(NUREMBERG CHRONICLE)Biblio.com
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149348447Nuremberg: Anton Koberger 1493. Single leaf in Latin printed recto and verso. Folio 12" X 17½". Very good. Mildly age toned with expected stitching traces along gutter edge. This encyclopedic account of world events is one of the best-known incunabula highly regarded for integrating dramatic and numerous woodcuts with text. German merchant Sebald Schreyer and his son-in-law Sebastian Kammermeister commissioned scholar Hartmann Schedel to write the text hired printer Koberger and produced versions in both Latin and German. The Latin version 1400 to 1500 copies appeared in July 1493 and the German version 700 to 1000 copies in December. According to one source about 400 Latin copies survive today and about 300 German copies with some of each having been disbound. "Folium CCVII" offered here includes an image at upper left of two "Linea imperatory" "Imperial rule" -- half-length portraits of Phillipus at top and beneath him Otto Quartus each holding orb and scepter. Leaf CCVIII features large woodcuts of monastery structures at upper left and lower right the former titled "Ordo cruciferorum" and the latter "Ordo carmelitarum." At upper right is a smaller woodcut of an unnamed clergyman clutching a crucifix. Anton Koberger unknown
194617590Folio. 33 x 205 cm. Folded in the middle. The 2 first leafs browned in the folding otherwise fine. <br/><br/><em>First edition of the English Version of the worlds most famous indictment in the form of which it was used during the whole trial. </em> unknown
elala3548Nuremberg: Sigmund Soldan’schen…August Zemsch 1896. oblong folio. title 16 photographs mounted on heavy card. loosely laid in original gilt-stamped cloth portfolio photo mounted on upper cover small tear to lower spine light foxing to edges of title Nuremberg: Sigmund Soldan’schen…August Zemsch, [1896] hardcover
196858898Nurnberg Germany: Albrecht Durer Gesellschaft; Et Al. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 92 pp. With 53 ills. 3 col. . 20 x 20 cm. -- with a bonus offer-- . Albrecht Durer Gesellschaft; Et Al paperback
196758873Nuremberg Germany: Germanisches Nationalmuseum. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 100 pp. With 65 ills. 2 col. > 20 x 18 cm. -- with a bonus offer-- . Germanisches Nationalmuseum paperback
2014108762Hirmer Publishers. New. 2014. Paperback. 3777422185 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and German. -- with a bonus offer-- . Hirmer Publishers paperback
194646438HMSO 1946-1951. Together 27 vols. 8vo. First Edition with 2 large folding charts; original printed wrappers one or two backstrips scuffed at head and tail else a remarkably well-preserved bright clean set. The extended set comprises: Part 1: 20 Nov 1945 to 1 Dec 1945 1946; Part 2: 3 Dec 1945 to 14 Dec 1945 1946; Part 3: 17 Dec 1945 to 4 Jan 1946 1946; Part 4: 7 Jan 1946 to 19 Jan 1946 1946; Part 5: 21 Jan 1946 to 1 Feb 1946 1946; Part 6: 2 Feb 1946 to 13 Feb 1946 1947; Part 7: 14 Feb 1946 to 26 Feb 1946 1947; Part 8: 27 Feb 1946 to 11 March 1946 1947; Part 9: 12 March 1946 to 22 March 1946 1947; Part 10: 23 March 1946 to 3 April 1946 1947; Part 11: 4 April 1946 to 15 April 1946 1947; Part 12: 16 April 1946 to 1 May 1946 1947; Part 13: 2 May 1946 to 13 May 1946 1947; Part 14: 14 May 1946 to 24 May 1946 1947; Part 15: 27 May 1946 to 6 June 1946 1948; Part 16: 7 June 1946 to 19 June 1946 1948; Part 17: 20 June 1946 to 1 July 1946 1948; Part 18: 2 July 1946 to 15 July 1946 1948; Part 19: 16 July 1946 to 27 July 1946 1949; Part 20: 29 July 1946 to 8 August 1946 1949; Part 21: 9 August 1946 to 21 August 1946 1949; Part 22: 22 August 1946 to 31 August 1946; 30 Sept 1946 and 1 October 1946 1950; Part 23: Index 1951. WITH Opening Speeches of the Chief Prosecutors 1946; Speeches of the Prosecutors against the Indicted Organisations 1946; Speeches of the Chief Prosecutors against the Individual Defendants 1946; Judgement of the International Military Tribunal with the Dissenting Opinion of the Soviet Member 1946. Volume 1 includes the folding chart of the organisation of the NSDAP; Volume 3 contains the folding chart of the organisation of the SS. EXTENDED SETS ARE EXCEEDINGLY SCARCE. HMSO, unknown
1750B4SB1E23SY47Nuremberg 1750. Ca. 39.5 x 71.5 cm. Kept in a white passe-partout. One large etching. Large etching with a spectacular night view of a fireworks display during the Nuremberg peace festival. This event took place in Nuremberg in July 1650 to celebrate the end of the Thirty Years' War 1618-1648 one of the most devastating conflicts in European history. The festival was intended as a sign of hope for a better future in Europe and particularly Germany. The present etching may have been printed to spread this message of peace.The Thirty Years' War started as a civil war within the Holy Roman Empire but eventually became a wider European affair. Primarily fought in present day Germany however it brought disease and starvation to the region and depopulated large areas. After five years of negotiation a peace treaty was finally signed in October 1648. Any remaining unresolved issues were negotiated during a major diplomatic congress held in Nuremberg between May 1649 and July 1650. When the negotiations were concluded a peace festival was held which included a large fireworks show. The present etching shows this spectacular display with the numerous skyrockets shot from all sides of the castle. Remarkable details are the burning statue in the middle and the men with flaming swords surrounding it.The image was engraved after designs by German artists Peter Troschel ca. 1620-after 1667 and Michael Herr 1591-1661. In was first printed in 1650 and included a title at the top and a legend at the bottom. The present version most likely dates from the middle of the 18th century but has been significantly enlarged especially lengthwise. These new proportions make the image even more spectacular.The work has been folded in the past the lower part of the left margin has been restored insect droppings in a small area on the left side of the head margin not affecting the etched image. Otherwise in good condition. unknown
1564WB18614Nuremberg: Valentin Geissler 1564. Hardcover. Very Good. Contemporary blind-tooled pigskin over wooden boards brass clasps catches bosses and bossed corner pieces one catch no longer present dated 1571; housed in a modern slipcase. 12 1/4 x 7 1/2 inches 30.75 x 10.5 cm; 288 ff.; historated woodcut title border and a full-page woodcut illustration of "Iusticia" "Pax" and "Liberalitas" with a small view of Nuremberg in the background both signed M.S. woodcut double-page tree of genealogical tree relations between 2P1 and 2. Binding somewhat worn two cornerpieces and one clasp lacking rebacked; internally somewhat shaken a few minor marginal tears and stains very extensively annotated in two or more hands. <br/><br/>This is the first edition of the revised 1564 Nuremberg city laws. These replacing a code previously enacted in 1498 are thematically organized into sections on court and procedural law; contracts right of distraint limitation law fishing law planning and building law; and the law of inheritance in which the folding table of genealogical relations frequently missing is placed. The extensive annotations address amendments to the statutes and interpretive aspects. BM/STC German p. 656; Stobbe II p. 304. Valentin Geissler hardcover
149325186Nuremberg: Anton Koberger for Sebald Screyer and Sebastian Kammermeister 1493. First Edition with the Latin text the bifolium with fine hand-colouring to the Venice view. This is one of the large double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneith 24 lines of text. The view of Venice was adapted from the 1486 woodcut by Erhard Reuwich in the Sanctae Perigrinationes. It is handsomely and finely handcoloured in blues greens yellows reds grays etc. Double-page folio ca. 540 x 364 mm handsomely mounted framed and glazed. Leaves XLIII and XLIIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists Michael Wolgemut the well-known teacher of Albrecht Dürer and his stepson Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book and a landmark in the history of illustration" and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all."<br> HIGHLY IMPORTANT INCUNABLE the “Nuremberg Chronicle†is the most extensively illustrated book of the fifteenth century and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1809 woodcut illustrations 1164 excluding repeats depict popes saints and other religious figures kings and emperors historical and biblical genealogies mythological and fanciful creatures natural phenomena and views of all the major cities of the known world as well as a brilliant creation sequence. In addition to the full-sheet maps of the world and of Europe twenty-nine city views such as this one span two pages and eight other cuts excluding the xylographic title page are full-page. The colophon explicitly acknowledges the contributions of the artists Michael Wolgemut and Wilhelm Pleydenwurff. Albrecht Dürer was at that time a pupil in Wolgemut's workshop and there is good evidence that he did many of the preliminary drawings for woodcuts and may even have cut some of them see Adrian Wilson THE MAKING OF THE NUREMBERG CHRONICLE. Anton Koberger, for Sebald Screyer and Sebastian Kammermeister unknown
149325185Nuremberg: Anton Koberger for Sebald Screyer and Sebastian Kammermeister 1493. First Edition with the German text. The bi-folium with fine hand-colouring to the Rome view. This is one of the large double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneath 22 lines of text. It is handsomely and finely handcoloured in blues greens yellows reds grays etc. Double-page folio ca. 540 x 380 mm handsomely mounted framed and glazed. Leaves LVII and LVIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists Michael Wolgemut the well-known teacher of Albrecht Dürer and his stepson Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book and a landmark in the history of illustration" and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all."<br> A HIGHLY IMPORTANT INCUNABLE the “Nuremberg Chronicle†is the most extensively illustrated book of the fifteenth century and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1809 woodcut illustrations 1164 excluding repeats depict popes saints and other religious figures kings and emperors historical and biblical genealogies mythological and fanciful creatures natural phenomena and views of all the major cities of the known world as well as a brilliant creation sequence. In addition to the full-sheet maps of the world and of Europe twenty-nine city views such as this one span two pages and eight other cuts excluding the xylographic title page are full-page. The colophon explicitly acknowledges the contributions of the artists Michael Wolgemut and Wilhelm Pleydenwurff. Albrecht Dürer was at that time a pupil in Wolgemut's workshop and there is good evidence that he did many of the preliminary drawings for woodcuts and may even have cut some of them see Adrian Wilson THE MAKING OF THE NUREMBERG CHRONICLE. Anton Koberger, for Sebald Screyer and Sebastian Kammermeister unknown
1482372091Nuremberg: Anton Koberger 1482. Eighth edition of the Bible printed by Koberger his first was 1475. Date from the colophon at end of text on fol. 427. Text in black letter two columns 53 lines. Red initials rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 of 462 leaves. 1 vols. Folio. Twentieth century orange morocco by Zaehnsdorf preserving earlier gauffered and gilt edges. Spine darkened from smoke minor rubbing. First leaf remargined at foot; some traces of damp and stains from old marginal tabs internally clean overall closed tear in fol. 388. Very good plus. Eighth edition of the Bible printed by Koberger his first was 1475. Date from the colophon at end of text on fol. 427. Text in black letter two columns 53 lines. Red initials rubricated throughout. Foliation irregular. Bound without first and last blanks. 460 of 462 leaves. 1 vols. Folio. ISTC ib00575000; GW 4250; Goff B575. Provenance: George Livermore Harvard bookplate recording 1859 deposit with ink release dated 1894; General Theological Seminary gift of Cornelius Vanderbilt and Dean Augustus Hoffman bookplates and blindstamps Anton Koberger unknown
159866701598. 22 leaves including some blanks or pages ruled in ink for entries. Agenda format 315 x 100 mm. stitched as issued uncut. Nuremberg: 1598.<br/> <br/> A fascinating document of a type that rarely survives: the manuscript account book for the spring 1598 Leipzig fair of Hans Straub I or the Elder 1541-1610 the prominent Nuremberg gold- and silversmith alderman and son-in-law of Wenzel Jamnitzer the best-known German goldsmith of his time. The first leaf bears Straub’s hallmark interwined initials “HS†over an arrow pointing upward within a plain shield & also containing the inscription “No. 72â€. Our manuscript sheds important light on the business relations in the late 16th century between the Nuremberg goldsmiths and their trade at the Leipzig fairs.<br/> <br/> Our account book is a list of sales orders and expenditures of Nuremberg goldsmith Hans Straub the Elder during the Leipzig Easter fair held in May 1598. While Straub is not expressly named he can be identified by his hallmark on the first leaf. At the fair trade was done in goblets rings knife-sheaths cutlery jewelry gemstones etc. Several business partners are named including the Nuremberg goldsmiths Heinrich Hahn Haan David Lauer and Paulus Koch. As an example of a transaction we see that the council of Halle paid over 33 florins for a goblet.<br/> <br/> In 1596 Straub was elected Alderman of the Artisans the most elevated and honorable office to which a Nuremberg artisan could aspire. Straub retained this position until his death in 1610. In 1569 he married Anna daughter of the famous goldsmith Wenzel Jamnitzer. On his father-in-law’s death in 1585 Straub inherited his casting molds and used them extensively in his own creations. Despite his long period of activity relatively few pieces made by Hans Straub have survived see Nürnberger Goldschmiedekunst 1541-1868 2007 ed. by Karin Tebbe et al. Vol. I p. 409.<br/> <br/> In fine condition.<br/> <br/> ⧠The mark is similar to Marc Rosenberg Der Goldschmiede Merkzeichen Frankfurt 1925 Vol. III no. 3969. unknown
