Fin de siècle

MareMagnum

L'ART MODERNE. ANNEE 1881, REVUE CRITIQUE DES ARTS ET DE LA LITTERATURE. (1890 grams)

GRAND IN 4. REL TOILE EDIT AVEC JAQ [MOY]. 344 PP. [BE]

Librairie Courant D'art · Paris, FR135,00 €

Fabio Scaletti. Scripta Maneant Beiträge von Martin Kemp.MareMagnum

Leonardo 500 Luxury Edition. This volume represents an important tool for getting to know every aspect of Leonardo's work; his pictorical tecnique, his scientific and technological investigation, his study on anatomy, his Codices, and every suggestion produced by his genius.

Hardcover in special luxury binding in decorative slipcase. Texte en Francais + English, 304 pages, 160 illustrations 30 x 40.2 cm. 5,7 kg. Tres bon etat / Neuf !. ISBN 9788895847528. All works and paintings are accompanied by descriptive and technical sheets. Besides, ample space has been given to images and details, to the updated report on his most controversial works, to those of recent critical acceptance, and to the masterpieces that have animated the international debate as The Encarnate Angel, the Salvator Mundi, and La Bella Principessa (Portrait of Bianca Sforza). The narrative captions reveal the most curious aspects of the history of each painting. Thanks to the direct contribution of collectors and museums the photographic reproductions of paintings and works reflect the last restorations. Fabio Scaletti: A writer, a scholar of Renaissance art, and an expert on the attributional themes, he is the author of several publications in magazines and volumes. A Caravaggio specialist, he later extended his research to the great masters of the Italian Renaissance, with particular attention to the news of the debate among critics, experts and researchers on the most celebrated works of art history and on the new investigations and discoveries. Martin Kemp: Emeritus Professor of History of Art at the Oxford University and Member of the British Academy. He has curated several exhibitions dedicated to the work of Leonardo of whom he is one of the greatest international scholar. He has published several books and essays translated all over the world, and he has carried out the most extensive research on the painting called by himself ?La Bella Principessa? by Leonardo. Index Editor?s Note Introduction The Dreyfus Madonna (1469-72) Profile of a Warrior in Helmet (ca. 1472) Madonna of the Carnation or Madonna with Vase (1472-78) The Arno Valley Landscape (1473) Baptism of Christ (1473-78) The Annunciation ? Uffizi (1473-78) Study of hands (ca. 1475) Portrait of Ginevra de? Benci (ca. 1475) Study for the Head of Madonna (1475-80) The Annunciation ? Louvre (1478?) Benois Madonna or Madonna and Child with Flowers (1478-80) Study of the Madonna and Child with a Cat (1478-81) Blown up winch, hydraulic and submarine ingenuities, Archimedes screw (1478-87) St. Jerome in the Wilderness (1480-82) Adoration of the Magi (1481-82) Apocryphal letter of self-expression to Ludovico il Moro (1482) Studies for defensive tools and firearms (ca. 1482) The Virgin of the Rocks ? Paris and London (1483-86; 1495-1508) Portrait of a Musician (1485-90) Repertory of Weaponry (ca. 1487) Architectural and urban designs for the ideal city (ca. 1487) Lady with an Ermine (or Portrait of Cecilia Gallerani) (1487-90) La Belle Ferronnière (Lucrezia Crivelli?) (1490-95) Madonna Litta (or Madonna nursing her Child) (ca. 1490) Vitruvian Man (or Study of the proportions of the human figure) (ca. 1490) Anatomical studies (ca.1490 -1510) Studies for perpetual motion (ca.1493) Study for the merger of the Sforza monument (ca. 1493) The Christ Child (ca. 1495) Circular winch (ca. 1495) The Portrait of Bianca Sforza: The Beautiful Princess (1496) The Last Supper (1495-98) Sala delle Asse (ca. 1498) Duodecedron abscisus elevatus solidus (ca. 1498) Salvator Mundi (1498-1507) Memorandum Ligny (ca. 1500) Portrait of Isabella d?Este ? Louvre (1499-1500) Portrait of Isabella d?Este (1500?) Madonna of the Yarnwinder (or Madonna of the Spindles) (ca. 1501) Map of Tuscany (1502-03) Study of Screaming Heads for The Battle of Anghiari (1503-05) La Gioconda (or Portrait of Mona Lisa) (1503-1515) Study for Leda and the Swan (ca. 1505) Head of a Woman (1505-1508) The Virgin and Child with St Anne and St John the Baptist (1505-1508?) The Virgin and Child with Saint Anne (ca. 1510-13) Saint John the Baptist (with apocryphal attributes of Bacchus) (1510-18) Saint John the Baptist (1513-17) Angel Incarnate (ca. 1514-16) Lost works The Codices: where they are His life in brief Bibliography

Bookshop Erik Tonen Books · Antwerpen, BE135,00 €

S. Barker (ed.)MareMagnum

Artemisia Gentileschi in a Changing Light.

Hardcover IV+247 pages , 22 b/w ill. + 195 colour ill., 220 x 280 mm, Languages: English, Italian. ISBN 9781909400894. Raised to the status of an international luminary by her contemporaries and now revered as one of the defining talents of the seventeenth century, Artemisia Gentileschi poses urgent questions for today?s scholars. The recent outpouring of new attributions and archival discoveries has profoundly enriched our knowledge of the artist, but it has also complicated, and sometimes contradicted, the former storyline. If she was illiterate and unschooled, how did she befriend Galileo and court playwright Jacopo Cicognini? If she could not pay her bills, why did she continue to spend lavishly? How can we define her authorship if we admit workshop productions to her oeuvre? In these essays, an international cast of scholars and experts grapples with these problems, opening new paths of inquiry and laying bare their methodologies in fields as diverse as laboratory analysis, archival research, cultural history, literary analysis, and feminist art history. Among these approaches, connoisseurship takes center stage. By reconstructing the chronology and rationale of Artemisia?s artistic iter, connoisseurship reveals the richness of her visual dialogues, including those with prominent contemporaries such as Caravaggio, Annibale Carracci, Vouet, Cristofano Allori, and Stanzione; with past artistic giants like Donatello and Michelangelo; and with the various hands who passed through her workshop as collaborators and assistants. These essays infuse our understanding of Artemisia with complexity and nuance, yet they also trace her characteristic mix of intelligence and verve in her art, her correspondence, and her deft social maneuvering, running like a thread through all stages of her life. Sheila Barker, Ph.D. (Columbia University, 2002) is the founding director of the Jane Fortune Resarch Program on Women Artists, based at Medici Archive Project in Florence. Her previous publications include "Artiste nel chiostro" (Nerbini, 2016) and "Women Artists in Early Modern Italy: Careers, Fame, and Collectors" (Harvey Miller / Brepols, 2016). Table of Contents Acknowledgments Introduction Sheila Barker Identifying Artemisia: The Archive and the Eye Mary D. Garrard Mary Magdalene in Ecstasy and the Madonna of the Svezzamento: Two Masterpieces by Artemisia Gianni Papi Deciphering Artemisia: Three New Narratives and How They Expand our Understanding Judith W. Mann Unknown Paintings by Artemisia in Naples, and New Points Regarding Her Daily Life and Bottega* Riccardo Lattuada Artemisia Gentileschi?s Susanna and the Elders (1610) in the Context of Counter-Reformation Rome Patricia Simons Artemisia?s Money: A Woman Artist?s Financial Strategies in Seventeenth-Century Florence Sheila Barker Artemisia Gentileschi: The Literary Formation of an Unlearned Artist Jesse Locker Women Artists in Casa Barberini: Plautilla Bricci, Maddalena Corvini, Artemisia Gentileschi, Anna Maria Vaiani, and Virginia da Vezzo Consuelo Lollobrigida ?Il Pennello Virile?: Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters? Adelina Modesti Allegories of Inclination and Imitation at the Casa Buonarroti Laura Camille Agoston Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study Christina Currie, Livia Depuydt, Valentine Henderiks, Steven Saverwyns, and Ina Vanden Berghe

Bookshop Erik Tonen Books · Antwerpen, BE135,00 €

Archer, MildredMareMagnum

India and British Portraiture, 1770-1825

This is a near fine hardcover copy with a near fine dust jacket with a little wear at the top of the spine. Completely clean inside and out. No marks anywhere. Illustrated with 16 full-page color plates and 346 black & white images. Map. Glossary. Bibliography. 11" high X 9" wide, 536 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Design Books · New York, US134,45 €

Bertichem P.G.MareMagnum

O Rio De Janeiro E Seus Arrabaldes 1856

This is a very good hardcover copy without dust jacket as issued with almost no wear. Bound in red cloth printed with gilt device on the front cover only. This is a limited edition of 50 numbered copies not for sale. This is number XXXIV. This in effect is the second edition of Bertichem's 1856 original edition. Short modern introduction in English and Portuguese (four pages). Illustrated in color with 47 plates. 12" high X 17" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Design Books · New York, US134,45 €

Causa, Raffaello et al.MareMagnum

Civiltà del '700 a Napoli (1734-1799)

This is a very good 2 volume (complete) softcover set with just light wear. Completely clean inside and out. Text in Italian. A comprehensive survey of the fine and decorative arts of 18th century Naples. Essays by various scholars including Anthony Blunt, Mario Praz, Francis Haskell, Domenico de Marco, Raffaele Ajello, Giancarlo Alisio, Mario de Cunzo, Valentina Maderna, Flavia Petrelli, Oreste Ferrari, Nicola Spinosa, Raffaello Causa, Marina Causa Picone, Cesare de Seta, Teodoro Fittipaldi, Alvar Gonzalez-Palacios, Margherita Siniscalco, Vega de Martini, Guido Donatone, Salvatore Abita, Renata Ruotolo, Elio e Corrado Catello, Giuseppe Mauri Mori, Luigi Buccino Grimaldi, Rubina Cariello, Alberto Guarino, Franco Mancini, Franco Carmelo Greco, Renato Bossa and Steffi Rottgen. Hundreds of illustrations in black & white also some color. Biographical sketches of artists, architects, designers, etc. Bibliography. Indices of names, places. 9" high X 8" wide, 445 & 493 pages. Overseas shipping extra postage for this heavy 2 volume set. These books will be securely wrapped and packed in a sturdy box and sent with tracking.

Design Books · New York, US134,45 €

Cotgrave, RandleMareMagnum

A Dictionary of the French and English Tongues

This is a very good hardcover copy with light cover wear. Completely clean inside and out. Spine label a bit faded. This is a reprint of the original Cotgrave Dictionary, London: Printed by A. Islip,1611. This is volume 77 in the publisher's series 'Anglistica & Americana'. This is a facsimile reprint which reproduces the original typography and elaborately decorated title-page. One fold-out 'Table of Conjugating Verbes'. Unpaginated, but about 1000 pages. 11" high X 7" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Design Books · New York, US134,45 €

Paris. Centre Georges Pompidou, Centre De Creation IndustrielleMareMagnum

Vingt-Cinq Ans d'Elegance a Paris 1925-1950

This is a very good softcover copy in a lightly chipped glassine wrapper. Completely clean inside and out. Glassine chipped mostly away on the spine. Text in French. This book looks at French haute couture during the second quarter of the 20th century. Lavishly illustrated with tipped-in color plates and black & white illustrations including photogravures of artistic and fashion personalities of the era. Many photographs of Paris fashions of the period. Original designs by Christian Berard for Schiaparelli, and the theater. Section on surrealism and fashion. Full page color plates by Dufy, Benito, Berard, Dior and Gruau. The last section is reserved for full-page color and black & white ads, including works by Cassandre, Vertes, Berard, etc. 14" high X 10.5" wide 111 pages + 50 pages of advertisements. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Design Books · New York, US134,45 €

Reynaud, Francoise et al.MareMagnum

O Brasil de Marc Ferrez

This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. Text in PORTUGUESE. Essays by Francoise Reynaud, Mzaria Inez Turazzi, Sergio Burgi, Frank Stephan Kohl, Pedro Karp Vasquez, Antonio Fernando de Franceschi and Laurent Gervereau. Illustrated throughout in sepia with reproductions of Marc Ferrez's photographs. Chronology. Bibliographt. 11" high X 9" wide, 318 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Design Books · New York, US134,45 €

von Gloeden, Baron WilhelmMareMagnum

Photographs of the Classic Male Nude

This is a very good hardcover copy in a very good dust jacket with just light wear. Slight nick to the top of the spine of the jacket. Text and plates completely clean. Stated first American edition. Introduction by Jean-Claude Lemagny. Nearly 100 beautifully printed photographic plates of young boys and men, posed often with classical ruins near Taormina, Sicily, where von Gloeden lived during the late 19th century. The plates are printed not only in black & white, but also tan, beige, gray and mauve. 9" square, 105 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Design Books · New York, US134,45 €

Descamps, Jean-Baptiste.MareMagnum

Voyage pittoresque de la Flandre et du Brabant de Jean-Baptiste Descamps (1769) Edition presentee et annotee par Gaetane Maes

Paperback 492 pages., 200 b/w ill. + 30 colour ill., 216 x 280 mm, Languages: French, Dutch, English. ISBN 9782503577036. Cette edition du 'Voyage pittoresque de la Flandre et du Brabant' (1769) de Jean-Baptiste Descamps permet non seulement de comprendre l?importance de l'ouvrage dans l?emergence du tourisme d?art, mais elle est aussi la premiere a fournir la localisation actuelle des oeuvres commandees par les eglises aux anciens maitres flamands. En publiant le 'Voyage pittoresque de la Flandre et du Brabant' a Paris en 1769, Jean-Baptiste Descamps (1715-1791) a fait connaitre au public europeen les richesses artistiques conservees dans les eglises des Pays-Bas du Sud (actuelle Belgique). Alors qu?il etait d?usage de se rendre en Italie depuis la Renaissance, son livre etait le premier a imposer une autre destination culturelle aux amateurs d?art. A ce titre, il a connu un succes considerable, ne s?eteignant qu?a l?epoque napoleonienne en raison du nombre important d?oeuvres disparues ou deplacees. A cet egard, l?ouvrage de Descamps conserve une importance unique, car il fournit un etat des lieux du patrimoine visible dans la Flandre et le Brabant jusqu?au XVIIIe siecle, avant les trois evenements qui le bouleverserent a jamais. Il y eut, d?abord, les edits autrichiens supprimant l?ordre des Jesuites en 1773, puis les couvents en 1783, qui aboutirent tous deux a des ventes massives d?oeuvres d?art ; il y eut, ensuite, les saisies effectuees par les troupes francaises de la Republique en 1794. Par ces depouillements successifs, le guide ecrit par Descamps pour une banale vocation touristique est devenu un document irremplacable que l?edition critique vise a actualiser et a enrichir. Celle-ci donne, en effet, les moyens de visualiser cet etat originel du patrimoine belge decrit par l?auteur grace aux nombreuses illustrations et aux notes fournissant les localisations actuelles des oeuvres. Un index complete ces elements en repertoriant la production personnelle des artistes cites par Descamps afin de contribuer a une meilleure connaissance de chacun d?entre eux. Gaetane Maes est Maitre de conferences habilitee a diriger des recherches, et elle enseigne l?Histoire de l?Art des Temps modernes a l?universite de Lille. Specialiste des echanges artistiques entre la France et les anciens Pays-Bas (Flandre et Hollande), elle a notamment publie 'De l?expertise a la vulgarisation au siecle des Lumieres. Jean-Baptiste Descamps (1715-1791) et la peinture flamande, hollandaise et allemande' (Brepols, 2016). Elle est egalement l?auteur de nombreux articles sur l?historiographie des peintres et les fonctions sociales de l?art aux XVIIe et XVIIIe siecles.

Bookshop Erik Tonen Books · Antwerpen, BE134,00 €

Beatrice PremoliMareMagnum

Ludus carnelevarii Il carnevale a Roma dal secolo XII al secolo XVI

in 4°, cartone edit. ill. - prima edizione - illustrazioni dell'autrice in b.n. nel testo, sguardie illustrate

Libreria Tara s.n.c. · Roma, IT132,00 €

Gregorovius FerdinandMareMagnum

Storia della città di Roma nel medioevo Nuova edizione integrale a cura di Luigi Trompeo Prefazione di Antonio Munoz

16 voll. bross. edit. con titoli a 2 colori, 16 voll. di testo (manca il volumetto di indici), fogli chiusi, lievi bruniture al III, IV, VIII e XII vol., piccole rotture alle unghiature del II vol., macchia di inchiostro al V, VI e VII vol., mancanza al dorso del VIII vol.

Libreria Tara s.n.c. · Roma, IT132,00 €

Lavallee Joseph - Gueroult AdolpheMareMagnum

Spagna di Giuseppe Lavallee e di Adolfo Gueroult (Volume I) - Spagna Dall'espulsione dei mori sino all'anno 1847 di Giuseppe Lavallee - Isole Baleari e Piziuse di Federico Lacroix - Sardegna del presidente de Gregory - Corsica di Friess de Colonna (Volume II)

trad. di A.F. Falconetti 2 voll. legature coeve in cartone prive dei dorsi con tracce di carta marmorizzata e pelle delle originali rilegature, testo saldamente legato, pp. 506 - 479 - 30 - 51 - 166, testo su due colonne, anno di stampa del II vol. 1850, lievi fioriture

Libreria Tara s.n.c. · Roma, IT132,00 €

Sezione Storico-Militare del Grande Stato MaggioreMareMagnum

La guerra franco-germanica del 1870-71 Compilata dalla Sezione Storico-Militare del Grande Stato Maggiore - completo in 5 tomi

Tomo 1: Parte prima Storia della guerra sino alla caduta dell'Impero Volume primo Dal principio delle ostilità fino alla battaglia di Gravelotte; Tomo 2: Parte prima Storia della guerra sino alla caduta dell'Impero Volume secondo Dalla battaglia di Gravelotte fino alla caduta dell'Impero; Tomo 3: Parte seconda Storia della guerra contro la Repubblica Volume primo (Terzo dell'opera) Dall'investimento di Parigi fino alla rioccupazione d'Orléans da parte dei Tedeschi; Tomo 4: Parte seconda Storia della guerra contro la Repubblica Volume secondo (Quarto dell'opera) Fatti della Francia settentrionale dalla fine di novembre, della nord-occidentale dal principio di dicembre, e assedio di Parigi dal principio di dicembre fino all'armistizio Operazioni nella Francia sud-orientale dalla metà di dicembre alla metà di gennaio; Tomo 5: Parte seconda Storia della guerra contro la Repubblica Volume terzo (Quinto dell'opera) Fatti della Francia sud-orientale dalla metà di gennaio fino alla cessazione delle ostilità Retrovia L'armistizio Rimpatrio ed occupazione Retrovia L'armistizio Riassunto dei vari servizi di provvidenza da parte della Germania - al front.: Versione dal tedesco autorizzata - cinque tomi, mezza pelle non edit. con titoli oro al dorso e piatti marmorizzati, rottura al dorso del tomo 4, abrasioni e tracce d'uso alle cop., piccola rottura al front. del tomo 3, bruniture della carta - numerose cartine ripiegate più volte nel testo

Libreria Tara s.n.c. · Roma, IT132,00 €

Alice I. DaviesMareMagnum

ALLART VAN EVERDINGEN, THE DRAWINGS, A Complete Catalogue, Including the Studies for Reynard the Fox.

Bound in cloth with dust jacket,. 4to. 504 pages, containing an Introduction, the main text comprising of 12 chapters, an extensive bibliography and indexes; 756 illustrations, from which 10 are in colour.fine condition Aetas Aurea, Vol. XXI ISBN 9070288974. Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644.This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox.The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable.The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive.

Bookshop Erik Tonen Books · Antwerpen, BE130,00 €

BY T. J. CLARKMareMagnum

THE ABSOLUTE BOURGEOIS. ARTIST AND POLITICS IN FRANCE 1848-1851. (812 grams)

IN 4. CART AVEC JAQ [BE]. 224 PP. 109 HT DONT 10 EN COULEURS. [BE]

Librairie Courant D'art · Paris, FR130,00 €

PAR L. ROSENTHALMareMagnum

L'ART ET LES ARTISTES ROMANTIQUES. (548 grams)

PETIT IN 4. BR [MOY]. 186 PP. 16 PPL EN NOIR. [BE]

Librairie Courant D'art · Paris, FR130,00 €

ROGERS SamuelMareMagnum

Italy. A poem. - Poems.

London, Cadell - Moxon, 1834 - 1835, volumi 2, in-8, legatura novecentesca in piena tela, cartello in pelle sul dorso, pp. 296, 295. Testate, finaletti e illustrazioni in acciaio, nel testo. Lievi rifioriture della carta. Ex Libris. In antiporta un invio autografo con poesia in inglese di G. Antinori datata 1840.

Libreria Antiquaria Gozzini · Firenze, IT130,00 €

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