Collectif.Livre Rare Book
2 111 résultats
2000123059Picard, 2000, gr. in-8°, 344 pp, 21 illustrations et plans en couleurs, 103 illustrations, plans et figures en noir, 4 tableaux généalogiques, notes, broché, couv. illustrée à rabats, bon état
2004gg1532Art Press Revue 2004 In-4 (22 x 28,5 cm.), revue, couverture illustrée, 161 pages, illustrations couleurs et noir et blanc in-texte, magazine bilingue français-anglais, n°spécial - 2004 ; légers frottements aux coiffes, bords et mors, menus incidents, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
2007gg1533Art Press Revue 2007 In-4 (22 x 28,5 cm.), revue, couverture illustrée, 98 pages, illustrations couleurs et noir et blanc in-texte, magazine bilingue français-anglais, n°333 - avril 2007 ; menus incidents, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
198381602Somogy Paris 1983 Petit in-4 carré
1963106670Arthaud 1963 In-8 broché 22,5 cm sur 17. Jaquette en bon état. 417 pages. 248 Illustrations dont 8 hors-texte en couleurs. Bon état d’occasion.
1965ART915C115GARLIBRAIRIE ARMAND COLIN/le livre de poche, 1965. 431 pages augmentées de nombreuses illustrations en noir et blanc dans et/ou hors texte
1947122191947 P., Librairie Armand Colin, 1947.fort volume In-4 broché., VI-361 pp., 86 fig. en noir in-t, dont plans, 63 planches en noir., très bon état
194796552Librairie Armand Colin 1947 In-8, broché, couverture , VI-361pp., 86 figures in-texte, 63 planches hors texte, notes, index, tables. Dos restauré. Assez Bon exemplaire.
193896553Librairie Armand Colin 1938 Édition originale. In-8 broché 24 cm sur 19. VI-361 pp., 86 figures dans le texte et 63 planches hors texte Bon état d’occasion.
1640P., Minuit, 1956 ; in-8, broché, jaquette illustrée, non coupé.16 planches hors-texte. (L'Homme et la machine,7)
1915755à Paris, Imprimerie Nationale, 1915.
1980173851Office du Livre Office du Livre, 1980. In-4 relié toile verte éditeur sous jaquette illustrée. 285 pages. 211 photos noir et blanc et couleurs. Bon état.
195489621Souillac (Lot) - Mulhouse, Le Point, revue artistique et littéraire, coll. « N° 49 » 1954 In-4. Broché, couverture imprimée et rempliée grise, 40 pp., reproductions en noir & blanc. Bel exemplaire.
1981128716Ouest-France, coll. « Guides couleurs. Objet d'art », n° 5 1981 In-8 agrafé. 32 pages. Illustrations pleine page en couleur. Pelliculage desquamé. État correct d’occasion.
200853398Phaidon 2008 In-4 cartonné. Livre neuf. Poids sans emballage : 2970 grammes.
194815663Les Éditions du Chêne 1948 199 pages in8. 1948. reliure editeur demi toile. 199 pages.
198358721Paris, France Loisirs 1983 In-4 relié. Très bon état d’occasion.
1975173641G Kogan G Kogan, 1975. Grand In-4 broché couverture rempliée de 76 pages illustrées. Bon état
1994173200Parkstone Parkstone, 1994. In-4 reliure éditeur pleine toile sous jaquette illustrée de 256 pages ornées de photos dans et hors-texte. Bon état.
198913908Gründ 1989 159 pages in4. 1989. Reliure Editeur avec jaquette. 159 pages. Cet ouvrage publié par Gründ en 1987-1989 est un catalogue d'art islamique réalisé par les conservateurs du Metropolitan Museum of Art. Il couvre l'Égypte et le Proche-Orient avec une introduction de Stuart Cary Welch et une adaptation française de Claude Dovaz. Le livre fait partie de la collection 'Les Grandes époques de l'art' et compte 164 pages en format relié
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Turkish. 366 p., ills. Art, Art History and aesthetic are the definitions and the witnesses of time. At the same time, they are the definers of the place. That's the reason why, they are the indicators of the human evolution. Time is mostly explained by an evaluated process and, it is also identical with nonspatial dimensional continuum. Time, which is an abstract concept, is an continuing series of events. In Ancient philosophy, time was a space which included all living creatures was measured by specific methods. According to Kant, time is a design which undertake the feelings' primal function. Generally, it is impossible to exclude appearance from time. All of the appearances can destroyed but time cannot disappear by itself. Place is a fact that effects outer sense from Kant's point of view. Kant effected by Newton's idea of absolute time and space's metaphysical shape, he sustains the idea that time is different from place in terms of subjectivity. So, we can explain this definition as time is pure acumen. Bergson, categorizes time as real and psychological and mathematical. Mathematical time's transformation can be achieved in space / place, and real and psychological time's transformation can be achieved in the conscious. Place is space designed in order to compensate human needs and is separated naturally from the environment, for the human's indispensable necessities. Place is the most relevant property of architecture and is identified with the concept of architecture. Time is the most important evidence of Human evolution. Explanations and examples of this evolution are the structures, which we can describe as architectural pieces. Periods, which have constructed the Art History, can all be explained by time and place. Art History, which explains civilizations, states and Empires with properties of their art, examines art works, which are created by the continuity of time and space. The Symposium aims to highlight the progress of art through time and in this sense, it will shed aesthetic theorems which have shaped Art History. Your attendance will be very important for being a witness to the process of Art History in the light of these subjects.
197535205BBStuttgart, Publishers: Metzler, 1975. Publishers: Metzler (1975). 86 Pages. Original Flexible Boards. Ex-Library-Copy. Library-Sticker on the Spine. Pages slightly browned (age-related). No Markings in the Text! No Underlinings! No Owner-Notation! Cover only with small Signs of Usage! (Amerikastudien, Band 41 / American Studies, Volume 41)
New New English Original bdg. Dust wrapper. 4to. (27 x 25 cm). In English and Turkish. [6], 161 p., color ills. Art in sweetgum forests.= Sigla ormanlarinda sanat. [Exhibition catalogue]. Edited by Oya Ayman. The project aimed to establish a cultural bridge through art and nature - to promote observation and field-based wildlife art as a tool for raising awareness of the Turkish Sweet Gum Forests. The tangible project outcomes, aside from the mountain of artwork produced by tutors and students alike, are a project book and an exhibition, both of which are at the time of writing, being developed. The exhibition will travel to three different sites in Turkey as well as the 'Natural Eye' exhibition at the Mall Galleries in London.
1876EEzz6076Paris, Ducher (1876). Fol., jeweils 8 S. Text u. 39 (von 40) nach R. Pfnor gestoch.Taf., Taf. 18 fehlt aus Vol. II, Taf. 37 fehlt aus Vol. III, OHln.-Mappen m. Fragmenten von 6 Verschlussbändchen, stark verschmutzt, fleckig, berieben, bestoß., Kanten tlw. m. ausgerissenen Stellen, Leinenrücken rissig, Bibl.-Et. am vord. Deckel, Blätter stark staubrandig m. kl. Randläs., Rückseiten d. Blätter tlw. schmutzfl. Pfnor, Rudolf oder Rodolphe (1824-1909). In Darmstadt geborener Architekt-Stecher u. Architektur-Schriftsteller. Schüler v. Rauch u. L.Visconti. - Stiche von Möbel u. Ornamentik des Zeitalters Ludwig XVI.
Very Good English Paperback. Pbo. Small 4to. (27 x 19 cm). In Turkish. [4], 34, [2] p. Color ills. Art Nouveau, Art Deco & Art. 24 Ekim 1999, Pazar. Istanbul, Beyoglu. [Auction catalogue].
