EDIP HAKKI KÖSEOGLU, (1904-1990).MareMagnum
2 072 résultats
Fine Fine English Original bdg. Dust wrapper. Oblong large 8vo. (23 x 25 cm). In Turkish. 156 p., color ills. Edip Hakki Köseoglu. Prep. by Hamit Kinaytürk.
Fine English Paperback. Pbo. Fine. [8], 222 p., 3 folding plates. 4to. (28 x 20 cm). B/w and color ills. Researches on history of Turkish and Islamic, and Ottoman art. Just volume 2. (2. of 2). Türk sanati tarihi arastirma ve incelemeleri Vol.2.
Very Good English Paperback. Pbo. [8], 789 p. + 3 folding plts.; [8], 222 p. + 3 folding plts. 4to. (28 x 20 cm). B/w and color ills. 1963 - 1969. Researches on history of Turkish and Islamic, and Ottoman art. Türk sanati tarihi arastirma ve incelemeleri. 2 volumes set.
Fine English Paperback. Pbo. Small 4to. (27 x 19 cm). Articles in Turkish and French. 176 p. B/w ills. Melih Basaran, Lettre a Ody Saban ou partage visuel de l'erection au feminin.; Jean-François Lyotard, Genealogie de la touche. etc. Toplumbilim. Plastik sanatlar özel sayisi. No: 4. Haziran 1996.
Fine English Paperback. Pbo. 4to. (28 x 21 cm). In English and Persian. 120, [16] p., color ills. 5 chapters of catalogue: Typography. / Sign. / Packaging. / Layout. / Illustration. / Poster. Contemporary graphic of Iran. A selection of the works: 4th Iran Graphic Design Biennial.
As New English Paperback. Pbo. Mint. Large 8vo. (22,5 x 22,5 cm). In English and Turkish. 84 p. Color and b/w ills. 1. International Istanbul Triennale.= 1. Uluslararasi Istanbul Trienali.: The secret language of the city. He knew them but they knew him not.= Sehrin gizli dili. O onlari tanidi ama onlar onu taniya(ma)di. September, 2-19, Istanbul. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 25 cm). In English and Turkish. 203 p., color and b/w ills. Women, painting, stories. Transformation of the image of "woman" in Turkish painting in the modernization era.= Kadinlar, resimler, öyküler. Modernlesme sürecindeki Türk resminde "kadin" imgesinin dönüsümü. [Exhibition catalogue]. Art history, one of the liveliest and most exciting branches of knowledge of our times, emphasizes the need to continually re-examine, re-evaluate and re-interpret its primary ingredient - art works of the past. From fresh perspectives in the light of current information, thought and theory about these works, the discourse of knowledge that surrounds a work of art and is continually adapted. Women, Paintings, Stories / Transformation of the image of 'women' in Turkish painting in the modernization era is the product of just such an inclination and re-interpretation. In this exhibition of more than fifty works chosen from a variety of public institutions and private collections spanning the era from the Mesrutiyet / Second Constitution through the Republic, a voyage through the years was embarked upon, during which, the Turkish art of painting underwent a movement towards contemporaneity, within the framework of an exceptional and extremely meaningful theme, a reinterpretation of the transformation of the image of 'women'.
New English Paperback. Cr. 8vo. (20 x 14 cm). In English and Turkish. 507 p., ills. Dictionary of art terms and concepts.= Sanat terimleri ve kavramlari sözlügü (English-Turkish / Turkish-English).
New Turkish Paperback. 4to. (27 x 22 cm). In Turkish. 371, [17] p., color and b/w ills. 1989'dan bugüne Istanbul Tiyatro Festivali. Prep. by Özlem Memis, Leman Yilmaz. Istanbu Theater Festival from 1989 to present-day.
New Turkish Original bdg. HC. Large roy. 8vo. (22 x 19 cm). In Turkish. 680 p., color ills. Van Gogh sarisi. Vincent Van Gogh'un pesinde modernizmin izinde. Van Gogh's yellow. On traces of modernism with Vincent Van Gogh.
New Turkish Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 453 p., color and b/w ills. Bir tasim keyif: Türk kahvesinin 500 yillik öyküsü. [Exhibition catalogue]. 500 years story of Turkish coffee.
New English Paperback. Pbo. Dust wrapper. Oblong small 4to. (24 x 25 cm). In English and Turkish. 145 p., color and b/w ills. The Ottoman identity in western-style palace furniture.= Bati tarzi saray mobilyasinda Osmanli kimligi. [Exhibition catalogue]. This catalogue was prepared in conjunction with an exhibit entitled. The Ottoman Identity in Western-Style Palace Furniture¿. This exhibit was organized by TBMM General Secretariat Directorate of National Palaces and Marmara University's Faculty of Fine Arts Interior Architecture Department and held at Dolmabahçe Culture Center between 06 July - 06 September, 2005. Furniture shown in the catalogue belongs to the National Palaces Collection. Project Sections were prepared by MUFFA's Interior Architecture Department.
Fine English Paperback. Demy 8vo. (21 x 15 cm). In English and Turkish. 68, 72, [1] p. Solo? in contemporary dance.= Çagdas dansta solo?
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish.304 p., ills. Theory in the art and design: Add-Ist Art and Design Dialogues Symposium. February 2018 proceedings book and exhibition catalogue.= Sanat ve tasarimda kuram: Add-Ist Sanat ve Tasarim Diyaloglari Sempozyumu - Subat - 2018 bildiriler kitabi ve sergi katalogu.
New English Paperback. 4to. (28 x 21 cm). Edition in English. [6], 135 p., b/w ills. Aesthetics and art in the 20th century. [= 20. yüzyilda estetik ve sanat]. Why this topic? Why now? SANART is the only association of aesthetics in Turkey. It has the mission of enthusing and building up a public for the raised awareness of issues related with aesthetics and art. For the past ten years now, it has carried this mission to the practical realm in Ankara, where it is based, through the organisation of symposia, exhibitions and publications. To coincide with the closure of the twentieth century, on its tenth year, SANART decided to re-evaluate the century in terms of various approaches to the field of aesthetics and art. Twelve participants, who were invited and whose texts are included in this book, were asked to bring forth specific issues within the general problematic of the twentieth century. The objective was more to do with understanding our concerns with the new century, while reflecting upon the previous one, than providing all encompassing accounts of historiography. Why the book? Publications are very important for SANART because as an association it seeks to maintain permanence in the cultural sphere of Turkey, and to achieve that permanence, although the continuity of temporal events help, it is essential to accumulate written material. All of the symposia that SANART has organised have been published or are pending publication. Because of the significance and timely relevance of the topic, this book aims to disseminate the ideas discussed in the symposium to a wider public than that of the locality of Ankara, to a world audience, which is why it has been decided to publish it in English. The programme of the symposium was arranged so that the first half focused on art work and aesthetics followed by the "avant-garde" discussion and the second half concentrated on issues of architecture, politics and aesthetics. In editing the book, the order of the sessions of the symposium was maintained so that the lines of thought that emerged during the Symposium can be followed in the Discussion and Afterwords without much difficulty. In an overview of the texts, it is possible to discern that one of the major shifts that occurred in art in the twentieth century was that with the advent of new technologies and the possibility of wider dissemination, artists vocally assumed new roles to themselves while simultaneously critics and theoreticians assigned new tasks to the domain of art.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 2 volumes set: ([xLix], 1357 p.). Symposium papers of folklore, architecture, urban history, tourism, Turkish language, Turkish literature, philosophy, education, belles arts, archaeology, history of art, communication in Kocaeli City. Kök-Sakiz (Taraxacum kok-saghiz). Translated by Hilmi Arer.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. 366 p., ills. Art, Art History and aesthetic are the definitions and the witnesses of time. At the same time, they are the definers of the place. That's the reason why, they are the indicators of the human evolution. Time is mostly explained by an evaluated process and, it is also identical with nonspatial dimensional continuum. Time, which is an abstract concept, is an continuing series of events. In Ancient philosophy, time was a space which included all living creatures was measured by specific methods. According to Kant, time is a design which undertake the feelings' primal function. Generally, it is impossible to exclude appearance from time. All of the appearances can destroyed but time cannot disappear by itself. Place is a fact that effects outer sense from Kant's point of view. Kant effected by Newton's idea of absolute time and space's metaphysical shape, he sustains the idea that time is different from place in terms of subjectivity. So, we can explain this definition as time is pure acumen. Bergson, categorizes time as real and psychological and mathematical. Mathematical time's transformation can be achieved in space / place, and real and psychological time's transformation can be achieved in the conscious. Place is space designed in order to compensate human needs and is separated naturally from the environment, for the human's indispensable necessities. Place is the most relevant property of architecture and is identified with the concept of architecture. Time is the most important evidence of Human evolution. Explanations and examples of this evolution are the structures, which we can describe as architectural pieces. Periods, which have constructed the Art History, can all be explained by time and place. Art History, which explains civilizations, states and Empires with properties of their art, examines art works, which are created by the continuity of time and space. The Symposium aims to highlight the progress of art through time and in this sense, it will shed aesthetic theorems which have shaped Art History. Your attendance will be very important for being a witness to the process of Art History in the light of these subjects.
New English Paperback. Pbo. 4to. (28 x 20 cm). In English and Turkish. [6] ,148 p., color ills. Interactions in art and aesthetics.= Sanatta ve estetikte etkilesimler. Contents: Özyigit, Halil / Çemberlitas Serbest Resim Atölyesi.; Orhan, A. Hande / On'lar Grubu'yla Gelenegin izinde.; Acar, Baris / Sanat Tarihinde Kuramsal Yaklasimlar.; Giray, Meltem / Sydney Opera Binasi.; Gökkaya, Evren Karayel / Modem Türk Resminin Olusumunu Etkileyen Faktörler.; Tetikçi, Ismail / Gelenekten Günümüze Aktarimlar.; Özgöçen, Pelin / Sürrealizm'de Figür-Mekân iliskisi.; Kavas, Kemal Reha / Bir Kuramsal Etkilesim Alani Olarak 'Ekolojik Mimarlik' Söylemi ile Sanat ve Mimarlik Tarihi Yaziciligi Arasindaki iliski.; Ülger, Emir / Schopenhauer ve Wagner Etkilesimi.; Simsek, Serap / Bedri Rahmi Eyüpoglu ve Fransa Yillari (1931-1933).; Çolak, Banu / Sanat - Mekan ve Çagdas Sanat Müzeleri Üzerine.
New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). Articles in English, Turkish, and Russian. 104 p., color ills. Leathercraft in the Turkic world. Proceedings of the International Symposium, 4 August 2012, Yelabuga.= Türk dünyasinda dericilik sanati. Sempozyum bildirileri.
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). Articles in Turkish, and Russian. 212 p., color ills. Proceedings of the 2nd International Symposium on Leathercraft in the Turkic World. Kazan, 19-20 September 2014.= Türk Dünyasinda Dericilik Sanati. 2. Uluslararasi Sempozyum, 19-20 Eylül 2014, Kazan.
Very Good French Paperback. Roy. 8vo. (24 x 17 cm). In French. 162, [4] p., many b/w plates and color planches. Les arts plastiques en URSS. Edition de la Societe des Relations Culturelles avec l'Etranger (Voks). Recueil 9-10 Fevrier 1935. First and Only Edition. Rare. Sommaire: Preface, L'art et l'edification socialiste. M. Bouch, A. Zamochkine: L'art pictural sovietique.; N. Chtchekotov: Les jeunes artistes debutants.; A. Bakouchinski: La sculpture en URSS.; K. Tikhonova: La gravure et le dessin sovietiques.; R. Kaufman: L'affiche et la caricature.; Aç Sidorov: La presentation artistique du livre sovietique.; A. Bakouchinski: Les laques d'art en URSS.; E. Jouravliova: Les arts en Turkmenie.; K. Javarichvili: Les arts plastiques en Georgie.; S. Barseguian: Les arts en Armenie Sovietique.; K. Kravtchenko: Le travail et la vie des artistes en URSS.; Quelques portraits: K. Tkhonova: Pierre Kontchalovski. - A. Galouchkina: K. Petrov-Vodkine. - E. Jouravliova et V. Tchepeliev: Martiros Sarian...
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 395 p., color and b/w ills. "Ekrem Hakki Ayverdi was raised at a time in which Istanbul was undergoing its late Ottoman-early Republican period. Apart from his persona as an engineer-architect, restorer, and architectural historian, he was a collector passionately dedicated to Ottoman art. Undertaking the construction of different public buildings in Istanbul, Bursa and Edirne, as well as the restoration of many architectural works, Ayverdi not only brought together the most select and refined works of Ottoman art, which had begun to lose its prestige amidst the changing values of high culture in the time he lived, but he also paid particular attention to their conservation and preservation. Ayverdi's two seminal corpuses that study Ottoman architecture from its early days until the end of the Mehmed II era, as well as its examples in Roumelia, continue to maintain their place as the most important reference books for those working in this field. Istanbul Research Institute commemorates Ekrem Hakki Ayverdi, his professional work, and his priceless collection with an exhibition in the 30th anniversary of his passing and hopes to bring together wide audiences with this versatile and colorful man of culture, who, as one of the last representative of a lost world, holds a unique place in Ottoman art studies and Ottoman architectural history in particular.".
New English Paperback. Pbo. 4to. (29 x 26,5 cm). In English, Greek and Turkish. 194 p., color and b/w ills. Classical memories in modern Greek art.= Çagdas Yunan sanatinda klasik izlenimler.
New English Paperback. 4to. (30 x 22 cm). In English and Turkish. 309, [41] p., color ills. 2nd International Mediterranean Art Symposium: Natural Dyeing Symposium Workshop Exhibition, 10-12 May 2017. Proceedings book and exhibition catalog.= II. Uluslararasi Akdeniz Sanat Sempozyumu: Dogal Boya Sempozyumu Çalistayi Sergisi, 10-12 Mayis 2017. Sempozyum bildirileri ve sergi katalogu.
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 208 p., color ills. Golden grace: Tombac.= Tombak: Altindan süzülen zarafet. [Exhibition catalogue]. "A magic world unfolded before us during our preparations for the exhibition Tombac: Golden Grace. With Yapi Kredi's tombac collection as our starting point we discovered that behind the graceful and magnificent culture created with gold was in fact thousands of years of know-how and experience. The power and prestige conferred on gold down the ages gave rise to the notion of covering items made from less valuable metals with gold and inspired the development of gold plating methods. Beginning in Central Asia, Turks played a vital role in the production of metal goods and created a valuable culture in this field, crowned during the Ottoman period with the tombac gilding technique. However, the discovery of the electrolysis technique in the 19th century, led in due course to the discontinuation of the tombac gilding method. This book was produced to introduce the still insufficiently researched art of tombac that is about to sink into oblivion. While exploring the subject of gold plating from the early period, the focus is on tombac items which formed the pinnacle of Ottoman metal craft. Nihat Tekdemir examined the gold plating methods used in different periods of the cultural history. He covered the Ottoman tombac gilding technique comprehensively, described the differences between this and other gilding techniques and named the areas in which tombac was used. Prof. Dr. Sümer Atasoy explained that copper always was the most favoured metal in Anatolia, and while relating the story of coppersmithing, he also touched upon production techniques and the decoration of copper before the tombac gilding. Ömür Tufan, expert at Topkapi Palace Museum's Copper and Chandelier Department, described the Ottoman sultan's tombac effects at Topkapi Palace, the characteristic features of the tombacs in the collection and where they were used.". (From preface).