150 résultats
P., confrérie Castille, 1997. In-8 broché, 158 pp. - 3 ff. Comme neuf.
Le grand livre du mois, 2003. In-8 relié plein cartonnage souple éditeur de 612 pages illustrées. Rares passages discrètement soulignées au crayon de papier sinon Très bon état
A clean, unmarked book with a tight binding. 126 pages.
A clean, unmarked book with a tight binding. 140 pages.
A clean, unmarked book with a tight binding. 66 pages.
Edge wear and small spots on cover. 6"w x 7 1/4"h. 54 pages. Signed by Bill Berkson on the title page. Number 54/750 copies.
Staple-bound. 8"w x 10 1/4"h. Signed by Bill Berkson and George Schneebaum and numbered 13. Published in an edition of 1000 with 26 copies numbered and signed by the author and artist. Foxing/discoloration to edges of cover.
A clean, unmarked book with a tight binding. Slight edge wear. 126 pages.
Small staple-bound blue chap book with slightly faded edge. 4 7/8"w x 7"h. 32 pages. Signed by Bill Berkson on the title page.
A clean, unmarked book with a tight binding. Slight wear to cover. 110 pages. Limited to 500 paperback copies.
A clean, unmarked book with a tight binding. Slight wear to cover. Signed by Bill Berkson on the title page.
A clean, unmarked book with a tight binding. 226 pages. Printed in an edition of 1000.
A clean, unmarked book with a tight binding. Cover by Joe Brainard. 4 7/8"w x 6 7/8"h.
in-8°, 270 pages, abondamment illustre in-t., broche, couverture illustree plastifiee. Etat dusage. [CA32-2]
31pp., 21cm., 1e édition, br.orig., bon état, B88760
in-8°, 277 pp., photographies, broche, couverture illustree.— RARE Bon etat [CA30-5]
P., Perrin, 1988-91. Deux volumes in-8 brochés, 439 et 416 pages.
Light wear to cover. Interior pages clean and unmarked; tight binding. 124 pages. Translated by Jon Graham; Frontispiece by Salvador Dali; Introduction by Antony Melville.
Grand Livre du Mois, 2017. Grand In-8 broché de 619 pages. Complet du DVD. Bon état.
Tallandier 2017, fort In-8 broché couverture illustrée. 620 pages. Parfait état.
Grand livre du mois, 2017. Fort et grand In-8 broché de 619 pages, Complet du CD. Rares passages soulignés discrètement au crayon de papier en marge sinon très bon état
Hardcover fort vol. in-8°, 564 pp., notes, index, cartonnage editeur sous jaquette illustree. Bel exemplaire (papier leg. jauni). [TX-1]
A clean, unmarked book with a tight binding. Clean, sharp edges. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
A clean, unmarked book with a tight binding. Edge wear to bottom and corner of cover. 160 pages. 6 1/2"w x 9"h. From the publisher: "Since the 1970s, Vancouver-based multimedia artist Hank Bull has acted as a connecting figure between artists and artistic communities internationally. Inspired initially by experimental music, mail art, Fluxus, and the absurdist performances associated with Dada and pataphysics, much of his practice has been ephemeral and dialogic, produced for underground audiences in artist-run and improvised contexts. Performance, communication, and the building of networks have thus often eclipsed the production of material things. Yet, material things have played an important role in his career - as documents, as vehicles of communication, as props, and as aesthetic objects in their own right. This career overview considers the material traces of a life lived as art, reconfiguring the immense and varied collection of the artist as a sculptural installation. Running throughout Bull s practice is a re-examination of the notions of distributed authorship, an affront to received ideas ever more pertinent in the age of information technology. Hank Bull was born in Calgary, Alberta in 1949 and now lives in Vancouver. A multimedia artist as well as an arts administrator, he has been a member of the legendary Western Front Society since 1973. He is the also the founder and executive director of Centre A (Vancouver International Centre for Contemporary Asian Art) since 1999. His works have been collected by the National Gallery of Canada and many private collectors."
Roanne, Editions Horvath, 1979. In-8 broché, 508 pp. Bon état.