2 111 résultats
201604012Paris, Skira flammarion , 1984 ; in-4, 222 pp., br. Broché un peu usage etat correct.
L17088Centre Georges Pompidou, 1984. Deux volumes in-4 br. de 200 et 240 pages. Nombreuses contributions et énorme iconographie en couleurs et en noir & blanc. Superbes catalogues de l'exposition qui s'est tenue de Novembre 1984 à Janvier 1985. Chronologie, bibliographie, etc. E.O. Les deux catalogues...
1986102148Milano, Società per le Belle Arti ed Esposizione Permanente 1986 In-8 24 x 17 cm. Broché, couverture à rabats illustrée en couleurs, 577 pp., 26 planches en couleurs hors-texte, 294 illustrations en noir & blanc hors-texte, bibliographie, index des artistes, table des matières Exemplaire en bon état.
3707Paris, Édition des Musées Nationaux, 1956, 68 pp. 21 X 27 cm, br. Ouv. ill. 31 pl. n.b. h.t. Couv. ill. coul. Catal. réalisé par Mme Gabrielle Vienne. Préface de Jean Cassou Conservateur en Chef du Musée National d'Art Moderne.
1966110655Paris, Nrf Gallimard, coll. « Encyclopédie de la Pléiade, n° 21 » 1966 In-16 17 x 10,5 cm. Reliure éditeur pleine peau bordeaux, sous jaquettes papier et rhodoîd, 1727 pp., tableaux chronologiques, glossaire, index des noms, des oeuvres, des sites, des peuples et des techniques, table analytique, table des cartes et des illustrations, table générale. Exemplaire en bon état. Exemplaire en bon état.
3703Paris, Musée de l'Orangerie, 1947, 80pp. 13,7 X 18 cm, br. ouv. ill. 8 pl. h.t. n.b. Catalogue rédigé par Robert Mesuret avec une préface de M. René Huygue.
Very Good Turkish, Ottoman (1500-1928) Original brown leather photo album including 31 large gelatin silver photographs. Album size: 23x31 cm. Photo sizes: 16,5x22,5 cm. No captions. Each photo is mounted on album leaves and separated with tissue guards. Historically significant photo album including attractive photographs showing the process of the construction and launchings of the first two Turkish submarines at the Fijenoord Shipyard in Rotterdam, by German and Turkish engineers, under the secret project "NV Ingenieurskantoor voor Scheepsbouw (i.e. Engineer-office for Shipbuilding) which was a Dutch dummy company set up in The Hague and funded by the Reichsmarine after World War I in order to maintain and develop German submarine know-how and to circumvent the limitations set by the Treaty of Versailles in 1919. IvS first designed two submarines based on the World War I UB III of the Kaiserliche Marine. Both were built by the Fijenoord shipyard in Rotterdam in 1927 and sold to Turkey, which named them TCG Birinci Inönü and Ikinci Inönü. Photos show the Turkish and German commissions of engineers including Ata[ullah] Nutku who is the first Turkish shipbuilder and designer as well as the process of construction of these two Turkish submarines and launching at the Fijenoord Shipyard. The first two submarines built during the Republic era were U-Boats designed based on the UB-III class, one of the German submarine classes of the First World War era, ordered in 1925, received in 1928, and built at the Fijenoord shipyard in the Netherlands. NV Ingenieurskantoor voor Scheepsbouw (Dutch: engineer-office for shipbuilding) designed several submarine types for paying countries, including the Soviet S-class submarine, as well as the prototypes for the German Type II submarines and Type VII submarines. The company was a joint venture by the German shipyards AG Vulcan Stettin (located in Stettin and Hamburg), the Krupp-owned Germaniawerft in Kiel, and AG Weser in Bremen. Design work was carried out at the facilities of these companies in Germany. At the time of IvS, the Germans were bound by the Treaty of Versailles, signed in 1919. This treaty, among other terms, demanded that all German U-boats be destroyed or given to other nations. Thus the Reichsmarine was left without a submarine capability, and IvS was created to work around these restrictions. The work of the company was a major factor in the foundation of the Kriegsmarine of World War II. The first designed two U-Boats TCG Birinci Inönü and Ikinci Inönü were followed by the Submarino E-1 built-in 1930 by the Echevarrieta y Larrinaga shipyard in Cádiz, Spain, initially for the Spanish Navy, but mainly as a prototype of the German Type I submarine. However, the Spanish lost interest in the E-1, and it was also sold to Turkey in 1935 as the TCG Gür.
4564Paris, Hachette et Cie, 1900, in Folio : 386 pp, br
1986110596Paris, Société de l’Histoire de l’Art français 1986 In-4 broché 27 cm sur 22. 313 pages. Ouvrage illustré. Très bon état d’occasion.
L13376Chez le Bibliopole Vanier, 1889. Plaquette in-12 br. Préface de Paul Adam. E.O.
Very Good Turkish, Ottoman (1500-1928) Original gelatin silver photograph mounted on cardboard. Cardboard size: 30x36 cm, photo size: 17x23 cm. Descriptive text on the bottom of print in Ottoman script (Old Turkish with Arabic letters). Extremely rare souvenir photograph of 44 Turkish Presidency Orchestra members of the Mobile Exhibition [or Floating Exhibition, or Touring Exhibition] in 1926, with conductor Zeki Bey, Karadeniz ship [i.e. The Black Sea ship] and its route during the exhibition on the map in Ottoman showing 18 main ports of Europe. The orchestra gave concerts in the ports of Le Havre, Marseille, Genoa, Venice, Trieste, Barcelona, Liverpool, Antwerp, London, Hamburg, Stockholm, Helsinki, Leningrad, Danzig, Copenhagen, Amsterdam, Batumi, Odessa, Constanta, and Varna as part of the three-month tour. Seyyar Sergi [i.e. The Mobile Exhibition] was created in the Black Sea Ferry in 1926 as an international propaganda tool in the early Republican period. The ship containing Turkish products and artworks visited the major ports of Europe during its three-month journey and received accolades from the western countries. The Black Sea Ferry functioned not only as a merchant ship but also as a propaganda tool representing the new Turkish image during the floating exhibition. Onboard proms, elegance and refinement of staff were seen as a mirror of the Republic of Turkey by Western audiences. The Mobile Exhibition was a symbol of the strong will and determination that the Republic of Turkey, led by Mustafa Kemal Pasha, has put forward toward modernization. (Source: A Propaganda and Publicity Event of the Republic of Turkey: Mobile Exhibition and Europe Travel of 1926). Additionally, the book titled Seyyâr sergi ile seyahât intibâlari. [i.e. Description of and memories from Turkish Mobile Exhibition printed in 1928. First edition of this rare book by Arseven describing his experiences during this trip and his impressions of the places he saw. Arseven was a Turkish painter, writer, and politician. He made contributions to various fields, including photography, literary art history, theater, cinema, architecture, and urbanism. He was one of the first to introduce the scholastic disciplines of the history of art and architecture and urbanism to Turkey. He pioneered a unique "Turkish art" and pioneered the acceptance of the Turkish art concept. His 5-volume Art Encyclopedia is his most recognizable work. During World War I, he was at Kadiköy Municipality Branch Directorate and then organized exhibition arrangements for artists in Europe. Also during World War I, while in Germany he and his friends founded a company called Transorient Film. In 1917, a contemporary adaptation of Goethe's Faust was filmed in Munich in the name of "Die Tote Watch." Due to his experiences in art and exhibitions, Turkey, after the proclamation of the Republic, organized a traveling exhibition that will take three months to introduce itself to Europe along with the new Turkey export products. In addition to businessmen, many intellectuals and artists, including Celâl Esat Arseven, were assigned to the exhibition organized on the 'Black Sea' cruise. The Black Sea cruise has been on duty at sixteen important ports in twelve European countries. Those ports and cities: Batoum, Odessa, Constanza, Varna, Istanbul, Trieste, Venezia (Venice), Genova (Genoa), Marseille (Marseilles), Barcelona, Havres, Anvers (Antwerp), London, Liverpool, Hamburg, Amsterdam, Danzig, Kopenhag (Copenhagen), Stockholm, Helsingborg (Helsing), Leningrad. The ship traveled 10 thousand miles in 86 days and returned to Istanbul on 5 September 1926. Özege 17939.; TBTK 4759. Totaly nine copies in OCLC: 26232123 / 13081396 / 1030749227.
3700Paris, Éditions des Musées Nationaux, 1954, 100+32 pp.13,5 X 18 cm, br. Ouv. ill. 32 pl. n.b. h.t. Introduction de L. Van Ryssel (Paul Gachet fils), préface de Germain Bazin, notices d'Albert Chatelet.
196515760La Pierre-qui-Vire, Zodiaque, 1965, gr. in-8°, 351 pp, préface de Hans Haug, 155 héliogravures et 4 pl. en couleurs hors texte, plans, reliure toile éditeur, jaquette illustrée, étui carton, bon état (la Nuit des Temps 22)
1965126450La Pierre-qui-Vire, Zodiaque, 1965, gr. in-8°, 351 pp, préface de Hans Haug, 155 héliogravures et 4 pl. en couleurs hors texte, plans, reliure toile éditeur, sans la jaquette, bon état (la Nuit des Temps 22)
1955126448La Pierre-qui-Vire, Zodiaque, 1955, gr. in-8°, 252 pp, 120 photographies en héliogravure sur 80 planches hors texte, 2 pl. en couleurs hors texte, cartes et plans, reliure toile éditeur, sans la jaquette, dos uniformément passé, bon état (la Nuit des temps 2)
1965123161La Pierre-qui-Vire, Zodiaque, 1965, gr. in-8°, 473 pp, 163 héliogravures en noir sur 136 planches hors texte, 2 pl. en couleurs hors texte, nombreux dessins de dom Wenceslas Bugara, index analytique, reliure toile éditeur, sans la jaquette, bon état (Introductions à la Nuit des Temps 1)
198249090La Pierre-qui-Vire, Zodiaque, 1982, gr. in-8°, 376 pp, 3e édition, 152 héliogravures hors texte, 5 pl. en couleurs hors texte, plans, reliure toile éditeur, jaquette illustrée (pelliculage de la jaquette lég. décollé), soulignures crayon sur les 20 premières pages, bon état (la Nuit des temps, 16)
1962123162La Pierre-qui-Vire, Zodiaque, 1962, gr. in-8°, 356 pp, 150 héliogravures hors texte, 4 pl. en couleurs hors texte, cartes et plans, reliure toile éditeur, sans la jaquette, bon état (la Nuit des Temps, 16)
1964126137La Pierre-qui-Vire, Zodiaque, 1964, gr. in-8°, 305 pp, 112 héliogravures hors texte, 16 pl. en couleurs hors texte, 8 pl. documentaires hors texte, 41 figures, cartes et plans, index, reliure toile éditeur, jaquette illustrée, bon état (la Nuit des Temps 19)
196698876La Pierre-qui-Vire, Zodiaque, 1966, gr. in-8°, 467 pp, 172 héliogravures et 6 pl. en couleurs hors texte, 209 figures dans le texte, reliure toile éditeur, jaquette illustrée, bon état (Introductions à la nuit des temps, 3)
1984125708La Pierre-qui-Vire, Zodiaque, 1984, gr. in-8°, 336 pp, 162 héliogravures hors texte, 4 pl. en couleurs hors texte, plans, cartes, index, reliure toile éditeur, jaquette illustrée, qqs soulignures crayon, 6 mots surlignés dans l'index, bon état (la Nuit des temps, 61)
1957126444La Pierre-qui-Vire, Zodiaque, 1957, gr. in-8°, 260 pp, 119 héliogravures et 6 pl. en couleurs hors texte, nombreux plans, index, reliure toile éditeur, sans la jaquette, bon état (la Nuit des Temps, 5)
1968124279La Pierre-qui-Vire, Zodiaque, 1968, gr. in-8°, 304 pp, 129 héliogravures et 8 pl. en couleurs hors texte, plans, reliure toile éditeur, jaquette illustrée, étui carton, bon état (la Nuit des Temps 27)
1959126452La Pierre-qui-Vire, Zodiaque, 1959, gr. in-8°, 340 pp, 148 héliogravures sur 128 planches (photographies de Jean Dieuzaide) et 4 pl. en couleurs hors texte, nombreux plans, reliure toile éditeur, sans la jaquette, bon état (la Nuit des Temps, 10)
1964126136La Pierre-qui-Vire, Zodiaque, 1964, gr. in-8°, 260 pp, 2e édition, 88 héliogravures et 6 pl. en couleurs hors texte, cartes et plans, index, reliure toile éditeur, jaquette illustrée, bon état (la Nuit des Temps, 7)