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TRADE CATALOGUEABAA

Seventy-Sixth Annual Illustrated Catalogue and Price-List of B.F. Avery & Sons Cast Steel and Chilled Plows Planters Cultivators and Harrows

French American TradeABAA

SIR I HOPE THAT MY LAST OF 20th FEB.'Y HAS BEEN SAFE DELIVERED TO YOU AND WISH THAT THE OPENING OF THE TRADE BETWEEN YOUR COUNTRY AND FRANCE WHICH HAS TAKEN PLACE ABOUT SIX WEEKS AGO HAVING PROCURED SOME ADVANTAGE TO SOME OF YOUR COUNTRYMEN MAY ENGAGE YOU TO MAKE A TRIAL.beginning of text

1801WRCAM44263Dieppe France 1801. 1p. printed circular letter on a folded folio sheet the blank fourth page addressed in manuscript and postmarked at Boston Oct. 23 1801 and with a "Ship" cancel. Docketed on the fourth page as well. Old folds some edge wear small tears at edges of fold fourth page torn from wax seal. Very good overall. An interesting and rare artifact of the attempt to rebuild French-American trading relations in the wake of the so-called "Quasi- War" between the two nations. The Quasi-War was an undeclared conflict between the United States and France during John Adams' administration in the late 1790s manifested mostly in naval engagements between the two nations. The war wreaked havoc on American commerce with France which only began to be rebuilt with the Convention of 1800. The present printed circular was created by "Le Baron fils" the former American consular agent in Dieppe and was apparently sent to a variety of American merchants encouraging them to once again send shipments of American goods to that French port. Not much is known of Le Baron fils though he did correspond with Benjamin Franklin and he served as the American consular agent at Dieppe for several years. This copy of Le Baron fils' circular was sent to prominent New York merchant and politician Nicholas Low and is dated in manuscript July "24." It is addressed to Low in manuscript on the fourth page and his name is also written in the upper left corner of the circular. In the printed text Le Baron fils states: "you may see by the inclosed Price Current of our Colonial & American goods not present here that our prices are more advantageous than in Bordeaux as we are more in the center of the Republick nearer to Paris Rouen Amiens and all the Chiefest manufacturing towns of France." Low is encouraged to "consign me some goods the sale of which shall be attended to with the greatest care and the proceeds of which will be sent to you either in goods from this country or in Bills on Paris London or Hamburgh at your choice." The printed text concludes by giving the names of the American consuls at Paris and Hamburg as well as two English trading houses as references to Le Baron fils' character. Le Baron fils adds in manuscript: "Mr. J. Clason & Mr. C. Codwise of yr place can give you an account upon my house in case you want quick information." unknown books

William Reese Company · États-Unis900,00 $US≈ 761,49 €

Trade Catalogue. Long Miss Jennie M. Former ownerABAA

SNOW & CO's CALLING / VISITING CARD SAMPLE BOOK. Meriden Conn. Cover title

49496Meriden Conn n. d. Ca late 1880s cf. OCLC entries 19890210 & 20010622 both held by CHS. Snow & Co not found in Romaine. Original publisher's brown cloth binding with gilt stamped lettering to front cover. General wear to the binding with a penciled pos to front paste-down. Very Good. Cards all in VG - Nr Fine condition. 20 leaves of mounting stock of which 19 have 122 samples typically 3 samples mounted per page. Samples are of varying designs colors typography etc. Most cards are have a chromolithographed design e.g. the first card on the first page has the following blurb: "This is ONE CARD from our pack of '50 ELEGANT CHROMOS' no two alike. all for 10cts." Catalogue: 8-3/4" x 4-3/4". Representative specimen: 1-1/2" x 3-1/4" "A visiting card also known as a calling card is a small card used for social purposes. Before the 18th century visitors making social calls left handwritten notes at the home of friends who were not at home. By the 1760s the upper classes in France and Italy were leaving printed visiting cards decorated with images on one side and a blank space for hand-writing a note on the other. The style quickly spread across Europe and to the United States. As printing technology improved elaborate color designs became increasingly popular. However by the late 1800s simpler styles became more common. By the 19th century men and women needed personalized calling or visiting cards to maintain their social status or to move up in society. These small cards about the size of a modern-day business card usually featured the name of the owner and sometimes an address. Calling cards were left at homes sent to individuals or exchanged in person for various social purposes." This an uncommon sample book of these "visiting cards" from which we can see that the firm made good use of the chromolithographic art. hardcover books

Tavistock Books, ABAA · États-Unis950,00 $US≈ 803,80 €

Fashion/ Fabric / Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1957 - 1958

195742918Paris: Societe Paritys / Lebotys 1957. Post binder with 3 brass posts decorative screw tops. Publisher's color pictorial glazed boards blue spine and joints. Board edges rubbed and worn; short split to rear outer joint; inner joints tender paper splitting though cloth reinforcement beneath is intact. Page block foxed occasional foxing/spotting throughout; light offsetting from fabric samples to some pages. Fabric sample generally clean and bright with occasional creasing/fraying. Overall Gd. 97 pp. 16 color fashion drawings; ~ 740 pasted or tipped-in fabric samples. 16-1/8" x 12-1/8" A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

Fashion/Fabric Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1958 - 59

195842919Paris: Societe Paritys / Lebotys 1958. Post binder with 3 brass posts. Publisher's pictorial glazed boards red cloth joints. Light extremity wear to boards; bumping to upper corner of front board; short split to front and rear joints. Page block lightly foxed foxing/spotting scattered throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 80 pp. 12 color fashion drawings; ~590 pasted and tipped-in fabric samples 16-1/8" x 12-1/8" A mid-century salesman's sample catalogue from the winter collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor lurex viscose imitation fur and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

Fashion/Fabric Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Été 1959

195942920Paris: Societe Paritys / Lebotys 1959. Post binder with 3 brass posts. Publisher's pictorial glazed boards white cloth joints. Light extremity wear to boards; short split to rear joint. Page block lightly foxed occasional foxing/spotting to margins throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright with only minor occasional creasing/fraying. Overall VG. 108 pp. 16 color fashion drawings; ~800 pasted and tipped-in fabric samples. 16-1/4" x 12" A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair muslin cashmere and others as well as nylon fibranne rayon Rhodia tergal crylor acetate Albène and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations although still influenced by the “New Look” also show the influence of Dior's successor the young Yves St. Laurent who debuted his "trapeze line" in 1958. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys / Lebotys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

Fashion/Fabric Trade CatalogueABAA

SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Été 1957

195741355Paris: Societe Paritys 1957. 1st printing thus. Publisher's color pictorial glazed boards post binder; 3 brass posts decorative screw tops. Red cloth joints. Some general extremity wear to binder with slightly bumped corners. Occasional dust soiling. Minor foxing. Overall VG with cloth samples generally VG to Nr Fine with the occasional crease to the odd sample or two. 104 pp printed in red on stiff-stock paper. 16 color fashion drawings; 897 of 898 tipped-in fabric samples. Folio. 16-1/4" x 12-1/8" A mid-century salesman's sample catalogue from the summer collection of Parisian firm Société Paritys a haberdashery and fabric supplier established in 1946 and still in operation today. The fabric samples have been supplied by Lebotys a couture design firm in its own right and highly regarded for the quality of its textiles. As we find record of Lebotys having issued catalogues of its own collections in both the 1930s and 1960s we speculate that the two firms collaborated for a limited time possibly due to continuing post-war shortages and the need to adapt to the rapidly changing clothing market of the 1950s. The late 1950s saw a revolution in French fashion — and by extension Western fashion in general — due in no small part to the influence of material factors underlying the purely aesthetic side of the industry: availability of fabric continuing technological advances in synthetics and the surging post-war economies of America and Europe. The reluctant expansion of haute couture into the ready-to-wear market during the latter half of the century and the increasing reliance on synthetic fabrics to meet the demand would ultimately spell a major shift in the industry one that would impact fashion trends for decades to come. Some fashion houses like Dior whose “New Look” revitalized fashion at the beginning of the decade successfully managed to adapt by issuing couture ready-to-wear lines. Some however even long-established houses survived the war only to be undone by the prosperity that followed. The collaboration here of Société Paritys and Lebotys as well as the fabrics offered and styles displayed leads us to infer that the two firms were likely targeting the growing ready-to-wear market. The fabrics include a variety of silks cottons wools mohair etc. as well as nylon fibranne rayon Rhodia tergal crylor acetate and other “Matieres Synthètiques” often in blends and advertising their washable and/or antiwrinkling qualities. The styles in the illustrations still heavily influenced by the “New Look” emphasize wasp-waisted dresses hourglass silhouettes etc. Of particular note are the designs and fabrics for wedding dresses. No copies located on OCLC nor the major French institutions as searched on KVK. Societe Paritys hardcover books

Tavistock Books, ABAA · États-Unis2 450,00 $US≈ 2 072,94 €

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