5 533 résultats
IN 8 CARRE. BR [BE]. 82 PP. ENV 150 ILL EN NOIR. [BE]
No marks or inscriptions. A very clean very tight copy with bright unmarked boards, slight rubbing to spine ends and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with signs of storage. Unpaginated. 120pp. Over 150 well-captioned photographs of cycles and cars from their earliest days. Fairly scarce.
tela edit. con titoli oro al dorso e sovrac. ill., piccola rottura alla sovrac. - trad. di Riccardo Mainardi - illustrazioni in b.n. fuori testo
trad. di Riccardo Mainardi bross. edit. ill., lievi tracce d'uso
44 pages. Footnotes. Black and white reproductions of photos. "This publication participates not only in local history but in a national and international conversation about the heritage of the Modern. We hope this publication will stimulate public appreciation of what remains in Victoria and on southern Vancouver Island from the postwar period - here considered the span 1945-75. It is also intended to double as a primer on modernism in architecture and design." - Foreword. Usual library markings. Somewhat above-average external wear. Binding intact. A worthy reference copy. Book
Broch?. 241 pages. Rousseurs.
Exhibition catalogue No.582 published on the occasion of an exhibition of the same name held at Marlborough Fine Art, 2-26 April 2008. Light crease to lower corners and fore-edge..
IN 4. REL TOILE EDIT [MOY]. 95 PP. 50 ILL EN COULEURS. [BE]
Acquaforte, 1875 circa, priva di firma. Stampata su carta cina applicata su supporto coevo. Opera non descritta dai repertori consultati. Telemaco Signorini nasce a Firenze il 18 Agosto del 1835 e, nonostante prediliga gli studi letterari, suo padre, un modesto pittore della corte del Granduca, lo avvia allo studio della pittura e fu lui il suo insegnante. Dopo aver frequentato i corsi di disegno dal nudo all'Accademia di Belle Arti fiorentina, e dopo aver dipinto dal vero con Odorado Borrani e Vincenzo Cabianca, inizia a frequentare il Caffè Michelangelo, accostandosi ai pittori che in quegli anni stavano teorizzando la pittura di macchia, ossia i Macchiaioli. Durante un viaggio a Parigi conosce personalmente l'anziano Camille Corot, interessandosi alla sua pittura di paesaggi e Constant Troyon; tornato a Firenze, con l'amico Diego Martelli, consolida l'amicizia con Silvestro Lega e Odoardo Borrani, insieme ai quali dipinge nei dintorni di Pergentina, divenendo il maggior rappresentante dei Macchiaioli. Bellissima prova, in ottimo stato di conservazione. Dimensioni 114x172 mm, il foglio 239x325 mm. Al verso timbro della collezione di Raffaele Alianello (Lugt 5K). Etching, circa 1875, unsigned. Printed on Chinese paper applied to carboard. Work not described by the repertories consulted. Telemaco Signorini was born in Florence on August 18, 1835 and, although he preferred literary studies, his father, a modest painter of the court of the Grand Duke, initiated him to the study of painting and he was his teacher. After having frequented the courses of drawing from the nude to the academy of Belle Arti fiorentina, and after having painted from the true one with Odorado Borrani and Vincenzo Cabianca, it begins to frequent the Cafe Michelangelo, approaching the painters that in those years were theorizing the painting of stain, that is the Macchiaioli. During a trip to Paris he knows personally the old Camille Corot, being interested in his painting of landscapes and Constant Troyon; returned to Florence, with the friend Diego Martelli, consolidates the friendship with Silvestro Lega and Odoardo Borrani, together with which it paints in the surroundings of Pergentina, becoming the greater representative of the Macchiaioli. Beautiful example, in excellent condition. Size: platemark, 114x172 mm; sheet 239x325 mm. On the verso collection mark of Raffaele Alianello (Lugt 5K).
in 4°, bross. edit. ill. con bandelle - prima edizione - illustrazioni in b.n. e a colori nel testo
Broch?. 43 pages. 9x16 cm.
This is a fine softcover copy with no wear at all. Completely clean inside and out. Text in FRENCH. A history of the Musee des arts decoratifs in Paris and their collection of modern glass. International in scope the collection has examples from all over the world. Several dozen designers are profiled with important pieces illustrated in color. Illustrated in color throughout. Bibliography. List of galleries and institutions collecting/exhibiting modern glass. 11" high X 9" wide, 223 pages. This book will be securely packed and shipped with tracking.
Hardcover, 168 pages, ENG, 330 x 255 mm, in good shape, little discoloured points on the top ( age of time) illustrated in colour and b/w, . ISBN 9780810917309. Provides a comprehensive study of Vermeer's life and work, presents commentaries on his painting techniques, and examines each one of the Dutch artist's authenticated paintings.
Num?ro complet.
Reliure ?diteur. 135 pages. Jaquette.
Broch?. 127 pages.
