19th Century British PublisherBiblio.com
8 059 résultats
73-4384London: 19th Century British Publisher circa 1800s. 7x9 cm. Hand colored engraving. Very Good. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s] unknown
73-4223London: 19th Century British Publisher circa 1800s. 23x15 cm. Black and white engraving. Very Good. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s] unknown
73-4242Paris: 19th Century French Publisher circa 1800s. 25x34 cm. Black and white engraving. Very Good. In plastic sleeve.Item in plastic sleeve new photos of item can be sent to customer upon request. [Paris?: 19th Century French Publisher, circa 1800s] unknown
63-2744ca. 1860. Glass Plate Negative 3.25 x 3.25 inches Very Good. [ca. 1860?]. unknown
63-2746ca. 1870. Glass Plate Negative 1 x 1 inches framed with brass mounted on decorative light board. Good with staining minor creasing slight stain to negative. [ca. 1870?]. unknown
73-4040London: 19th Century British Publisher circa 1800s. 22x14 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s?] unknown
73-4154New York: 19th Century American Publisher circa 1800s. 24x18 cm. Black and white engraving. Very Good.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [New York?: 19th Century American Publisher, circa 1800s] unknown
18-2957Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 16†x 13â€. Good. Separated at center into two halves and repaired with tape on verso. Minor tears on edges. Text in Dutch and French.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
18-2327Epinal France: Ch. Pellerin 1870s. Large format hand-colored broadside lithograph 12†x 11â€. Lower one-third is missing. additional losses in right edge. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Ch. Pellerin, [1870s]. unknown
73-4015London: 19th Century British Publisher circa 1800s. 27x31 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s?] unknown
73-4056London: 19th Century British Publisher circa 1800s. 16x20 cm. Hand colored engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s] unknown
63-1942London: ca. 1820. Engraving on laid paper 13.5 x 9 cm. Good with rubbing loss at left bottom corner. Marley's signature at bottom edge. [London: ca. 1820]. unknown
73-4168New York: 19th Century American Publisher circa 1800s. 24x18 cm. Black and white engraving. Very Good.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [New York?: 19th Century American Publisher, circa 1800s] unknown
73-4263London: 19th Century British Publisher circa 1800s. 24x17 cm. Black and white engraving. Very Good. In plastic sleeve. [London?: 19th Century British Publisher, circa 1800s] unknown
73-4199New York: 19th Century American Publisher circa 1800s. 24x18 cm. Black and white engraving. Very Good. Slight foxing.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [New York?: 19th Century American Publisher, circa 1800s] unknown
73-4163New York: 19th Century American Publisher circa 1800s. 28x18 cm. Black and white engraving. Very Good.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [New York?: 19th Century American Publisher, circa 1800s] unknown
73-4043London: 19th Century British Publisher circa 1800s. 25x20 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s] unknown
73-4059Paris: 19th Century French Publisher circa 1800s. 28x21 cm. Black and white engraving. Very Good. In plastic. Text in French English and German.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris?: 19th Century French Publisher, circa 1800s] unknown
71-9688Paris: l’Artiste circa 1850. Mezzotint. 17 x 12 cm sheet. Text in French. Very Good print affixed to another support sheet. Paris: l’Artiste, circa 1850. unknown
73-4386New York: 19th Century British Publisher circa 1800s. 22x27 cm. Hand colored engraving. Very Good. In plastic sleeve. [New York?: 19th Century British Publisher, circa 1800s] unknown
18-2393Epinal France: Olivier-Pinot 1870-1900. Color broadside Bilderbogen 16†x 11â€. Good. Some losses and tears along edges and bottom row of images missing. Mounted on paper. Text in French.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Olivier-Pinot, [1870-1900]. unknown
76-1459Paris: French Publisher 1850. Engraving mounted on support sheet. 13 x 7.5 cm sheet. Very Good. [Paris: French Publisher, 1850]. unknown
18-2240Epinal France: Pinot & Sagaire 1870s. Large format color broadside 17†x 12â€. Good. Bottom two rows of images separated from the rest of the page. Some loss in middle right affecting text and image. Mounted on paper. Printed in France.Originally conceived in 1796 by Jean-Charles Pellerin in his native village of Épinal Vosges the images d'Épinal were inexpensive woodcuts and lithographs of religious and historical content intended for the commonconsumer. During the Napoleonic wars these images became extremely popular as Pellerin's printing house Imagerie d'Épinal cornered the market on commemorative historical prints. During the Great War the traditional style of these prints appealed to French artists looking to show their patriotism as in the eyes of an increasingly anti-German public the image d'Épinal came to represent a distinctly French product unmarred by foreign influence. The prints had a further appeal in that their minimalist form allowed many artists to stay true to the modernist ideals of their time. Epinal, France: Pinot & Sagaire, [1870s]. unknown
73-4049London: 19th Century British Publisher circa 1800s. 23x28 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s] unknown
73-4035London: 19th Century British Publisher circa 1800s. 18x24 cm. Black and white engraving. Very Good. In plastic.Provenance: From the collection of the late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [London?: 19th Century British Publisher, circa 1800s?] unknown
