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AMPHIAREO DA FERRERA, Vespasiano.Livre Rare Book

Opera di frate Vespasiano Amphiareo Da Ferrara dell’ordine minore conventuale, nella quale s’insegna scrivere varie sorti di lettere, & massime una lettera bastarda da lui novamente con sua industria ritrovata, laquale serve al Cancellaresco & Mercantesco. Remarquable recueil en partie original – d’une insigne rareté (édition demeurée inconnue de Brunet et Deschamps) – de 101 modèles d’alphabets historiés et d’ornements gothiques imprimé à Venise en 1575.

AMPHIAREO DA FERRARA, VespasianoBiblio.com

Opera nella quale si insegna a scrivere varie sorti di lettere et massime una lettera bastarda da lui novamente con sua industria ritrovata laqual serve al cancellaresco et mercantesco. Poi insegna a far linchiostro negrissimo con tanta facilita che ciascuno per semplice che sia lo sapra far da se. Anchora a macinar loro & scrivere con esso come si fara con linchiostro parimente a scrivere con lazurro & col cinaprio opera utilissima e molto necessaria alluso humano.

155521267Venice 1555. 18th-century gold-tooled vellum with the title lettered in gold on the spine and the manuscript title and year of publication in brown ink on the front board. Oblong 4to. With a woodcut of two hands one holding a compass and the other holding a pen 6 charming woodcut initials in text and 85 engraved models of calligraphic text and initials all set within black-lined borders. Rare edition of a famous Italian writing book by Vespasiano Amphiareo Ferrara 1501-Venice 1563 first published as "Un novo modo d'insegnar a scrivere" at Venice in 1548. A new enlarged edition followed in 1554 in two issues after which our edition followed and sixteen more before 1620. Amphiareo belonged to the noble family Albertaccia and had been to all probability a pupil of the famous Tagliente and later he was a writing-master at Venice for some thirty years. He dedicated his writing book to the Doge Francesco Donà. We see for the first time in an Italian writing book a majuscule alphabet based on botanical motives another on trunks of trees heavy gothic letters embodying putti and masks and black strapwork letters obviously linked to contemporary writing books in Germany and Switzerland. The book ends with a section on teaching the cutting of the quill and how to make a clear black ink partly based on Arrighi's instructions. To the second edition Amphiareo added further sections on illuminating in azure and gold and in vermilion in his later editions. The real significance of the writing book is that Amphiareo was dissatisfied with both the chancery and mercatile hands of his time. He therefore devised a mixture of the two styles "like a mystic body" in the Friar's Bastard as he called it which would suit both purposes. He wanted this "invention"' to be generally known and thus "with incredible personal expense" he had his book engraved and printed. After the famous writing masters Tagliente Arrighi and Palatino Amphiareo represented both their tradition and the transition to the revolutionary writing master Cresci of the second half of the 16th century.The title page is slightly browned slight marginal foxing throughout. Otherwise in very good condition.l Casamassima Trattati di Scrittura 1966 p. 90 no. XII and plates XLV-XLVIII first ed.; EDIT 16 CNCE 61646 1 copy; Johnson A.F. A catalogue of Italian writing books of the 16th century in: Signature N.S. 10 1950 p. 36; Medri G. Le opera calligrafiche a stampa II Vesp. Amphiareo da Ferrara in: All' insegna del libro I 1928 pp. 57-58; cf. Becker D.P. The practice of letters 1997 no. 19; Bonacini 49. hardcover

Antiquariaat FORUM BV · Pays-Bas9 500,00 €

Strozzi Tito Vespasiano; Ercole Strozzi; Aldo Manuzio.ABAA

Strozii poetae pater et filius.

153038144Parisiis: Ex officina Simonis Colinaei 1530. 8vo 17.3 cm 6.75". 8 256 4 ff. First and only Colines edition from Italian Renaissance father and son poets containing a dedication by Aldus Manutius to Lucrezia Borgia an extensive table of contents poems by Ercole Strozzi 14731508 followed by those of his father Tito Vespasiano Strozzi 14241505 and "Oratio tumultario habita à Coelio Calcagnino in funere Herculis Strozae." The content covers a variety of themes from the religious to the erotic and formats including numerous elegies and epitaphs. Â Â Â Â The text is neatly printed in single columns of italic text with a few uncompleted guide letters and initial letters in roman; the Colines "Tempus II" printer's device of Time with his scythe appears on the title-page with the motto "Hanc aciem sola retundit virtus" on a ribbon over a cartouche containing the word "tempus." The text was originally published by Aldus in 1513; Colines enhances the introduction with a 33-line epitaph to the poet. Â Â Â Â Binding: 19th-century rather deeply diced calf; spine gilt-lettered gilt-ruled with solid and dotted lines and gilt-stamped with a central floral device in five compartments. Covers framed with a gilt rope and floral roll board edges with a dash and dot roll in gilt turn-ins gilt with a Greek key roll; Stormont marbled endpapers all edges gilt ribbon place marker. Â Â Â Â Evidence of readership: A reader has helpfully added inked marginal reference numbers approximately every eight lines for ease of navigation and entered one small correction in an early hand. Â Â Â Â Provenance: From the library of American collector Albert A. Howard small booklabel "AHA" at rear. Â Â Â Â Â Â Â Â Schreiber Colines 68; Renouard Simon de Colines pp. 1667; Moreau Éditions parisiennes du XVI siècle III 2292; Adams S1957. Bound as above gently rubbed with some loss of leather at corners; joints outside refurbished and front one beginning to crack but covers solidly attached. A few pencilled notes on endpapers; faint touches of hand-coloring on title-page and perhaps one leaf of text. L ight age-toning with a handful of spots three small marginal paper flaws including one to title-page; two other small holes and one repair. Provenance and readership markings as above perhaps a third of the marginal numbers partially trimmed. A pleasurable book to hold or => use. Ex officina Simonis Colinaei hardcover books

Philadelphia Rare Books & Manuscripts Co., LLC (PRB&M) · États-Unis2 800,00 $US≈ 2 369,08 €

TITUS VESPASIANBiblio.com

Roman coin. Denarius. - THE ALDUS-COIN

62084Rome AD 79-80. 18 mm. diameter. Dolphin entwined around anchor on one side and Draped bust of Tutus turning right on the other side. An excellent near mint specimen. 305 g. Obverse: IMP TITVS CAES VESPASIAN AVG P M laureate head rightReverse: TR P IX IMP XV COS VIII P P dolphin coiled around an anchor.RIC 26a RSC 309. Good specimen of the beautiful and rare coin that inspired Aldus Manutius' famous printer's device the dolphin-and-anchor the most famous logo in the history of book printing and the trademark of the Renaissance. The Aldus coin is the only book- or printing-related ancient coin in existence.Aldus Manutius the most famous printer of all times had been given a copy of the Titus coin with the dolphin-and-anchor logo on the verso as a gift by Pietro Bembo. He was extremely taken by the magnificent logo that in Roman times by Titus Vespasian had been used to illustrate the proverb "Festina lente" "make haste slowly" and was so inspired by it that he began using it as his printer's device at the very beginning of the 16th century. Before it appears as his printer's device for the first time he used it as an illustration in one of his most magnificent books Colonna's "Hypnerotomachia Poliphili" 1499.In his "Adagiorum Collectanea" the collection of classical proverbs that he kept revising throughout his life Erasmus Roterodamus had composed a lengthy essay on the "festina lente" proverb which intrigued him immensely. Erasmus traced the motto back to the emperor Titus Vespasian who had minted a coin with the emblem i.e. the present coin and had the rare opportunity to inspect that very coin - namely that which belonged to his printer Aldus Manutius who had been given it by the great Italian scholar Pietro Bembo. The second edition of Erasmus' "Adagiorum Collectanea" was published by Aldus in Venice in 1508 and Erasmus subsequently praises his printer to the skies in the course of explaining "festina lente". Erasmus explains the motto as such: "the circle as having neither beginning nor end represents eternity. The anchor which holds back and ties down the ship and binds it fast indicates slowness. The dolphin as the fastest and in its motions most agile of living creatures expresses speed. If then you skillfully connect these three they will make up some such principle as "Ever hasten slowly" and adds that by claiming it as his own recognizable and marketable emblem Aldus gave "fresh celebrity to the same device that was once approved by Vespasian". Not only is it "most familiar it is highly popular among all those everywhere in the world to whom sound learning is either familiar or dear." Erasmus seems to also suggest that the device had perhaps become too popular: "the city of Venice with its many claims to distinction has none the less become distinguished through the Aldine press so much so that any books shipped from Venice to foreign countries immediately find a readier market merely because they bear that city's imprint."And he might have been right. In fact the Aldine press was so successful and renowned and Aldus' printer's device as taken from the Titus Vespatian coin so incorporated a symbol of elegant correct printing and higher learning that it was imitated by printers all over Europe. By using the dolphin-and-anchor device other printers although much inferior would benefit from the authority and prestige of the Aldine press. In spite of Erasmus' attempts to make the public aware of this by praising the efforts of Aldus and opposing them to "those common printers who reckon one pitiful gold coin in the way of profit worth more than the whole realm of letters" publishers kept using the Aldus device for centuries. Aldus Manutius Grolier Club: no 129RIC 26a RSC 309. unknown

Herman H. J. Lynge & Søn A/S · Danemark15 000,00 DKK≈ 2 014,50 €

Vespasien

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Strozii Poetae Pater et Filius.

Strozii Poetae Pater et Filius.

Othello. G. Verdi.

Strozii poetae pater et filius.

Roman coin. Denarius. - [THE ALDUS-COIN]

Roman coin. Denarius. - THE ALDUS-COIN

Poetae Pater et Filius.

Giosefo, il quale con memorabil'esempio della divina giustitia, contiene l'assedio e ultima destruttione di Gierusalem e tutto 'l Regno de gli Hebrei, sotto Vespasiano e Tito.

C. Corn. Taciti Opera. Vol. I. - IV. Recognovit, Emendavit, Supplementis Explevit, Notis, Dissertationibus, Illustravit.

Architecture de la Renaissance en Lombardie. Livraison. Publie par George Gilbers.

Das Schreibbuch Des Vespasiano Amphiareo: Vespasiano Amphiareo's Writing Book Vinegia Venice MDLIIII 1554

Vespasian belegert en Verovert Iotapata. Alwaar Josephus zig hat in geworpen.

Angels with the body of Christ Museum Etching Museum Quality A2

Holy Family with John the Baptist Museum Etching Museum Quality A2

People who colored the Renaissance -Lingering legacy of a book dealer-

Il XXIX Mobile

TITO VESPASIANO, e COCCEJO NERVA

Angels with the body of Christ Photo Rag Bright White Premium Quality A2

Holy Family with John the Baptist Photo Rag 308 Premium Quality A2

Angels with the body of Christ Photo Matt Fibre A2

Holy Family with John the Baptist Photo Rag Bright White A2

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