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1883215London: English Printmakers 1883. Etching with aquatint and stipple on cream laid paper 7 x 4 3/4 inches 175 x 120 mm full margins. With a stamped signature including the date in the lower right image area and the English Pintmakers blind stamp lower left sheet margin. In very good condition with extremely small dog-ear shaped hard crease lower left sheet corner. A lovely 19th century Parisien interior scene. English Printmakers unknown
55587Representation of one of the battles conduced by Michele Arcangelo Pezza also known as Fra Diavolo at the end of the eighteenth century. He was a famous Neapolitan guerrilla leader who resisted the French occupation of Naples proving an inspirational practitioner of popular insurrection. Pezza figures prominently in folklore and fiction. He appears in several works of Alexandre Dumas including The Last Cavalier: Being the Adventures of Count Sainte-hermine in the Age of Napoleon not published until 2007 and in Washington Irving's short story ""The Inn at Terracina"". His nick-name ´Fra Diavolo´ litterally Brother Devil was given to him when he was a young boy. Soon after he was born he became sick. His mother swore to St. Francis of Paola that he would take care of his sick son. In return the child would have been wearing a sackcloth until complete consumption. Michele recovered so during his childhood he wore the sackcloth. Once at school his unsettled behavior made his teacher pronounce such words as:´You are not Friar Michele Arcangelo! You are Friar Devil!´. Thence he was renown with such a name throughout his all life. This large woodcut was probably an image of a popular publication from Ulm or Nurenberg from around 1830. In the typical and somewhat primitive style of the popular graphic arts from the first half of the nineteenth century. Titled above:´Fra Diavolo oder die grossen rauber in den Abruzzen.´ Woodcut on paper; total: 395 x 470 mm; brown stain on he top left corner otherwise in very good conditions. hardcover
65078A standing man with a stick in his hands looking up left. Possibly a street-light lighter. There are a number of activities this man can be tackling however lighting the street lanterns might be a suitable occupation. Drawing in red chalk on paper total: 315 x 185 mm mounted on cardboard in passepartout. In good condition. unknown
63-1285Ca. 1990. 14" x 11" Print of Color Photograph mounted on Fome-Cor. Very Good. Ca. 1990. unknown
19-8735Unknown: 20th Century American Publisher ca. 1950s. Large format color reproduction print poster 19†x 12â€. Very Good. Unknown: 20th Century [American] Publisher, [ca. 1950s?]. unknown
#[55588]Twee gravures van het in- en exterieur van het cafe van Madame Ramponeau te Parijs met portretten van Jean Ramponaux en van Madame de Rampneau. Het interieur met zeer veel etende en drinkende personen. Het exterieur met groot doek met de tekst 'Le triomphe de monseur de Ramponeau' en veel volk. Uitgevers: Parvillee en Bulder te Parijs ca. 1760. Het cafe 'Au tambour royal' werd in de jaren 1760 populair bij de lagere klassen vanwege de uiterst goedkope wijn die men schonk. Ramponeaux 1724-1802 was cabarettier van de La Courtille en o.m. uitvinder van een koffiefilter maar zijn etablissement was berucht en trok een enorm publiek. Voltaire schrijft over hem en ook Fr.L. Kersteman in zijn autobiografie: Er waren soms wel 2000 à 3000 bezoekers die zich met drank en de grappen van Ramponeau vermaakten. De overheid liet de herberg door 100 gewapende soldaten bewaken. EN In 1760 the café of the cabaretier Ramponeau became very popular among the lower classes for its bad but extremely cheap wine. In fact it was at one point so popular that members of the higher classes also started to flock to the place. After a year a cancelled contract with the theater producer Gaudon Ramponeau fell into oblivion as fast as he had risen to fame. In two separated plates are represented the interior and the exterior of the café; at the bottom in a circular frame the portraits of Ramponeau in one print and that of his wife on the other l Etching on paper; total each ca. 220 x 340 mm. unknown
65233View on the ruins of the ""Huis ter Kleef"" a castle near Haarlem.Shepherds with dogs in front of the ruins. Birds flying in the sky above the ruins. Dated and signed below 1649 Maas or Maes. The date seems original but the signature doesn't. In a sale catalog from 2010 lot. 587 it is considered as a drawing by a young Nicholaes Maes 1634-1693 who in 1650s was beginning with his apprenticeship at Rembrandt's.On the bottom right corner are traces of what seems to be a collector's mark stamped in black ink fashioned as a ramping animal a lion in profile turned towards the left. not in Lugt.See R. van 't Zelfde 'Josua Breckerveld 1644-1700' Delineavit et Sculpsit 23 juli 2001 p. 11-17 illustrated. Drawing on paper in pen with brown ink washed in grey with some highlights in white. Total: 270 x 404 mm. Pasted down on cardboard an operation that is contributing to the spreading of foxing especially on the top region. The drawing was probably divided into two pieces from a notebook and recomposed by pasting it down on a wide cardboard. On the back another date was added in pen and brown ink ""1885."" and might refer to the pasting down the kind of cardboard would be consistent with that period. Other more recent numbers on the backing in pencil. Possibly the drawing was pasted down due to a minor defect of the paper located on the shirt of the sitting shepherd. The hole has been repaired from the backing and the lacuna was filled in with pencil. This area extends for less than 5 mm. unknown
#[60272]An empty oval portrait cartouche surrounded by several allegorical figures: Fame with a trumpet Victory with a laurel wreath Abundance with the Cornucopia Wisdom Minerva Time Saturn and History Clio. In the foreground several attributes: large medallions or coins an hourglass books and a pair of compasses. l Pen in black ink and wash in black and grey on laid paper 325 x 221 mm. Within ruled brown ink border. Verso used as a practice sheet with hatching in pen and black ink small studies of heads and texts such as: 'vive le roi'. Traces of folding in the unknown
#[55764]anonieme gravure van de priester ten voeten uit kelk in de hand met achter hem het Karthuizer klooster Brielle vervoer per wagen en galg. Ten gevolge van zijn marteldood is hij onder de r. k. heiligen opgenomen.173x14 cm. l Etching and engraving on paper; broad margins; plate mark: 170 x 139; total: 248 x 385 mm unknown
19-8641Stuttgart: Schuler-Verlag ca. 1980s. Large format color reproduction print poster 21†x 13â€. Very Good. Copyright Schuler-Verlag. Printed in Western Germany. Stuttgart: Schuler-Verlag, [ca. 1980s?]. unknown
19-8730Unknown: 20th Century American Publisher ca. 1950s. Large format color reproduction print poster 21†x 30â€. Very Good. Minor creasing on bottom edge. Scarce. Unknown: 20th Century [American] Publisher, [ca. 1950s?]. unknown
19-8451Stuttgart: Schuler-Verlag ca. 1980s. Large format color reproduction print poster 21†x 13â€. Very Good. Calligraphy and stamps on original artwork can be seen in this printed reproduction. Printed in West Germany. Copyright Schuler-Verlag. Stuttgart: Schuler-Verlag, [ca. 1980s?]. unknown
65259Two small sketches representing a young woman in profile. On the first sheet she is portrayed in half-length beside a table on which a book is opened on a pedestal lessenaar. On the second drawing the same woman is portrayed in full in profile seated on a chair holding a book in her hand. On this same sheet towards the left bottom some samples lines drawn with different media.From the collection of Pim van Eekelen Amsterdam 1923-1984 mark on the verso L.5101.According to clothes and style of the drawings both works should date from the first half of the nineteenth century.NL Twee kleine schetsen die een jonge vrouw in profiel voorstellen. Drawing on paper in pencil; total: 121 x 134 mm 228 x 187 mm; both drawings in very good condition despite some smudges caused by the chosen medium. hardcover
#[55594]M 5394 als aanwezig in Atlas R.W.P. de Vries. Een Orangist wordt gegeseld en twee anderen te pronk gesteld met het woord 'oproermaker' op de borst. Een en ander n.a.v. de publicatie van 6-4-1795 Ned. Jaarb. pag. 935-938. Hierbij een gedrukt gedichtje 'Op het afbreeken van het schavot'. l Drawing in color on paper 150 x 220 mm. unknown
71-0819London: London publisher circa 1880. Etching on laid paper. 20 x 15.1 cm. plate; 26.8 x 18.3 cm. sheet. Very Good. Sheet lightly toned light specks of foxing. [London: London publisher, circa 1880]. unknown
55597Anonieme handgekleurde gravure. In het midden twee balansen waarop wordt gewogen. Links de heer C. de Bruyn en zijn twee zoons. Muller hist. 6928 b. C. de Bruyn en diens zonen Henry en Martinus waren de eerste stoom-suikerraffinadeurs te Amsterdam. Zij werden 5-6-1834 veroordeeld voor het wegen van kisten ruwe suiker met een oude door verlenging van een arm vervalste balans. Rechts de in 1831 opgerichte raffinaderij De Vijf gebroeders op de Baangracht bij de Passeerdersgracht. Geheel boven de tekst 'Een valsche weegschaal is den Heere een gruwel.'. Hand coloured engraving; 230 x 300 mm. unknown
19-8758Unknown: 20th Century American Publisher ca. 1950s. Large format color reproduction print 13†x 11â€. Very Good. Scarce. Unknown: 20th Century [American] Publisher, [ca. 1950s?]. unknown
19-8760Unknown: 20th Century American Publisher ca. 1950s. Large format color reproduction print 13†x 11â€. Very Good. Scarce. Unknown: 20th Century [American] Publisher, [ca. 1950s?]. unknown
19-8766Unknown: 20th Century American Publisher ca. 1950s. Large format color reproduction print 12†x 17â€. Very Good. Scarce. Unknown: 20th Century [American] Publisher, [ca. 1950s?]. unknown
1995HVD-29676-A-0Indiana Univ Pr. Very Good-. 1995. Hardcover. Theories Of Contemporary Culture; 6.5 X 0.75 X 9.75 inches; Light foxing to the exterior edge of pages only. Great overall condition. Minor cosmetic wear. No noteworthy blemishes. No writing.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . Indiana Univ Pr hardcover
63-8526Hollywood CA: Universal-International Studios 1952. 8 x 10 Black & White Glossy Photograph. Very Good. Hollywood, CA: Universal-International Studios 1952. unknown
18480009454Washington DC : C. Alexander 1848. First edition. Paperback. Good. 12mo; 173 pages printed blue top cover chipped and detached lacks lower right corners of pages 1-12 tight but spine perishing. Rare. WorldCat cites no copies. <br/><br/> C. Alexander paperback
18460008261Washington DC : C. Alexander 1846. First edition. Paperback. Good. 12mo; xi 124 pages printed blue top cover chipped and detached lacks rear wrapper; inked name on top wrapper incomplete. Rare. WorldCat cites no copies. <br/><br/> C. Alexander paperback
19992092902137405328Daiichishorin 1999. Soft Cover. Fine. Number of books: 1 book Daiichishorin paperback
56245NY: Christian Herald / Louis Klopsch 1900. . A colour lithographed calendar on four stiff sheets hinged to unfold into a 4-part calendar. Images are of young girls with bonnets flowers and a tambourine. A little wear around the hanging hole at the top and to hinges very good condition. Imprint of Louis Klopsch's Christian Herald Bible House at the lower left. <br/><br/> NY: Christian Herald / Louis Klopsch, 1900. unknown
