Troy, New York Merriam & MooreBiblio.com
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188023718Troy: Merriam & Moore 1880. Wraps. Orig. illustrated yellow wrappers. Near fine. 24 pages. 14.5 x 9 cm. Illustrated with engraved wood-cuts. Back cover advert for The Milner Toys published by Merriam & Moore. Clean bright copy. Merriam & Moore unknown
6522308-6MIT Press. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. MIT Press unknown
2002018729The MIT Press 2002. 1st Edition . Hardcover. Very Good. Hard cover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally please be aware that additional charges may apply for heavier books. We guarantee a safe quick and secure transaction. 10 years in online bookselling experience. <br/> <br/> The MIT Press hardcover
0262201402.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0262701030.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2002Q-0262201402The MIT Press 2002-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! The MIT Press hardcover
2003190673Cambridge MA: MIT 2003. Hardcover. Near Fine light shelf-wear scuffs to lower board edges; light wear to dustjacket. white flower decorated boards w/ quarter silken cream cloth spine grey printing. 438 pgs w/ bw illustrations. grey pictorial dustjacket w/ black printing. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT hardcover
2003139769Cambridge MA: MIT 2003. Softcover. VG but with small gallery ex-lib. sticker on spine. Fuschia and orange wraps with white spine lettering and cover illustration; 438 pp. with bw images throughout. In Couture Culture Nancy Troy offers a new model of how art and fashion were linked in the early twentieth century. Focusing on a leader of the French fashion industry Paul Poiret Troy uncovers a logic of fashion based on the tension between originality and reproduction that bears directly on art historical issues of the period. This tension lies at the heart of haute couture which although designed for the wealthy was also intended to be adapted for sale in department stores and other clothing outlets that catered to a broader consumer market. Troy examines the relationships between elite and popular culture the professional theater and the fashion show as well as the presumed polarity between Orientalist and classical sensibilities. She shows how Poiret and other designers patronized the arts and presented themselves as artists not only to sell their individual dresses to wealthy clients but also to promote the mass production of their designs. The contradictions she uncovers suggest surprising parallels with the readymades and fashion-related work of Marcel Duchamp who explored the questions of originality and authenticity raised by couture culture during the 1910s and 1920s.--Amazon. MIT paperback
200373159Cambridge:: MIT Press. Near Fine in Near Fine dust jacket. 2003. Hardcover. 0262201402 . Black and white illustrations. First printing. Near fine in a near fine dust jacket. ; 438 pages . MIT Press, hardcover
SONG0262701030The MIT Press 0000-00-00. paperback. Used: Good. 6.75x0.75x8.75. Buy with confidence. Excellent Customer Service & Return policy. The MIT Press paperback
17-6764New York NY: Barry Friedman Ltd. 1988. 4to. 66 pp. Softcover. Black and white image on cover. Color and black and white images. Very good.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author. Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-77. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. New York, NY: Barry Friedman, Ltd., 1988 paperback
201787151New York: Sotheby's 2017. First Edition. Hardcover. Very Good. Square octavo 9.25 in. pp. 192. Wheat-color cloth boards with black title and angle design stamped in black to front. Black title to spine. Light soiling to boards with corners lightly nudged. Black endpapers. Unmarked interior. Exhibition Catalog for the October 19 - December 8 2017 selling exhibition put on by Sotheby's Auction House. <br /> <br /> De Stijl also known as Neoplasticism was a Dutch art movement founded in 1917 in Leiden. De Stijl consisted of artists and architects. In a more narrow sense the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour. They simplified visual compositions to vertical and horizontal using only black white and primary colors. from Wikipedia. Sotheby's hardcover
1991Q-0300045549Yale University Press 1991-03-27. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Yale University Press hardcover
1991DOYdeTRO86New Haven & London: Yale University Press 1991. 1991. 4to. pp. xx 300. 163 b/w illus. & 11 colour illus. on 4 double-sided plates. biblio. index. quarter-cloth. dw. First Edition. F. Hardcover. New Haven & London: Yale University Press, [1991]. Hardcover
Z1-S-002-04682Arthur Schwartz Sales Co. Used - Acceptable. Used - Acceptable. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Arthur Schwartz Sales Co unknown
0894670115.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0262048353.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2000mon0000014739The MIT Press 10/24/2023 12:00:01. hardcover. Very Good. 0.9055 in x 12.5591 in x 9.9606 in. 1st edition 1st printing with complete number line. Hardcover with very good dust-jacket. Clean and solid. No tears stains or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard. The MIT Press hardcover
DADAX022600869XUniversity of Chicago Press 2014-02-17. hardcover. New. 1.10x7.30x10.20. Buy with confidence. Excellent Customer Service & Return policy. University of Chicago Press hardcover
19135711like new. unknown
19135711-nnew. unknown
2013207326Chicago: University of Chicago Press 2013. Hardcover. NF. Octavo. Hardcover. Bound in yellow cloth wiith illustrated jacket. xi 285 pages : illustrations ; 26 cm. "Dutch painter Piet Mondrian died in New York City in 1944 but his work and legacy have been far from static since then. From market pressures to personal relationships and scholarly agendas posthumous factors have repeatedly transformed our understanding of his oeuvre. In The Afterlife of Piet Mondrian Nancy J. Troy explores the controversial circumstances under which our conception of the artist's work has been shaped since his death an account that describes money-driven interventions and personal and professional rivalries in forthright detail. Troy reveals how collectors curators scholars dealers and the painter's heirs all played roles in fashioning Mondrian's legacy each with a different reason for seeing the artist through a particular lens. She shows that our appreciation of his work is influenced by how it has been conserved copied displayed and publicized and she looks at the popular appeal of Mondrian's instantly recognizable style in fashion graphic design and a vast array of consumer commodities. Ultimately Troy argues that we miss the evolving significance of Mondrian's work if we examine it without regard for the interplay of canonical art and popular culture. A fascinating investigation into Mondrian's afterlife this book casts new light on how every artist's legacy is constructed as it circulates through the art world and becomes assimilated into the larger realm of visual experience."--Publisher's description. University of Chicago Press hardcover
022600869X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2014__022600869XUniv of Chicago Pr 2014. Hardcover. New. 285 pages. 10.00x7.25x1.25 inches. Univ of Chicago Pr hardcover
2014106564University Of Chicago Press. New. 2014. Hardcover. 022600869X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English. -- with a bonus offer-- . University Of Chicago Press hardcover
