607 résultats
1962151288Beverly Hills CA: Chrislaw Productions 1962. Archive of two Draft scripts one unbound a partial "last half of script" an 83-page "Scene Breakdown" four collections of revision pages two of which have annotations and a contact sheet of eleven images from the 1963 film. <br/><br/>The bound script is undated and without revisions likely a first draft. The unbound script largely yellow and blue revision pages dated 7/16 through 8/3 1962 is predominantly a carbon typescript with several ribbon typescript pages both on onionskin and 27 mimeograph duplication pages with a single dialogue annotation on page 26-A and page and scene number annotations on all mimeograph pages in holograph ink. The partial script dated 8/7 through 8/14 is a carbon typescript on on pink onionskin with a typed note "Last Half of Script sent to uncredited producer or crewmember Joe Wiseman" attached to the first page by a clip.<br/><br/>The "Scene Breakdown" is an undated 83 page carbon typescript on onionskin with a single dialogue annotation in holograph pencil likely screenwriter Joseph Landon's initial but extensive treatment. <br/><br/>The collections of revision pages include an eight page carbon typescript "Giordano Mountain Meeting" scene dated 7-18-62 on yellow onionskin. Three copies of a four page carbon typescript on pink onionskin "Notes on Five Victims" dated 8/7 with a handwritten note on purple paper attached by paper clip of "8/7 - Notes on Five Victims Third Rewrite." 46 pages of revisions ranging from page 3 through page 47-A dated 8/17 all on pink paper except for one mimeographed white page 28 of which are on pink onionskin with 36 pages carbon typescript nine ribbon typescript with annotations regarding dialogue motivation plot and strikes in holograph pencil and ink on 17 of the pages. The last collection of revision pages are 29 pink pages all but one are mimeograph duplication dated 10/10/62 five of which are page 124-A including the first page which is carbon typescript on onionskin noted as "Added Scene" by director "Bill Asher" with annotations in holograph pencil and ink the remainder are eight copies of pages 124 125 and 125A. <br/><br/>Lastly is a contact sheet of eleven images with top left image removed five of director William Asher on set three with Henry Silva with the remaining six of a bearded and heavily made-up Silva on the set.<br/><br/>Based on the 1959 Gold Medal paperback crime novel "The Kingdom of Johnny Cool" by John McPartland about an exiled American mobster who sends an Italian outlaw to the US to assassinate his enemies. <br/><br/>Set in Italy New York City and Hollywood shot on location in Southern California. <br/><br/>Bound Script:<br/><br/>Blue titled wrappers. Title page present with credits for screenwriter Joseph Landon. 140 leaves with last page of text numbered 139. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads.<br/><br/>8/3/62 Script:<br/><br/>Self-wrappers untitled with latest revisions dated 8/3/62 178 leaves with last page of text numbered 162. Largely carbon typescript duplication with several ribbon typescript pages and several mimeograph duplication pages rectos only with blue and yellow revision pages throughout dated variously between 7-16-62 and 8/3/62. Pages Near Fine overall with first page Very Good with chipping creasing and closed tears to right edge unbound<br/><br/>8/14/62 Partial Script:<br/><br/>Self-wrappers untitled with latest revisions dated 8/14/62. 139 leaves with last page of text numbered 187. Carbon typescript duplication rectos only with pink revision pages throughout dated variously between 8/7 and 8/14. Pages Near Fine overall with first page Very Good plus with chipping creasing and closed tears to right edge bound with metal clip to top left corner.<br/><br/>Revision Pages Very Good plus to Near Fine with some light edgewear.<br/><br/>Contact Sheet 8 x 10 inches. Near Fine.<br/><br/>Selby Master List US. Silver and Ward US. Spicer US. Chrislaw Productions unknown books
196315769JLos Angeles: Chrislaw Productions 1963. Original 139 page final shooting script bradbound in blue printed studio wrappers. Signed on the title page in blue ink by the film’s star Henry Silva using his name as well as that of his character Johnny Cool. Accompanying is the screenplay creation archive belonging to the film’s producer Milton Ebbins consisting of 335 pages of drafts and rewrites used in creating the screenplay consisting of original ribbon typescript carbon typescript and typed pasteups. With extensive pencil rewrites corrections and commentary about the direction of the screenplay on many of the pages. Very good condition. Considered one of the classics of neo Film Noir the film was directed by William Asher and starred Henry Silva in the title role Elizabeth Montgomery Richard Anderson Jim Backus Joey Bishop Sammy Davis Jr. and Telly Savalas. The film tells the story of the lives and loves of Italian and American gangsters. A very strange and usual crime film that is even more remarkable in that director William Asher is best remembered for previously directing the largest number of episodes 107 of the great comedy classic - I Love Lucy. Filming Johnny Cool was a 180 degree turn for the director. An amazing archive showing in detail the details and lengths that were taken to craft the screenplay and such a collection is rarely found dealing with a significant film. Chrislaw Productions unknown books
200539832Wheaton: Crossway Books 2005. Hardcover. Very good. 117pp index. Very good hardback in a very good dustjacket. <br/><br/> Crossway Books hardcover books
2000Embry 195776Crown 2000. First edition first printing. Fine in fine dust jacket in mylar cover. Crown, 2000. First edition, first printing. unknown books
2000Embry 157762Crown 2000. First edition first printing. Fine in fine dust jacket in mylar cover. Crown, 2000. First edition, first printing. unknown books
197066165Fresno: The Giligia Press 1970. First edition. 16 pp. Fine in gilt-stamped buckram. No dust jacket as issued. One of 200 copies the entire hardbound edition. A memoir in two “takes†by a correspondant and sometime friend of Kerouac's whose letters and person inspired characters in several of Kerouac's novels including Henry Morley in DHARMA BUMS. Fresno: The Giligia Press hardcover books
19702299137The Giligia Press 1970. Limited Edition. Stapled Binding. Near Fine. One of 2000 copies. Top edge of wrappers lightly toned ink name on front flyleaf. 1970 Stapled Binding. 16 pp. A Memoir In Which Is Revealed Secret lives and West Coast Whispers Being the Confessions of Henry Morely Alex Fairbrother and John Montgomery Triune Madman of The Dharma Bums Desolation Angels and Other Trips. The Giligia Press unknown books
197075203Fresno:: Giligia Press. Fine. 1970. Paperback. 087791012X . First edition paperback - 2000 copies. Fine in a variant binding of sewn soft cloth wraps with gilt lettering on front cover. ; 16 pages . Giligia Press, paperback books
197075205Fresno:: Giligia Press. Near Fine. 1970. Hardcover. 087791012X . First edition 200 copies. About fine in brown cloth with gilt lettering on the front board. No dust jacket as issued. ; 16 pages . Giligia Press, hardcover books
197017289Fresno: Giligia Press 1970. First Edition. Hardcover. Fine. One of 200 clothbound copies of this memoir by a friend of Jack Kerouac who appeared in several of his books including Dharma Bums and Desolation Angels. As new condition. Laid in to this copy is the folded one-page Prospectus for this title. <br/><br/> Giligia Press hardcover books
1970005618Fresno: Giligia Press 1970. First Edition. Hardcover. Fine. One of 200 clothbound copies of this memoir by a friend of Jack Kerouac who appeared in several of his books including Dharma Bums and Desolation Angels. As new condition. Giligia Press hardcover books
99626New York: Holt. hardcover. very good. ix 367pp. 8vo red cloth. New York: Henry Holt and Company n.d. A veyr good copy.<br/><br/> Holt unknown books
19702294930Edinburgh University Press 1970. Revised Edition. Hard Cover. Near Fine/Near Fine. Ink stamp on front free endpaper. 1970 Hard Cover. xi 258 pp. "Surveying the life aims character and inspiration of Muhammad this classic introduction explains the history form and chronology of the Qur'an and gives the views of Muslim and Occidental scholars. Edinburgh University Press hardcover books
197067291Edinburgh: Edinburgh University Press 1970. First Edition. Hardcover. Near fine/Near fine. A completely revised and enlarged version of Richard Bell's Introduction 1953 with a new index and an expanded bibliography. Octavo. Original blue cloth binding with gilt titles. Just a hint of edgewear; else near fine in like dust jacket. <br/><br/> Edinburgh University Press hardcover books
198744746Edinburgh: Edinburgh University Press 1987. Paperback. Very good. 166pp index. Very good in publisher's wraps. <br/><br/> Edinburgh University Press paperback books
1962040456Edinburgh: University Press 1962. xxiii 196p. dj Islamic surveys 1. University Press unknown books
149307hardcover. 293pp. 8vo cloth. London: Routledge & Kegan Paul 1961. Fine copy.<br/><br/> unknown books
1988248462Cambridge: Cambridge University Press 1988. 148p. wraps 6 x 9 inches lightly worn else very good condition. Articles on industrialization foreign workers in Soviet Russia workers in Weimar Germany and more. Cambridge University Press unknown books
1953135958Culver City CA: Columbia Pictures 1953. Original Spanish pressbook for the 1953 film<br/><br/>12 pages saddle-stapled 11 x 14 inches. <br/><br/>Criterion Collection 202. Columbia Pictures unknown books
19751550041975. Hardcover. VG. Red leather boards gilt letters on spine 199 pp. The every-name index to Morton L. Montgomery's history of Berks County Pennsylvania. The one included in his original book was incomplete. This volume is marked as "Vol. 2" on the outer spine meant to accompany the original history. A crucial resource for historians and genealogists. Uncommon. hardcover books
1901036672London: John Murray 1901. xvii 355p. b/w illus. one folded map deckled edges t.e.g. original blue cloth light foxing on the endpapers. John Murray unknown books
1901026206New York: E. P. Dutton & Co 1901. Reprint of the 1901 first edition. xviii 355p. 49 b/w illus. folded map t.e.g. original blue cloth deckle edges. E. P. Dutton & Co unknown books
190646500New York: Dutton. Very Good. 1906. Hardcover. NY: Dutton 1906. Third edition. 353 pages hardbound. Contents are clean and bright with minor foxing to endpapers only. Blue cloth binding is sound with light soil and a faded spine strip. Overall VG. . Dutton hardcover books
1988184254New York: St. Martin's Press 1988. Hardcover. VG-/VG- ex-library with labels and stamps on dj spine block inside front and rear covers and title page verso. Several pages have pencil markings and underlining but are otherwise very clean and clear. Black boards with gilt spine lettering; red dust jacket with white red and black lettering bw illustration; xxii 567 pp; 16 unnumbered pages of plates; bw illustrations and maps. "In this important new study to Japanese imperialism Michael Montgomery focuses on the psychological factors which lay behind it; the sense of inferiority engendered by the wholesale adoption of Chinese culture the feeling of uniqueness encouraged by the long period of isolation and acceptance of authority conditioned by the rigidly hierarchical nature of Japanese society. These factors still apply today he believes and the recent attempt to sanitise school history textbooks revives uncomfortable echoes of the pre-war Bureau of Thought Control."- dust jacket. Includes bibliographical references pages 545-550 and index. St. Martin's Press hardcover books
196541447San Francisco: Illuminations Press 1965. 1st printing. Leaves housed inside stiff printed folder Color illustrated printed paper title label to front cover. Sheets of blue and beige. Modest wear to folder and papers some rubbing to edges. Withal a VG example. 11 leaves printed recto only. Intratextual b/w illustrations and images. 17-1/2" x 11-1/2" <br/><br/>"Most of the writers and artists whose work fills out this inaugural edition of Illuminations would not be considered publishable by professional magazines that make up what has elsewhere been called the Establishment. Many have yet to reach thirty. Most do not I gather consider themselves Beat. Many are simply acquaintances with whom I read on the weekly series at the Blue Unicorn coffeehouse in San Francisco. Some of you may be dead not excluding established artists and editors. We are not. We are all growing. We are intensely alive as people and hopefully as artists." This the first publication of a 1960s poetry and art magazine of a post- "Beat Generation" San Francisco crowd. Illuminations Press unknown books
