79 résultats
In-8° gr. Carrè, pp. 283 con moltisssime riproduzioni delle opere. leg. in cartone edit. con ill. al piatto.
In-16 (cm. 19), brossura illustrata, con alette, pp. 167, (1), con illustrazioni in bianco e nero nel testo. In ottimo stato (nice copy).
Dustjacket has minor shelfwear and rubbing. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages; Sandpiper reprint of 1983 Edition.
Foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). DJ spine a bit sunned. ; A large number of Greek religious poems in hexameter were attributed to Orpheus, as they were to similar miracle-man figures like Bakis, Musaeus, Abaris, Aristeas, Epimenides, and the Sybil. Of this vast literature, only two examples survive whole: a set of hymns composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th century BC, survives only in papyrus scraps or in quotations by later authors. ; 296 pages
Minor wear; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Very Minor Shelfwear. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Minor Shelfwear. Faint foxing to top of textblock. Else fine. ; 272 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
Textblock cracked between pp 144-145. Foxing/dustsoiling to top of textblock. ; 238 pages; The Myth of Orpheus, shaman and teacher, musician and lover, is the subject of this study. Contents: Orpheus of Virgil and Ovid: flebile nescio quid. W. S. Anderson; Songs of Orpheus and the New song of Christ (Eleanor Irwin) ; Sparagmos: Orpheus among the Chrisitians (Patricia Vicari) ; Orpheus and Ficino (Warden) ; Myth of Orpheus in Italian Renaissance Art, 1400-1600 (Scavizzi) ; Orfeo and Euridice, the first two operas (Timothy J. McGee) ; Orpheus and the Devil in Calderon's El Divino Orfeo c. 1634 (Pedro Leon) ; Triumph of Art, of Death: Orpheus in Spenser and Milton (Vicari).
This is a very good softcover copy with only light toning and wear. Very clean inside and out. Spine not creased, binding firm. This copy signed and inscribed, by the author, on the front endpaper, dated Paris, 1980. Text in Italian. Illustrated in color and black & white. This is a limited trade edition of 1500 copies, this copy number 19. 8 1/2" high X 6 1/2" wide, 67 pages.
Milano, Edizioni d'Arte Ghelfi, 1968, 24to (cm. 13 x 8) brossura con sovraccoperta illustrata a colori, pp. 14 con 4 illustrazioni nel testo + 35 tavole in nero e a colori fuori testo (edizione di 1100 copie numerata, la ns. non numerata) . In eccellenti condizioni.
Litografia originale a 2 col. (verde chiaro e marrone) mm. 205x135 c.ca, tratta dalla rivista "Paesaggio" diretta da Mino Rosi n°1 Aprile\Maggio 1946
Taccuini romani 1938 - 1944 dell'artista. Avvertenza di Leonardo Sinisgalli all'inizio. Copia della tiratura ordinaria (215/1500). 8vo (cm 21,5 x 15 ca); brossura, sovraccoperta illustrata in b/n; p. 224 (6), con illustrazioni in b/n nel testo (disegni e schizzi dell'artista). Sovraccoperta con usure, tracce d'uso, ampio strappo della piegatura del risvolto anteriore. Copia discreta.
In-24 (cm. 14.70), brossura muta, sovracoperta editoriale illustrata (macchioline), pp. 13, (1), con illustrazioni in bianco e nero e a colori fuori testo ed in bianco e nero, nel testo. Esemplare numerato di 2100 copie impresse. In buono stato (good copy).
Mm 210x300 Brossura originale muta, sovraccoperta a stampa, manca la numerazione delle pagine ma di 88 con tavole a colori (acquatinte - aquatints) ed illustrazioni monocromatiche comprese nel testo redatto in lingua francese ed inglese - french-english texts. Presentazione di Giulio Carlo Argan. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
Mm 210x300 Brossura originale muta, sovraccoperta a stampa, manca la numerazione delle pagine ma di 88 con tavole a colori (acquatinte - aquatints) ed illustrazioni monocromatiche comprese nel testo redatto in lingua francese ed italiana - french-italian texts. Presentazione di Giulio Carlo Argan. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY
pp. 114, cm 22x15, brossura. Nuovo.
Mm 170x240 Brossura editoriale di 91 pagine. Lievi fioriture, segno a penna sul piatto anteriore, per il resto buona copia. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 140x190 Collana "Artisti d'oggi" - Volume in mezza tela con piatti colorati, 27 pagine di testo con una tricromia in apertura e 32 tavole in nero non comprese nel testo. Buona-ottima copia; spedizione in 24 ore dalla conferma dell'ordine.
Very minor shelfwear to DJ at heel of spine else Fine. DJ has minor discoloration to spine and front panel. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
Foxing to textblock. ; Surveys the literary treatment of the Orpheus myth as the myth of the essence of poetry, its ability to encounter the fullest possible intensity of beauty and sorrow and to transform they into song. The first half concentrates on the ancient literary tradiiton. Later chapters focus on the continuities of the myth in modern literature. ; 256 pages
In 16, pp. (10) con 4 tavv. in b/n f.t. e 2 ill. in b/n n.t. Br. ed. Catalogo della mostra di Orfeo Tamburi al Centro d'azione per le Arti di Torino del marzo 1942. Con testo di presentazione di Toti Scialoja: 'Finalmente eccoci al Tamburi di Milano, di Torino. Chiara e' ormai la sua volonta' (che sa oramai divenire metodo) di isolare l'immagine nello spazio non per ridurla mera larva pittorica ma per congelarne ed esasperarne il carattere di realta' anonima, esistente in se'...'.
Hardcover in-8°, 510 pages, illustrations en noir, reliure plein simili havane de l'éditeur. Bel exemplaire. [NV-38] Esquisse de l'histoire secrete des religions.
in-16, 634 pp., broche, couverture illustree. Exemplaire TB. [PO-4] Esquisse de l'histoire secrete des religions.
In-8 (cm. 22.20), mezza pergamena, titolo manoscritto al dorso, carta decorata, pp. XXIII, (1), 432, (2bi.). Versione e proemio di Arnaldo Cervesato. COPIA DI STUDIO. Ex libris, segnatura e timbro di legatoria al risguardo anteriore. Firma d’appartenenza. Sottolineature di colore rosso e brevi annotazioni a matita soprattutto per le prime 50 pagine; peraltro, testo in buono stato (text in good condition).
9 S. Flachdruck. Titelvignette. Gr. Durchgehender Wasserfleck. Enthält Beiträge von Rossini (Tutto mi ride intorno), Madame Schouten (Peut-Être j`aimerai. Romance) und Von Weber (Volkslied und Chor der Brautjungfern). Fellinger, Periodica Musicalia, S. 725. Hübsche Titelvignette.
