached it became all pure delusion. All of which does not obviate what an amazing visual feast SAKURA is from the covers to the ads a consistent message of normalcy progress and steadfast purpose in a great task. unknown
216197Japan. Early 20th Century. Colour woodblock fan print 24.5 x 25cm very good copy. This fan-shaped colour woodblock print features a 1894 battle scene from the Sino-Japanese War in Pyongyang. In order to break into the Chinese fortress a group of Japanese solders climbed over a wall opened the gate and led the Japanese troops in. Among the soldiers Harada Jukichi became well-known as one of the bravest returning home to hero's welcome after the war. However he was overwhelmed with numerous visitors which ended up forcing him into serious debt. In order to pay off this debt he travelled throughout Japan re-enacting the fighting and victorious scenes on stage. This print depicts courageous Harada single handed taking on his Chinese enemies who are falling or fleeing. . unknown
1940216176Japan. 1940. Two coloured fan prints 27.5 x 26cm. Occasional light marks a little light browning. Very good. These two propaganda prints were created to make children's paper fans each carrying patriotic messages and delicately rendered in bright colors.<br><br>The first sheet features a young boy on a white horse blowing a bugle. A Japanese warplane is seen flying in the sky with the rising sun in the background. The caption urges people not to disclose any military secrets even to close friends. Additionally the lyrics of the 1940 nationalistic song "Kokumin Shingunka" are printed on the sheet. <br><br>The second sheet depicts an idyllic scene of children playing by a lake catching dragonflies and fish. The boys are portrayed in more active roles while the girls hold a bucket or a cage. The message on this sheet reads "East Asia's Future is Bright and Children are Thriving." A warplane can be seen in the sky in the far distance subtly tying the peaceful scene to the wartime context. . unknown
ORD-5498Du 14 novembre 1792, l'an 1er de la République françoise. Toulon. Mallard. An I. In-4 (182 x 234mm) de 2 pages imprimées.
19177618[Paris], L'Edition francaise illustree [Impression Roto-Taille-Douce. - Crete Corbeil (S.-et-O.) Le Gerant: F. Tinesse], 1917. Privater Halbleineneinband, gr-4°, 913 S., XC S., mit zahlreichen Abbildungen; -Einband stärker berieben, Papier stärker gebräunt.
1951222708North Korea or China.: Korean People's Army or People's Volunteer Army. Circa1951-1953. Two double-sided leaflets. Darling I Will Dream: 21 x 15cm. Truth Will Out: 19 x 13cm. Both leaflets somewhat foxed and trifle soiled chipped with a little loss though still in good condition for what were most likely once-active leaflets in a warzone. Two propaganda leaflets intended to be dropped over UN Forces in Korea attempting to convince them to surrender and cooperate with the KPA and PVA. Each leaflet appeals to different modes of persuasion with one relying on an emotional appeal and the other from the perspective of logic. <br> <br>'Darling I Will Dream That You Are Coming Back to Me This Christmas' is a typical example in the long-winded history of so-called 'counterfeit Christmas cards' that purport to show wistful appeals from sweethearts abandoned back home. The addition of the details of a supposedly deceased GI are intended to add credence to the letter's authenticity though a quick search reveals the soldier in question returned home after his successful tour of duty in Korea married his sweetheart and led out the rest of his life very well. <br> <br>'Truth Will Out' is a very early example of the conflicting narratives that permeate the North Korean historiography of the Armistice Agreement - most retellings largely hinging on the portrayal of the American leadership as a gaggle of mercurial incompetents. <br> <br>This particular account details a ceasefire negotiation in which General William K. Harrison abruptly walked out before waiting to hear General Nam Il's "very reasonable proposal". The ultimate purpose of this tale is to encourage UN Forces to passively revolt in protest. While the event did indeed take place in June 1952 in reality Harrison was not empowered to hear counter-proposals and called a recess before Nam Il had the opportunity to launch into what would have undoubtedly been an over-rehearsed propagandistic diatribe. D. Bruce Lockerbie the author of Harrison's biography theorised that the ultimate goal of the American delegation's walk-out was to not only deny the North Koreans a platform but also shock them which it evidently did. . [Korean People's Army or People's Volunteer Army]. unknown
