9 266 résultats
19548831München/Basel, Ernst Reinhardt Verlag 1954. Ganzleinen mit Schutzumschlag, 8 , 76 S., "In ansprechender Weise zeigt die Schrift, was alles im Neuen Testament auf einer mythologischen Form des Denkens beruht und daher für uns heute keine Glaubenswahrheit mehr bedeutet. Gleichzeitig hebt sie die ewigen Werte der Botschaft Jesu klar heraus." Guter Zustand. Bilder im PDF- uder JPEG-Format auf Anfrage.
in-8° (cm. 23,8), pp. 24 (da p.311 a p. 334). Brossura editoriale. STEIDLE, filologo classico, soprattutto latinista.
1849461425Berlin: Verlag von Rudolph Liebmann. 1849. 474 Seiten. 21cm. Zustand: Gut gering gebräunt, 1/4 der Seiten hat brandfleckartige Spuren im Seitenrand, meistens gering fleckig, aber auch ohne oder mehr Fleckigkeit (Innen); Es gibt auch Feuchtigkeitsspuren; Kleine Schrifteinträge vor dem Titelblatt; Halbleder
19006388Oder Vater Treuwalds Abendunterhaltungen mit seinen Kindern über die Mythologie. Mit 12 Darstellungen auf 3 gest. Tafeln. Quedlinburg, G. Basse, [1812]. 8vo. (15,2 x 9,4 cm). Titel, 4 Bl., 238 S., 1 Bl. Anzeigen. Halbleinwandband um 1900 mit goldgeprägtem Rückentitel.
197953156Wroclaw u.a. Ossolineum, (1979). 108 S. (= Archiwum filologiczne, 40). Gr.-8vo. OKart.
Stefano Della Bella (Firenze 1610-1664) - Il suicidio di Didone, 1610-1664 Stampa raffigurante Didone nell'atto di suicidarsi gettandosi su una spada. Acquaforte, senza firma, mm.110x70 all'impronta del rame su foglio di cm.13x21 ca, esemplare su carta vergellata senza filigrana. Splendida prova impressa su carta vergellata di datazione sconosciuta, con ampi margini e ottima inchiostratura.
Volume rilegato con titoli al dorso, coperta in buono stato, sovraccoperta leggermente segnata al margine e alla cuffia inferiori, tagli imbruniti, pagine con imbrunitura maggiormente diffusa ai bordi, libro completamente fruibile, appartenente alla collana "Miti e Leggende del Mondo", con introduzione di Francesco Gabrieli, presenti illustrazioni in nero nel testo e tavola a colori e in nero fuori testo, edizione su licenza della Nuove Edizioni Gherardo Casini Editore S.p.A., numero pagine 308 (XI, 297) USATO
Introduzione di Francesco Gabrieli, rilegatura editoriale rigida, cartonata, blu con titoli bianchi al solo dorso, sovraccoperta illustrata, ingiallita ai margini, con qualche ombratura al dorso ed al posteriore ed usura da scaffalatura, pagine ingiallite ai bordi causa tempo, con numerose illustrazioni in nero nei testi ed alcune tavole a colori ed in nero f.t. Numero pagine 297 USATO
1978ne1144NRF Gallimard Broché 1978 In-8 (14 x 20,5 cm), broché, 219 pages, envoi de l'auteur à la fausse page de titre, bandeau d'édition inséré en début d'ouvrage ; l'ouvrage est équipé d'un protège-livre, très bel état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
2001119926Societé d'ethnologie, coll. « Recherche Sur La Haute-Asie », n° 14 2001 In-8 broché 24 cm sur 16. 501 pages. Très bon état d’occasion.
199219992Aix-en-Provence, le mail, 1992. 3 vol. in-8., 164 ; 167 ; 173 pp., ill. n&b, intérieurs frais (ex-libris sur les 2ème de couv.). Br., couv. ill. n&b. Bon état général.
199219992Aix-en-Provence, le mail, 1992. 3 vol. in-8., 164 ; 167 ; 173 pp., ill. n&b, intérieurs frais (ex-libris sur les 2ème de couv.). Br., couv. ill. n&b. Bon état général.
In-8° (cm.24,4), pp. 16. Brossura editoriale. Piccola abrasione a un angolo del piatto. VEIOVE o VEDIOVIS, dio sabino degli Inferi, contrapposto al Giove celeste. STAZIO, numismatico, docente di Numismatica greco-romana all'Università di Napoli "Federico II" presso la quale ricopriva la posizione di professore emerito. È stato animatore, fin dagli esordi, nel 1961, dei Convegni internazionali di studi sulla Magna Grecia di Taranto, noti anche come Convegni tarantini, organizzati dall'ISAMG, Istituto per la storia e l'archeologia della Magna Grecia, di cui è stato presidente. Come estr. è ignoto a SBN.
ill. Tra i flutti del Mar Egeo o in cima alle montagne, dall'Epiro a Creta, dall'Asia minore alla Calabria, ad Atene o sulle isole, e in molti altri luoghi della grecità, le fiabe della tradizione popolare intrecciano miti antichi a più recenti influenze orientali e occidentali, magia a usi e costumi del mondo rurale. Raccontano storie di creature fantastiche, principesse ostinate, giovanotti insolenti, animali parlanti, Moire magnanime, marinai probi, poveri onesti e ricchi ingrati, sfidando le leggi del mondo conosciuto e anche di quello sconosciuto... Età di lettura: da 3 anni.
Very light shelfwear to book. DJ has some creasing to front panel and sticker residue to rear panel. ; 1.18 x 8.75 x 5.75 Inches; 428 pages; This is a new translation of the Thebaid of Publius Papinius Statius, an epic poem in twelve books, completed in about AD 90. The Thebaid has been thought by many to stand second only to Virgil among Latin narrative poems. Its theme is the war between Eteocles and Polynices, sons of Oedipus, for the throne of Thebes. Rich in incident and always dramatic in tone, it unfolds a panorama of human ambition and violence, triumph and catastrophe. Though remaining within the Homeric and Virgilian tradition, it achieves its own power and vitality in thought, language, and description. Held in high esteem and widely imitated in the Middle Ages and the Renaissance, the Thebaid of Statius is not only a masterpiece of poetry but a compelling story, at times horrifying, noble, and pathetic, of humankind bound by the power of Fate.
<p>2 opere rilegate assieme. 11,5 cm, rilegatura recente in piena pelle, titolo in oro su tassello al dorso; p. 576; 340, (8). Brunitura omogenea, cinque macchie d'inchiostro che non disturbano la lettura del testo, piccole mancanze al frontespizio della prima opera che non toccano il testo. Fregi ai frontespizi</p>
1892237CBPassau, F. W. Keppler (= Programm-Nr. 38), 1892. 8°, 63 S., original Heft mit Papierrückenstreifen, Erstausgabe schöner alter Stempel der Lehrerbibliothek eines alteingesessenen Frankfurter Gymnasiums und handschriftl. Notiz (1892 bayr. Progr. No. 38) auf Titelseite, sonst gute, kaum altersspurige Broschur (Li1, Ordner1)
A clean, unmarked book with a tight binding. 168 pages. Black and white illustrations.
Very light shelfwear to book. Else fine. DJ has a few tears with creasing, chipping ; 224 pages
224p. illus.index. Book
244p. illus.bibliography.index Book
Scholar's name to ffep (R. E. Fantham). Else book is fine. 1 small closed tear to DJ (1 cm). Else Very light shelfwear to DJ. ; 0.79 x 8.43 x 5.67 Inches; 207 pages; The role of women in Roman culture and society was a paradoxical one. They enjoyed social, material and financial independence yet they were denied basic constitutional rights. Although Roman history is not short of powerful female figures, such as Agrippina and Livia, their power stemmed from their associations with great men and was not officially recognized. Ariadne Staples' book examines how women in Rome were perceived both by themselves and by men through women's participation in Roman religion, as Roman religious ritual provided the single public arena where women played a significant formal role. From Good Goddess to Vestal Virgins argues that the ritual roles played out by women were vital in defining them sexually and that these sexually defined categories spilled over into other aspects of Roman culture, including political activity. Staples provides an arresting and original analysis of the role of women in Roman society, which challenges traditionally held views and provokes further questions.
Very minor edgewear to top corners of DJ else Fine. ; 0.79 x 8.43 x 5.67 Inches; 207 pages; The role of women in Roman culture and society was a paradoxical one. They enjoyed social, material and financial independence yet they were denied basic constitutional rights. Although Roman history is not short of powerful female figures, such as Agrippina and Livia, their power stemmed from their associations with great men and was not officially recognized. Ariadne Staples' book examines how women in Rome were perceived both by themselves and by men through women's participation in Roman religion, as Roman religious ritual provided the single public arena where women played a significant formal role. From Good Goddess to Vestal Virgins argues that the ritual roles played out by women were vital in defining them sexually and that these sexually defined categories spilled over into other aspects of Roman culture, including political activity. Staples provides an arresting and original analysis of the role of women in Roman society, which challenges traditionally held views and provokes further questions.
250x185mm. 454 pages. Hardcover with dust jacket. Cover slightly stained. Cover corners and spine edges slightly bumped. Pages slightly yellowing. Else in good condition.
Light bump to 1 corner. Faint foxing to top of textblock. Very light shelfwear to DJ. Dustjacket is protected in mylar. ; 1.25 x 9.75 x 6.75 Inches; 492 pages; In this masterly interpretation of narrative sequence in the Iliad, Keith Stanley not only sharpens the current debate over the date and creation of the poem, but also challenges the view of this work as primarily a celebration of heroic force. He begins by studying the intricate ring-composition in the verses describing Achilles' shield, then extends this analysis to reveal the Iliad as an elaborate and self-conscious formal whole. In so doing he defends the hypothesis that the poem as we know it is a massive reorganization and expansion of earlier "Homeric" material, written in response to the need for a stable text for repeated performance at the sixth-century Athenian festival for the city's patron goddess. Stanley explores the arrangement of the poem's books, all unified by theme and structure, showing how this allowed for artistically satisfying and practically feasible recitation over a period of three or four days. Taking structural emphasis as a guide to poetic discourse, the author argues that the Iliad is not a poem of "might"--as opposed to the Odyssean celebration of "guile"--but that in advocating social and personal reconciliation the poem offers a profound indictment of a warring heroic society.