MareMagnum
170 résultats
The ultimate compendium of counterculture press in the United States and the Netherlands during the heady decades of the 1960s and ’70s, this volume is the definition of sex, drugs, and rock ‘n roll. From underground pornography, free love, anti-establishment anarchism, and Provo, to anti-war protests, spiritual empowerment, the Black Panthers, and women’s liberation, it’s all here. Page after page of magazine covers, articles, advertisements, and clippings encapsulate the era when academia revolted, gays marched in the streets, and hippies wondered if Jesus got high, too. — Testi: De Donno Emanuele, Simonetti Gianni-Emilio et al. F.to: 23x31; pagg. 496; 64 COL e 450 BN; rileg. brossura. Editore: A&Mbookstore Edizioni, Milano, 2016.
196829110Editions Albin Michel 1972. In-8 broché de 255 pages au format 20 x 14 cm. Belles couvertures à rabats, illustrées. Dos carré, illustrée, avec une infime trace de pliure. Plats et intérieur frais, malgré d'infimes frottis aux coins. Présentation du livre au 1er rabat et de l'auteur, avec photo, au second. Livre consacré au mouvement Hippie et Underground américain, avec des documents et des photographies hors texte en noir et blanc. Deuxième édition, après l'originale parue en 1968, en très bel état général.
1986LFA-126748160Un ouvrage de 96 pages, format 110 x 180 mm, broché couverture couleurs, publié en 1986, Editions Téqui, bon état
Copertina illustrata a colori in fascicolo originale completo de "La Domenica del Corriere" del 14/10/1969
199729261<p>New York::: Simon & Schuster 1997. First Printing of the First US Edition. A Fine tight copy in a Fine bright dust jacket with the cut-out window not torn. Beneath the Diamond Sky tells the story of Haight-Ashbury San Francisco in the years 1965-1970 the years "the Haight" emerged as the mecca of the countercultural scene. Hoskyns begins his history of this 8-block-wide area during the Beat period which created the aesthetic for the psychedelic period that followed. He goes on to document the era's end with the defining moment of Altamont. Between these signal events he analyzes the place & the people that became the catalyst for the greatest social revolution of 20th-century America. Includes more than 100 reproductions of the great bands the fashions & the psychedelic posters/artwork. Fully illustrated with photos of period musicians and key players of the movement.</p> Simon & Schuster,, hardcover
Mm 135x205 Trimestrale di lettere e arti, anno II, n. 6, cartonato, 253 pagine + alcune pubblicitarie. illustrazioni in bianco e nero lungo il testo. Esemplare in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1977ZNF-514Première édition de ce recueil de poésies d'Allen GINSBERG bilingue anglais/français, traduction de l'américain Jean-Jacques Lebel et Robert Cordier, Christian Bourgois 1977.
197017000n.p.: n.p. ca. early 1970s. Very good. 25" x 38" approx. printed recto only in green and black ink. Folded with some splits at folds. Minor toning. Very good overall. <br/><br/>Poster picturing four sweaters wearing a number of buttons with pacifist themes like "Make love not war" and "Stop creeping proliferation." The poster has no text identifying an artist or any associated groups suggesting this was a commercial production with a "hippie" theme likely the kind of thing one might pick up in a head shop in the waning days of the counterculture. Still an evocative momento. n.p. unknown books
Testi: Debord Guy. F.to: 12,5x20; pagg. 358; BN; rileg. brossura. Editore: Druk Bosh Utrecht, Amsterdam, 1966.
Testi: Barbeau Clayton C.. F.to: 21x28; BN; rileg. brossura. Editore: Bruce Publishing Company, New York, 1969.
Testi: Meerum Terwogt Hanneke. F.to: 20,5x25,5; COL e BN; rileg. brossura. Editore: Foton Uitgeversmaatschappij, Amsterdam, 1970.
2303Flammarion. 1970. In-8° broché. Couverture illustrée dans le style hippie. 256 pages. E.O.
1967706821967 N° 10 - Décembre 1967 - Directeur-Rédacteur en chef : Michel Laborie - Mensuel d'information Edité par la S.A.R.L. d'édition du Journal et des publications Bande à Part - Grand in-4 broché - journal illustré - 32 pages
Un volume broché au format poche de 318 pp.; couverture illustrée. Bel état. Voir photo.
A clean, unmarked book with a tight binding. Age-toned paper. 288 pages; 273 illustrations, including 72 in full color. 5 5/8"w x 8 1/4"h.
19948388CBLöhrbach, Pieper's MedienXperimente [u.a.], 1994. gr.8°, 32 S., original Heft, Erstausgabe Einband minimal berieben, sonst sehr schönes, sauberes Exemplar (vo2gla)
200030448Miller Freeman, San Francisco, 2000. 192 Seiten, zahlreiche Abbildungen; Gr.-8°, ca. 23 x 23 cm, kartoniert
20046029CBMünchen, Heyne Verlag (= Heyne Taschenbuch Band 13990), 2004. 8°, 847 S. mit s/w-Abbildungen, illustr. original Kartonage (Paperback), Taschenbucherstausgabe Schnitt und Seitenränder minimal nachgedunkelt, der Rücken zart nach innen gewölbt, sonst ein schönes, sauberes und ungelesenes Exemplar
Mm 110x185 PRima edizione itgaliana. Brossura editoriale, 229 pagine. Copia eccellente, mai letta. SPEDIZIONE IN 24 ORE DALL'ORDINE.
197338968ABSan Francisco, Scrimshaw Press, 1973. quadr.gr.8°, 48 S. mit wunderbaren Fab-Abb. von selbstgezimmerten Holzhäuser (meist in schöner Natur oder der Wildnis), Text: englisch, original Leineneinband mit dem illustr. original Schutzumschlag, Erstausgabe / First Edition der weiße Umschlag zart berieben und an der unteren Rückenkante mit kleinem Fleckchen, sonst ein gutes, sauberes Exemplar mit tollem Abbildungsmaterial
A clean, unmarked book with a tight binding. Yellowing pages. Edge wear to dust jacket. 276 pages. Detailed practical information on all aspects of setting up a homestead.
Originally published in 1966, ‘Psychedelic Prayers after the Tao Te Ching’ by Timothy Leary is a work of textual interpretation, an exercise in creativity and an attempt to illuminate and guide the psychedelic experience through the lens of an ancient text. The cover drawing, a psychedelic, red horse motif, is illustrated by Michael Bowen. Having already published ‘The Psychedelic Experience: A manual based on the Tibetan Book of the Dead’ as an LSD guide book, Timothy Leary decided to look further East for his next inspiration. A fresh framework for exploring the “awareness-of-energy” and the “patterns of neurological signals which are usually censored from mental life.” The Tao Te Ching is an ancient Chinese text, containing 81 verses. It is thought to date from about the 6th century B.C.E, and tradition has it that it was written by Lao Tse, which means “old master”, although the authenticity of authorship and actual dates are still hotly debated. The style of the text is poetic and philosophical (in the broadest sense) and has been used as an inspiration for religions, artisans and in other systems of thought. There are numerous translations of the title, however its two root words are usually translated as “way” and “virtue”. It first became popularized in the West during the 19th century. Leary believed that the text must be reinterpreted for every new situation and this, for Leary, was especially true for the psychedelic experience. He took nine English translations of the text, read them all thoroughly and allowed the meaning to “slowly bubble up.” In his forward he wrote: “These translations from English to psychedelese were made while sitting under a bamboo tree on a grassy slope of the Kumaon Hills overlooking the snow peaks of the Himilayas.” In geography and text, he is overcoding the psychedelic space and reaching beyond Western culture for the substance but inevitably there is a merging of territories. For Leary, ‘Tao’ meant energy. His reading of the text, and its translation, tie into his 8-circuit (at the time 7-circuit) model of consciousness; specifically the cellular and molecular tiers, which, in his framework, LSD pertains to. It embeds the idea of consciousness being a Heraclitean flux, constantly in flow and in a permanent state of becoming. “Psychedelic poetry, like all psychedelic art, is crucially concerned with flow. Each psychedelic poem is carefully tailored for a certain time in the sequence of the session. Simplicity and diamond purity are important. Intellectual flourishes and verbal pyrotechnics are painfully obvious to the ‘turned on’ nervous system.” The book is structured into six parts; for preparation, the invoking of pure energy flow and different consciousness levels and the final section, which is the “Re-imprinting prayers”. The prayers, or poems, or hymns (as they are variously referred to) are a mixture of language; some poetic, some mystical and also some nods toward science. The use of innovative spacing and alignments create a rhythmic feel throughout and which lends itself very well to the spoken word. As a physical object, the book is a fascinating work in itself. The textured cover and the thick pages make it a delight to hold in your hands. The cover illustrations are beautiful, delicate and absorbing. The very ‘otherness’ of the psychedelic experience is invoked in the making of the prayer book. It contains the curiosity and the sensual multitude. There is a tradition of reinterpreting ancient texts, in the light of the psychedelic experience and it constitutes a major research area in psychedelic literature. ‘Psychedelic Prayers’ is one of the finest examples of this and still makes for a wonderful read in itself; as a curiosity, as a work of poetry and as an insight into the growth patterns of the psychedelic movement. — Testi: Leary Timothy. F.to: 18x22,5; rileg. brossura. Editore: The Poets Press Kerhonkson, New York, 1966.
1971142053Couverture souple. Brochure de 32 pages.
51FAYARD (1970), broché, 191 pages, très bon état
12971Paris, Fayard, 1970 15 x 21, 191 pp., broché, bon état
