2 111 résultats
1980106456Berg International 1980 In-8 broché 24 cm sur 17. 219 pages. Très bon état d’occasion.
3656Bordeaux, Féret & Fils Éditeurs, 964, 232 pp. in-8, br.
2001116572Rivages 2001 In-8 broché 23,5 cm sur 16,5. 272 pages. Certaines pages annotées au crayon à papier. Bon état d’occasion.
New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 31, [1] p., b/w ills. 500 copies were printed. Marcel Duchamp'in makinesi. Translated by Kerim Atay.
New English Paperback. Pbo. 4to. In English and Turkish. [iv], 160 p., color ills. "The "Afterimage" exhibition book features new essays commissioned exclusively for this publication. The book opens with curator Basak Doga temür's introductory text and continues with "Mat Collishaw in Istanbul", an essay by the Istanbul-based artist, lecturer and translator Nazim H.R. Dikbas. Dikbas's essay offers a comprehensive reading of Collishaw's works in the exhibition with reference to art and politics in Turkey. The art critic on The Guardian newspaper, Jonathan Jones also contributed to the book with a new text where he invites the reader onto journey in Collishaw's world. The exhibition book includes images and stills from all the works in the exhibition "Afterimage".
1973nx687Albert de Visscher Zig Zag, le fil d'Ariane Leporello 1973 Leporello (livre accordéon, 16.7 x 16.3 cm), couverture illustrée, iconographie en couleurs in-texte ; coins et coupes frottés, des marques et taches d'usage aux plats, intérieur légèrement défraîchis, assez bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
BIBG0002o.J. Bibliographie de l'Art Byzantin et Post-Byzantin 1945-1969. Publie a l'occasion du Heme Congres International des Etudes Balkaniques et Sud-Est Europeennes a Athenes, Mai 1970. Athenes 1970. gr.-8°, 115 S., OKart., schwach lichtspurig, abgegriffen. - Bovini, Giuseppe. Principale Bibliografia su Ravenna Romana Paleocristiana e Paleobizantina. Faenza, Stab. Grafico 1965. gr.-8°, 46 S., OKart., Staubspuren, abgegriffen, Name auf Innentit., einige Bleistiftanstr. im Text. - Byzantine Biubliography 1971-1976. Exhibition Hall: 2.-15. Sept. 1976. Athens, Grigoris 1976. gr.-8°, 38 S., OKart., Gebrauchsspuren.
4223Paris, Aimery Somogy, 1965, in 8°, br., 272 pp
196527797La Pierre-qui-Vire Zodiaque 1965 In-8 Écu 352 pp, photos en noir et reproduites vendu sans l' Etui Carton Neutre, deuxième édition
195827791La Pierre-qui-Vire Zodiaque 1958 In-8 Écu 260 pp, photos en noir et reproduites vendu sans l' Etui Carton Neutre
1979142983La Légitimité, diffusion DUC 1979 In-4 broché 20,7 cm sur 14,2. 174 pages. État correct d’occasion.
3430Paris, Éd.Baudinière, s.d., 256 pp., in-8, huit ill. inéd.
1393541Paris: L'Harmatan, 2011 (achevé d'imprimé 2019) in-8, 225 pages, illustrations. Liste des préfaciers des catalogues d'exposition, chronologie des expositions thématiques; répertoire des artistes exposés à la Galerie B. Weill, bibliographie. Broché, comme neuf.
1925EEzz5061K1Bln., Propyläen-Vlg. (1925). 4°, 526 S., mit 45, zumeist mont. Farbtaf. u. zahlr., tls. farb. Textabb., OHldr. m. gepr. Rü. u. 2 roten RüSch., gepr. Deckelvign., an Kanten u. Ecken berieben u. bestoß., an den Kapitalen gröbere Läsuren, unten eine kl. Fehlst., Vorsätze stockfleck., Farbschnitt. (= Propyläen Kunstgeschichte; 14).
1925EEzz5055aK1Bln., Propyläen-Vlg. (1925). Lex.-8°, 533(1)S., mit 45, zumeist mont. Farbtaf. u. zahlr., tls. farb. Textabb., OHdr. m. gepr. Rü. u. 2 roten RüSch., gepr. Deckelvign., unwesentl. berieb., Farbschnitt. (= Propyläen Kunstgeschichte; 14).
195114755Les Documents d'Art 1951 93 pages IN4. 1951. reliure editeur. 93 pages.
200319073London u. New York : Phaidon Press, 2003. 431 S., Ill. Gr.-8°, Okart.
199335126Edita 1993 In-4 relié. Bon état d’occasion.
195911154La Pierre-qui-Vire Zodiaque 1959 In-8 Écu et Fort 339 pp, Collection La Nuit des Temps, n° spécial de la revue d'art Zodiaque ; traduction anglaise de Mrs Pamela Clarke, traduction allemande de Dom Albert Delfosse ; photographies inédites de Jean Dieuzaide. 2ème édition, 148 planches en noir hors-texte et quelques planches couleurs, cartes et plans in-texte. Reliure à la Bradel, titre estampé sur dos légèrement passé.
198729307la Manufacture 1987 In-8, rel. toile éditeur sous jaquette illustrée.361pp. Bon état d’occasion.
1924EEzz5057K1Bln., Propyläen-Vlg. 1924. 4°, 535(1) S., mit 46 zumeist mont. Farbtaf. u. über 500, tls. farb. Textabb., OHldr. m. gepr. Rü. u. 2 roten RüSch., gepr. Deckelvign., berieben u. bestoß., Rü- stärker berieb. u. etwas geblichen, Gelenke etwas beschäd., Vors. etwas stockfl., Farbschnitt. (=Propyläen Kunstgeschichte; 11).
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 192 p., color ills. 'Scenes from Tsarist Russia: 19th Century Russian Classics from the State Russian Museum Collection, not only presented art lovers with a selection of masterpieces being displayed for the first time in Turkey, but also offered scenes of Russian history through Russian Realist paintings. The masterpieces from the rich collection from the State Russian Museum in St. Petersburg reflected every aspect of life including labour and poverty, the world of children, public festivals, war and death, scenes from bourgeois life, and revolution. In literature, music, and fine arts, the "Russian spirit" is depicted as a world of emotions in which love, sorrow, and death run rampant. After the 1860s, Realist conventions came to dominate the genre scenes. Progressive artists of Russia began portraying the fundamental problems of the period such as social injustice, serfdom (until 1861, peasants were considered as property of landowners in Russia), child labor, subjugation of women, and poverty. Daily life hence became a point of interest in art. In the 1870s and particularly after the 1880s, a more positive attitude came into view; the artists gradually diverged from depicting painful worlds. The public was no longer the victim, but a powerful subject. A tendency to poeticize folklore, as well as the public perception of nature and the universe began to emerge. Social problems were addressed in their entirety; analysis replaced condemnation. The exhibition, which included artists from Repin to Makovsky, Yaroshenko to Shishkin along with many others, presented not only Russia of the period with all its different aspects, but with its themes and characters the exhibition offered audiences a unique experience, one similar to reading the works of the great Russian writers such as Nikolai Gogol and Fyodor Dostoevsky.'.
New New English Original bdg. Original dust jacket. Mint. In Turkish and French. 4to. (31 x 23 cm). 288 p. Color ills. 1500 copies were printed. Ömer Kalesi. Yörüngeler.= Trajectoires. Texts by Jacques Lacarriere. TURKISH ART OF PAINTING & SCULPTURE Sculptor.
2004205395
