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198639651Harrison House, New York, 1986. 592 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 28 x 25 cm, Pappeinband mit Schutzumschlag / Hardcover with Jacket
1981OKKU1414(Ldn.), Thames & Hudson (1981). 4°, 96 S., m. 118 (dav. 15 farb.) Ill., farb. ill. OKart. The Art and Imagination Series. - In Englisch.
New New English Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). English Edition. 264 p., ills. The global art compass. New directions in 21st century art. See the art, listen to the artist, trust your responses. The Global Art Compass shows us how to navigate the complex maze of the contemporary art world and unravel the intricacies of art today. In the past, writers and critics such as Goethe, Ruskin and Clement Greenberg perpetuated particular ideas about art and even dictated these ideas to the artists themselves. Since then, however, artists have rebelled. They no longer have to follow one prevailing theory or head for any particular city. New York, London, Paris, Berlin and Beijing are all great places to make art, but none today has a stranglehold on creation. In The Global Art Compass, Alistair Hicks demonstrates his belief that no single curator, critic or dealer can or should monopolize our view of what is happening in the art world today. Instead, he shows us how exciting and rewarding it is to navigate our own way through the art world by listening to the artists themselves. Organized by continent and including extracts from interviews with artists as diverse as Laure Prouvost (France), Anri Sala (Albania), GabrielOrozco (Mexico), Sandra Gamarra (Peru), Cai Guo-Qiang (China) and Nandan Ghiya (India), among many others, The Global Art Compass is an account of the author's explorations in the contemporary art world and a manifesto for how we might all discover our own inner art compass to help steer us towards the art that we find most meaningful and engaging. Now with a new chapter titled "The Compass in Turkey" written specially for this edition, The Global Art Compass shows that the preoccupations of artists in the twenty-first century are largely universal: that ever-faster communications are balanced by a resistance to globalization; that while art is seen by many as a commodity, it also has the power to be a regenerative tool; and that, despite an increasing confidence in an ever-growing range of media, artists are often searching for simple stories that will reach out to bigger audiences and change their lives for the better.
Fine English Paperback. 4to. (30 x 21 cm). Bilingual in English and Turkish. 93, [1] p., color ills. Contents: Messages, essays, plates, list of works, profiles of the ceramic artists, explanations of technical terms. The Exhibition of the Contemporary Japanese Ceramics in Traditional Style.= Geleneksel Stilde Çagdas Japon Seramikleri Sergisi. [Exhibition catalogue]. June 1-30, 1998, Türk ve Islam Eserleri Müzesi, Istanbul.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 236 p., color ills. The event of a thread: Global narratives in textiles.= Iplikten çözülmeler: Tekstilde küresel anlatilar. [Exhibition catalogue]. 'The Event of a Thread' brings together 25 international contemporary artists, who use textile to create aesthetic and cultural narratives through objects, installations and video works. The title of the exhibition is a quotation from On Weaving (1965), the reference book by Anni Albers, one of the most important artists from the Bauhaus textile workshops. Albers believed that socio-cultural and economic activities impacted textiles, and stated that 'Just as it is possible to go from any place to any other, so also, starting from a defined and specialized field, can one arrive at a realization of ever-extending relationships. Thus tangential subjects come into view.?' According to Albers, one could discover 'the event of a thread"' at the root of each development. In the exhibition, weaving threads are utilized as a metaphor, which facilitate the interaction of weaving styles, stories and production techniques from different cultures, and mediate the development of new connections between them. Organized in collaboration with the Institute for Foreign Cultural Relations (ifa, Institut für Auslandsbeziehungen), one of the oldest art institutions in Germany, the exhibition is curated by Susanne Weiss and Inka Gressel on the invitation of ifa and aims to build on the original selection by creating new connections in each institution the exhibition travels to, with the assistance of curators at each institution and the addition of new works from local artists. 'The Event of a Thread' brings together a variety of stories ranging from the tradition of quipu used by ancient Andean cultures in South America to the textile techniques from the indigenous people of Wichi in Argentine and from Bedri Rahmi Eyüboglu's revival and adoption of the long-forgotten tradition of yazma (originally used for hand-painted kerchief) to Burhan Dogançay's tapestries created at the Aubusson workshops. The exhibition focuses on the historical, social and cultural meanings of fabrics, investigates the various uses of textile as a tool of expression and brings together different artistic positions that interact with one another within the exhibition space.
New English Original embossed black cloth bdg. Demy 8vo. (22 x 15 cm). In English and Arabic. [56] p., b/w ills. The dialogue that is us.= Al-muhawarat al-ti tualifuna. Drawings by Ali Eyal. Edited by Fadi El Abdallah, Muna Abu Rayyan.
As New English Paperback. Pbo. Fine. 4to. (30 x 21 cm). In Italian, English, and Turkish. 67 p. 1600 copies were printed. Color ills. "The Dawn of Tomorrow is an exceptional exhibition consisting of selected contemporary artworks from private Italian collections where each collector transmits their passion and preferences of collecting art. Proje 4L / Elgiz Museum of Contemporary Art, hosting the Elgiz Collection permanently, is a space founded specially upon this passion. We all share same emotions and believe that through art, we can improve understanding, friendship and peace; we can dream of a beautiful 'tomorrow'. We are delighted to present in Turkey the Italian Contemporary Art within the frame of private collection and to open a dialogue between the artists and collectors of Italy and Turkey.".
Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 27 cm). In English and Turkish. 2 volumes set: (359 p.; 473 p.), color and b/w ills. The centennial tale of Turkish painting.= Türk resim sanatinin bir asirlik öyküsü. 2 volumes set. Texts by Kiymet Giray, Kaya Özsezgin, Zeynep Inankur et alli. 1500 copies were printed. A comprehensive set on history of the Turkish art of painting. A very heavy set.
Very Good Very Good English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English and Turkish. [224] p., color ills. The art of the Seljuks.= Selçuklu sanati. First Edition.
1992EEzz6058(Ldn.), Published for the Trustees of the British Museum by British Museum Press (1992). 4°, 192 S., m. 113 sw. u. 58 farb. Abb., OPpbd. m. farb. OU., schwache Gebrauchsspuren. In englischer Sprache.
Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 22 cm). In English and Turkish. 239, [4] p. Color ills. The art of glass and traditional Turkish glassware.= Cam sanati ve geleneksel Türk camciligindan örnekler. With a preface by C. J. Riedel.
Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 22 cm). In English and Turkish. 239, [4] p. Color ills. The art of glass and traditional Turkish glassware.= Cam sanati ve geleneksel Türk camciligindan örnekler. With a preface by C. J. Riedel.
Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 22 cm). In English and Turkish. 239, [4] p. Color ills. The art of glass and traditional Turkish glassware.= Cam sanati ve geleneksel Türk camciligindan örnekler. With a preface by C. J. Riedel.
Fine English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 67 p., color ills. The Angora goat trilogy: In art, history and tradition.= Ankara keçisi üçemesi: Sanat, tarih ve gelenek. [Exhibition catalogue]. 1000 copies were printed. HISTORY OF ART Angora goat Ankara History Tradition Turkish folklore.
New English Paperback. Pbo. Demy 8vo. (21 x 13 cm). In English. 138 p. The administrative transformation of public museums. Towards responsive museum governance in Turkish museums. Today, it is often emphasized by international organizations that local citizens should be encouraged to take part in shaping the cultural heritage policies, and that inadequate community engagement is the primary governance problem. Besides, the cooperation between central government, local governmental units (LGUs), private sector and Non-governmental organizations (NGOs) is regarded crucial to harness the potential of public museums. However, this understanding necessitates a transformation in museums' organizational structure and mission. This book discusses these changes with a special focus on Turkish public museums.
Very Good English Paperback. Pbo. 4to. (29 x 22 cm). In English and Persian. 150, [30] p., b/w ills. The 3rd Biennial of Iranian graphic designers. May 10 - June 21, 1992, Tehran-Iran. Tehran Museum of Contemporary Art. Signed and inscribed by Iranian cartoonist Ali Divandari to Turkish cartoonist Kamil Yavuz.
Fine English Paperback. Pbo. 4to. (27 x 22,5 cm). In Persian and English. 156 p. Ills. The 10th Tehran International Poster Biennial. 19 October - 11 November 2009 Tehran Museum of Contemporary Art. Cover Design: Biennial Poster, Ghobad Shiva. Executive Director: Amir Abdolhosseini. Publication Director: Mohammad Hassan Estabi.
200758295Hatje Cantz 2007 In-4 relié 28,8 cm sur 22,2. 352 pages. Bon état d’occasion.
ART7168M1998, The Everyman Art Library. In-8, broché, 176p. Riche iconographie couleurs et n&b. Bon exemplaire //// In-8, softcover, 176p with numerous b&w and coloured illustrations. Good copy
1960117412Penguin Books, 1960, pt in-8°, xxiii-408 pp, 298 illustrations, notes, index, broché, couv. illustrée, bon état. Texte en anglais
1977dc632Country Life Cartonné avec jaquette 1977 Massif in-4 (32,5*24.5 cm.), cartonné avec jaquette, 684 pages, nombreuses illustrations noir et blanc in-texte, texte en anglais ; pages 55 à 58 décollées, quelques plis et frottements à la jaquette légèrement défraîchie, bon état Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
19042294Offices of the studio Offices of the studio, London, Paris, Neuw York 1904. Special summer number. In-4 broché, non paginé. Nombreuses planches en noir, bistre ou couleur. Partiellement non coupé. L'Académie Royale de Londres de sa fondation (1768) à l'année 1868. The Royal Academy : it's origin and history. Painters of the Royal Academy 1768 - 1868. The sculptors of the Royal Academy. Engravers of the Royal Academy. The architects of the Royal Academy.Bon état
6517Washington, Smithsonian Institution Freer Gallery of Art, Oriental Studies, No. 8, 1970. In-4 cartonné, sous jaquete ill., 54 p. : 49p. text + Préface - List of plates - Chronology - Map of India - Text - Bibliography - 55 plates, 3 in colour - Index. Très bon état.
1996203780Couverture rigide. Cartonné. Jaquette. 78 pages.
200358390Harry N. Abrams 2003 In-4 broché 24,5 cm sur 19,1. 320 pages. Bon état d’occasion.
