Woods, FrederickMareMagnum
9 297 résultats
Inscription on front end paper. No other marks. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with small nicks upper and lower edges. 92pp.
Minor pencil marginalia to some pages (by Jenifer Neils). ; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it? How could they ensure that their scenes would be recognized? What problems did they have? How did they solve them? This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted, developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes, and problems still outstanding. Examples are drawn from a wide range of media--vases, murals, mosaics, sarcophagi, sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed, all examples are illustrated and all names, terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow, she and is author of The Parthenon (Cambridge, 1981) , The Art of Greece (Cornell, 1993) , An Introduction to Greek Art (Cornell, 1986) and The Trojan War in Ancient Art (Cornell, 1993). ; 10.2 X 7.2 X 0.9 inches; 332 pages
200233744Cambridge University Press. 2002. Hardcover. Very Good in No Dust Jacket dust jacket. Minor pencil marginalia to some pages by Jenifer Neils.; Stories take time to tell; Greek and Roman artists had to convey them in static images. How did they go about it How could they ensure that their scenes would be recognized What problems did they have How did they solve them This generously illustrated book explores the ways classical artists portrayed a variety of myths. It explains how formulas were devised for certain stories; how these inventions could be adapted developed and even transferred to other myths; how one myth could be distinguished from another; what links there were with daily life and historical propaganda; the influence of changing tastes and problems still outstanding. Examples are drawn from a wide range of media--vases murals mosaics sarcophagi sculpture--used by the ancient Greeks and Romans. The myths are mostly those that are also easily recognized in later works of art. No previous knowledge of the subject is assumed all examples are illustrated and all names terms and concepts are fully explained. Susan Woodford teaches Greek and Roman art at the University of London and is engaged in research for the Department of Greek and Roman Antiquities at the British Museum. A former Fullbright Scholar and Woodrow Wilson Fellow she and is author of The Parthenon Cambridge 1981 The Art of Greece Cornell 1993 An Introduction to Greek Art Cornell 1986 and The Trojan War in Ancient Art Cornell 1993.; 10.2 X 7.2 X 0.9 inches; 332 pages . 0521782678 . Cambridge University Press hardcover
A unique resource, 'The Cambridge Companion to Greek Mythology' is essential reading for understanding not only Greek myth, but also its enormous impact on art, architecture, literature, politics and philosophy across the ages. More than a compendium of isolated facts, 'The Cambridge Companion to Greek Mythology' is thoughtfully composed by a team of international experts who highlight important themes in three sections. The first part examines oral and written Greek mythology and the uses of these myths from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. The second section looks at the relationship between ancient Greek myth and Greek culture and investigates the Roman appropriation of the Greek mythic tradition. Section three follows the reception of Greek myth from the Middle Ages to modernity, taking in such factors as feminist scholarship, cinema and literature. Important for its reach and breadth, its integrated approach and its up-to-date treatment, 'The Cambridge Companion to Greek Mythology' is fundamental for anyone seeking a broader understanding of the myths and their influence on western tradition. ; Cambridge Companions to Literature; 552 pages
200749259New York : Cambridge University Press, 2007. 1. Aufl. 536 Seiten ; Ill. ; Sprache: Englisch broschiert
19811054928München : Trikont-Dianus-Buchverlag, 1981. 191 S. : Ill. ; 19 cm; kart.
1849VOEK0352Leipzig & New York, Schuberth o. J. [1849]. X(2), 324 S., mit 110 Abb., HLn. d. Zt., stark berieb., bestoßen, Text papierbedingt gebräunt.
1906518CBChemnitz, J. C. F. Pickenhahn & Sohn (= Progr. Nr. 667), 1906. gr.8°, 26 S., original Heft mit Papierrückenstreifen, Erstausgabe schöner alter Stempel der Lehrerbibliothek eines alteingesessenen Frankfurter Gymnasiums auf Titelblatt, Kopfschnitt randrissig und verknickt, sonst gute nur leicht altersspurige Broschur (Li1, Ordner27)
0729-Co.J. Holzschnitt, 1923, verso Nachlassstempel. Darstellungsgröße 26,7:20,2 cm, Blattgröße. 51,5:33,8 cm. Holthusen 39. ? Vorzüglicher Abdruck auf Japan. Insgesamt etwas fleckig.
193642059Berlin : Verl. Die Runde - [Leipzig] : [Volckmar] 1936. 339 S. : mehr. Bl. Abb. ; gr. 8°, mit Schutzumschlag, Umschlag mit Randblessuren Lw., gebundene Ausgabe, Leinen, sonst Exemplar in gutem Erhaltungszustand
Berlin, Verlag die Runde, 1936, in-8, tela edit. nera, titolo rosso, tagli scuri, pp. 339, (1). Numerose tavv. in b.n. Blande gore marginali a tutte le carte, che diventano però più visibili ai margini bianchi delle tavole.
199723972CBMünchen, Deutscher Taschenbuch Verlag (= DTV Band 33005), 1997. 8°, 470 S., farbig illustr. original Kartonage (Paperback), Taschenbuch-Erstausgabe obere Ecke des Rückdeckels minimal bestoßen, Buchrücken und Rückdeckel an oberer und hinterer Kante etwas aufgehellt, zwei zarte Längsfalten auf Buchrücken, sonst schönes, sauberes Exemplar
198332150Darmstadt, Neuwied: Luchterhand, 1983. 6. Auflage 156 Seiten , 21 cm Pappeinband
198510236ABBerlin und Weimar, Aufbau-Verlag, (1985). 349, [3] S. mit Abbildungen. Illustrierte Original-Broschur. 3. Aufl. Äusseres teils abgegriffen, gebräunt u. teils etwas angestaubt, Ecken teils bestossen, wenige Blätter mit geknickter Ecke.
192715272München, Delphin-Verlag, 1927. 8°, 288 Seiten. Illustrierter Orig.Leinen.
Small bump to bottom corners. Spine slightly discolored. Small slightly discolored splotch to front board (3cm). ; 166 pages
Mild creasing to bottom corners. Some rubbing to wraps. Minor shelfwear. ; 166 pages
Small bump to lower front corners. Minor shelfwear. ; 166 pages
196716427Carl Winter - Universitätsverlag. 1967. Hardcover. Very Good. Small bump to lower front corners. Minor shelfwear.; 166 pages . Carl Winter - Universitätsverlag hardcover
19678808Carl Winter - Universitätsverlag. 1967. Hardcover. Very Good. Small bump to bottom corners. Spine slightly discolored. Small slightly discolored splotch to front board 3cm.; 166 pages . Carl Winter - Universitätsverlag hardcover
196711291Carl Winter - Universitätsverlag. 1967. Hardcover. Very Good. Mild creasing to bottom corners. Some rubbing to wraps. Minor shelfwear.; 166 pages . Carl Winter - Universitätsverlag hardcover
18733469Berlin: Bohne, 1873. 63 Seiten. Broschur: Neu gebunden in der Zeit. Ohne Titel, ca. 10 x 13,5 cm.
19237199Verlag von Fischer & Franke, Berlin, 1923. VII,74(1) S. illustrierter OHalb-Leinen. Zweispaltiger Text. Druck in der Offzin Herrmann, Leipzig. Gutes Exemplar. Good copy.
1991191760Thames et Hudson Thames et Hudson, 1991. Collection Iconologia. In-8 broché de 137 pages, à rabats. Photos, illustrations et cartes hors-texte. Très bon état
197817147Bonz, Fellbach 1978. 251 S. Kart. Leichte Gebrsp. Etwas berieben, gering bestoßen.
