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IN 8. BR [BE]. 32 PP. ENV 120 ILL EN NOIR. [BE]
Exhibition catalog is in excellent condition, as new. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 31 pages, no illustrations, descriptions of the exhibits only, including: kang table, large painting table, Chinese, stool, chinese, 17th century, lute table, Chinese, 18th century, sitting stick, African, woman's stool, African leopard stood, royal throne, African, Joined stool, English, 17th century, dumbwaiter, English, c.1760, game table, English, c. 1750, pembroke table, English 1800, worktable, American, c.1800, Hitchcok chairs, American c. 1840, etc.
New Arabic Original full crown leather bdg. Large roy. 8vo. (25 x 17 cm). In Arabic. 6 volumes set: ([63], 3555 p.). Tabaqât-e a'lâm al-Shî'a. Nuqabâ' al-Bashar fî al-Qarn al-Râbi' 'Ashar. 6 volumes set. Edited by Sayyid Muhammad Tabatabyi Behbahani. Tehrani was born on 11 Rabi?a I 1293/6 April 1876, into a mercantile family of Tehran that had strong religious interests; his father, ?âjj 'Ali, participated actively in the celebrated tobacco boycott of 1308/1891 and later wrote a book on the history of the movement. Aqa Bozorg received his initial education from private tutors in Tehran before proceeding to the ?atabat in 1315/1897. (1313/1895 in Rahnema-ye ketab, p. 525), where he spent the rest of his life, with the exception of four brief return visits to Iran and two short journeys to Syria, Egypt, and the ?ejaz. Among his teachers in Najaf were A?und Molla Mo?ammad-Ka?em ?orasani, Sayyed Mo?ammad-Ka?em Yazdi, Say?-al-sari?a E?fahani and ?ajji Mirza ?osayn Nuri. He was particularly close to the first of these, working as his amanuensis and assisting in the composition of his major work on feqh, al-Kefaya. On the death of ?orasani in 1329/1911, he left Najaf for Samarra to join the circle of Mirza Mo?ammad-Taqi Sirazi. He stayed there until 1354/1935, returning then to Najaf which remained his home until his death. While in Samarra, he conceived, and began to execute, the plan of a comprehensive bibliographical survey of all classes of literature produced by Shi?ite authors. His original intention was to refute a statement by the Christian Arab litterateur, Jorji Zaydan, belittling the Shi?ite contribution to Arabic letters. However, the survey that Aqa Bozorg produced, al-?ari?a ela ta?anif al-si?a, went far beyond this polemical purpose to become the main achievement of his career and a major contribution to Islamic scholarship. In al-?ari?a, the titles of all books written by Shi?ite authors are listed alphabetically, together with a brief indication of authorship and content, as well as place and date of publication in the case of printed works, and location in the case of manuscripts. Aqa Bozorg returned to Najaf in 1354/1935 and established a press (Ma?ba?at al-sa?ada) to print the first volume of al-?ari?a, but was soon obliged to sell it (see Rahnema-ye ketab, p. 526). Other arrangements were then made for the printing in Najaf of the second and third volumes, but all subsequent volumes-with the exception of the thirteenth and fourteenth-were published in Tehran. Twenty-two volumes have appeared to date; seven more await publication (For full bibliographical details concerning al-?ari?a, see ?akimi, pp. 543-45). Aqa Bozorg also compiled a biographical dictionary of Shi?ite scholars as a companion to al-?ari?a. The dictionary has the general title ?abaqat a?lam al-si?a, but each section, pertaining to the scholars of a given century, also has a separate title. Three sections have been published so far: Nawabe? al-rowwat fi rabe?at al-me?at (Beirut, 1390/1970), dealing with Shi?ite traditionists of the 4th Islamic century; al-Keram al-mobarrara fi'l-qarn al-?ale? ba?d al-?asara (Najaf, 1374-77/1954-57), on scholars of the 13th century; and Noqaba? al-basar fi'l-qarn al-rabe? ?asar (Najaf, 1373-88/1953-68), on scholars of the 14th century (?akimi, pp. 549-51). In addition to these multi-volume works, Aqa Bozorg wrote a number of less voluminous books, including a survey of some 600 biographers of Shi?ite traditionists, Mo?affa 'l-maqal fi mo?annefi al-rejal (Tehran, 1337 S./1958); a biography of Mirza ?asan Sirazi, Hadiyat al-razi ela 'l-mojadded al-Sirazi (Najaf, 1392/1972, Pers. tr., Mirza-ye Sirazi, Tehran, 1362/1983); a polemic against Sunni concept of ejtehad, Tawzi? al-rasad fi ta?ri? ?a?r al-ejtehad (unpublished); and a defense of the textual integrity of the Koran, al-Naqd al-la?if fi nafy al-ta?rif ?an al-Qor?an al-sarif (unpublished); and a brief biography of Shaikh Abu Ja?far ?usi (Zendagani-e Say? ?usi, Tehran, 1360 S.
New New English Original bdg. Dust wrapper. Folio. (33 x 24 cm). In English and Turkish. 336 p., color ills. Süleyman Saim Tekcan. 50th year of arts retrospective.= 50. sanat yili retrospektifi. Text by Ekrem Kahraman. This catalogue has [sic] published by Besiktas Municipality for the exhibition of Su?leyman Saim Tekcan's 50th Years of Arts Retrospective which takes place in Mustafa Kemal Centrum - Besiktas Contemporary Exhibition Hall between the dates October 13 and November 25, 2011. A very heavy volume.
Fine English Paperback. Pbo. Cr. 8vo. (19 x 13 cm). In Turkish. [x], 94 p., b/w ills. He was a pivotal figure in the Iranian Constitutional Revolution and is considered by many Iranians to be a national hero.
Paperback V 192 p., 100 b/w ill. 10 colour ill., ills., 210 x 297 mm, Languages: English Fine copy. ISBN 9782503511856. C. Heck and K. Lippincott, Symbols of Time in the History of Art: Introduction; A. Acres, Small Physical History: Trickling Past of Early Netherlandish Painting; B. Winston Blackmun, ?From Time Immemorial?: Historicism in the Court art of Benin, Nigeria; S. Blumenroder, Andrea Mantegna?s Grisaille Paintings: Colour Metamorphosis as a Metaphor for History; K. Enz Finken, An Early Christian Construction of Time: Salvation History in the Catacomb of Callistus in Rome; M. Wellington Gahtan, Notions of Past and Future in Italian Renaissance Art and Letters; P. Gerrish Nunn, Time and Tide wait for no man: a Victorian apocalypse; J. M. Greenstein, Faces in Time: Temporalities of the Sitter in Renaissance Portraits; J. Berger Hochstrasser, Goede Dingen Willen Tijt Hebben: Time as a Meditation on Painting in Dutch Still Life of the Seventeenth Century; P. Junod, Figures du Temps au siecle de l?histoire; W. Pullan, Death and Praxis in the Funerary Architecture of Mamluk Cairo; S. Sun, The Symbols of Seasonal Changes from Winter to Spring in East Asian Paintings; D. Motycka Weston, ?The Hour of the Enigma?: The Phenomenal Temporality in the Metaphysical Painting of Giorgio de Chirico.
IN 4. BR [MOY]. 8 PP. 40 PPL EN COULEURS. [BE]
(20p.) Illustrated with numerous drawings. Rear wrap includes folding map and boiler elevations. Tall 8vo. Original pictorial wraps. First edition. PA PAMPH 20_17 BX5
23p. Pagination includes wraps. Illustrated with numerous drawings. Rear wrap includes folding map and boiler elevations. Tall 8vo. Original pictorial wraps. First printed 1975. PA PAMPH 20_1 BX2 + PA PAMPH 20_13 BX2 = 1979 3rd ed
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. Ugly on the outside, but pretty on the inside. Book shows light wear only. Large format book: 10"w x 13 3/4"h. Fifteen tipped-in full color plates (one plate is missing). Quite lavish: plates are mounted on heavy paper. Rich color. With 32 pages of text and a few b&w illustrations.
Broch?. 192 pages. D?fra?chi. Rousseurs.
8vo., First Edition; cloth, a fine copy in unclipped dustwrapper.
Reliure demi-basane. 324 pages. Cachets.
Broch?. 283 pages. D?fra?chi.