19th Century British EngraverBiblio.com
8 059 résultats
63-1168London: ca. 1860. . Steel Engraving. 17.5 x 11 cm. Oblong. Very Good with edge wear. Text in German. Scarce. [London: ca. 1860]. unknown
71-8877London: British Publisher circa 1860. Color lithograph. 27.5 x 21 cm sheet. Very Good minor soiling and foxing in the margin areas remains of masking tape along top edge on verso. [London: British Publisher, circa 1860]. unknown
3913524th June 1899. 1899 - Sudbury - Mortgage of property by Arthur William Eary Sudbury Whitesmith to Alice Brereton Andrewes Sudbury spinster & Reverend John Brereton Andrewes Matching Essex. � 71 North Street Sudbury previously owned by Messrs Grover and Allen. Folded sheet of parchment folded in 2 the 1st 3 sides relate to the Mortgage signed / sealed by Eary witnessed by Alfred H Canham solicitor Sudbury the 4th side includes the redemption signed / sealed by A B & J B Andrewes. 24th June, 1899. unknown
71-7263London: British Publisher circa 1840. Engraving. 19.5 x 13 cm sheet. Very Good some light foxing in the margins. [London: British Publisher, circa 1840]. unknown
73-4224London: 19th Century British Publisher circa 1800s. 20x13 cm. Black and white engraving. Good. Minor staining. Small loss on top left and bottom right. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s] unknown
71-9137London: The Illustrated London News March 19 1870. Wood engraving on newsprint. Text on verso. 21.5 x 28 cm sheet. Very Good age toning along the sheet edges. London: The Illustrated London News, March 19, 1870. unknown
73-4071London: 19th Century British Publisher 1877. 17x23 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher], 1877 unknown
73-4299London: 19th Century British Publisher circa 1800s. 16x9 cm. Hand colored engraving. Very Good. In plastic sleeve.Item in plastic sleeve new photos of item can be sent to customer upon request. [London?: 19th Century British Publisher, circa 1800s?] unknown
71-3579London: The Illustrated London News 1866. Wood engraving. 20.1 x 15.6 cm. sheet. Very Good. Minor surface soiling. London: The Illustrated London News, 1866. unknown
71-8015London: British publisher circa 1900. Hand-colored wood engraving. 18.5 x 27 cm sheet. Very Good tape along sheet edges on verso text on verso.Provenance: From the collection of the late Frederick Ruffner Jr. founder of Gale Research Detroit. [London: British publisher, circa 1900]. unknown
71-9138London: The Illustrated London News Oct. 23 1858. Wood engraving on newsprint. Text on verso. 48 x 26.5 cm sheet. Good age toning along the sheet edges some foxing in the sheet. London: The Illustrated London News, Oct. 23, 1858. unknown
71-4113New York: American Publisher circa 1853. Hand-colored lithograph. 27.5 x 35.5 cm. sheet. Very Good. Minor soiling in the margin areas. On the reverse is a black and white lithograph of Mr. and Mrs. Wm. H. Kimball and their residence. [New York: American Publisher, circa 1853]. unknown
71-6668U.S.: American Publisher circa 1886. Reproductive copies of original photographs. 28.5 x 19.5 cm sheet. Very Good toning along sheet edges. [U.S.: American Publisher, circa 1886]. unknown
73-5267New York: 19th Century American Publisher circa 1800s. 14x22 cm. Black and white engraving. Very Good.Can be removed from plastic upon request. [New York?: 19th Century American Publisher, circa 1800s?] unknown
18-2269Paris France: Duclaux 1870-1871. Large format color broadside 13†x 10.5â€. Very Good. Minor foxing. Reinforced with tape on verso. Printed in France. Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Paris, France: Duclaux, [1870-1871]. unknown
76-0050London: British Publisher circa 1865. Hand-colored etching. 25 x 17 cm sheet. Very Good. [London: British Publisher, circa 1865]. unknown
71-4215New York: Fords Howard & Hulbert 1877. Wood engraving. 21.3 x 16 cm. sheet. Very Good. Light toning along sheet edges. New York: Fords, Howard & Hulbert, 1877. unknown
71-3224Williamsburg VA.: Williamsburg Print Replica circa 1990. Color offset lithograph of an original watercolor. 340 x 265 mm. sheet. Very Good.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. Williamsburg, VA.: Williamsburg Print Replica, circa 1990. unknown
71-8716Paris: La France Illustree circa 1875. Hand-colored wood engraving. 15 x 24 cm sheet. Very Good toning along sheet edges a few light specks of foxing. [Paris: La France Illustree, circa 1875]. unknown
18-2374Amsterdam: Funke's Prenten 1870s. Large format color broadside Bilderbogen 17†x 14â€. Good. Some tears and losses along edges repaired with tape on verso. Text in Dutch.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Amsterdam: Funke's Prenten, [1870s]. unknown
71-9820London: British Publisher circa 1820. Engraving. 11.5 x 17 cm sheet. Very Good minor surface soiling light specks of foxing print affixed to a support sheet. [London: British Publisher, circa 1820]. unknown
71-4411London: The Illustrated London News 1868. Engraving. 26.8 x 38 cm. sheet. Very Good. Light toning along sheet edges. London: The Illustrated London News, 1868. unknown
71-3113London: The Picture Times 1855. Steel engraving. 165 x 260 mm. sheet. Very Good text on verso.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. London: The Picture Times, 1855. unknown
71-7511New York: Frank Leslie’s Illustrated Newspaper June 19 1875. Wood engraving. 40 x 28.5 cm sheet. Very Good light toning along sheet edges. New York: Frank Leslie’s Illustrated Newspaper, June 19, 1875. unknown
71-7513New York: Frank Leslie’s Illustrated Newspaper June 28 1873. Wood engraving. 40 x 28.5 cm sheet. Very Good light toning along sheet edges missing upper right sheet corner. New York: Frank Leslie’s Illustrated Newspaper, June 28, 1873. unknown
