FERRY, David (b 1957)Biblio.com
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12426London 1980. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition apart from a mild surface abrasion in the lower right corner of the sheet. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12422London 1981. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition apart from a few small light brown spots in the far left margin. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12412London 1980. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Excellent condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12428London 1981. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12427London 1981. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12418London 1981. Silkscreen. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12415London 1980. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Excellent condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12430London 1981. Lithograph. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition apart from a few small bits of excess ink in the margins. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12424London 1981. Lithograph. Number 3 from an edition of 4. Signed by the artist in pencil lower right. Very good condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan. unknown
12433London 1981. Mixed media. Number 2 from an edition of 4. Signed by the artist in pencil lower right. Very good condition. A lively early work by the progressive contemporary British artist David Ferry.<br/> <br/> A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. Ferry currently teaches printmaking at the Winchester School of Art and is also a curriculum advisor for a national print study center in Cambridge. In 2002 he was awarded an important grant from the Pollock-Krasner to fund the creation of new works for a future exhibition in New York. unknown
51-5664Paris : L. Maison Editeur des Guides Richard 1850; Arthus Bertrand circa 1849-50. 12mo. 10.8 x 17cm. Quarter shagreen and marbled boards.Ferry: 386pp; 7 plates and maps lacing the large folding map."The most complete and extensive work descriptive of California published in France at this time" Cowan I. The views include possibly the first depiction of the big trees of California see Howell 50 and a view of Sutter's Fort. Cowan I p 84; Cowan II p 207; Howes F101; Kurutz 236a; Pilling 1282; Sabin 24198; Vail Gold Fever p 19; Wheat Gold Region 155 & 156 maps.Bryant: 272pp. folding maps by Duflot de Mofras.Sabin no. 8805.1/ FERRY Hypolite. Description de la Nouvelle Californie géographique politique et morale ; Paris L. Maison 1850. 7 planches ou cartes en hors-texte sur 8. Sans la grande carte dépliante.2/ BRYANT Ed. Voyage en Californie. Description de son sol de son climat de ses mines d'or. Paris Artus Bertrand s.d. 1849. Exemplaire bien complet de la grande carte dépliante.Expertise by Amaury BONNETAIN.bookplage of Baron de La Roche Lacarelle. Paris, : L. Maison, Editeur des Guides Richard, 1850; Arthus Bertrand, circa 1849-50. hardcover
18505144Paris: L. Maison 1850. Half Leather. Very Good binding. 12mo. 4 386 pp. frontis maps plates. Backed in maroon calf with marbled paper over boards. Spine ends and corners lightly worn; light to moderate foxing to the contents. Large folding map of western United States "Carte de la Nouvelle Californie Dressee . . . 1850" with "Deuxieme Edition" printed at the top margin. There is some early reinforcement to the verso of some of the folds map is a bit foxed. In addition to the large folding frontispiece map there are 4 engraved views including San Francisco Fort Sutter the redwood forest and Pyramid Lake; as well as 3 additional full page maps—Monterey Bay Panama and Tierra del Fuego. Cowan calls this "the most complete and extensive work descriptive of California published in France at this time" qtd. in Kurutz. An uncommon history and map of California in the early years of the Gold Rush. Text in French. Howes F-101; Kurutz 236a; Sabin 24198; Wheat Books 75; Wheat Maps 155. L. Maison unknown
187574018Paris: E. Thiebault 1875. Fine. E. Thiebault Paris 1875 6.20 x 10.50 cm une photographie Original albumen photograph depicting Jules Ferry carte-de-visite format mounted on card. Inscription at the bottom of the photograph: A mon cher et fidèle ami . possibly Labadère affectueux souvenir. Jules Ferry. ""To my dear and faithful friend . affectionate remembrance. Jules Ferry."" The photograph bears at the bottom the name E. Thiebault. Phot. On the reverse: Photographie Thiebault. 31 bould. Bonne Nouvelle. Paris. Superb condition. A trace of tape on the reverse in the upper margin. Rare photograph of Jules Ferry at around 40 years of age. Inscriptions by Jules Ferry are uncommon. The date is indicative but consistent. E. Thiebault unknown
187574018E. Thiebault | Paris 1875 | 6.20 x 10.50 cm | une photographie
75552Paris, éd. J.-B. Baillière et Fils, 1888, EDITION ORIGINALE, in-12, demi-chagrin brun foncé, plats papier marbré "cailloux" brun et jaune, auteur et titre, filets et pointillés dorés sur dos 4 nerfs, tranches mouchetées, reliure de l'époque, VIII - 312 pp., ill. d'un dessin en noir en frontispice de Paul Vayson et 21 figures in-texte, préface de l'auteur datant du 15 juillet 1888, Errata, table des matières, réf. Lacombe 132, manque à Oberlé, L'auteur de ce remarquable ouvrage sur les truffes était ancien président de la Société de médecine du Vaucluse, président du comice agricole, vice-président du Conseil d'hygiène de l'arrondissement d'Apt et membre de la Société mycologique de France. Une approche nouvelle de la truffe et de la trufficulture en France. Très RARE surtout dans cet état parfait du papier et de la reliure, Très bon état, tant de la reliure (petite restauration à un mors) et surtout du papier
198112416London 1981. Drypoint engraving. Number 4 from an edition of 25. Signed by the artist in pencil lower right. Very good condition. A lively early print by the progressive contemporary British artist David Ferry.<br/> <br/>A printmaker and photomontage specialist who has lectured and exhibited his works worldwide David Ferry was born in Blackpool in 1957. After studying at the Blackpool College of Technology he trained at the prestigious Camberwell School of Art and Crafts and the Slade School of Fine Art in London. His first solo exhibition was held at the 1984 International Contemporary Art Fair at London's Barbican Centre and he made his first significant U.S. debut in 2000 as a visiting professor at Southampton College New York with an exhibition entitled David Ferry from the window seat at the Avram Gallery. In addition to his many lithographs and photomontages Ferry's oeuvre includes numerous artist books some of which featured in the 1999 touring exhibition and catalogue Aspects of Our National Heritage. His abstract works frequently have a satirical edge and the influence of his self-professed fascination with the surreal and the comical is particularly evident in those images representing his subjective interpretation of particular places and historical events. In 2002 he was awarded an important grant from the Pollock-Krasner Foundation. His work can be found at the Ashmolean Museum Oxford; the Museum of Modern Art New York; the Scottish Museum of Modern Art; the Art Institute Chicago; the Art Museum of Estonia; and in many corporate and university collections. He has had recent solo exhibitions in Berlin Brighton London New York Seoul and Poznan<br/> <br/>This particular work is reproduced in Spalding's 20th Century Painters and Sculptors Dictionary of British Art Vol 6. unknown books
Un volume broché de format in8° (12x19cm); de VIII pp. (faux titre, titre, préface) un frontispice; gravure à l'eau forte de Paul Vayson; 312 pp.; 16 pp. (catalogue du libraire). nombreux tableaux; 21 figures en noir dans le texte. Volume débroché, à relier éventuellement. Intérieur frais. Peu fréquent. Voir les photos. Cette étude comprend d'importants chapitres sur les sites naturels, les truffières artificielles, l'utilisation des truies, des chiens, des mouches.... Réf: Vicaire Gastronomique 359; manque à Oberlé et Schliemann.
2015x-1849739846Royal Society of Chemistry 2015. Hardcover. New. 198 pages. 9.50x6.50x1.00 inches. Royal Society of Chemistry hardcover
11569[Editions de la revue Fontaine] (pour " le Da Costa Encyclopédique ") puis Jean Aubier, éditeur (pour le " Memento "). Ensemble en bon état. Rare.
1947114727Paris Revue Fontaine, puis Jean Aubier 1947-1950 3 vol. broché 1 vol. in-4 et 2 vol. in-8, agrafés, p. 207 à 238, 16 et 16 pp., figures in-texte. Collection complète de cette éphémère revue renouant avec l'esprit Dada tout en pastichant une encyclopédie populaire en livraisons. L'opuscule VII - numéro inaugural - commence naturellement à la page 207, au beau milieu d'une phrase, par un mot coupé ! Cette supercherie a été fomentée par Isabelle et Patrick Waldberg (à qui revient l'invention du titre), Robert Lebel et Charles Duits. Au début, "Da Costa" fut une sorte de potacherie réunissant d'anciens membres de la revue "Acéphale" comme Georges Ambrosino, Jacques Chavy et René Chenon, puis des proches comme Jacques Brunius, Jean Ferry, Mesens ou encore Marcel Duchamp à qui on rend un hommage appuyé en faisant commencer le Da Costa Encyclopédique aux lettres ECH avec la fin de la notice "échec". A mesure que le projet prit corps, quelques retardataires envoyèrent leurs textes dont André Breton et Georges Bataille. Annoncé dans certaines librairies germanopratines, le "Da Costa Encyclopédique (fascicule VII, volume II)" vit le jour en automne 1947, imprimé par les soins de Max-Pol Fouchet sous l'égide de la revue "Fontaine". On y trouve en double page centrale le modèle type du "permis de vivre" que chaque citoyen se doit de renouveler une fois l'an pour avoir droit à l’existence... Aucun article n'est signé comme l'annonce malicieusement la vignette de couverture sous forme de rébus (l'âne au nid-mât !). Grâce à la correspondance d'Isabelle et Patrick Waldberg et à un exemplaire de la revue annoté par Maurice Saillet, il est désormais possible d'ordonner l'attribution de chaque article - ou presque - à son auteur. En 1950, deux autres numéros suivirent sous le titre "Le mémento universel Da Costa" avec un succès moins heureux et plus sous couvert d'anonymat. Collection raare, en excellente condition.
1947114727Paris Revue Fontaine, puis Jean Aubier 1947-1950 3 vol. broché 1 vol. in-4 et 2 vol. in-8, agrafés, p. 207 à 238, 16 et 16 pp., figures in-texte. Collection complète de cette éphémère revue renouant avec l'esprit Dada tout en pastichant une encyclopédie populaire en livraisons. L'opuscule VII - numéro inaugural - commence naturellement à la page 207, au beau milieu d'une phrase, par un mot coupé ! Cette supercherie a été fomentée par Isabelle et Patrick Waldberg (à qui revient l'invention du titre), Robert Lebel et Charles Duits. Au début, "Da Costa" fut une sorte de potacherie réunissant d'anciens membres de la revue "Acéphale" comme Georges Ambrosino, Jacques Chavy et René Chenon, puis des proches comme Jacques Brunius, Jean Ferry, Mesens ou encore Marcel Duchamp à qui on rend un hommage appuyé en faisant commencer le Da Costa Encyclopédique aux lettres ECH avec la fin de la notice "échec". A mesure que le projet prit corps, quelques retardataires envoyèrent leurs textes dont André Breton et Georges Bataille. Annoncé dans certaines librairies germanopratines, le "Da Costa Encyclopédique (fascicule VII, volume II)" vit le jour en automne 1947, imprimé par les soins de Max-Pol Fouchet sous l'égide de la revue "Fontaine". On y trouve en double page centrale le modèle type du "permis de vivre" que chaque citoyen se doit de renouveler une fois l'an pour avoir droit à l’existence... Aucun article n'est signé comme l'annonce malicieusement la vignette de couverture sous forme de rébus (l'âne au nid-mât !). Grâce à la correspondance d'Isabelle et Patrick Waldberg et à un exemplaire de la revue annoté par Maurice Saillet, il est désormais possible d'ordonner l'attribution de chaque article - ou presque - à son auteur. En 1950, deux autres numéros suivirent sous le titre "Le mémento universel Da Costa" avec un succès moins heureux et plus sous couvert d'anonymat. Collection raare, en excellente condition.
1980L3 boxtemp175 im<p>Viscoelastic Properties of Polymers Third Edition. By John D. Ferry. 1980 John Wiley & Sons Inc. Hardcover.</p> John Wiley & Sons, Inc. hardcover
197117411EShowking Films 1971. First Edition. Original 112 page shooting script text in French for the Belgian vampire film Le Rouge aux Levres ’Blood on the Lips’ - also known as ‘Daughters of Darkness’ written by Harry Kumel Pierre Droudt and Jean Ferry starring John Karlen Delphine Seyrig and Danielle Ouimet. Bradbound. Very good slightly used copy with a trace of dust soiling to the covers. The film tells the story of a newlywed couple on their honeymoon who encounter a beautiful Countess with a fierce taste for the blood of innocent young virgins. Showking Films unknown books
1980x-0471048941John Wiley & Sons Inc 1980. Hardcover. New. 3rd sub edition. 641 pages. 9.75x7.00x1.50 inches. John Wiley & Sons Inc hardcover
21158Précédé de Fronton Virage par André BRETON. Dessins de A. P. Sault. P., Arcanes, coll. Chiffre, 1953, in-8, br., 213 p. Edition originale. 1/20 ex. de tête num. sur Fleur d’Alfa (avec un ex. unique sur alfa mousse). Bien complet du supplément dépliant. Rare en grand papier.
