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Broch?. 636 pages.
Broch?. 428 pages. Couverture d?fra?chie.
Broch?. 594 pages. Rousseurs.
Format de poche. Bon ?tat.
Reliure ?diteur. 469 pages.
Broch?. 243 pages. Rousseurs.
2 volumes broch?s. 281 + 237 pages.
Broch?. 310 pages. Rousseurs.
Broch?. 120 pages. Rousseurs. 17x24 cm. Dos r?par?.
Format de poche. Bon ?tat.
Broch?. 369 pages. Rousseurs.
Broch?. 296 pages. Rousseurs. Couverture d?fra?chie.
Broch?. 454 pages.
Broch?. 407 pages. Cachets.
Broch?. 566 pages.
Broch?. 309 pages.
Reliure toile maladroite. 296 pages. Rousseurs.
Book and slipcase in as new condition. No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 280pp. The story of how the Black Death affected Europe in the 14th century.
This is an about very good hardcover copy with a like dust jacket. The jacket has two small chips: one off the top front panel, the other at the top of the spine. Completely clean inside, very clean outside. Text in Slovak. English and Russian three page summaries at the end. Illustrated in black & white with photographs, plans, maps, elrevations, etc. Bibliography. 9" high X 7" wide, 213 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Gebunden mit Schutzumschlag, 28cm., 479S., viele, teils farbige, Abbildungen. ISBN 3980180115. Catalogue of an exhibition at the Wallraf-Richartz Museum.good condition.
in 4°, bross. edit. ill. con bandelle, lievi tracce di polvere in cop.
Acquaforte, 1978, firmata e datata in lastra in basso al centro. Firma a matita Beppi Zancan in basso a destra. Esemplare stampato su carta cina, in perfetto stato di conservazione. Beppi Zancan nacque a Torino il 14 febbraio del 1936 da una famiglia di origine veneta di giuristi, medici e docenti universitari. Durante la guerra, riparó con la famiglia nella villa di Viverone, dove trascorse alcuni degli anni piú belli della fanciullezza insieme al fratello Giampaolo, divenuto poi uno tra i più noti avvocati penalisti italiani. Rientrato a Torino, frequentó il liceo classico presso l’Istituto Sociale dei padri Gesuiti, dove si distinse come studente brillante e geniale. Si laureó in giurisprudenza con Norberto Bobbio, del quale fu assistente, elaborando una tesi di filosofia del diritto sul concetto di giustizia in Dostoevskij, che fu molto apprezzata e che ottenne numerosi riconoscimenti. L’amore per Dostoevskij, che Beppi leggeva anche in lingua originale, rimase una costante della sua intera esistenza. Assolto il servizio militare a Casale, tornó a Torino dove, abbandonó la carriera universitaria, per una sua incompatibilitá con le formalitá piú rigide e canoniche, da artista intenso ed eccentrico qual era. Trasferitosi a Milano, incontró Arrigo Polillo, direttore della rivista Musica Jazz e direttore del personale di Arnoldo Mondadori, che, apprezzatene le doti di musicista e riconosciutone l’estro creativo, lo volle con sé come pubblicitario e creativo. É di questo periodo, nel 1967, la sua prima mostra personale di incisioni, ordinata presso la galleria L’Arte Antica di Torino. Si trattava di incisioni di grandissimo talento tecnico, strettamente correlate al lavoro del Maestro ideale di Beppi Zancan, Rembradt. Nel 1971 espose di nuovo all’Arte Antica di Torino e al Gabinetto delle Stampe di Milano e nel 1974 al Casinò di Sanremo. Nel 1974, divenne giornalista professionista e, nel 1975, gli fu affidata la direzione de Il Mago, una delle più importanti riviste di fumetti italiane, sulle cui pagine trovavano spazio tavole di giovani autori italiani esordienti così come strisce straniere, prevalentemente umoristiche. In quello stesso anno conobbe Carlotta Frattini, che divenne sua moglie l’anno successivo. Ancora nel 1976, ordinò una nuova mostra di incisioni, nuovamente presso la galleria L’Arte Antica, mentre la prima esposizione torinese di opere pittoriche avvenne soltanto nel 1981, presso la galleria Quaglino di piazza San Carlo; qui espose le sue tele, in cui l’impronta dei grandi impressionisti, tra i quali soprattutto Van Gogh e Cezanne emergeva forte ed evidente. La pennellata di Beppi Zancan rimane tuttavia personale e autonoma, pur riflettendo ardentemente l’ammirazione per quei grandi. Etching, 1978, signed and dated in plate at lower center. Signature in pencil Beppi Zancan at lower right. Example printed on china paper, in perfect condition. Beppi Zancan was born in Turin on February 14, 1936 into a family of Venetian origin of jurists, doctors and university professors. During the war, he took refuge with his family in the villa in Viverone, where he spent some of the best years of his childhood together with his brother Giampaolo, who later became one of the most famous Italian criminal lawyers. Back in Turin, he attended the classical high school at the Social Institute of the Jesuit Fathers, where he distinguished himself as a brilliant and brilliant student. He graduated in law with Norberto Bobbio, of whom he was an assistant, elaborating a thesis on the philosophy of law on the concept of justice in Dostoevsky, which was much appreciated and received numerous awards. The love for Dostoevsky, which Beppi also read in the original language, remained a constant throughout his life. After completing his military service in Casale, he returned to Turin where he abandoned his university career, due to his incompatibility with the most rigid and canonical formalities, as an intense and eccentric artist that he was. After moving to Milan, he met Arrigo Polillo, director of the magazine Musica Jazz and personnel director of Arnoldo Mondadori, who, appreciating his talents as a musician and recognizing his creative flair, wanted him with him as a publicist and creative. It is of this period, in 1967, his first personal exhibition of engravings, ordered at the gallery L'Arte Antica in Turin. These were engravings of great technical talent, closely related to the work of Beppi Zancan's ideal master, Rembrandt. In 1971 he exhibited again at the Arte Antica of Turin and at the Gabinetto delle Stampe of Milan and in 1974 at the Casino of Sanremo. In 1974, he became a professional journalist and, in 1975, he was entrusted with the direction of Il Mago, one of the most important Italian comics magazines, on the pages of which there were tables of young Italian authors as well as foreign strips, mainly humorous. In that same year he met Carlotta Frattini, who became his wife the following year. Still in 1976, he ordered a new exhibition of engravings, once again at the gallery L'Arte Antica, while the first Turinese exhibition of paintings took place only in 1981, at the Quaglino gallery in Piazza San Carlo; here he exhibited his canvases, in which the imprint of the great impressionists, among whom above all Van Gogh and Cezanne emerged strong and evident. Beppi Zancan's brushstroke, however, remains personal and autonomous, even though it ardently reflects his admiration for those great artists.
Format 44x62 cm. 8 pages. Rousseurs.
Hardback, 32x313x233 mm. 296 pages illustrated couleur fine! ISBN 9789059972285. The collection of drawings Teyler's Museum has a widely known international reputation. This book is part of a series in which previously books were published on Italian drawings of the 15th and 16th century, and on Dutch drawings dating from 1575-1630 and 1740-1800. This book describes the 257 Netherlandish drawings by artists born before 1581. The most important group consists of no fewer than 125 sheets by Hendrick Goltzius; nowhere else in the world there are so many of his drawings. Other artists represented in the collection are Jacques de Gheyn II (14 drawings), Johannes Stradanus (seven) and Abraham Bloemaert (six), Jacob Matham, David Vinckboons, Lambert Lombard, Mathijs and Paul Bril, Karel van Mander, Roelandt Savery, Maerten de Vos, Dick Crabeth, Frans Floris, Pieter Aertsen, Pieter Cornelisz Kunst, Jan Swart and Pieter Coecke van Aelst, The texts are written by Ilja M. Veldman, Yvonne Bleyerveld and Michiel Plomp.
