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MORIN (Louis).Livre Rare Book

Les Dimanches parisiens. Eaux-fortes originales de A. Lepre.

MORIN Edmond illustratorABAA

Bons Parisienes Ces

04779Paris: Chez Aubert & Cie. Editeurs 1842. 'The Parisians at Play' Twenty Superb Hand Colored Lithograph Plates by Edmond Morin MORIN Edmond illustrator. Ces Bons Parisiens. These Good Parisians. Paris: Chez Aubert & Cie. Editeurs ca. 1842. Folio 13 3/16 x 9 5/8 inches; 335 x 245 mm. Twenty highly amusing hand colored lithograph plates all heightened with gum arabic. A few plates with light marginal foxing. Publisher's black paper over boards covers elaborately stamped in gilt with "1842 Album" in the center. Covers a little worn at joints and corners some old 'tape' stains on endpapers. An excellent example of a super rare album. This is only the second time in over 50 years that we have ever seen this suite of colored lithographs. According to OCLC there are just two copies located in libraries and institutions worldwide: The Morgan Library & Museum and the New York Public Library NY USA. Note: Neither of these copies are recorded as having color plates. The plates - all with the headline "Ces Bons Parisienes!": 1. Est-ce que vous nÃ¡vez pas peur d'Ãªtre volÃ© Monsieur dans un endroit aussi Ã©carte. Are not you afraid of being robbed sir in a place so remote 2. Chasseur ChassÃ©. Que diable me veulent-elles ces vilaines bÃªtes la. Hunted Hunter. What the hell do they want these ugly beasts 3. Sapristi! Quel poisson!! Damn! What a fish !! 4. Au voleur! Au voleur!!.arrÃ©tez! Thief! thief! . stop! 5. PremiÃ©re leÃ§on de chasse First hunting lesson 6. Il rÃªve qu'il s'amuse. He dreams he's having fun . 7. Ouverture de la chasse dans la plaine St. Denis Opening of the hunt in the plain St. Denis 8. Monsieur voici ma carte! Sir here is my card! 9. Ce qu'on appelle un renfoncement. What is called a recess . 10. Si je tenais le gueux qui dÃ¨valise mon Ã¨tang il passerait un fichu quart d'heure. If I got the beggar who devours my pond he would spend an awful quarter of an hour . 11. Vue prise de la marre d'Auteuil!!! View taken of the embarrassed student!!! 12. Le Retour de la Chasse. Accommodez nous Ã§a avec beaucoup de choux beaucoup beaucoup. Le cuisinier oui ce sera un plat de choux blanc. The return of Hunting. Accommodate us with a lot of cabbage a lot a lot . The cook yes it will be a dish of white cabbage . 13. Par oÃ¹ faut-il passer pour aller au. Allez au diable Where do I go to go to . Go to the devil 14. STATU QUO fort dÃ¨sagrÃ¨able STATUS QUO very unpleasant 15. La Friture manquÃ©e tableau en un petÃt acte. La scÃ¨ne se passe sur la Seine. Missed the frying pan - because of a small mistake. The scene is on the Seine. 16. Partie de Campagne. Le dimanche est un jour de plaisir. et de repos Into the countryside. Sunday is a day of fun . and rest 17. Chien de Chasse Parisien. Va Cherche Azor va chercher! Parisian hunting dog. Go find it Azor go get it! 18. PÃªcheur a repÃªcheur!. The fish has a fisherman! 19. Une JournÃ©e de Plaisir. De St. Cloud Ã Paris par terre. et par eau A day of pleasure. From St. Cloud to Paris on the ground . and by water 20. Une Bonne Farce. Pousse Ã¡ l'eau Cadet pousse! A good joke. Push in the water Cadet push! Edmond MORIN 1825-1882 "was a French painter illustrator and engraver of some fame in his day. Wood engravings after his designs appeared in L'Illustration and Le monde illustrÃ© as well as in many books." Gordon Ray. The Art of the French Illustrated Book 1700-1914 pp. 353-354. Hennri Beraldi. Les Graveurs du XIXe SiÃ¨cle volume X p. 131. Frederik Muller. La Lithographie. Ecoles Francaise NÃ©erlandaose Allemande Anglais & Russe. No. 357. Lucien Monot. Le Prix des Estampes Anciennes et Modernes volume V p. 112. Paris: Chez Aubert & Cie. Editeurs, 1842 unknown books

David Brass Rare Books, Inc. · États-Unis6 500,00 $US≈ 5 499,65 €

MORIN, Edmond, illustratorBiblio.com

Bons Parisienes Ces

04779Paris: Chez Aubert & Cie. Editeurs 1842. 'The Parisians at Play' Twenty Superb Hand Colored Lithograph Plates by Edmond Morin MORIN Edmond illustrator. Ces Bons Parisiens. These Good Parisians. Paris: Chez Aubert & Cie. Editeurs ca. 1842. Folio 13 3/16 x 9 5/8 inches; 335 x 245 mm. Twenty highly amusing hand colored lithograph plates all heightened with gum arabic. A few plates with light marginal foxing. Publisher's black paper over boards covers elaborately stamped in gilt with "1842 Album" in the center. Covers a little worn at joints and corners some old 'tape' stains on endpapers. An excellent example of a super rare album. This is only the second time in over 50 years that we have ever seen this suite of colored lithographs. According to OCLC there are just two copies located in libraries and institutions worldwide: The Morgan Library & Museum and the New York Public Library NY USA. Note: Neither of these copies are recorded as having color plates. The plates - all with the headline "Ces Bons Parisienes!": 1. Est-ce que vous návez pas peur d'être volé Monsieur dans un endroit aussi écarte. Are not you afraid of being robbed sir in a place so remote 2. Chasseur Chassé. Que diable me veulent-elles ces vilaines bêtes la. Hunted Hunter. What the hell do they want these ugly beasts 3. Sapristi! Quel poisson!! Damn! What a fish !! 4. Au voleur! Au voleur!!.arrétez! Thief! thief! . stop! 5. Premiére leçon de chasse First hunting lesson 6. Il rêve qu'il s'amuse. He dreams he's having fun . 7. Ouverture de la chasse dans la plaine St. Denis Opening of the hunt in the plain St. Denis 8. Monsieur voici ma carte! Sir here is my card! 9. Ce qu'on appelle un renfoncement. What is called a recess . 10. Si je tenais le gueux qui dèvalise mon ètang il passerait un fichu quart d'heure. If I got the beggar who devours my pond he would spend an awful quarter of an hour . 11. Vue prise de la marre d'Auteuil!!! View taken of the embarrassed student!!! 12. Le Retour de la Chasse. Accommodez nous ça avec beaucoup de choux beaucoup beaucoup. Le cuisinier oui ce sera un plat de choux blanc. The return of Hunting. Accommodate us with a lot of cabbage a lot a lot . The cook yes it will be a dish of white cabbage . 13. Par où faut-il passer pour aller au. Allez au diable Where do I go to go to . Go to the devil 14. STATU QUO fort dèsagrèable STATUS QUO very unpleasant 15. La Friture manquée tableau en un petít acte. La scène se passe sur la Seine. Missed the frying pan - because of a small mistake. The scene is on the Seine. 16. Partie de Campagne. Le dimanche est un jour de plaisir. et de repos Into the countryside. Sunday is a day of fun . and rest 17. Chien de Chasse Parisien. Va Cherche Azor va chercher! Parisian hunting dog. Go find it Azor go get it! 18. Pêcheur a repêcheur!. The fish has a fisherman! 19. Une Journée de Plaisir. De St. Cloud à Paris par terre. et par eau A day of pleasure. From St. Cloud to Paris on the ground . and by water 20. Une Bonne Farce. Pousse á l'eau Cadet pousse! A good joke. Push in the water Cadet push! Edmond MORIN 1825-1882 "was a French painter illustrator and engraver of some fame in his day. Wood engravings after his designs appeared in L'Illustration and Le monde illustré as well as in many books." Gordon Ray. The Art of the French Illustrated Book 1700-1914 pp. 353-354. Hennri Beraldi. Les Graveurs du XIXe Siècle volume X p. 131. Frederik Muller. La Lithographie. Ecoles Francaise Néerlandaose Allemande Anglais & Russe. No. 357. Lucien Monot. Le Prix des Estampes Anciennes et Modernes volume V p. 112. Paris: Chez Aubert & Cie. Editeurs, 1842 unknown

David Brass Rare Books, Inc. · États-Unis6 500,00 $US≈ 5 499,65 €

HAMILTON, R, & A H MorinBiblio.com

Q.V.O. Madras Sappers and Miners in France and Iraq 1914-1920.

1920172104Bangalore: no stated publisher 1920. Found in just two institutional libraries First edition of this detailed unit history held by the Imperial War Museum and the Australian War Memorial Library only including eight folding maps and three original photographs concerning the campaign in Mesopotamia. "The narrative is based directly upon the War Diaries other official sources and the authors' own experiences. The result is authoritative" Perkins. "The campaign in Mesopotamia was one of the chief subsidiary operations of the Great War and it was in this campaign that Indian Troops in general and the Madras Sappers in particular played their largest part" Part I p. 1. The first section "The Madras Sappers in the Campaign in Mesopotamia 1914-1918" by Lieutenant-Colonel R. Hamilton Royal Engineers narrates the early phase of the campaign including operations on the Tigris and operations around Kut before turning to the post-Kut British reorganization the crossing of the Tigris the capture of Baghdad and the 1917-18 advance into Persia and Upper Mesopotamia. The eight maps illustrate operations near Nasiriya 1915 the relief of Kut 1917 operations in the vicinity of the Tigris British and Turkish trench systems in January 1917 near the River Hai and the advance on Baghdad. Part II Hamilton's "The Madras Sappers in the Arab Insurrection in Iraq 1920" describes "the withstanding and suppressing of an insurrection in a very extensive area where the British Forces were widely scattered the lines of communication highly vulnerable and the inhabitants warlike and well armed" p. 1. The final section "The 2nd Field Troop. The 2nd Q.V.O. Sappers and Miners in France and Mesopotamia. 1914 to 1916" is ascribed by a tipped-in slip to Major A. H. Morin Indian Army Reserve Officer who commanded the troop. Two pasted-in photographs show bridges constructed during Mesopotamia operations while a third shows boat equipment and an experimental raft. Octavo. With 7 gelatin silver photographs and photographic half-tone pasted in 8 folding maps at end laid-down map with red outlining; slip tipped to table of contents as issued. Original brown cloth front cover lettered in black. Occasional pencil annotations internally. Damp stain at upper corner text unaffected binding light worn front free endpaper with small loss cockling caused by pasted-in material: very good. Perkins p. 439. hardcover

Peter Harrington · Royaume-Uni3 250,00 £GB≈ 3 710,85 €

Heft, Caren & Jeffrey MorinBiblio.com

MARTYR MERCURY ROOSTER

2004141957Stevens Point WI: The Arcadian Press 2004. Three individual books of handmade paper housed in a clamshell cloth covered box. Arcadian Press. 4to. Three individual books of handmade paper housed in a clamshell cloth covered box. unpaginated. Privately printed artist book limited to 50 numbered copies. All three volumes are fine in a fine clamshell box. This powerful exquisitely rendered 3-volume collaboration between Caren Heft of Arcadian Press and Jeffrey Morin of sailorBOYpress is done in the spirit of the ars moriendi the art of dying 15th-century Christian texts with instructions about how to die well developed perhaps in response to the Black Plague. Heft and Morin use the format ironically to look contemporary scourges: suicide bombers the destructive effect of mercury in the environment AIDS. The woodcuts from the Middle Age-originals are replaced by an assemblage of tape pins stitchery beads and pieces of metal. The effect is powerful even overwhelming. Papers: Root River Mill cotton Larroque and Hahnemuhle. The Hahnemuhle gelatin sized with pigment added-in. Typeface throughout: Cochin Light. From the colophons of the 3 volumes Martyr: "As a contemporary ars moriendi this book deals with death specifically the first Palestinian female bomber Wafa Idris. It is an attempt to understand why a young woman would strap a belt bomb over her womb and set if off in a public place where victims could be children elderly or pregnant women. Yasser Arafat who exhorted women to die for the liberation of Palestine died during the printing of this book. "Suicide bombers are currently the weapon of choice for terrorist organizations. They are low-cost use unsophisticated technology are readily available require little training and strike fear into the hearts of the population. Women have an added advantage as in the Muslim world they are searched gingerly. World-wide women are perceived as non-violent adding an element of surprise. Suicide bombers attain extensive media coverage for their organizations as casualties are often high. Media coverage is a good recruitment tool and furthers political agenda." Mercury: "What child does not remember finding some excuse to play with mercury in a science class That same child probably has some memory related to fishing. We all share the image that opened the Andy Griffith Show where father and son walk a country road on the way to their favorite fishing hole. Did anyone expect that todays childhood memories would intertwine mercury and fishing in such a dangerous way In most counties in Wisconsin the Department of Natural Resources limits the consumption of fish as well as the daily catch limit." Rooster: "In fifteenth century Europe the level of literacy had been on the decline. Ars Moriendi were picture manuals for ones preparation to meet death. On one level they were intended to ease the transition and prepare ones family for the coming loss. On another level these manuals were a form of propaganda advising the soon-to-be-departed to give heavily to the Church to guarantee a better place in Heaven or at least a seat further from the flames of Hell. "This book is one of three that deal with modern forms of death that visit a population. In this case it is the presence of AIDS in Africa and how a culture responds to and interprets the mortal threat. Sibongiles story comes from 'Child rape: A taboo within the AIDS taboo; More and more girls are being raped by men who believe this will "cleanse" them of the disease but people don't want to confront the issue" Sunday Times South Africa April 4 1999 by Prega Govender. It is combined with the story of Gumha and the Large Rooster as told by the Sukuma Research Committee. The two unrelated stories have been blended together to create a modern narrative that sets the stage for confronting death. The Arcadian Press unknown

Oak Knoll Books/Oak Knoll Press · États-Unis2 300,00 $US≈ 1 946,03 €

TRIGAULT, Nicolas; MORIN, Pierre (translator)Biblio.com

Histoire des Martyrs du Iapon depuis l'an MDCXII iusques a MDCXX.

49748Composée en Latin par le R.P. Nicolas Trigaut de la Compagnie de Jesus. Et traduite en francois par le P. Pierre Morin de la mesme Compagnie. A Paris chez Sebastien Cramoisy ruë sainct Jacques aux Cicognes 1624. Quarto 240 x 180 mm contemporary limp vellum stained spine with old lettering in manuscript; illustrated title-leaf engraved by Michel van Lochom with depiction of the martyrs being watched over by angels 19th-century stamp of the Société des Prêtres de Saint-Irénée Lyon founded in 1833 to bottom margin; pp. 20 638 2 blank 26 1 1 blank; illustrated with 2 engraved plates and 3 full-page engravings by I. Picart in the text serving as frontispieces to each of the five Livres depicting tortures and executions of Christians in Japan; woodcut initials and headpieces; light browning and scattered spotting pale water-staining to top corners of preliminary leaves including the title and Plate I marginal water stain to Plate II and to half-a-dozen leaves in the final section; otherwise a very good copy from the library of Mexican bibliophile Florencio Gavito viscount of Alborada and Villarubio 1882-1960 his ex libris to the front pastedown. First French translation made by the Jesuit Father Pierre Morin of the De Christianis apud Iaponios Triumphis 1623 of fellow Jesuit Nicolas Trigault 1577-1628 one of the most prominent of the early Catholic missionaries in China. It is an account of the persecutions of missionaries and Japanese Kirishitan in the early years of the Tokugawa Shogunate based on missionary letters. Father Morin augments his translation with his own Supplement des cinq livres du R. Pere Nicolas Trigaut pp. 613-631 as well as a Catalogue des martyrs iaponnais qui ont endure pour Jesus-Christ depuis l'an 1612 iusques a 1620 pp. 632-636 and a Catalogue des maisons et residences de la Compagnie de Jesus ont esté contraints de quitter durant cette persecution pp. 637-638. The book's publisher Sébastien Cramoisy is associated with numerous Jesuit printings. Cordier BJ 295 hardcover

Douglas Stewart Fine Books · Australie2 500,00 $AU≈ 1 647,75 €