4 771 résultats
1861278633New York: Derby and Jackson 1861. hardcover. good. Text engravings. 496pp. 12mo original brown cloth spine ends lightly worn edges of corners lightly bumped and lightly worn pages slightly wavy throughout. New York: Derby and Jackson 1861.<br/><br/> Derby and Jackson unknown books
1854005699London: Edward Moxon 1854. Full Morocco. Very Good. 8vo. 17 by 11 cm. 310 pp. With both the first and second series. Leather scuffed rubbed. Armorial bookplate of a Charles Harwood. <br/><br/> Edward Moxon unknown books
18275217London: Lupton Relfe and Charles Tilt 1827. First edition. Sm. 8vo. 2 vols. bound in 1. xii146;viii150pp. Each vol. with 36 woodcut plates. Title pages with woodcut vignettes. Later half calf circa 1900 gilt lightly rubbed over marbled boards black calf spine label. One leaf in Vol. I with a closed tear. One plate in Vol. II with a paper repair on verso. Occasional soiling and numerous amateurish pencil sketches & 1 in ink in blank areas done in a style imitative of the woodcuts. Lupton Relfe [and Charles Tilt] hardcover books
1844152720London: Henry Colburn 1844. First. hardcover. very good. 2 volumes. With numerous illustrations from designs by Leech. 300 312pp. 8vo bound in 19th century 1/2 leather over marbled boards well-rubbed overall but still sound and attractive. London: Henry Colburn 1844. First Edition. Scarce. Very good.<br/><br/> Henry Colburn unknown books
1825WRCLIT18913London: Printed for Baldwin Cradock & Joy 1825. 136pp. Full tan calf gilt extra by Zaehnsdorf without half-title and ads. Upper joint quite rubbed free binder's endsheet detached at gutter otherwise very good. First edition of Thomas Hood's first book albeit a collaborative venture with Reynolds. TINKER 1231. NCBEL III:359. Printed for Baldwin, Cradock & Joy unknown books
186735416Boston: Crosby & Ainsworth 1867. Blue cloth binding with gilt title lettering and decoration stamped to spine and blind design stamped to boards. AEG. Significant wear to extremities large water stain to front board. Withal an About VG copy. 480 4 blank pp. Inserted title page in color. 6-1/4" x 4-1/4" <br/><br/> Crosby & Ainsworth hardcover books
189748464London: MacMillan and Co. Limited 1897. 1st Edition. "Presentation copy" circular blindstamp to title leaf. Original publisher's maroon cloth binding with gilt stamping to spine. Average wear. Spines a bit sunned. Bookplate of Arthur Quiller-Couch. A VG set. 2 volumes: lxxxi 1 blank 355 1 blank; xii 415 3 pp. 2 page advert at rear of Vol II. Frontispiece portrait in each volume. Crown 8vo. <br/><br/> MacMillan and Co., Limited hardcover books
1829021033Londn: Charles Tilt 1829. First Edition. 12moin 6s. 29pp. illustrated with six full page wood engraved plates after George Cruikshank by Branston and Wright Bonner Slader and T. Williams. Bound in 3/4 tan polished calf two raised bands with compartments fully gilt decorated red morocco spine lablel gilt top edge gilt gray endpapers. A poem by Thomas Hood who was a poet humorist and wrote for several magazines including Punch. A very nice copy. Charles Tilt unknown books
186029130Boston: Ticknor & Fields 1860. 12mo. 2 vols. I: Frontis. xviii 310 pp. II: vii 327 pp. fold. facsimile. <br><br>First American edition the same year as the true first edition. Autobiographical account of Hood 1799-1845 the marvelous British humorist and poet drawn from various writing "collected arranged and edited by his daughter and with a preface and notes by his son." The text has several in-text copies "from his own sketches. Publisher's dark brown textured cloth stamped in blind on cover and in gilt on spine. Small paper labels at top of each spine. A few stray stains in some margins. Exsocial club library: call number on endpapers rubber-stamp on title-page no other markings. Ticknor & Fields hardcover books
185214971New York: Geo. P. Putnam 1852. 8vo. 173 1 pp.; 5 plts. <br><br>Early American printing of the second volume of Hood's lighthearted German voyages. Publisher's cloth spine with gilt-stamped title; cloth faded with back cover lightly waterstained and spine gilt dimmed. Vol. II only. Front pastedown with institutional bookplate front free endpaper with bookseller's stamp and front fly-leaf with private collector's stamp. Title-page with affixed "ex libris" slip covering an early inked ownership inscription with dangling loop from that inscription erased firmly enough to leave a small hole in the paper. Pages and plates lightly to moderately foxed. Geo. P. Putnam hardcover books
189731985London: Macmillan and Co 1897. Two volumes; 12mos 18.25cm.; publisher's maroon cloth gilt-lettered spines; lxxxi1355;xii415pp.; engraved frontispieces. Spines a hint sunned light shelf wear else a Near Fine set. From the library of the late local educator and historian Garland Quarles with his ownership rubberstamps to front free endpapers. Macmillan and Co unknown books
18781320140London: E. Moxon Son and Co. 1878. Softcover. Folio; pp 63; Fair/paperback; light brown spine without text; missing exterior layer to spine; stiff black front board; missing rear board; some scruffing wear to exterior; light tape residue to front; small chips to edges; text block has broken hinges; all edges gilt; some light foxing to most pages throughout; frontispiece with tissue guard; illustrated;. 1320140. FP New Rockville Stock. E. Moxon, Son, and Co. unknown books
1896140938854New York: Frederick A. Stokes 1896. First Thus. Near Fine. First thus. Original green rubbed cloth with gilt decorations cream stamping to front board all edges gilt. Near Fine with wear at head tips exposed; date written on front free endpaper front hinge a little overopened. Bright gilt a very clean copy. An illustrated edition of one of the 19th century English poet's more popular poems uncommon in such nice shape. Frederick A. Stokes unknown books
1863WRCAM30378Edinburgh: Edmonston and Douglas 1863. ix3268pp. plus folding map and twenty illustrations including nine tinted lithographs. Frontis. Half title. Contemporary brown pebbled cloth gilt-lettered spine. Slight wear to extremities half of rear cover faded and bubbled front free endpaper lacking. Minor foxing contemporary pencil annotations on list of illustrations else internally bright and clean. Very good. A charming and descriptive narrative of a tour of most of the major islands of the western Pacific including Aukland New Zealand New Caledonia Fiji Samoa Norfolk and the Isle of Pines with a lengthy segment on the Pitcairn Islands. Hood writes extensively on the habits of the numerous native peoples he encountered including thoughts on anthropology polygamy cannibalism religion child rearing and relations with whites. "An informative work with an interesting description of the Bounty mutineers' descendants at Norfolk Island. Scarce" - Angus & Robertson. FERGUSON 10528. TAYLOR pp.213261. HOLMES p.50. ANGUS & ROBERTSON INGLETON COLLECTION 6567. AUSTRALASIAN BIBLIOGRAPHY p.188. Edmonston and Douglas hardcover books
189242230London: John Hogg 1892. 16mo pp. xvi 238 2; publsher's green cloth gilt yellow glazed endpapers; edges rubbed spine ends lightly frayed; contemporary inscription on ffep bookplate on pastedown; preliminaries a bit foxed; a very good sound copy. Originally published in 1869 as "Rules of Rhyme a guide to English versification". See DNB IX. <br/><br/> John Hogg hardcover books
1865114028London: Ward Lock and Tyler 1865. Hardbound. VG. Original red beveled boards with elaborate gilt design newer spine cloth with original spine remnants expertly laid down. Contents bright and fresh. Ex art library copy. Slight ding to one lower edge a small amount of fraying beginning on lower right edge not bad. Red gilt embossed cloth. 91 pp. 24 full-page illustrations including the front piece. All edges are gilt. The date is taken from the authors' preface. A very nice copy all things considered of this scarce Dore title. The full-page plates are bright and clean. Includes the engraved bookplate of the former institutional owner created by H.W. Faulkner. Ward, Lock, and Tyler hardcover books
1877JC9316London: John Hogg 1877. New and Enlarged Edition. Hardcover. Very Good. Green cloth gilt-stamped lettering on upper board and spine; 12mo; pp. xvi 238 2 ads. Boards lightly rubbed; spine tips and corners a little frayed; some cracks in the gutter but holding just fine. Includes a rhyming dictionary. <br/><br/> John Hogg hardcover books
34334Other: Other. Very Good. Hardcover. or The Rules of Rhyme A Guide to English Versification. Edited with additions by Arthur Penn. NY 1892. 208 pages clothbound binding a bit loose pencil writing on flyleaves. . Other hardcover books
1902018965New York NY: Dodge Publishing Co. 1902. Book. Very good condition. Hardcover. First Edition. 12mo - over 6¾ - 7¾" tall. 116 pages of text including an index to the authors. Original hardcover binding with minor soiling/fading to the spine and minor shelfwear. No dustjacket. With yellow and green decorations throughout by Bertha Stuart. The front and a rear endpaper have a previous owner's charming poetic and affectionate inscriptions. The text is clean and unmarked. First edition. Dodge Publishing Co. Hardcover books
1999185444Woodbridge: Antique Collectors' Club 1999. Hardcover. VG no dj but covers and pages are very crisp and clean. Light gray cloth boards with gilt lettering on spine and front cover; color illustrated end papers; color illustrated frontispiece and title page; 350 pp; richly illustrated throughout in color. "This definitive book documents the history of the silver flatware produced under the Tiffany name. It includes flatware made by others but retailed by Tiffany as well as the flatware that was designed and made in-house. The story is woven into the broader fabric of the history of flatware in general and that of dining and selected food." "Based on extensive new research in the Tiffany Archives and many years of personal experience in collecting and dealing this volume discusses and illustrates Tiffany-made full-line patterns plus variations numerous not-full-line patterns and custom patterns. Detailed descriptions and specially commissioned photographs document the extraordinary creativity and craftsmanship that distinguished much of Tiffany & Co.'s prolific Victorian flatware production."--Description from dj. Contents: Pt. I. Silver Flatware Retailed by Tiffany 1845-c.1876 -- Ch. 1. Flatware made by Polhamus Hebbard Gorham Moore and others -- Pt. II. Silver Flatware Introduced by Tiffany 1869-1905 -- Ch. 2. Names Pieces Weights Parts Patterns -- Ch. 3. Place Pieces in Standard Patterns -- Ch. 4. Serving Pieces in Standard Patterns -- Ch. 5. Standard Patterns: Era of Edward C. Moore -- Ch. 6. Standard Patterns: Era of Charles T. Grosjean -- Ch. 7. Standard Patterns: Era of Paulding Farnham -- Ch. 8. Not-full-line Patterns -- Ch. 9. Custom Patterns. App. A. Flatware Terminology -- App. B. Glossary of Other Technical Terms as Related to Silverware -- App. C. Tiffany Flatware Markings -- App. D. A Tiffany Chronology: 1837-1997. Antique Collectors' Club hardcover books
1993117269New Haven and London: Yale University Press 1993. Hardcover. G dj has slight wear. Ex-library - pocket on back flyleaf. Slight foxing to page edges does not extend to text. Mylar covered illustrated dj. Blue cloth over boards gilt letters on spine cream and color illus. dj.; 338 pp.; 262 color and bw plates and figuresl; held in original cardboard slipcase. Fra Angelico's fresco paintings at the Dominican priory of San Marco are among the best-loved works of Italian art yet they have been oddly neglected by art historians. In this beautiful book William Hood analyzes the newly cleaned frescoes at San Marco setting them against the background of fifteenth-century Florentine artistic political cultural and religious history. Hood discusses the ideals daily rituals and pictorial traditions of the Dominican order - especially the reformed or Observant branch to which Fra Angelico belonged. He presents new material on traditions of religious art altarpiece design and imagery and the decoration of chapter rooms and cloisters. Hood compares Fra Angelico's work at San Marco to earlier Dominican altarpieces and to his other altarpieces for Dominican buildings in Siena Pisa Prato and Florence pointing out both the traditional elements and the startling novelty of the San Marco altarpiece. Similarly by comparing San Marco to other Florentine fresco cycles he illuminates the originality of the cloister and chapter-house of San Marco. Hood's discussion of San Marco follows an itinerary through the church and adjoining convent buildings beginning with the high altarpiece and ending with the corridor paintings - especially the exquisite Annunciation in the corridor of the north dormitory. Throughout he analyzes Angelico's use of color his technique in fresco and tempera the way he solved specific visual problems and how his paintings affected fifteenth-century viewers. This beautiful book will be an important addition to our understanding of fifteenth-century art and of artistic and cultural practices.<br/>Contents: Introduction: San Marco problems -- The myth of original perfection and the ideals of the Dominican observance -- Contingency and discontinuity : the Dominican community at San Marco 1436-1455 -- Traditio : Dominican altarpiece conventions in fourteenth-century Tuscany -- The limitations of likeness : Fra Angelico's Dominican altarpieces before 1440 -- Real presence : the San Marco altarpiece -- Ritual sites : Florentine painted cloisters and the representation of history -- The liturgy of the Dominican Constitutions : frescoes in the cloister of San Marco -- The community of believers : the Crucifixion in the chapter room of San Marco -- Habits and manners : frescoes in the novices' dormitory -- Eloquence and contemplation : frescoes in the clerics' dormitory -- Rich and poor : frescoes in the laybrothers' dormitory and in Cosimo de' Medici's cells -- Nature and grace in the art of Fra Angelico : the Madonna and Child with Eight Saints and the Annunciation -- Appendix: The Dominican Constitutions. Yale University Press hardcover books
1986162085New York: W.W. Norton & Company 1986. First edition. Hardcover. First printing. Hood's second novel. A fine copy in a fine dust jacket. A very fresh copy. W.W. Norton & Company unknown books
2004100484New York: Salander O'Reilly Galleries 2004. Softbound. VG. Blue printed wraps. 39 pp. Color and bw plates including one gatefold. Includes essays by William Hood and Leon Wieseltier. Salander O'Reilly Galleries unknown books
1016570368.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1514444984.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
