425 résultats
In-8° gr. Carrè, pp. 283 con moltisssime riproduzioni delle opere. leg. in cartone edit. con ill. al piatto.
In-16 (cm. 19), brossura illustrata, con alette, pp. 167, (1), con illustrazioni in bianco e nero nel testo. In ottimo stato (nice copy).
198959102Bern, Paul Haupt (Facetten deutscher Literatur, Bd. 1), 1989. Von Prometheus bis Svejk. Beiträge zu Tradition und Wandel 212 S. (23 cm) illustrierter Pappband / gebundene Ausgabe
133217843X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331647478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ spine a bit sunned. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages
Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Very Minor Shelfwear. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Textblock cracked between pp 144-145. Foxing/dustsoiling to top of textblock. ; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
195074374Düsseldorf, Verlag L. Schwann, 1950. Orignal-Leinenband, 8°, 704 Seiten
1806129804Heidelberg: bei Mohr und Zimmer, 1806. 3 Bll., 354 S. ; 17 x 11 cm ; Halbleder.
24764S.p., Orphee/ La Difference, 1994 Broche, couverture carton illustree, 110 x 165mm., 187pp. ISBN 9782729110123.
19971257067Leipzig : Reclam, 1997. 291 S. ; 19 cm kart.
20101147667Stuttgart : Reclam, 2010. 290 S. ; 19 cm kart.
1626182961London: Francis Williams 1626. A remarkable piece of colonial propaganda and one of the earliest books concerned with America First edition published to promote Vaughan's Newfoundland settlement. This fanciful work "draws a parallel between the mission conducted by Jason and his fellow Argonauts to win the golden fleece and the opportunities offered to colonists especially Orpheus junior's 'countreymen of Wales' in Newfoundland" ODNB. William Vaughan 1577-1641 was concerned about the poor economic conditions in Wales and became interested in colonization as a means of improving standards of living. In 1616 he purchased a portion of the Avalon Peninsula and the following year dispatched a few ill-prepared colonists. In honour of its Welsh origin the colony was named Cambriol. Hiring the English mariner Richard Whitbourne in 1618 and as governor Vaughan hoped to attract more colonists: "Whitbourne did his best to reorganize the colony by moving it to a better location but at the same time had to deal with a piratical attack on one of his ships from deserters of the Guiana fleet of Sir Walter Raleigh" Howgego. The colony collapsed in 1619. His attempts to promote it continued throughout the 1620s. Wishing "to obtain more settlers he wrote this allegory in praise of his colony in which truth and fiction are mixed to such an extent that the reader of the present day can hardly separate the one from the other" Church. The map of Newfoundland by Captain John Mason here in facsimile is very rarely found with the book. Small quarto 180 x 134 mm in 3 parts pp. 28 150 106 96 with pagination errors as issued. With facsimile map as often and bound without blank leaves V4 and 2O2. Early 19th-century calf smooth spine divided by gilt rules and lozenges gilt crowned monogram of Arthur Blundell Sandys Trumbull Hill 3rd Marquess of Downshire 1788-1845 to the head of the spine sides ruled in gilt marbled endpapers speckled edges. Fox Pointe Manor library of Howard and Linda Knohl bookplate on front pastedown. Spine and corners sometime repaired minor loss to headcap joints starting in a few places but firm lacking spine label rear endpapers adhered too tightly at gutter 2F3 with minor paper repair at foot: a very good copy. ESTC S119039; Sabin 98693; Church 409; Howgego V18. unknown
199032737Montréal Orphée 1990 In-8 carré, 69p. Couverture blanche imprimée couleurs.
197530838Montréal Orphée 1975
197816626Montréal Orphée 1978
198515875Montréal Orphée 1985
68-3009Paris France: Parafrance Films 1974. Promotional Poster. 120 x 160 cm. Good with tears. En Francais. Scarce. [Paris, France: Parafrance Films, 1974]. unknown
197132725Ottawa Bytown Press 1971 In-8, 64p. et 2 f. Couverture verte illustrée.
This is a very good softcover copy with only light toning and wear. Very clean inside and out. Spine not creased, binding firm. This copy signed and inscribed, by the author, on the front endpaper, dated Paris, 1980. Text in Italian. Illustrated in color and black & white. This is a limited trade edition of 1500 copies, this copy number 19. 8 1/2" high X 6 1/2" wide, 67 pages.
215039Roma - Parigi: Il Cigno Stamperia d'Arte - Editions Denoel 1979. Quartini sciolti in camicia e custodia in tela loose as issued in original cloth chemise and slip-case. Molto buono Very Good. Testi in italiano e francese di Nino Frank. Disegni e 7 acquaforti-acquatinte originali di Orfeo Tamburi numerate e firmate a matita dall'Artista cm 38x28 foglio53x40. Ciascuna delle stampe è"; contenuta in un triplo quartino di testo ognuno dedicato ad un quartiere della città": Louvre Bourse Temple Hotel-de-Ville Pantheon Luxembourg Palais-Bourbon. Cm 555x425. pp. n.n. Molto buono Very Good. Edizione originale di 100XXX esemplari. <em>"Sono ormai tanti anni che Orfeo Tamburi venuto a scoprire Parigi e poi quivi rimasto scoprirà"; e rivelerà nel suo continuo errare matita alla mano e poi pennello quartiere per quartiere una sua Parigi: e sorprese dell'occhio e del colore nei cieli come nei casamenti e appunto i misteri dei muri porte finetre nella luce grigia della città" tentacolore . nient'affatto una guida dei vari quartieri di Parigi abbellita da immagini di Orfeo Tamburi dedicate putacaso e rispettosamente ai monumeti locali: ma immagini di Orfeo Tamburi liberamente arieggiate in un quartiere o l'altro cui viene ad aggiungersi un commento sugli aspetti pittoreschi e sentimentali di questi piccoli villaggi parigini." dall'introduzione.</em> Il Cigno Stamperia d'Arte - Editions Denoel, hardcover
