Lindemann-Frommel, Karl - 1819 Markirch/Elsaß - Rom 1891Antiquariat.de
608 résultats
108-Io.J. Bleistift, grau laviert und mit Deckweiß gehöht, auf bräunlichem Karton, auf Untersatz montiert, links unten signiert und datiert ?Karl Lindemann-Frommel Rom 1847?. 16,5:23,3 cm. Vorzeichnung zu einer Lithographie. Literatur: Vgl. Freude D/XVI/14, Abb. 51; vgl. Freude D/XXI/45, Abb. 108.
19623185Éditions Cercle d'Art, Paris 1962. Un volume in-folio (390 x 330 mm) relié sous cartonnage toilé illustré, dans l'étui de l'éditeur décoré de deux compositions en couleur de Picasso. - 45 LINOGRAVURES DE PABLO PICASSO EN PLANCHES HORS-TEXTE réalisées d’après les linogravures originales. - PREMIER TIRAGE. Édition originale française, le texte de W. Boeck est traduit par Jacques Chavy. Remarquable publication d'art. Très bel exemplaire en parfait état. Infimes imperfections à l'étui, en excellent état. Très recherché.-- ENGLISH DESCRIPTION : 1 volume oblong folio in the original slipcase. Introduction by W. Boeck. Illustrated with 45 colour plates engraved and remarkably printed on one side only after the original linocuts by Pablo Picasso (approx. 13" x 15"). A state of the art production by Cercle d'Art in 1962. 1st printing. In perfect condition and complete. The decorated slipcase is in excellent condition. Scarce in this condition.
In folio (mm. 428 x 278), 4 parti in 1 volume, p. pergamena coeva, titolo oro su tassello mod. al dorso (antico restauro per manc.), pp. XII,396; X,298; IV,294,(3); (6),214; (testo e numeraz. su due colonne), tit. in rosso e nero con bella vignetta ai 4 frontesp., inc. in rame da Heylbrouck su disegno del Balestra, ornato da testate, iniziali e finali silografati. L'opera è ben illustrata nel testo da 88 inc. in rame di F. Zucchi (1 a p. pag.), che raffigurano monete e grandi medaglioni (recto e verso), monumenti, epigrafi, sculture, testate con fregi, grandi iniziali ornate, inclusi i 12 busti antichi disegnati da Giambattista Tiepolo e la pianta di Verona. Questa ediz. è cosi' suddivisa: vol. I - "L'istoria della città e insieme dell'antica Venezia dall'origine fino alla venuta in Italia di Carlo Magno" - vol. II "L'istoria letteraria o sia la notizia de' scrittori veronesi" - vol. III "La notizia delle cose in questa città piu' osservabili" - vol. IV "Il trattato degli anfiteatri e singolarmente del Veronese, in questa seconda edizione accresciuto anche di figure (la prima ediz. del "trattato" è del 1728 e usci' anonima)". "Edizione originale" di questa fondamentale opera su Verona, "ricca sorgente di cognizioni" sulla sua storia civile, religiosa, monumentale ed artistica. Cfr. Schlosser Magnino, p. 550: "con magnifiche tavole in rame disegnate in parte da Tiepolo, e utilissime per la concezione dell'antichità in quel tempo" - Parenti,324 - Lozzi,II,6300 - Gamba,2325 - Cicognara,4034 - Brunet,III,1291 - Morazzoni, p. 171 lo cita per la sua bellezza, pur non essendo edito a Venezia. Solo 1 carta con lieve macchia al margine super. bianco e 2 cc. finali con restauro pure al margine super., altrimenti esemplare ben conservato.
154009792Lyon: T. Payen for Dominique de Portonariis at Aix 1540. 20th-century vellum over thin flexible boards spine title lettered in black. <p>First Edition. From printed and manuscript sources jurist and poet Antoine Arena compiled the privileges duties and wages of every court office in Provence and the fees levied by them for services including the preparation and execution of documents. in provençal the final five pages list the towns and fortified castles in Provence under the French crown's authority.<br /> Lyonese printer Payen struggled to cast off copy or made a stop-press correction. To fit the text he began one medial quire with 45 lines per page jumped to 49 lines in the middle and settled back to 45 at the end. In good condition small portion of the first blank margin neatly supplied.<br /> ¶Davies Catalogue of.Early French Books.Fairfax Murray 4112; Bechtel Catalogue des gothiques T-26; Cioranesco 2608; Dollieule Antoine Arena 70-71; Répertoire bibliographique des livres imprimés en France au XVIe siècle I: 211; Gültlingen Bibliographie des livres imprimés à Lyon au 16e siècle VII: 1661 = VII: 17736; USTC 55894 = 24264 =79997 and Pettegree et al. French Vernacular Books.before 1601 1663-66 the usual messes.</p> [T. Payen for Dominique de Portonariis at Aix] unknown
201098337Brick Tower Press. New. 2010. Paperback. 1883283760 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pp; 45 illus. 42 in color. -- with a bonus offer-- . Brick Tower Press paperback
2009122226CUECM. New. 2009. Hardcover. 8895104927 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in Italian. with a bonus offer-- . CUECM hardcover
16702332Stampatus in Stampatura Stampatorum" i.e. Paris 1670. 12mo 142 x 80 mm. 191 pp. Two parts separately titled but continuously paginated. Woodcut peacock device on title. A pretty copy; occasional light foxing to upper margins. Eighteenth-century French red morocco sides with triple gilt fillet smooth spine gold-tooled with green morocco lettering-piece edges gilt over marbling marbled endpapers edges slightly scuffed. Provenance: Marquis de Rognes engraved armorial bookplate signed Nicolas de Mire 1777.<br/><br/>Most complete edition of one of the earliest collections of French macaronic poetry an often burlesque admixture of the vernacular and Latin celebrated for its valuable descriptions of and notations of early Provençal dance. The preface from the supposed publisher "Librarius" is addressed to the "bragardissimis" dancers of France: bragare in Arena's personal brand of Latin means to "have fun" but Arena's work addressed to students was intended to meet a semi- serious need: To attract students to the University of Aix less popular than the faculties of Avignon and Montpellier the rector had decided to authorize a ball at the time of graduation for the graduates and their families but "for certain students dancing in public was a much more forbidding test than all of those that they had undergone during their studies" Louisson-Lassablière p. 268 our translation. Thus Arena's goal was to familiarize students with the many different "basses danses" currently in fashion. <br/><br/>Following a prose introduction to the subject the poem in 1896 lines is in two parts the first being an autobiography in which the author successively a law student soldier and lawyer of whom little else is known recalls his horrific experiences in the Italian campaigns including an eye-witness account of the Sack of Rome in 1527. Following his final return from Italy in 1528 he had given his first dance lessons and thus the work segues into a largely tongue-in-cheek introduction to dance and to proper comportment. Of greatest interest for dance historians are the technical descriptions of dances found in a four-page section pp. 86-90 in French in which the author uses a stenographic notation system in which each step is designated by the initial of its name repeated to indicate a repetition of the step. Thus in the description "R c ss d ss d d d ss r c ss a ss r c" "c" signifies "congé" "ss" signifies "deux simples" "d d d" signifies "trois doubles" and so on. Such detailed choreographic records are rare for this period. Each dance description occupying no more than one line is prefaced by the title or titles of popular songs or melodies to which it should be danced. The earliest known edition of the work was printed anonymously probably in Lyons in 1528; at least 40 more editions followed the last from 1758 a full census including untraced and "ghost" editions is provided by R. Mullally. The present edition includes other previously published macaronic verse including Rémy Belleau's "Poema macaronicum de bello huguenotico" and separately titled a collection of Italian macaronic poetry by Bartolomeo Bolla first printed in 1604 with satirical poems such as one addressed to the "culinary Muse" p. 147 humourous lists of attributes including types of women associated with various Italian towns pp. 121-129 and poems in the patois of Bergamo. On textual grounds Mullally revised the attribution of this edition to Paris; it was traditionally assigned to Lyon. Brunet I 393 "Edition la plus complète que l'on ait de ce recueil" ; Fletcher Bibliographical Descriptions of Forty Dance Books 3a ; Clarke Four Hundred Years of Dance Notation 1987 no. 6; Robert Mullally "The editions of Antonius Arena's Ad suos compagnones studiante" Gutenberg-Jahrbuch 1979:146-57 edition P12. Cf. Marie-Joëlle Louisson-Lassablière "Antonius Arena ou le Latin macaronique" in E. Bury Tous vos gens à Latin 2005. Stampatus in Stampatura Stampatorum," [i.e., Paris] unknown books
16702332Stampatus in Stampatura Stampatorum" i.e. Paris 1670. 12mo 142 x 80 mm. 191 pp. Two parts separately titled but continuously paginated. Woodcut peacock device on title. A pretty copy; occasional light foxing to upper margins. Eighteenth-century French red morocco sides with triple gilt fillet smooth spine gold-tooled with green morocco lettering-piece edges gilt over marbling marbled endpapers edges slightly scuffed. Provenance: Marquis de Rognes engraved armorial bookplate signed and dated Nicolas de Mire 1777; coded purchase note "ca" in pencil on recto of final free endleaf probably from Jean-Jacques Debure ca. 1800 thanks to Erick Aguirre for this information.<br/> <br/> Most complete edition of one of the earliest collections of French macaronic poetry an often burlesque admixture of the vernacular and Latin celebrated for its valuable descriptions of and notations of early Provençal dance. The preface from the supposed publisher "Librarius" is addressed to the "bragardissimis" dancers of France: bragare in Arena's personal brand of Latin means to "have fun" but Arena's work addressed to students was intended to meet a semi- serious need: To attract students to the University of Aix less popular than the faculties of Avignon and Montpellier the rector had decided to authorize a ball at the time of graduation for the graduates and their families but "for certain students dancing in public was a much more forbidding test than all of those that they had undergone during their studies" Louisson-Lassablière p. 268 our translation. Thus Arena's goal was to familiarize students with the many different "basses danses" currently in fashion. <br/> <br/> Following a prose introduction to the subject the poem in 1896 lines is in two parts the first being an autobiography in which the author successively a law student soldier and lawyer of whom little else is known recalls his horrific experiences in the Italian campaigns including an eye-witness account of the Sack of Rome in 1527. Following his final return from Italy in 1528 he had given his first dance lessons and thus the work segues into a largely tongue-in-cheek introduction to dance and to proper comportment. Of greatest interest for dance historians are the technical descriptions of dances found in a four-page section pp. 86-90 in French in which the author uses a stenographic notation system in which each step is designated by the initial of its name repeated to indicate a repetition of the step. Thus in the description "R c ss d ss d d d ss r c ss a ss r c" "c" signifies "congé" "ss" signifies "deux simples" "d d d" signifies "trois doubles" and so on. Such detailed choreographic records are rare for this period. Each dance description occupying no more than one line is prefaced by the title or titles of popular songs or melodies to which it should be danced. The earliest known edition of the work was printed anonymously probably in Lyons in 1528; at least 40 more editions followed the last from 1758 a full census including untraced and "ghost" editions is provided by R. Mullally. The present edition includes other previously published macaronic verse including Rémy Belleau's "Poema macaronicum de bello huguenotico" and separately titled a collection of Italian macaronic poetry by Bartolomeo Bolla first printed in 1604 with satirical poems such as one addressed to the "culinary Muse" p. 147 humourous lists of attributes including types of women associated with various Italian towns pp. 121-129 and poems in the patois of Bergamo. On textual grounds Mullally revised the attribution of this edition to Paris; it was traditionally assigned to Lyon. <br /> <br /> Brunet I 393 "Edition la plus complète que l'on ait de ce recueil" ; Fletcher Bibliographical Descriptions of Forty Dance Books 3a ; Clarke Four Hundred Years of Dance Notation 1987 no. 6; Robert Mullally "The editions of Antonius Arena's Ad suos compagnones studiante" Gutenberg-Jahrbuch 1979:146-57 edition P12. Cf. Marie-Joëlle Louisson-Lassablière "Antonius Arena ou le Latin macaronique" in E. Bury Tous vos gens à Latin 2005. Stampatus in Stampatura Stampatorum," [i.e., Paris] unknown
167040233S.l. (Paris), Stampatus in stampatura stampatorum, 1670. 2 parties en 1 vol. in-12 de 191-(1) pp., veau marbré, dos orné à nerfs, pièce de titre en maroquin rouge, super-libris en capitales dorées sur le plat supérieur, tranches mouchetées (reliure de l'époque).
0471451649New. Brand new and still unused unknown
535 pages. Signed and inscribed by author upon front free endpaper. A scathing indictment of the American legal system. Chapters include: Legal Anarchy; The Origin of Law; A Plague of Lawyers; Judge Not; The Supreme Court; The Court as Arena; The Department of Justice; Durance Vile; The Case of the Strange Director; The Case of the Schizophrenic Driver; The Strange Case of the Senile Millionaire; Freedom of Speech, Anyone?; Taxation Without Hope; The Taxing Power; Mullins on Equity; Our Legal Future. Clean, bright and unmarked with negligible wear. Appears unread. An excellent copy. Book
6611in 8 plein maroquin caramel à nerfs,titre et date en pied, dorés.Faux-titre,portrait de l’auteur en frontispice, titre,255 pages,tranches dorées, non rogné.Double filet doré sur coupes.10 fines gravures d’Adrien Moreau dont 8 hors-texte.Contreplat en maroquin vert,filet doré en encadrement,Garde en soie imprimée.Reliure signé de NOLHAC. Couverture orange,plats et dos,conservés.Paris Librairie L. Conquet 1887.Ouvrage tiré à 500 exemplaires.Exemplaire numéroté à la plume sur petit papier vélin du Marais, filigrané.Quelques petites rouseurs très éparses,sinon très bel exemplaire
2009Atlantic-9783540884637Springer V 2009. Hardcover. New. Springer V hardcover
2009Atlantic-9783540884637Springer V 2009. Hardcover. New. Springer V hardcover
2013__1118501896John Wiley & Sons Inc 2013. Paperback. New. 11 edition. 946 pages. 10.50x8.25x1.50 inches. John Wiley & Sons Inc paperback
697187544John Wiley & Sons pp. 1056 11th edition bH product_safety@wiley.com . Papeback. New. John Wiley & Sons unknown
1670021799sans lieu Stampatus in Stampatura Stampatorum 1670 un volume in-16° (8,7 x 14,8cm), 191 pp. Reliure de l'époque en pleine Basane brune, dos à nerfs à caissons ornés et dorés, étique de titre, roulette dorée sur les coupes, tranches rouges. (reliure frottée, petits manques de cuir aux coiffes, à une charnière et sur les coupes, coins émoussés, fente à une charnière sur 2cm, quelques rousseurs pâles, des feuillets uniformément brunis). Edition la plus complète que l'on ait de ce recueil (BRUNET I-393). Juriste natif de Solliès près de Toulon, Antonius de Arena ou Antoine Arène (v. 1500- 1544) est l'auteur de divers poèmes comiques dans un provençal mâtiné de termes latins, et notamment d'un traité sur la danse. A la suite des poésies d'Arena se trouve une autre pièce macaronique du poète de la Pléiade Rémy Belleau (pp. 96-106) "De Bello Huguenotico". Magnifique vignette de titre gravée représentant un paon. Annotations au crayon en page de garde. Surlignages et corrections ancien.ne.s manuscrites à l'encre sur 3 feuillets. La seconde partie de l'ouvrage est consacré à l'oeuvre du poète Bartholomeus Bolla, ce sont des pièces en italien pour certaines et en patois de Bergame pour d'autres. Surlignages et corrections manuscrites à l'encre sur 3 feuillets. RARE.
2023x-3030860116Springer 2023. Hardcover. New. 2nd edition. 649 pages. 9.25x6.10x1.54 inches. Springer hardcover
1970169000N.p.: N.p. 1970. A small archive of a vintage French moyenne poster and nine vintage French lobby cards for the French release of the 1968 film here under the French release title "L'éperon brûlant."<br /> <br /> The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the rape and killing of his sister years earlier.<br /> <br /> Set in Texas in 1869.<br /> <br /> Moyenne poster: 22.75 x 30 inches. Folded as issued. Very Good plus with some light creasing and pinholes at the extremities and two small paper tape repairs to the verso at the top and bottom of the vertical fold. Bright and unfaded.<br /> <br /> Nine French lobby cards: 9.5 x 11.5 inches. Very Good plus with pinholes at the extremities. N.p. unknown
175819674Londini (Paris), sans nom (Antoine-Urbain II Coustelier?) 1758 in-12 veau havane marbré, dos lisse orné de fers dorés, pièce de titre rouge, tranches rouges. (4 pp) lettre de l'éditeur + XIV + 94 pp.
1968170761Los Angeles: Olympic International Films 1968. Eight vintage studio still photographs from the 1968 film.<br /> <br /> The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the killing of his sister years earlier.<br /> <br /> Set in Texas in 1869.<br /> <br /> 10 x 8 inches. Fine. Olympic International Films unknown
2018x-9352701976Jaypee Brothers Medical Pub 2018. Hardcover. New. 3rd edition. 530 pages. 10.75x8.75x1.25 inches. Jaypee Brothers Medical Pub hardcover
60 pages. Many reproductions of wonderful archival black and white photos. Features include: The Patrick Family Legend; The First Game; The First Year; The First Stanley Cup; The Second Stanley Cup; The Great Denman Fire; Fred (Cyclone) Taylor; The Life and Times of Coley Hall; The Glorious Smokies; The Brat Called Pistol - Eddie Dorohoy; The Rollicking, Raggedy Vees; The Spirit of the Canucks; The Drillers of Kimberley; The Heart of Fred J. Hume; The Life and Laughs of Babe Pratt; The Palace by the Sea - Pacific Coliseum; The Anatomy of a Franchise; and more. One page CKNW 98 ad highlights play-by-play man Jim Robson. Molson ad features photos of their 1969-70 hockey scholarship winners including: John Cumberbirth, Bob Gaston, Pat Russell, Keith, Nordin, Richard Beauchamp, Daryl Fedorak, Brian Debiasio, Brenk Kaufmann, Robert Little, George Walton and Don Young. One-page pricelist of Canucks merchandise. Printed upon glossy stock. Clean and unmarked with moderate wear. A sound copy of this very informative, nostalgic and uncommon work from the year the Canucks entered the NHL. Book
Acquatinta misura: mm 245 x 297 Importante acquafortista e disegnatore attivo per lo più a Milano. Autore di un gran numero di vedute, fu il principale illustratore dell'Album Esposizione di Belle Arti in Milano. Tale album venne pubblicato annualmente dal 1839 al 1861 prima da Carlo Canadelli e poi da Giuliano Canadelli e C., in forma di strenna con tavole ritraenti le opere esposte annualmente presso l'Accademia di Belle Arti di Brera. Egli fu un abile e attento vedutista, capace di cogliere il bello della vita quotidiana tanto incidendo da sue stesse invenzioni quanto riproducendo dipinti o fotografie di altri autori. A tal proposito vale la pena ricordare la serie di vedute milanesi e non, per un totale di 119 tavole, da Dagherrotipo, primo esempio di impiego della fotografia quale modello per le incisioni. Questa stampa che fa parte della serie di 27 tavole: Vedute di Milano da disegno di Giovanni Migliora ed altri.. edite da Luigi Valeriano Pozzi 1835-38 è la numero 2 ed è tratta da un disegno dell'architetto Alessandro Sidoli (1812-1855). Viene rappresentato l'Anfiteatro, inaugurato nel 1807, nel 1870 divenne Arena Civica dopo essere passato al Comune. La realizzazione dell'edificio fu affidata all'architetto Luigi Canonica (Tesserete 1762 -Milano 1844) e la forma di anfiteatro venne scelta per ricordare la tradizione imperiale romana. Fu un luogo deputato a celebrazioni, feste e spettacoli. In questo foglio vediamo una veduta prospettica presa da un punto rialzato, forse un pallone aerostatico, la quale non solo ci mostra tutta l'Arena con i visitatori sia all'interno che all'esterno ma anche la campagna circostante fino alle catene montuose sullo sfondo. All'interno dell'arena si sta svolgendo uno spettacolo di corse di cavalli e all'esterno una folla animata inonda il primo piano. Intesi contrasti chiaroscurali intensificano le zone chiare e ci fanno immergere in un caldo pomeriggio ottocentesco. In basso oltre l'immagine incisi, "Ales. Sidoli dis. dal vero L. Cherbuin inc", titolo e editore Pozzi con timbro a secco in basso nell'angolo sinistro. Impressione eccellente. Ottimo stato di conservazione, eccetto leggero foxing sparso e un piccolo strappo lungo il margine superiore. Ampi margini oltre la battuta del rame. Bibliografia: Arrigoni, Milano nelle antiche stampe, n.179
2012SONG1843764040Brand: Edward Elgar Pub 2012-08-29. hardcover. Used: Good. 6.25x1.25x9.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Edward Elgar Pub hardcover
