Wojciech DragBiblio.com
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37734776-nnew. unknown
ria9780367437428_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Collage in Twenty-First-Century Literature in English: Art of Crisis considers the phenomenon of the continued relevance of collage a form established over a hundred years ago to contemporary literature. It argues that collage is a pe hardcover
1991x-0792310209Kluwer Academic Pub 1991. Hardcover. New. 173 pages. 9.13x6.57x1.11 inches. Kluwer Academic Pub hardcover
18151264604London: Printed for Sherwood Neely and Jones 1815. Fist Edition. Hardcover. 8vo. viii 341pp. 3pp. ads; VG; spine paneled brown leather green label with gilt lettering; 1/4 bound brown leather grey cloth boards rebound; spare label tipped in rear; minor age marks and staining on ads at rear; small tipped-in bookplate on ffep labeled 'Henry Hodgson / July 1822; interior clean; shelved case 0. 1264604. Shelved Dupont Bookstore. Printed for Sherwood, Neely, and Jones hardcover books
32 pages. Where the Thrill Comes In - Charles J. Finger; Hiking in the Mountains - Dorothy E. Pilley; Old-Age Competency - C.P. Vary; The Voyage of the Victoria - Charles J. Finger; Henry Ford on 'Choosing One's Career'; Ourselves Across the Pacific; Wall Street's National Daily - The Wall Street Journal; Uncle Horace Mann As I Remember Him - Julian Hawthorne; For Bigger and Better County Fairs; The People of the Great Marsh; - John Sloan; English-Americans in Revolution - Lewis Worthington Smith; A Tragedy in the Tar Pits - Frances Holbrook Pfeiffer; The National Grange and the Awakening of the Farmer; Chats with Office Callers; Average soiling and wear. Address stamped atop back cover else unmarked. Some pages holding by only one of the two staples, otherwise a sound vintage copy. Book
1917List3648New York City: Leo. Feist Inc. and others 1917. Five pieces of sheet music see full inventory below. Overall very good plus. Julian Eltinge 1881–1941 was the most commercially successful and popular female impersonator of his time. Beginning with drag performances in his adolescence he developed a convincing portrayal of female characters—shocking audiences at the end of shows by revealing that he was in costume—and had a successful career on the vaudeville circuit and on Broadway followed by appearances in several silent films and as mores around crossdressing changed in nightclubs.<br /> <br /> Offered here are five pieces of sheet music written for Eltinge three of which are from the 1910 musical comedy The Fascinating Widow. A New York Times review of the Widow remarks that “once over the initial unpleasantness of the idea of female impersonation which is not easy for people of delicate sensibilities there is nothing especially displeasing about Mr. Eltinge’s efforts at femininity†and notes Eltinge’s popularity and ability to draw crowds.1<br /> <br /> Titles Included:<br /> “In the Land of Wedding Bells.†Howard Johnson and Geo. W. Meyer. New York: Leo. Feist Inc. 1917. 4 pp. Very good plus.<br /> “The Crinoline Girlâ€. Julian Eltinge and Percy Wenrich. New York: Leo. Feist 1914. 6 pp. Very good.<br /> “The Fascinating Widowâ€. E. Ray Goetz and Kerry Mills. New York: F.A. Mills Inc. 1911. 8 pp. Near Fine.<br /> The Fascinating Widow “Jack-O-Lantern Moonâ€. Julian Eltinge Jack Mahoney and Percy Wenrich. New York: The Wenrich-Howard Co. 1913. 6 pp. Very good.<br /> The Fascinating Widow “With Down-Cast Eyeâ€. Otto Hauerbach and Karl Hoschna. New York Chicago San Francisco London and Paris: M. Witmark & Sons 1910. 6 pp. Excellent.<br /> <br /> 1 “Eltinge in Musical Play. Female Impersonator Seen at the Liberty in ‘The Fascinating Widow.’†The New York Times September 12 1911. Leo. Feist Inc. and others unknown
2019x-0367437422Taylor & Francis 2019. Hardcover. New. 248 pages. 9.25x6.25x0.75 inches. Taylor & Francis hardcover
2024x-1032662360Routledge 2024. Hardcover. New. 200 pages. 9.00x6.00x0.68 inches. Routledge hardcover
20179781681881812-2025Weldon Owen 2017. Paperback. New. <p><strong>Author:</strong> RuPaul's Drag Race Michelle Visage</p><p><strong>Publisher:</strong> Weldon Owen</p><p><strong>Binding:</strong> Paperback</p><p><strong>ISBN:</strong> 9781681881812</p><p><strong>Release Date:</strong> 2017</p><p><strong>Number Of Pages:</strong> 74</p><p><strong>Details:</strong> Dive into the vibrant world of 'RuPaul's Drag Race' with this unique collection that celebrates the iconic winners from the first eight seasons of the Emmy®-nominated show. This edition features an exciting array of illustrated punch-out paper dolls allowing fans and newcomers alike to engage with the personalities that have shaped drag culture. With contributions from RuPaul and Michelle Visage readers will not only relive memorable moments but also gain insight into the artistry and performance styles that define drag. The book includes detailed profiles of celebrated queens such as BeBe Zahara Benet Bianca Del Rio and Jinkx Monsoon providing a rich context for their journeys and achievements in the world of drag. <br /><br />This beautifully illustrated volume is ideal for fans looking to deepen their appreciation for the show and its impact on pop culture. With 10 punch-out dolls alongside informative content readers will learn about the evolution of drag the significance of representation and the importance of self-expression. Whether you're a die-hard fan or just curious about the phenomenon this edition is a delightful way to celebrate the artistry and charisma of drag performers.</p> Weldon Owen paperback
32 pages. Features: Religion and Rebellion in the Roman Catholic Church - speaking with five priests; Nice large colour ad for Neilson's chocolate bars; Time Machine vs. Jet - Drag Racer Scott Wilson hits 215 mph - article with great colour photos; World's Sexiest Barber Shop in Beverly Hills - article and photos; The Trans Canada Centennial square-dance train; Half-page ad for the Plymouth Barracuda features three models; Nice colour photo ad for Honda generators; and more. Moderate wear. Unmarked. A quality vintage copy. Book
1977214451977. LGBTQCross-Dressing Archive of four items relating to the 1977 film "Outrageous!". Includes three original German lobby cards bearing the film's German title "Ausgeflippt!" and a 1977 Variety trade advertisement for this groundbreaking Canadian LGBTQ film starring Craig Russell and Hollis McLaren. The film directed by Richard Benner was one of the first North American movies to portray a drag performer as a fully realized protagonist with Russell playing Robin Turner a struggling female impersonator who supports his schizophrenic best friend. The film's bold depiction of queer identity mental health struggles and chosen family relationships resonated deeply with LGBTQ audiences and remains a cult classic.<br /> <br /> The Variety advertisement dated May 11 1977 features the film's title in a bold stylized font interspersed with key quotes from the movie. Beneath the text are photographic stills of Craig Russell in various drag personas showcasing his celebrated impersonations of Judy Garland Bette Davis and Mae West. The three lobby cards released for the German market under the title Ausgeflippt include vibrant full-color stills: one of Turner and his friend Liza sharing an intimate moment another capturing a tense domestic exchange and a third depicting Turner in flamboyant costume outside a theater emphasizing the film's themes of performance and identity. Overall very good condition. An uncommon survival of original promotional material from a pivotal LGBTQ film reflecting the 1970s era of independent queer cinema and the growing visibility of crossdressing and drag culture in mainstream media. unknown
1966mon0000496986Collins 1966T. hardcover. Good. in x in x in. This is the 1970 Collins reprint. NOT an ex-library book. Clean copy in good condition. Collins hardcover
1982218171982. Various editors group of LGBTQ magazines 1982-circa 1993 documenting transgender transvestite and crossdressing subcultures in the United States and United Kingdom. The material operates in Cultural/Representational Mode illustrating how gender-variant individuals created print-based communities articulated identity and shared aesthetic and social practices through independently produced publications. These magazines combine personal narratives photography fiction and practical guidance offering insight into transfeminine self-expression coded communication and community-building prior to widespread digital connectivity.<br /> Various editors. Group of three magazines. Hollywood CA and Leighton Buzzard: J. Jordan Associates and Natural Leisure 1982-circa 1993. Archive includes: 1 Drag Digest No. 2 1982 featuring photo essays illustrated covers and articles on figures including Coccinelle and Robin Roberts alongside columns such as "A Dark Closet" and editorial content on personal advertisements; black-and-white images depict individuals applying makeup posing in lingerie and presenting in feminine attire. 2 Taffeta: The Lifestyle Magazine for Transvestites and Those That Love Them No. 7 circa 1993 including articles such as "Trannie Fun in Birmingham" and "Dressing Up Stepping Out" with photo spreads of nightlife fashion and social gatherings as well as directories of clubs and support networks; includes themed features such as motorcyclists in feminine presentation. 3 Taffeta No. 9 circa 1993 expanding coverage to discussions of gender identity relationships and fashion with articles such as "Do You Really Want to Change Sex" and narrative pieces describing personal relationships and experiences alongside full-color photographic content and listings of social venues and resources.<br /> <br /> These publications document the formation and maintenance of gender-variant communities through print media during a period when public representation remained limited and often stigmatized. The combination of lifestyle content personal testimony and visual imagery demonstrates how readers navigated identity visibility and social interaction within constrained cultural environments. The inclusion of both American and British publications highlights transnational parallels in subcultural development and communication. Light wear and minor handling marks; overall very good condition. A focused grouping preserving the print culture of transgender and crossdressing communities in the late twentieth century. unknown
199588873Tübingen, Max Niemeyer Verlag, coll. « Lexicographica Series Maior 6, 62, 63 » 1995 3 volumes. In-8. Cartonnages éditeur havane imprimés, X-2012 pp. en pagination continue, notes bibliographie.
1920List2734Unknown location 1920. Approximately 10 x 13 inches. Some tears and chips at edges very good contrast editorial overpainting on recto overall very good. Marks on verso reading “Julian Eltinge Hippodrome March 12â€. Very good. Julian Eltinge 1881/1883–1941 was an American actor and “female impersonatorâ€â€”in today’s terms a drag performer—from Newtonville Massachusetts. Eltinge’s drag career began at age ten and by the early 1900s he was touring internationally performing a vaudeville act wherein the “audience was completely deceived as to Eltinge’s sex until he removed his wigâ€1. This portrait shows Eltinge seated in costume. On the reverse is written “Julian Eltinge Hippodrome March 12†and the front is signed “Herold Brown†this signature does not appear to belong to commercial photographer Harold M. Brown. A stamp is legible that dates the photograph to the 1920s though the exact year is not legible. Eltinge has been described as “without question the most famous female impersonator of all time†ibid.<br /> <br /> 1 Slide Anthony “Julian Eltinge†in The Vaudevillians: A Dictionary of Vaudeville Performers Westport Connecticut: Arlington House 1981 46. unknown
166620195Lyon, Charles Mathevet, 1666 ; soit trois parties reliées en un volume in-12, veau marbré, dos à nerfs décoré et doré, pièce de titre havane, roulette sur les coupes, tranches rouges (reliure ancienne) ; [16], 454 pp., [1] f. bl., [1] f., [12], 215, [1 bl.] pp. ; Frontispice qui porte en titre “Le médecin libéral à son Malade, tourmenté des vives appréhensions de la Mort”.
1960234611960. Gender nonconforming and drag performance photo archive documenting queer social gatherings costume performance pageantry and private queer community life from the 1960s through the 1990s. The photographs preserve a period when drag culture existed simultaneously in nightlife informal house parties outdoor gatherings and small community events often outside mainstream visibility. Long before drag became widely commercialized through television and corporate entertainment circuits queer performers and gender nonconforming individuals built their own social spaces through costume parody theatricality and communal celebration.<br /> <br /> Photo archive of 22 color and silver gelatin photographs ranging from small vernacular snapshots to larger prints United States circa 1960s-1990s. Several images center on a recurring bridal drag performer wearing lace wedding dresses veils floral bouquets wigs and exaggerated makeup while posing beside guests in tuxedos theatrical costumes and evening attire. Other photographs depict individuals in burlesque-inspired outfits feather boas crop tops wigs and handmade dresses posed indoors and outdoors at parties picnics and performance-like gatherings. One outdoor scene shows two figures in matching feminine costumes smiling arm in arm while additional images record staged poses beside vehicles improvised dance or performance gestures and casual snapshots emphasizing glamour and gender transformation. The archive repeatedly shifts between formal costume display and relaxed social interaction grounding drag not only as stage entertainment but as an everyday form of queer expression and community-making.<br /> <br /> The photographs align with broader developments in post-Stonewall queer culture when drag performance expanded from underground bars and private parties into increasingly visible forms of social and artistic expression. During much of this period openly gender nonconforming presentation still carried substantial social and legal risk especially outside major urban nightlife districts. This archive preserves the social fabric surrounding drag culture through intimate portrayals of friendships amateur performance gender experimentation and private community environments that sustained queer life across several decades. Light handling wear scattered creasing and occasional fading consistent with vernacular snapshot use. Overall in good condition. unknown
1880230281880. Cross-dressing Archive of six 19th century photographs of cross-dressing performers Springfield Illinois capturing early American drag performance during a period when public cross-dressing outside performance contexts could provoke not only social but legal backlash. These cross dressing portrait photographs created in Springfield Illinois during the late nineteenth century document early visual culture of gender nonconforming performance in the United States decades before modern LGBTQ identities were publicly articulated. The photographs show male individuals posed in women's clothing and adopting stylized feminine presentation part of a broader nineteenth century culture in which gender impersonation circulated in entertainment spaces private gatherings and visual novelty photography while remaining socially and legally sensitive in everyday life. Public cross dressing outside stage contexts could provoke moral condemnation and in many cities legal sanction under emerging anti cross dressing ordinances that appeared in the late nineteenth century. Portraits such as these therefore preserve rare visual evidence of early drag presentation and gender play at a moment when photographic studios documented identities and performances that existed at the margins of accepted social norms such portraits illuminate early emerging cross-dressing long before twentieth century drag entertainment or even the articulation of modern LGBTQ identities.<br /> <br /> Six original photographs produced in Springfield Illinois ca. 1880s to 1890s consisting of five cabinet cards and one tintype depicting cross dressing individuals posed in elaborate women's attire. The cabinet cards bear the imprint of Kessberger and Georg Studio of Springfield. Subjects appear against painted studio backdrops typical of commercial portrait photography of the period. Costumes include knee length dresses with lace trim aprons bows bonnets stockings and heeled shoes with attention given to wigs coiffure and accessories. Several figures hold musical instruments including trombone cornet and clarinet suggesting coordinated presentation or group identity among the sitters. Gestures emphasize stylized femininity including a figure lifting a skirt in exaggerated pose and another standing with hand placed at the hip. Also includes one smaller tintype photograph shows a similarly costumed man with a tick mustache in women's nightgown and holding a parasol. Cabinet card mounts show moderate edge wear and minor corner bumping with light surface scratches typical of late nineteenth century albumen studio photography. Images remain clear with strong contrast and well preserved costume detail. Overall Very good condition. Together the photographs form a cohesive visual archive documenting late nineteenth century cross dressing and early drag presentation in the American Midwest preserving rare photographic evidence of gender non conforming identity and performance practices that circulated in American culture long before twentieth century LGBTQ communities began to organize publicly. unknown
188747165New Haven, Conn., J.D. & E.S. Dana, 1887. 8vo. Contemporary half calf. Gilt lettering to spine. A small stamp to top of title-page. In: ""The American Journal of Science. Editors James D. and Edward S. Dana"", Third series Vol. XXXIV (July to December, 1887). VIII,500 pp., textillustr. and 10 plates. (Entire volume offered). The joint paper: pp. 333-345 and textillustr. (Apparatus). A few faint brownspots to titlepage, otherwise clean and fine.
188747165New Haven Conn. J.D. & E.S. Dana 1887. 8vo. Contemporary half calf. Gilt lettering to spine. A small stamp to top of title-page. In: "The American Journal of Science. Editors James D. and Edward S. Dana" Third series Vol. XXXIV July to December 1887. VIII500 pp. textillustr. and 10 plates. Entire volume offered. The joint paper: pp. 333-345 and textillustr. Apparatus. A few faint brownspots to titlepage otherwise clean and fine. <br/><br/><em>First appearance of this classic paper which announced one of the most celebrated experiments in the history of physics and eventually led Einstein to his Relativity Theory.The experiment was expected to show the rate of the earth's movement through the ether; they looked in vain for a difference between the speed of light in the direction of the earth's motion around the sun and the direction perpendicular to it. The failure of this experiment was a serious blow to classical scientific theories because it cast doubts on the existance of the universal ether which had been a basic principleof for example the Newtonian theories of the universe. Vide PMM: 378 401 408.The paper appeared first in the "American Journal of Science" in November as offered here and was published a month later in "Philosophical Magazine" in a slightly modified form."Michelson trained at the U.S. Naval Academy and Morley minister turned chemist began a series of experiments to determine the relation of ether drift and the velocity of light effects of extremely minute values. They used a slightly silvered glass set angular to a ray of sunlight so that a part ofthe ray was transmitted a part reflected out and again returned thereby providing two paths one perpendicular to the other. If drift existed the superimposed rays would produce interference. None was observed showing that the earth's motion did not affect the light's speed. The negative result held revolutionary implications which led directly thru Lorentz and Einstein to the acceptance of new standards of reference of time and space from geometry and cosmometry."DibnerIn 1919 Einstein met Michelson in California. At a dinner given in honor of them both Einstein said in a speech "You Michelson uncovered an insidious defect in the ether theory of light as it existed and stimulated the ideas of H.A. Lorentz and Fitzgerald out of which the Special Theory of Relativity developed. Without your work this theory would today be scarcely more than an interesting speculation." In an interview in 1842 Einstein said: "It is no doubt that Michelson's experiment was of considerably influence upon my work insofar as it strengthened my conviction concerning the validity of the Principle of relativity.On the other side I was pretty much convinced of the validity of the principle before I did know this experiment and its result. In any case Michelson's experiment removed practically any doubt about the validity of the principle in optics and showed that a profound change of the basic concepts of physics was inevitable."Michelson was awarded the 1907 Nobel Prize "for his optical precision instrument the inteferometer and the spectroscopic and metrological investigations he has carried on."Dibner: Heralds of Science: 161 lising the later version from "Philosophical Magazine" - Norman 1505.- Magee "A Source Book in Physics" pp. 369 ff. the later paper.The volume contains another paper by Michelson and Morley "On a method of Making the Wave-lenght of Sodium Light the actual and practical Standard of Lenght" pp. 427-430. </em> unknown
