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Churchill, Winston SBiblio.com

Step By Step 1936-1939

Sterling Heilig (1864-1928) of Philadelphia, American author, journalist and war correspondent [Fleet Street journalism; fin-de-Biblio.com

Sterling Heilig American journalist. Typed Letter Signed 'Sterling Heilig.' to Fleet Street journalist 'A. T. Q. C.' discussing his 'business of writing sensational letters to the American Sunday papers' and 'cribbing' plagiarism.

22703'40 rue Laffitte Paris September 29 1894.'. 1p 4to. On leaf of aged worn and creased cartridge paper. Addressed to 'A. T. Q. C. Care of The Editor of The Speaker 115 Fleet Street E.C. London.' An interesting letter touching on English and American journalistic practice 'sensational' copy plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers' only to have it 'cribbed' by Pearson's Weekly. Heilig begins: 'Dear Sir I was so amused to compare your own text with that of your robber's in a recent number of The Speaker enclosed. In the one case it was a stolen ruby or flute or piano or spade. In the present it is some stolen skeletons. My business of writing sensational letters to the American Sunday papers does not hold me to any crazy accuracy. The editors trust me they allow me to paint the lily.' He explains that 'In the Cabaret du Neant there are really no skeletons sitting about or at most one in miniature upon a shelf. I thought there ought to be skeletons sitting around so I put them in.' He explains that 'The "P. W. man" going towards the Montmartre hill in full Montmartre! saw these skeletons "lounging on benches" and some which stood about and snapped their jaws a frequent intervals.' He explains that another passage 'has no place in the patter of the show. I took it bodily from their first advertising sheet a journal called "La Mort".' He begins the final paragraph by explaining that he knows 'little of London and nothing of Pearson's Weekly' but that it has occurred to him that 'there may be something even yet more amusing behind their offers of twenty guineas etc.' He believes that 'one of the uses of these offers is to give the editors a screen behind which to protect themselves from even the appearance of evil. They can always say: "The thing was sent in to us. We regret it." Nevertheless I fancy the cribbing is done regularly in their own offices by paid clerks.' '40 rue Laffitte, Paris, | September 29, 1894.' unknown

Richard M. Ford Ltd · Royaume-Uni180,00 £GB≈ 205,52 €

[JOURNALISM - Underground Press - Seattle] [GRATEFUL DEAD] DORPAT, Paul with John Cunnick, Walt Crowley, et alBiblio.com

Helix Vol. I No. 7 July 7 1967 With Grateful Dead ad: Seattle show with Daily Flash opening; at City Park "Electric Be-In

196710586Seattle: Helix 1967. First Printing. Tabloid Newspaper. Near Fine. William Ward and Walt Crowley cover illustrators. Tabloid printed on newsprint measuring 11.25 x 17.5 inches. Pp. . Front and rear covers printed in color. A crisp copy with minimal toning to inner leaves. An early issue of the Seattle underground bi-weekly transformed into a weekly from September 1969 notable for a page of ads dominated by the Grateful Dead listed as playing two Seattle shows. One was at the Eagles Auditorium established as the fraternal organization's Aerie #1 in the early 1900s with the Daily Flash and the Magic Fern opening. The other Grateful Dead appearance is listed as an "Electric Be-In" at the city's prominent Golden Gardens beachfront park. This issue features William Ward's cover illustration of women holding a torch and Walt Crowley's rear cover illustration titled "Needle" with Jesus crucified on a hypodermic syringe both printed in color.<p>In late spring 1967 Helix joined a burgeoning underground press then including groundbreaking alternative papers the East Village Other the Los Angeles Free Press the Fifth Estate and the Berkeley Barb. Founded by Paul Sawyer Paul Dorpat and Lorenzo Milam it sprang from their intellectual fervor at the Free University an alternative thinktank they also founded. Eventually star-illustrator Walt Crowley assumed editorship.</p> <p>A pebble in the shoe of Seattle establishment the "hip rag" brought attention to civic injustice by rallying its youthful readership to activism. The apogee of that effort followed the 1970 killing of students at Kent State: over the course of May 5-8 Helix organized protests that blocked US Interstate 5 while marching between the University District and rallies at the Federal Courthouse in downtown Seattle. FOR VOLS. I - III: Early issues are increasingly scarce. This issue is housed in a removable clear sleeve with an acid-free backing.</p> . Helix unknown

Long Brothers Fine and Rare Books, ABAA · États-Unis150,00 $US≈ 126,92 €

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