104 résultats
4039AGo.J. altmontierter Kupferstich, anonym (niederländisch?), Bll. 13,8 x 19,3; Unterlage 17,7 x 24,2 Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
1731901489AGAmsterdam:, Westersteins en Smith, 1731. Kupferstich 28,5 x 43 cm, Blattgröße 39,5 x 47 cm.
153045363Parisiis, Ex officina Simonis Colinaei, 1530. 8vo. Bound in a very fine later full calf (around 1700), profusely gilt spine, titlelabel in leather with gilt lettering, broad gilt borders on covers, edges of covers gilt, edges of leaves gilt. A very small nick to top of spine. (8) lvs. + (1-)256,(3) lvs. + 1 blank. A small and very faint dampstain to upper inner margins of the first 8 lvs. Otherwise very clean throughout. A beautifull printed and wide-margined copy (17x11,5 cm).
62084[Rome, AD 79-80]. 18 mm. diameter. Dolphin entwined around anchor on one side, and Draped bust of Tutus, turning right on the other side. An excellent, near mint specimen. 3,05 g. Obverse: IMP TITVS CAES VESPASIAN AVG P M, laureate head rightReverse: TR P IX IMP XV COS VIII P P, dolphin coiled around an anchor.RIC 26a, RSC 309.
<p>15,5 cm, rilegatura in cartone decorato (inizio '900), tagli colorati. Marca editoriale con tela e ragno al centro; carte 328. Rara edizione cinquecentesca della Guerra Giudaica di Giuseppe Flavio, tradotta dal greco in volgare. Capilettera animati. Antica firmetta e minime mancanze agli angoli del frontespizio, leggermente rifilato al margine superiore</p>
In 8, pp. 56 + (2). Copertina e fr. con ill. umoristica in lit. di 'Vespa', pseudonimo di Vespasiano Bignami (Cremona, 1841 - Milano, 1929), personaggio eclettico che studio' pittura a Bergamo, e fu illustratore di alcuni periodici caricaturali. Legatura in br. ed. con danni rip. al d. Leggera gora centrale alle cc. Racconto militare umoristico che nell'introduzione viene presentato come Arringa tenuta dallo Stato Maggiore della Guardia Nazionale ai componenti il XXIX battaglione mobile, nella caserma del beato Eustorgio l'anno 66 dell'era nostra, auspice Apollo in suo pieno splenmdore e calore.
a cura di Leandro Ventura Vespasiano Gonzaga Colonna (1531-1591) mostra iconografica nel quarto centenario dalla morte. Modena, Il bulino 1991, Copertina cartonata, con sovraccoperta plastificata. Tagli sporchi di polvere. Pagine ingiallite lievemente. Buono (Good) . <br> <br> <br> 182<br>
cm. 17 x 24, 432 pp. con 148 ill. n.t. b.n. e col. Accademia Nazionale Virgiliana di Scienze Lettere e Arti 1177 gr. 432 p.
Mm 175x240 Opera in 2 volumi, brossura di pp. 602 complessive, leggere fioriture ai tagli e segni di umidità interessano le ultime pagine del 2° volume, 6 illustrazioni in bianco e nero nel primo volume. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
157242366In Venetia, , 1572. In-12 oblong (15 x 20,6 cm) de (4) ff. de texte (43) ff., modèles de calligraphie, titre avec vignette gravée sur bois, veau brun, dos orné à nerfs (reliure du XVIIe siècle). Manque 8 feuillets (signatures D 6 à E 5).
LCS-1864051Recueil en partie original de la plus insigne rareté. Venetia, 1575. In-8 oblong de (110) pages - complet - marges blanches extérieures de 7 ff. restaurées sans atteinte aux lettres. Plein maroquin brun estampé de filets à froid, dos à nerfs, tranches dorées. Reliure de Lobstein-Laurenchet. 145 x 204 mm.
155521267Venice 1555. 18th-century gold-tooled vellum with the title lettered in gold on the spine and the manuscript title and year of publication in brown ink on the front board. Oblong 4to. With a woodcut of two hands one holding a compass and the other holding a pen 6 charming woodcut initials in text and 85 engraved models of calligraphic text and initials all set within black-lined borders. Rare edition of a famous Italian writing book by Vespasiano Amphiareo Ferrara 1501-Venice 1563 first published as "Un novo modo d'insegnar a scrivere" at Venice in 1548. A new enlarged edition followed in 1554 in two issues after which our edition followed and sixteen more before 1620. Amphiareo belonged to the noble family Albertaccia and had been to all probability a pupil of the famous Tagliente and later he was a writing-master at Venice for some thirty years. He dedicated his writing book to the Doge Francesco Donà. We see for the first time in an Italian writing book a majuscule alphabet based on botanical motives another on trunks of trees heavy gothic letters embodying putti and masks and black strapwork letters obviously linked to contemporary writing books in Germany and Switzerland. The book ends with a section on teaching the cutting of the quill and how to make a clear black ink partly based on Arrighi's instructions. To the second edition Amphiareo added further sections on illuminating in azure and gold and in vermilion in his later editions. The real significance of the writing book is that Amphiareo was dissatisfied with both the chancery and mercatile hands of his time. He therefore devised a mixture of the two styles "like a mystic body" in the Friar's Bastard as he called it which would suit both purposes. He wanted this "invention"' to be generally known and thus "with incredible personal expense" he had his book engraved and printed. After the famous writing masters Tagliente Arrighi and Palatino Amphiareo represented both their tradition and the transition to the revolutionary writing master Cresci of the second half of the 16th century.The title page is slightly browned slight marginal foxing throughout. Otherwise in very good condition.l Casamassima Trattati di Scrittura 1966 p. 90 no. XII and plates XLV-XLVIII first ed.; EDIT 16 CNCE 61646 1 copy; Johnson A.F. A catalogue of Italian writing books of the 16th century in: Signature N.S. 10 1950 p. 36; Medri G. Le opera calligrafiche a stampa II Vesp. Amphiareo da Ferrara in: All' insegna del libro I 1928 pp. 57-58; cf. Becker D.P. The practice of letters 1997 no. 19; Bonacini 49. hardcover
Mm 120x190 Opera diretta da Maurizio Vitale - Volume rilegato in pelle verde con titolo e fregi in oro al dorso, taglio superiore dorato, nastrino segnapagine, xvi-1380 pagine. Volume impeccabile, spedizione in 24 ore dalla conferma dell'ordine.
Bellini, Amedeo, Tito Vespasiano Tito Vespasiano Paravicini. Milano, Guerini studio 2000 italian, 294 Opera con copertina morbida in brossura. ill. in b/n ft. 294 p. ; 21 cm. Y.17.
1894verdiothello<p>VERDI'S OTELLO COMES TO PARIS</p><p>Lithograph poster 88 x 65 cm outer dimensions of frame color lithograph framed and glazed plexi. Centerfold very minor toning excellent.</p><p>Very rare color lithograph poster produced in conjunction with the Paris premier of Giuseppe Verdi's opera <em>Otello</em>. Verdi 1813-1901 had retired from opera after <em>Aida</em> in 1871 but his publisher Giulo Ricordi 1840-1912 and the librettist Arrigo Boito 1842-1918 at last convinced him to return with <em>Otello</em> which premiered on 5 February 1887 at the Teatro alla Scala in Milan and proved to be a global success. The Paris production was a French-language version by Camille du Locle 1832-1903 and Boito which opened at the Paris Opéra on 12 October 1894 under the direction of Alexandre Lapissida 1839-1907; Verdi was in attendance.</p><p>The poster designed by Vespasiano Bignami 1841-1929 depicts the climactic scene in Act 4 Act 5 of Shakespeare's play in which Otello rises having just strangled Desdemona in her bed. In Paris the part of Otello was sung by Albert Saléza 1867-1916 and that of Desdemona by Rose Caron 1867-1930. Bignami's composition is not entirely of his own invention but an interpretation preserving the original staging of this scene. At the foot of the poster is the address 12 Rue de Lisbonne of the Paris branch of the Ricordi publishing firm where interested parties could acquire the score of the production.</p><p>Printed at the time as ephemeral advertising the poster is today very rare. We could locate no examples in institutional collections.</p> R. Stabilimento Ricordi-Milano
1286494389.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282808418.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Mm 175x255 Collana "Temi e Testi" - Brossura editoriale, 236 pagine con illustrazioni in bianco e nero fuori testo. Opera in condizioni pari al nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In-4 (cm. 30.10), tela editoriale, sovracoperta editoriale illustrata, custodia in cartoncino, pp. 231, (9), con centinaia di illustrazioni in bianco e nero e a colori nel testo. In ottimo stato (nice copy).
198457716München ; Wien : Hanser 1984. 245 S. : Mit Karten und Tafeln ; 21 cm kart., Softcover/Paperback +++ innen seitliche Bleistiftanstreichungen ++++ sonst Exemplar in gutem Erhaltungszustand
1160834644.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1168087422.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260622389.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
The thirteenth adventure involving the detecting skills of Marcus Didius Falco (and Helena) In in Britain King Togidubnus of the Atrebates is running up huge bills for his fine new residence (known to us as Fishbourne Palace). Suspecting corruption, the frugal Emperor Vespasian demands an investigation and Falco-with his own pressing reasons to leave Rome-accepts the task.304p. Remainder mark, else as new. Book
Yet another adventure involving the detecting skills of Marcus Didius Falco (and Helena) this time in the Middle East to Petra and Palmrya. Book
