MORIN, Edmond, illustratorBiblio.com
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04779Paris: Chez Aubert & Cie. Editeurs 1842. 'The Parisians at Play'<br /> Twenty Superb Hand Colored Lithograph Plates by Edmond Morin<br /> <br /> MORIN Edmond illustrator. Ces Bons Parisiens. These Good Parisians. Paris: Chez Aubert & Cie. Editeurs ca. 1842. <br /> <br /> Folio 13 3/16 x 9 5/8 inches; 335 x 245 mm. Twenty highly amusing hand colored lithograph plates all heightened with gum arabic. A few plates with light marginal foxing. <br /> <br /> Publisher's black paper over boards covers elaborately stamped in gilt with "1842 Album" in the center. Covers a little worn at joints and corners some old 'tape' stains on endpapers. An excellent example of a super rare album.<br /> <br /> This is only the second time in over 50 years that we have ever seen this suite of colored lithographs. According to OCLC there are just two copies located in libraries and institutions worldwide: The Morgan Library & Museum and the New York Public Library NY USA. Note: Neither of these copies are recorded as having color plates.<br /> <br /> The plates - all with the headline "Ces Bons Parisienes!":<br /> <br /> 1. Est-ce que vous návez pas peur d'être volé Monsieur dans un endroit aussi écarte. Are not you afraid of being<br /> robbed sir in a place so remote<br /> 2. Chasseur Chassé. Que diable me veulent-elles ces vilaines bêtes la. Hunted Hunter. What the hell do they want <br /> these ugly beasts<br /> 3. Sapristi! Quel poisson!! Damn! What a fish !!<br /> 4. Au voleur! Au voleur!!.arrétez! Thief! thief! . stop!<br /> 5. Premiére leçon de chasse First hunting lesson<br /> 6. Il rêve qu'il s'amuse. He dreams he's having fun .<br /> 7. Ouverture de la chasse dans la plaine St. Denis Opening of the hunt in the plain St. Denis<br /> 8. Monsieur voici ma carte! Sir here is my card!<br /> 9. Ce qu'on appelle un renfoncement. What is called a recess .<br /> 10. Si je tenais le gueux qui dèvalise mon ètang il passerait un fichu quart d'heure. If I got the beggar who devours<br /> my pond he would spend an awful quarter of an hour .<br /> 11. Vue prise de la marre d'Auteuil!!! View taken of the embarrassed student!!!<br /> 12. Le Retour de la Chasse. Accommodez nous ça avec beaucoup de choux beaucoup beaucoup. Le cuisinier oui ce<br /> sera un plat de choux blanc. The return of Hunting. Accommodate us with a lot of cabbage a lot a lot . <br /> The cook yes it will be a dish of white cabbage .<br /> 13. Par où faut-il passer pour aller au. Allez au diable Where do I go to go to . Go to the devil<br /> 14. STATU QUO fort dèsagrèable STATUS QUO very unpleasant<br /> 15. La Friture manquée tableau en un petít acte. La scène se passe sur la Seine. Missed the frying pan - because of a<br /> small mistake. The scene is on the Seine.<br /> 16. Partie de Campagne. Le dimanche est un jour de plaisir. et de repos Into the countryside. Sunday is a day of<br /> fun . and rest<br /> 17. Chien de Chasse Parisien. Va Cherche Azor va chercher! Parisian hunting dog. Go find it Azor go get it!<br /> 18. Pêcheur a repêcheur!. The fish has a fisherman!<br /> 19. Une Journée de Plaisir. De St. Cloud à Paris par terre. et par eau A day of pleasure. From St. Cloud to Paris <br /> on the ground . and by water<br /> 20. Une Bonne Farce. Pousse á l'eau Cadet pousse! A good joke. Push in the water Cadet push!<br /> <br /> Edmond MORIN 1825-1882 "was a French painter illustrator and engraver of some fame in his day. Wood engravings after his designs appeared in L'Illustration and Le monde illustré as well as in many books." Gordon Ray. The Art of the French Illustrated Book 1700-1914 pp. 353-354. <br /> <br /> Hennri Beraldi. Les Graveurs du XIXe Siècle volume X p. 131.<br /> Frederik Muller. La Lithographie. Ecoles Francaise Néerlandaose Allemande Anglais & Russe. No. 357.<br /> Lucien Monot. Le Prix des Estampes Anciennes et Modernes volume V p. 112. Paris: Chez Aubert & Cie. Editeurs, 1842 unknown
1920172104Bangalore: no stated publisher 1920. Found in just two institutional libraries First edition of this detailed unit history held by the Imperial War Museum and the Australian War Memorial Library only including eight folding maps and three original photographs concerning the campaign in Mesopotamia. "The narrative is based directly upon the War Diaries other official sources and the authors' own experiences. The result is authoritative" Perkins. "The campaign in Mesopotamia was one of the chief subsidiary operations of the Great War and it was in this campaign that Indian Troops in general and the Madras Sappers in particular played their largest part" Part I p. 1. The first section "The Madras Sappers in the Campaign in Mesopotamia 1914-1918" by Lieutenant-Colonel R. Hamilton Royal Engineers narrates the early phase of the campaign including operations on the Tigris and operations around Kut before turning to the post-Kut British reorganization the crossing of the Tigris the capture of Baghdad and the 1917-18 advance into Persia and Upper Mesopotamia. The eight maps illustrate operations near Nasiriya 1915 the relief of Kut 1917 operations in the vicinity of the Tigris British and Turkish trench systems in January 1917 near the River Hai and the advance on Baghdad. Part II Hamilton's "The Madras Sappers in the Arab Insurrection in Iraq 1920" describes "the withstanding and suppressing of an insurrection in a very extensive area where the British Forces were widely scattered the lines of communication highly vulnerable and the inhabitants warlike and well armed" p. 1. The final section "The 2nd Field Troop. The 2nd Q.V.O. Sappers and Miners in France and Mesopotamia. 1914 to 1916" is ascribed by a tipped-in slip to Major A. H. Morin Indian Army Reserve Officer who commanded the troop. Two pasted-in photographs show bridges constructed during Mesopotamia operations while a third shows boat equipment and an experimental raft. Octavo. With 7 gelatin silver photographs and photographic half-tone pasted in 8 folding maps at end laid-down map with red outlining; slip tipped to table of contents as issued. Original brown cloth front cover lettered in black. Occasional pencil annotations internally. Damp stain at upper corner text unaffected binding light worn front free endpaper with small loss cockling caused by pasted-in material: very good. Perkins p. 439. hardcover
18956998Paris: L. Conquet 1895. Tall 8vo approx. 10 1/2 x 6 1/4 in. 26.5 x 16 cm 166pp 2pp contents. 100 Copies Only Printed on Japan Vellum this is copy #93 signed by publisher with initials. Beautifully bound by Paul-Romain Raparlier in crushed dark blue morocco with lavish all-over design on both covers framed by double gilt fillets with dotted inner rules and small floral corner tools. On the center field repeating floral motifs with alternating rose and blossom forms form a vertical rectangle all set within a gilt foliate border. Spine with five raised bands gilt compartments and floral inlays; turn-ins decorated with gilt rules floral rolls and corner ornaments. Pale blue silk moirÈ doublures and endpapers. Original wrappers bound in. All edges gilt. Signed ìP. R. Raparlierî at the foot of the front turn-in. Edges of boards strikingly adorned with closely spaced gilt dots. Binder: Paul-Romain Raparlier 1858ñ1900 trained at the .cole des Beaux-Arts and earned a gold medal at the 1892 Exposition Internationale du Livre distinguishing himself for refined painterly surface design rather than heavy architectural tooling. His signed bindings from the fin-de-siËcle period are prized for their disciplined ornament subtle color inlay and precise finishing placing him among the more accomplished Parisian decorative binders of the 1890s. A very attractive binding. In fine condition. L. Conquet unknown
175819714Paris: Breton Durand Pissot and Lambert 1758. Folding typographic table. Contemporary mottled calf spine and label gilt red edges. Bookplate and ownership inscription of M. Grignon ownership inscription on the half-title of Jules-Emile du Pressoir. An excellent copy. First edition the first French monograph on platinum. The author who published this book anonymously compiles the available information and studies by other natural historians before describing the metal’s properties: its weight ductility reactivity and interaction with fire. The rest of the text supplies the results of his own experiments with platinum including treating it with different salts and acids crystallization combining it with other metals and alloys and cupellation. The final chapter transcribes a curious anonymous letter about the alchemical applications of platinum. The plate lists the specific gravity of platinum in five different states.<br /> <br /> Duveen 414; Caillet 7778 “curieux et peu communâ€; Goldsmiths-Kress 09352.6-1; Macdonald and Hunt A History of Platinum 44-45. Breton, Durand, Pissot, and Lambert unknown
2004141957Stevens Point WI: The Arcadian Press 2004. Three individual books of handmade paper housed in a clamshell cloth covered box. Arcadian Press. 4to. Three individual books of handmade paper housed in a clamshell cloth covered box. unpaginated. Privately printed artist book limited to 50 numbered copies. All three volumes are fine in a fine clamshell box.<BR> <br /> <BR> <br /> This powerful exquisitely rendered 3-volume collaboration between Caren Heft of Arcadian Press and Jeffrey Morin of sailorBOYpress is done in the spirit of the ars moriendi the art of dying 15th-century Christian texts with instructions about how to die well developed perhaps in response to the Black Plague. Heft and Morin use the format ironically to look contemporary scourges: suicide bombers the destructive effect of mercury in the environment AIDS. The woodcuts from the Middle Age-originals are replaced by an assemblage of tape pins stitchery beads and pieces of metal. The effect is powerful even overwhelming.<BR> <br /> <BR> <br /> Papers: Root River Mill cotton Larroque and Hahnemuhle. The Hahnemuhle gelatin sized with pigment added-in. Typeface throughout: Cochin Light. <BR> <br /> <BR> <br /> From the colophons of the 3 volumes<BR> <br /> Martyr: "As a contemporary ars moriendi this book deals with death specifically the first Palestinian female bomber Wafa Idris. It is an attempt to understand why a young woman would strap a belt bomb over her womb and set if off in a public place where victims could be children elderly or pregnant women. Yasser Arafat who exhorted women to die for the liberation of Palestine died during the printing of this book.<BR> <br /> <BR> <br /> "Suicide bombers are currently the weapon of choice for terrorist organizations. They are low-cost use unsophisticated technology are readily available require little training and strike fear into the hearts of the population. Women have an added advantage as in the Muslim world they are searched gingerly. World-wide women are perceived as non-violent adding an element of surprise. Suicide bombers attain extensive media coverage for their organizations as casualties are often high. Media coverage is a good recruitment tool and furthers political agenda."<BR> <br /> <BR> <br /> Mercury: "What child does not remember finding some excuse to play with mercury in a science class That same child probably has some memory related to fishing. We all share the image that opened the Andy Griffith Show where father and son walk a country road on the way to their favorite fishing hole. Did anyone expect that todays childhood memories would intertwine mercury and fishing in such a dangerous way In most counties in Wisconsin the Department of Natural Resources limits the consumption of fish as well as the daily catch limit."<BR> <br /> <BR> <br /> Rooster: "In fifteenth century Europe the level of literacy had been on the decline. Ars Moriendi were picture manuals for ones preparation to meet death. On one level they were intended to ease the transition and prepare ones family for the coming loss. On another level these manuals were a form of propaganda advising the soon-to-be-departed to give heavily to the Church to guarantee a better place in Heaven or at least a seat further from the flames of Hell.<BR> <br /> <BR> <br /> "This book is one of three that deal with modern forms of death that visit a population. In this case it is the presence of AIDS in Africa and how a culture responds to and interprets the mortal threat. Sibongiles story comes from 'Child rape: A taboo within the AIDS taboo; More and more girls are being raped by men who believe this will "cleanse" them of the disease but people don't want to confront the issue" Sunday Times South Africa April 4 1999 by Prega Govender. It is combined with the story of Gumha and the Large Rooster as told by the Sukuma Research Committee. The two unrelated stories have been blended together to create a modern narrative that sets the stage for confronting death. The Arcadian Press unknown
2007128197Somogy. New. 2007. Hardcover. 2757200267 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 472 pp. With 438 ills. 310 col. . 31 x 24 cm. -- with a bonus offer-- . Somogy hardcover
2012903278Thames & Hudson. New. 2012. Paperback. 0500516049 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 432 pp. ; over 600 illustrations most in color. -- with a bonus offer-- . Thames & Hudson paperback
2008132082Flammarion. New. 2008. Hardcover. 208030061X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer--; 10.12 X 1.52 X 14.4 inches; 320 pages . Flammarion hardcover
199167859Museum. New. 1991. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 240 pp. With 117 ills. 28 col. . 25 x 25 cm. Description: "attitudes toward mortality in Western society this catalogue surveys metaphorical and graphic images of death embodied in an eclectic array of chiefly contemporary photographs installations sculptures videos and other works by 42 artists including Nauman Beuys Warhol Boltanski Calle Wojnarowicz and many lesser-known figures. Nine interviews in which a child a doctor a minister and others describe their personal views of death supplement ten diverse texts exploring such topics as the tradition of postmortem portraiture in 19th-century America the treatment of death in architecture and documentary photography the themes underlying Peter Greenaway's recent video project Death in the Seine and approaches to death in African American culture." -- with a bonus offer--; 0.75 x 9.75 x 9.75 Inches . Museum paperback
49748Composée en Latin par le R.P. Nicolas Trigaut de la Compagnie de Jesus. Et traduite en francois par le P. Pierre Morin de la mesme Compagnie. A Paris chez Sebastien Cramoisy ruë sainct Jacques aux Cicognes 1624. Quarto 240 x 180 mm contemporary limp vellum stained spine with old lettering in manuscript; illustrated title-leaf engraved by Michel van Lochom with depiction of the martyrs being watched over by angels 19th-century stamp of the Société des Prêtres de Saint-Irénée Lyon founded in 1833 to bottom margin; pp. 20 638 2 blank 26 1 1 blank; illustrated with 2 engraved plates and 3 full-page engravings by I. Picart in the text serving as frontispieces to each of the five Livres depicting tortures and executions of Christians in Japan; woodcut initials and headpieces; light browning and scattered spotting pale water-staining to top corners of preliminary leaves including the title and Plate I marginal water stain to Plate II and to half-a-dozen leaves in the final section; otherwise a very good copy from the library of Mexican bibliophile Florencio Gavito viscount of Alborada and Villarubio 1882-1960 his ex libris to the front pastedown. First French translation made by the Jesuit Father Pierre Morin of the De Christianis apud Iaponios Triumphis 1623 of fellow Jesuit Nicolas Trigault 1577-1628 one of the most prominent of the early Catholic missionaries in China. It is an account of the persecutions of missionaries and Japanese Kirishitan in the early years of the Tokugawa Shogunate based on missionary letters. Father Morin augments his translation with his own Supplement des cinq livres du R. Pere Nicolas Trigaut pp. 613-631 as well as a Catalogue des martyrs iaponnais qui ont endure pour Jesus-Christ depuis l'an 1612 iusques a 1620 pp. 632-636 and a Catalogue des maisons et residences de la Compagnie de Jesus ont esté contraints de quitter durant cette persecution pp. 637-638. The book's publisher Sébastien Cramoisy is associated with numerous Jesuit printings. Cordier BJ 295 hardcover
1838008148London: 17 Warwick Lane Paternoster Row: William Mark Clark 1838. 1st Edition . Hardcover. Good. 8vo - over 7¾ - 9¾" tall. LIZARS D. 119 Weekly parts 2 columns per page bound into 2 volumes 1838 & 1840. In worn half calf faded gilt tooling over worn blue marbled boards. Spines worn some loss to both faded gilt tooling & titles. Internally Vol 1 half title 5 vi-viii 1 2-480 pp. from No 1 Jan 6 1838 to No 60 Dec 29 1839 blue marbled endpapers small edge chip with loss of a few words p103/4 occasional light water stain p384. Vol 2 Nelson portrait frontis 3 iv-viii 2 adverts 1 2-464 pp No 62 Jan 5 1839 to No 119 no date vertical tear with page loss p167/8 corner of p305/6 printed by W. Brace. ink owners details to feps Smith 1872 ink name to tps Hutchinson 1870 blue marbled endpaper lacking to ep V2. Issues 24 & 25 describe the Mutiny of the Bounty & with the all important portrait & memoir of Nelson. 241185 mm. Ferguson JA Bibliography of Australia 2456/57. Uncommon 2 sets in UK BL & Nat Lib 8 in the US 4 Australia & 1 in Sweden! A fascinating read!! <br/> <br/> William Mark Clark hardcover
18913453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco by Bretault sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "à mon ami Pelletan Louis Morin Librairie L. Conquet unknown
189100007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. 12mo. 10 1-51 9 pp. Full contemoprary red morocco with gold borders on each board spine with gold tooling gold-tooled borders around the red-silk doublures; top edge gilt. Red silk floral endpapers. Bound by the well-known French artisan and bookbinder Leon Gruel. With a light blue silk ribbon bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late nineteenth-century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampspot on the endpapers. Librairie L. Conquet hardcover
756963Eyre & Spottiswoode. hardcover. Very Good. 0x0x0. Binding tight.Hardcover.Dust Jacket included and in fair condition. Minor wear to page edges and corners. No writing highlighting or marks in text. Eyre & Spottiswoode hardcover
191441582Massachusetts: n.p. 1914. Very good plus. Hand-accented gift scrapbook of religious iconography created and presented by Julia Morin to her brother Reverend William Morin upon the occasion of his ordination. Populated with reproductions of the masterworks of Christian art by Bellini Gaddi Titian Correggio Raphael Del Sarto Renni Rubens Rembrandt Hoffman among others each page is carefully engrossed with exquisite titles and borders. Plates likely clipped from THE PERRY MAGAZINE FOR SCHOOL AND HOME a Boston-based periodical of the era which reproduced fine works of art for use in education. Several instances of hand-colored covering-over an otherwise nude baby Jesus add a note of reverential modesty. Julia's inscription to the cover identifies her as a 1914 graduate of St. Ann's Convent presumably of Readville MA. Historical references cite William as having ministered to congregations near Boston Fitchburg and North Adams. A touching and lovingly-assembled folk book. Commercial string-tied album. Cloth covered limp card boards. Gilt lettering to front. 50 leaves holding a single portrait photograph and 194 clipped artwork reproductions within hand-cut corner mounts at rectos and versos. Each page with ornate outlining and calligraphic titling in white album pen. Loose tissue guards between leaves intact. Mild handling wear. One clipped element perished. Overall clean well preserved. In a custom archival clamshell box. n.p. hardcover
189874875Paris: Librairie L. Conquet 1898. Fine. Librairie L. Conquet Paris 1898 18 x 26.50 cm relié Edition illustrated with 41 original etchings by Auguste Lepère including a frontispiece 20 headpieces 20 tailpieces as well as 20 historiated initials printed in two colors The work is printed in 250 numbered copies on vélin du Marais justified by the publisher. Half chocolate brown morocco binding with corners spine with five raised bands gilt date at foot marbled paper boards endpapers and pastedowns of pebbled paper covers and spine preserved top edge gilt retaining deckled edges contemporary binding signed by Stroobants. Some minor foxing affecting mainly the last leaves at head. Handsome copy perfectly established. Librairie L. Conquet hardcover
191368<p>First Edition. Quarto 28 x19 cm xvi 48 xvii-xxix 3 pp. 48. index original printed wrappers "all rights reserved" discreetly stamped to the bottom of the front wrapper and title page possibly by the Publisher profusely illustrated throughout text in french. Published by Bibliothèque de L'Art Culinaire Paris 1913. A little wear to the wrappers some gentle spotting internally. A very good copy. A stunning work on the art of food presentation containing detailed illustrations of dishes fit for a King's Banquet. Exceptionally rare in the original printed wrappers. No Institutional holdings located at the time of cataloguing and this work not referred to in Bitting Cagle Vicaire Oberlé etc. Please contact us for shipping costs if ordering from outside the UK.</p> Bibliothèque de L'Art Culinaire paperback
1825elala1112Montreal: James Lane 1825. 1825. 8vo. pp. 16. original plain blue wrs. removed from a bound volume. Inscribed on front wr.: from the author M. Morin & with early ownership entry illegible. First Edition. Morin a seventh generation Canadian was still a law student when he wrote the present work assailing Judge Bowens refusal of a writ of summons drawn up in French and reminding him of French language rights in Lower Canadian courts. Morin went on to practise law and journalism and entered politics in 1830 becoming a supporter of Louis Joseph Papineau. He was the author in 1834 of the Ninety-Two Resolutions and the same year was deputed with Denis Benjamin Viger to lay before the British parliament the views of the Lower Canadian Assembly. A warrant was issued for his arrest for his involvement in the Rebellion but the charges of high treason were so ill-founded that he was not brought to trial. He remained active in politics until his appointment in 1855 as a judge of the Superior Court of Lower Canada.TPL 1360. Casey I 1185. Dionne I 163. Gagnon I 2107. Lande 661. 1st Edition. Montreal: James Lane, 1825. unknown
186361653Paris: Truchy 1863. Fine. Truchy Paris 1863 18.50 x 28 cm relié First edition illustrated with in-text drawings by Edmond Morin. Full midnight blue morocco binding spine with five raised bands decorated with triple gilt compartments gilt roulettes on headcaps triple gilt fillets frame with gilt floral corner motifs on covers marbled endpapers and pastedowns gilt dentelle frame on pastedowns original wrappers preserved all edges gilt double gilt fillets on leading edges superb binding signed Marius Michel. Bookplate pasted on one endpaper a shadow on the same endpaper and on the facing page. Very fine copy elegantly bound. Truchy hardcover
1993mon0000068105Sixty-Ninth Street Zoo 1993-01-01. Paperback. New. 0.7283 in x 8.4291 in x 5.8504 in. Sixty-Ninth Street Zoo paperback
1682118718Antuerpiae I. E. Amsterdam : Ex Officina Frederici A` Metelen Sub Signo Quatuor Euangelistarum. M. DC. LXXXII - Place Of Publication Fictitious Metelen Worked From Amsterdam Cf. Gruys & Wolf. The 1682. First Edition. Hardback. A very good copy in the full contemporary aniline calf. The spine's top compartment has been recased in an impressively period-sympathetic fashion. Scans and additional bibliographic detail on request. ; 819 pages; Physical desc. : 40 819 1; 159 1 p. ; fol. Subject: Penance - History. Judaism - Customs and practices - Works to 1900. Signatures: 6 e-6 i-o-4 A-3X6 3Y-3Z4 ²A-²M6 ²N-²O4. Title page printed in red and black with engraved printer's device. Tail-pieces initials. Antuerpiae [I. E. Amsterdam?], : Ex Officina Frederici A` Metelen, Sub Signo Quatuor Euangelistarum. , M. DC. LXXXII - Place Of hardcover
187891756Paris: Victor Havard 1878. Fine. Victor Havard Paris 1878 18.5 x 28.5 cm Relié First issue of the 250 wood-engraved compositions by Edmond Morin one of 150 numbered copies on Holland paper.The work is further illustrated with a frontispiece portrait of the author by Léopold Flameng.Bound in half orange morocco over marbled boards with corners spine with five raised bands ruled in gilt and richly tooled with double gilt compartments covers framed with double gilt fillets marbled endpapers original wrappers preserved top edge gilt an elegant binding signed A. Bertrand.A fine copy impeccably presented. Victor Havard hardcover
190025916Paris.: Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. c.1900. Full blue crushed morocco by Dubois with his signature gilt boards ruled in gilt banded spine six compartments with gilt title turn-ins ruled in gilt with fleuron corner tools marbled endpapers original publisher's pictorial wrappers by Morin preserved. Small folio. 328 x 248 mm. Half-title with printed dedication justification verso printed title in red and black with publisher's vignette and Doucet's text illustrated with a total of 48 colour text illustrations and 16 vignettes by Louis Morin after his watercolour designs leaf with 'Table' with head-piece final leaf with achevé d'imprimer and vignette. Louis Morin illustrating Jérôme Doucet.Each of Doucet's 'Pantomimes' features an illustrated title and two leaves with his text and Morin's illustrations; each 'Pentomime' is dedicated to a different 'ami' among whom are the dedicatees 'Pierrot Adolphe Brisson' and 'Pierrot René or Marcel or Jules Baschet.The 'Pantomimes' are the following: 'Le Philtre' 'Clysterium Donare' 'Les Violettes' 'At Home' 'La Croix de Son Père' 'Dalila' 'Le Saule' 'Tes Père et Mère' 'Immanente Justice' 'Meneur de Grève' 'Le Sermon' 'La Pantomime'. Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. hardcover
2008321910The Folio Society 2008. Hard Cover Full Leather in original folding box. FINE/FINE -- SHIPPING ONLY IN U.S. AND BY MEDIA MAIL ONLY -- Limited Edition 670 / 1750 -- Includes booklet "The Divine Stenographer -- Dark blue leather with giltred and white embossing. 1101 pages with illustrations -- Hugo VIctor / Translated and with an Introduction by Norman Denny / Illustrations and designs by De Neuville Bayard Morin Valnay and other prominent French Artists. Limited Edition. Hard Cover. Fine/Slipcase. The Folio Society Hardcover
MP15c1645. Jean Morin is another engraver of the earlier part of the seventeenth century in France who fills a distinct and distinguished place in our history.he constantly combines engraving with etched dot and line and achieves thereby a subtlety of tone of which the Bentivoglio after Van Dyck is a brilliant example." Hind A History of Engraving and Etching p. 144. etching & engraving. 289 x 233 mm. image. signed in the plate. A good dark impression on laid paper trimmed to just outside image c1645
