1 659 résultats
116690Amst., 2006.
Very Good English Paperback. 4to. (28 x 21 cm). In English and Turkish. 72 p., 24 numeorus color and b/w plts. Efsuncu Orpheus.= Orpheus the Magician. The transition of Orpheus theme from Paganism to Christianity in Late Roman - Early Byzantine mosaics. Orpheus is a frequently used figure by the artists of antiquity. In this book especially the iconographic aspects of floor mosaics with Orpheus depiction are dicussed. The oldest mosaic dates to second century AD and the youngest to the sixth century. ARCHEOLOGY History of art Byzantium Mosaic.
New English Paperback. 4to. (28 x 21 cm). In English and Turkish. 72 p., 24 numeorus color and b/w plts. Efsuncu Orpheus.= Orpheus the Magician. The transition of Orpheus theme from Paganism to Christianity in Late Roman - Early Byzantine mosaics. Orpheus is a frequently used figure by the artists of antiquity. In this book especially the iconographic aspects of floor mosaics with Orpheus depiction are dicussed. The oldest mosaic dates to second century AD and the youngest to the sixth century. ARCHEOLOGY History of art Byzantium Mosaic.
Very Good English Paperback Pbo. Cr. 8vo. (19 x 13 cm). In French and Armenian. 31, [10] p. B/w and color ills. Eglises Byzantines transferees aux Armeniens. Avec photographies de l'auteur. ARMENIANS Christian architecture Byzantium Church History of art.
2002X113893Wien, Verlag der österreichischen Akademie für Wissenschaften 2002 206pp., with a short handwritten dedication by the author, 24cm., text in German, published in the series "Wiener Byzantinistische Studies" Band XXIII (23), softcover, very good condition, X113893
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In German. 20 p., iv numerous b/w plates (Tafeln). Ein Weiteres Sultansbild von Gentile Bellini aus russischem Besitz. A study on Gentile Bellini, (1430-1507), was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life. In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe.
1956X113796Athenai [Athens], 1956-1958 2 parts, together 366pp. (continuous pagination), text in Greek, 2nd ed., 25cm., blind wrappers, copy from the collection of the Belgian byzantinist prof. Justin Mossay (with ex-libris and stamp), some underlinings and annotations in pencil (most probably by J. Mossay, can be erased easily), X113796
México, Unión Tipográfica Editorial Hispano Americana, 1955, 23 x 16 cm., tela original, XXIII + 457 págs. + 3 hojas + 24 láminas + 1 mapa plegado. (Colección: La Evolución de la Humanidad. Tomo 50).
2012100145070Brandeis University Press 2012 119 pages 14x21 7x1 1cm. 2012. Broché. 119 pages. Ce livre basé sur trois conférences prononcées en 2011 examine les développements politiques et militaires dans la péninsule arabique à la veille de l'émergence de l'islam. Il se concentre sur la collision entre les empires byzantin et perse sassanide et explore des sujets comme la croissance de l'Éthiopie chrétienne les conflits avec l'Arabie juive et la capture de Jérusalem par les Perses
Very minor shelfwear. ; The figure of the Byzantine emperor, a ruler who sometimes was also designated a priest, has long fascinated the western imagination. This book studies in detail the imperial union of ‘two powers’, temporal and spiritual, against a wide background of relations between Church and state and religious and political spheres. Presenting much unfamiliar material in complex, brilliant style, it is aimed at all historians concerned with royal and ecclesiastical sources of power. ; Past and Present Publications; 354 pages
38030Turnhout, Brepols, 2007 Hardback, XLII+476 p., 160 x 240 mm. ISBN 9782503523033.
38031Turnhout, Brepols, 2009 Hardback, XLIV+458 p., 4 b/w line art, 160 x 240 mm. ISBN 9782503523774.
38032Turnhout, Brepols, 2012 Hardback, approx. 500 p., 160 x 240 mm. ISBN 9782503532431.
Fine Fine English Original bdg. Dus wrapper. 4to. (28 x 22 cm). In English. 255 p., b/w and color ills. Encomium to Istanbul.
1924X93117Athenai [Athens], 1924 383pp., 24cm., editor's softcover, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93117
1925X93118Athenai [Athens], 1925 382pp., 25cm., editor's softcover, most pages still uncut, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93118
1926X93119Athenai [Athens], 1926 405pp. with some illustrations in and out of text, 25cm., editor's softcover, pages still uncut, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93119
1927X93120Athenai [Athens], 1927 416pp. with some ills., 25cm., editor's softcover, text in Greek, pages still uncut, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93120
1928X93121Athenai [Athens], 1928 447pp. with some ills., 25cm., pages still uncut, editor's softcover (spine bit repaired), text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93121
1930X93122Athenai [Athens], 1930 470pp. with some ills., 25cm., editor's softcover, pages still uncut, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93122
1931X93123Athenai [Athens], 1931 444pp., 25cm., editor's softcover, pages still uncut, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93123
1932X93124Athenai [Athens], 1932 537pp., with some illustrations, 25cm., pages still uncut, editor's softcover, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93124
1933X93125Athenai [Athens], 1933 pp., 25cm., editor's softcover, pages still uncut, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93125
1935X93126Athenai [Athens], 1935 612pp., with some illustrations, 25cm., editor's softcover, pages still uncut, text in Greek, copy from the collection of the Belgian byzantinist Justin Mossay (with his ex-libris stamp, and ex-dono ex-libris and one other stamp), good condition, text in very good condition, X93126