573 résultats
Paris, Gallimard 1964. In-4 relié toile rouge de l'éditeur sous jaquette illustrée rempliée. 449 pages + table. 534 Illustrations, dans et hors texte, en noir ou en couleurs. Cartes. Certaines planches et cartes dépliantes. Dictionnaire-index, bibliographie, documentation archéologique. BEL EXEMPLAIRE. Collection Univers des formes, dirigée par André MALRAUX. EDITION ORIGINALE.
Taschen, 1996. 2 forts et grands volumes in-4 reliés toile sous jaquettes illustrées rempliées, étui illustré. Tome 1 : Du gothique au néo-classicisme. Tome 2 : Du romantisme à l'époque contemporaine. 760 pages en pagination continue. Annexes : biographies des artistes, avec registre des illustrations - remerciements - les auteurs. Importante iconographie. Exemplaire en parfait état
New Turkish Original bdg. HC. Folio. (33 x 24 cm). In Turkish. 205, [4] p., many color an b/w ills., with a CD. Istanbul Büyüksehir Tiyatrolari: Altin yillar, (1938-1964).
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 236 p., color ills. The event of a thread: Global narratives in textiles.= Iplikten çözülmeler: Tekstilde küresel anlatilar. [Exhibition catalogue]. 'The Event of a Thread' brings together 25 international contemporary artists, who use textile to create aesthetic and cultural narratives through objects, installations and video works. The title of the exhibition is a quotation from On Weaving (1965), the reference book by Anni Albers, one of the most important artists from the Bauhaus textile workshops. Albers believed that socio-cultural and economic activities impacted textiles, and stated that 'Just as it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view.?' According to Albers, one could discover 'the event of a thread"' at the root of each development. In the exhibition, weaving threads are utilized as a metaphor, which facilitate the interaction of weaving styles, stories and production techniques from different cultures, and mediate the development of new connections between them. Organized in collaboration with the Institute for Foreign Cultural Relations (ifa, Institut für Auslandsbeziehungen), one of the oldest art institutions in Germany, the exhibition is curated by Susanne Weiss and Inka Gressel on the invitation of ifa and aims to build on the original selection by creating new connections in each institution the exhibition travels to, with the assistance of curators at each institution and the addition of new works from local artists. 'The Event of a Thread' brings together a variety of stories ranging from the tradition of quipu used by ancient Andean cultures in South America to the textile techniques from the indigenous people of Wichi in Argentine and from Bedri Rahmi Eyüboglu's revival and adoption of the long-forgotten tradition of yazma (originally used for hand-painted kerchief) to Burhan Dogançay's tapestries created at the Aubusson workshops. The exhibition focuses on the historical, social and cultural meanings of fabrics, investigates the various uses of textile as a tool of expression and brings together different artistic positions that interact with one another within the exhibition space.
New Turkish Paperback. 4to. (27 x 22 cm). In Turkish. 371, [17] p., color and b/w ills. 1989'dan bugüne Istanbul Tiyatro Festivali. Prep. by Özlem Memis, Leman Yilmaz. Istanbu Theater Festival from 1989 to present-day.
New Turkish Paperback. Pbo. 4to. (27 x 24 cm). In Turkish. 400 p., color and b/w ills. The Sabanci University Sakip Sabanci Museum (SSM) hosts works by the French sculptor Auguste Rodin. The exhibition titled "The Master Sculptor Rodin in Istanbul" comprises 203 artworks selected from the collection of the Rodin Museum in Paris. The exhibition features the artist's bronze, plaster and marble sculptures, archival photographs, many drawings as well as some pieces from his collection of antique-style statues. Among nearly 100 sculptures that will be exhibited by SSM, which aims to promote wider public appreciation of the art of sculpture through the works of a renown master sculptor, are Rodin's masterpieces like The Thinker, The Kiss, The Burghers of Calais, The Monument to Balzac and The Walking Man. In addition to 18 statues and many other diassembled-assembled pieces drawn from The Gates of Hell, on which Rodin worked for long years but could not succeed to complete, 20 antique-style statues from Rodin's special collection are displayed at the exhibition. The bronze horse statue, after which the Horse Mansion was named and which has been saluting the Bosphorus since 1952, has been replaced with the Monument to Victor Hugo for the first time on the occasion of the exhibition. The statue of the renown poet, writer and thinker Victor Hugo made by Rodin is 1.85 m in height and 2.85 m in width. The photographs and sketches exhibited along with the other works enable visitors to track the artist's journey from his early works to his most famous masterpieces, and also shed light on the artist as a sketcher and a collector. The bilingual exhibition catalogue, which was prepared in Turkish and English, and whose texts were compiled by Samih Rifat, briefs on Rodin's life and artistic journey. The exhibition also proposes a set of events such as conferences, sculpture workshops and training programs for the kids. The exhibition, which is sponsored by Akbank and held in cooperation with the Rodin Museum in Paris and the French Cultural Center, will be open until September 3, 2006. The Artist - Born in Paris on November 12, 1840, François-Auguste-René Rodin discovered sculpture after he attended La Petite École, a special school for drawing and mathematics, and began to improve his drawing skill. He rented his first workshop in 1864 and met Rose Beuret, aged 20. In 1871, he exhibited his works in Belgium for the first time. In 1875, he started to work on a life-size human body, which he called The Bronze Age. In 1882, he sculptured the figures of Adam, Eve and the Thinker. After a while, he met Camille Claudel who soon became his mistress and biggest rival. In 1883, he created his Monument to Victor Hugo, and was commissioned by the City Council of Calais to sculpture the Monument to the Burghers of Calais two years later. The following year, he completed The Kiss. In 1888, the state commissioned The Kiss in marble for the Universal Exhibition. In 1889, he exhibited together with Claude Monet, the famous French painter and one of the founders of impressionism. In 1895, he bought the Villa des Brillants in Meudon and started to build up his collection of paintings and antique statues. The Rodin Pavilion was inaugurated at the Alma Square in Paris on the occasion of the Universal Exhibition of 1900, and a major exhibition of Rodin took place in Prague in 1902. In 1904, the first exhibition of a large-scale plaster of The Thinker took place at the International Society in London, then a bronze version of it at the Salon de Paris. The Thinker was placed in front of the Panthéon in 1906, which was later taken to Hôtel Biron (now the Rodin Museum) in 1908. The French National Assembly decided to establish the Rodin Museum in the Hôtel Brion in memory of the artist who handed over his collections to the state through three successive donations. On January 29, 1917, Rodin married Rose Beuret. Rose died on February 14, Valentine's Day. Die
As New As New Turkish Original bdg. Dust wrapper. Mint. 4to. (30 x 22 cm). In Turkish. 260 p., color ills. Vol. 2. Türk sanatinin yapi taslari, 7-11 Kasim 2016. [Exhibition catalogue]. Vol. 2.
Very Good English In modern dark blue hardcover made as saved original covers inside. 100, [1] p. Demy 8vo. (21.5 x 14 cm). B/w pcs. Signed in Turkish and dedicated in Ottoman by author. Rare. First volume, all published. In Turkish. Eski Türk çinileri I.
Alger, P & G Soubiron, 1933. In-12 relié demi-basane fauve à coins, dos à nerfs, pièce de titre de 109 pages illustrées Préface de Jules Rouanet. Tirage limité numéroté, ceui-ci sur Alfa supérieur Navarre. Avec envoi. Bon état.
Editions de l'Illustration, 1961. 2 volumes in-Folio reliés pleine toile grège éditeur, illustré d'un motif sur le plat et titre en noir. 146 + 145 pages. Nombreuses vignettes contrecollées en couleurs. Bon état
Mengès, 1999. 2 Grands et forts In-4 reliés pleine toile éditeur, titre doré en dos sous étui illustré de 679 pages. Très riche iconographie en noir et en couleurs, dans et hors-texte. Très bon état
Paris, Citadelles, Mazenod 1989. Grand in-4 relié toile éditeur sous jaquette illustrée rempliée, étui. 636 pages. Très nombreuses illustrations en noir et en couleurs ; dans et hors texte. Certaines planches dépliantes. Légendes des illustrations, index des noms cités et bibliographie en fin. Bel exemplaire.
Musée des Beaux Arts de Montréal - Gallimard, 1991. In-folio relié cartonnage éditeur sous jaquette et emboitage. 639 pages, avec 677 photos représentatives des années 20. Très bel état.
Very Good English Original cloth bdg. Demy 8vo. (21 x 14 cm). In Turkish. 2 volumes set (890 p.), b/w plts. Sanat terimleri ansiklopedisi. 2 volumes set. [Encyclopedic dictionary on art terms].
New English Paperback 4to. (28 x 24 cm). In English and Turkish. 215 p., color ills. Istanbul Modern's new exhibition focuses on 'harbor' as a theme of multiple dimensions as the museum occupies a former dry cargo warehouse transformed into a modern museum building right in the area known as the Port of Istanbul. Exploring how port areas are reflected in the visual arts, not only as geographical locations but also as sites of social and economic interaction, the exhibition also delves into the symbolic and metaphorical aspects of the concept of 'harbor'. Emphasizing the relationship of the city of Istanbul with the sea and ports, "HARBOR" takes a close look at the cultural and social life that has developed on the seaside and around ports in the art of Turkey from the nineteenth century to the present. Built on curatorial research in the fields of maritime culture in Turkey, social history, and the visual arts, the exhibition also includes a timeline. Summarizing the history of Istanbul through harbors, from archaeological work on the Harbor of Theodosius (Yenikapi) to the present, the timeline highlights major transformations and turning points in the city's relationship with the sea and ports. The "HARBOR" exhibition catalogue features texts, quotes, photographs, and visuals about the artists and works in the exhibition, as well as essays in which the curators present the conceptual framework of the exhibition. Published bilingually in Turkish and English, the catalogue includes the timeline as well as an article about the ports of Istanbul by Prof. Murat Güvenç, director of the Istanbul Studies Center at Kadir Has University, who advised the exhibition team in preparing the timeline. Built at the Haliç Dockyards in Istanbul, the vessel Bastarda was designed as part of the project "Darzana?: Two Arsenals, One Vessel" for the Pavilion of Turkey at the 15th International Architecture Exhibition, La Biennale di Venezia. It was reconstructed within the scope of the exhibition and is on view in the museum courtyard.
New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English. [x], 144 p. Forty poems from the Divan. Translated with introductions and notes by Peter Lamborn Wilson & Gholam Reza Aavani. Edited by Seyyed Hossein Nasr (Series on Ismaili Thought)."The Diwan, or Divan, is a collection of poems written and compiled by Nasir Khusraw (1004-1088 AD). Khusraw composed most of his poems in the Valley of Yumgan, a remote mountainous region in Badakhshan (in present-day Afghanistan). The Divan contains around 11,000 verses of Khusraw's own poetry, reflecting philosophical, religious, and personal themes. The majority of poems contained in the Diwan are odes composed in the traditional Persian qasida (a structured form of poetry with an elaborate metre). The qasida consists of a single rhyme carried throughout the entirety of the poem. In terms of rhythm, each line (bayt) of the qasida consists of two equal parts. The Divan also contains quatrains and shorter poems (as qasidas can be relatively long). Khusraw, in his Divan, employs sophisticated rhetorical and poetic devices characteristic of Persian poetry...". (Source: Wikipedia).
New English Paperback. Large roy. 8vo. (24 x 18 cm). In Turkish. 543 p., color ills. Arsiv, 1987-2018. This book is a documentary on Galeri Nev's exhibitions from 1987 to 2018. All exhibition brochures and invitations, photographs, documents included in this book from their first exhibition 'Abidin Dino: Bu Dünya' to the last one 'Alev Ebüzziya Siesbye' in Misir building in Beyoglu, Istiklal Street.
Very Good English Modern cloth bdg. made as saved original covers on cloth's faces. There are minimal tears on covers' corners. Oblong Roy. 8vo. (16 x 23 cm). In French. B/w ills. [2], 28 p., 2 folding pages. Manuel de calligraphie: Methode complete de carstairs dite Americaine ou l'art d'ecrire en peu de leçons par des moyens prompts et faciles.
Paris, Citadelles, Mazenod 1990. Grand in-4 relié toile éditeur sous jaquette illustrée rempliée, étui. 629 pages. Très nombreuses illustrations en noir et en couleurs ; dans et hors texte. Certaines planches dépliantes. Légendes des illustrations, index des noms cités et bibliographie en fin. Bel exemplaire.
Bruxelles et Leipzig, Meline, Cans et Compagnie, 1845, volumi 2 rilegati in 1, in-16, legatura coeva in mezza tela, titolo in oro su tassello in pelle rossa applicato al dorso, copertine della brossura editoriale rimontate sui piatti, pp. [4], 252 - [4], 284. Rara edizione belga. "La peinture chez les anciens" era apparso la prima volta come capitolo introduttivo ai sei volumi de la "Galerie de Florence", pubblicata a Firenze dal 1841 al 1844. Timbretto "Saechs. Franzoes. Vertrag 1856" sui frontespizi.
Paris, Plon Nourrit 1905. Fort in-4 broché couverture rempliée de IV + 239 pages. Très nombreuses illustrations dans et hors texte. Les hors texte sous serpentes. Manque en dos, sinon bel état.
Fine English Paperback. Pbo. Fine. [8], 222 p., 3 folding plates. 4to. (28 x 20 cm). B/w and color ills. Researches on history of Turkish and Islamic, and Ottoman art. Just volume 2. (2. of 2). Türk sanati tarihi arastirma ve incelemeleri Vol.2.
New Turkish Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 453 p., color and b/w ills. Bir tasim keyif: Türk kahvesinin 500 yillik öyküsü. [Exhibition catalogue]. 500 years story of Turkish coffee.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 2 volumes set: ([xLix], 1357 p.). Symposium papers of folklore, architecture, urban history, tourism, Turkish language, Turkish literature, philosophy, education, belles arts, archaeology, history of art, communication in Kocaeli City. Kök-Sakiz (Taraxacum kok-saghiz). Translated by Hilmi Arer.
New New English Original bdg. with original dust wrapper. Mint. 193, [4] p. In French and English. Color and b/w ills. Jenkell. Around the world. Text by Henri Perier.