Burnside, Wesley MBiblio.com
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1974104534Brigham Young University Press. Fine. 1974. Limited Edition. Hardcover. 0845209127 . Hardcover. 1974. Half Leather binding in FINE condition. Leather Slipcase Fine also. 237 pages. SIGNED by the author. #116 of 250 copies. Brigham Young University Press. ; Oblong 4to 11" - 13" tall; 237 pages; Signed by Author . Brigham Young University Press hardcover
197313438Utah: Brigham Young University Press 1973. First Edition Limited Special Edition #149 of 250 copies. Oblong 4to. 237 pp. Bibliography. Index. 32 color plates; 83 black & white illustrations. Staplebound 4pp color prospectus laid in. Publisher's padded brown leatherette spine over cream linen boards; gilt lettering; housed in brown leatherette slipcase. A fine copy of the uncommon limited edition. The first published book to contain a wide selection of the major paintings by Dixon one of the great names in Western and American Art. Next day shipping. Celebrating our 15th year - all domestic orders ship with Delivery Confirmation Tracking Number - Images available upon request. Brigham Young University Press unknown
1974220182Provo Utah: Brigham Young University 1974. First edition Number 71 of 250 copies. Frontispiece. port. 83 figs. 32 color plates bibliog. index. xvi 237pp. 1 vols. Oblong 4to. Brown airbrush Sanigal Bucksyn faux leather & Bolton Natural Finish Canvas. In Bucksyn slipcase. First edition Number 71 of 250 copies. Frontispiece. port. 83 figs. 32 color plates bibliog. index. xvi 237pp. 1 vols. Oblong 4to. Brigham Young University unknown
197414148Provo UT: Brigham Young University Press. Fine copy hardcover with dustjacket and mylar overlay xvi 237 pp text throughout with 32 4/C plates 83 B/W illus. States this is the author's copy sign first end paper signed on title page also inscribed on first end paper. . Fine Copy. Hardcover. 1974. Brigham Young University Press hardcover
1974RDIXMAY00acmfBrigham Young University 1974. Fine. Dixon Maynard. Maynard Dixon. Burnside Wesley M. Provo Utah: Brigham Young University 1974. 237pp. Indexed. Illustrated. Bibliography. 4to. Book condition: Near fine. Dust Jacket Condition: Near fine. 1/250 signed copies. Signed poster laid in. Brigham Young University unknown
197474411Provo Utah: Brigham Young University Press 1974. Numbered Limited Edition. Hardcover. Very Good. Limited editon of 259 copies with this copy numbered 138 and Bound in Faux leather Whitman Sanigal Bucksyn and Boston Canvas. 236 pages notes bibliography index. Numerous color and black and white illustrations. Chapters include Early Years New York Period Return to the West 1912-1920 Social Commentary paintings Last Decade 1937-1946. Also includes full catalogue of oil paintings. Beautifully illustrated. Quarter brown leather over padded linen boards. Housed in publisher's faux leather Buckskyn slipcase. Some spotting to canvas boards bump to bottom of spine interior bright and clean. Brigham Young University Press hardcover
1974mon0004043303Brigham Young University Press 1974-12. Hardcover. Very Good. . limited special edition #189. near fine copy in slipcase. Brigham Young University Press hardcover
197465154Provo Utah: Brigham Young University Press 1974. Hardcover. Very Good in Good dust jacket. 27.5 x 33.5 cm. Oblong folio. 237 pages. 32 color plates. 83 black and white reproductions. Leather spine with tan cloth boards in dust jacket. Tape repair to front of jacket tear. Some edgewear to jacket. Jacket spine lettering faded. Brigham Young University Press hardcover
197422282Provo Utah: Brigham Young University Press 1974. hard cover in dust jacket cloth with leather or leather-like backstrip. large book. dj edges show shallow wear creases or light scuffs to spots along very edge. clean no writing or markings strong binding hinges.; xvi-237pp. 32 color plates and 83 b/w illustrations. contains a general catalogue of the oil paintings known at the time of publication. comprehensive monograph. First Edition. Hard Cover. Very Good/Very Good Minus. Oblong 4to. Brigham Young University Press Hardcover
197482448Provo: BYU Press 1974. Hardcover. Near Fine/no jacket. consign 10. Limited Special Collector's Edition bound in bucksyn and canvas; signed by Burnside.135/250cc. Slipcase shows some wear. BYU Press hardcover
1991Q-0801304016Addison Wesley 1991-10-11. Paperback. New. In shrink wrap. Looks like an interesting title! Addison Wesley paperback
1982mon0000068595W.C. Dykstra 1982-01-01. Unknown Binding. Good. in x in x in. W.C. Dykstra] unknown
1997SONG0471192473Wiley 1997-05-06. 1. paperback. Used: Good. 8.44x0.47x11.06. Buy with confidence. Excellent Customer Service & Return policy. Wiley paperback
1971ZB1339398Gordon And Breach 1971. Price HAS BEEN REDUCED by 10% until Monday June 29 weekend SALE item 285 pp. Hardcover previous owner's name to front free endpaper highlighting to the first half of the book else a good reading copy lacks dust jacket. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Gordon And Breach hardcover
1989050572Kramer Gallery. Good with no dust jacket. 1989. Paperback. Softcover. White paper covers sow soil and tanning. Upper left corner lightly frayed. Black comb binding. Text pages are clean. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; 4to 11" - 13" tall . Kramer Gallery paperback
194696045Playbill Incorporated 1946. Rare original playbill from the 1946 production of George Bernard Shaw's Candida starring Marlon Brando and Katharine Cornell. Octavo original wrappers illustrated. Boldly signed on the front panel by Marlon Brando Katharine Cornell Cedric Hardwicke Oliver Cliff Wesley Addy and Mildred Natwick. In near fine condition. Rare and desirable signed by the entire cast of this important production. Katharine Cornell played the lead role of Candida on Broadway in five different productions the last four of which were for her own production company. She became the actress most closely associated with the role and became so acclaimed that the Actor's Guild forbade any other actress from playing the role while Cornell was still alive. In her final production of 1946 a young Marlon Brando played the role of Eugene Marchbanks. Playbill Incorporated unknown books
194696045Playbill Incorporated 1946. Rare original playbill from the 1946 production of George Bernard Shaw's Candida starring Marlon Brando and Katharine Cornell. Octavo original wrappers illustrated. Boldly signed on the front panel by Marlon Brando Katharine Cornell Cedric Hardwicke Oliver Cliff Wesley Addy and Mildred Natwick. In near fine condition. Rare and desirable signed by the entire cast of this important production. Katharine Cornell played the lead role of Candida on Broadway in five different productions the last four of which were for her own production company. She became the actress most closely associated with the role and became so acclaimed that the Actor's Guild forbade any other actress from playing the role while Cornell was still alive. In her final production of 1946 a young Marlon Brando played the role of Eugene Marchbanks. Playbill Incorporated unknown
1992Q-0689716249Aladdin 1992-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Aladdin paperback
195221275Warrenton VA: The Virginia Horsemen's Association 1952. First Edition. Map. Printed in brown ink on textured ivory paper 22" x 27-3/4" ca 56cm x 71cm. Map size within neat-lines 14" x 25" decorated with insets of horses and riders by Wesley Dennis. Legend identifying farms by breeder farm name map location and county occupies lower third of sheet. Few tiny edge-nicks else a fine unmarked unsoiled copy never folded. An uncommon Wesley Dennis item. The Virginia Horsemen's Association unknown books
195221275Warrenton VA: The Virginia Horsemen's Association 1952. First Edition. Map. Printed in brown ink on textured ivory paper 22" x 27-3/4" ca 56cm x 71cm. Map size within neat-lines 14" x 25" decorated with insets of horses and riders by Wesley Dennis. Legend identifying farms by breeder farm name map location and county occupies lower third of sheet. Few tiny edge-nicks else a fine unmarked unsoiled copy never folded. An uncommon Wesley Dennis item. The Virginia Horsemen's Association unknown
1907006192London 1907-1913. Full Morocco. Very Good. A strange lyrical manuscript that celebrates the spiritual the mystical and the beautiful. Oblong 25.5 by 37 cm. 49 pages with content many of which are illustrated with watercolors until the last few unfinished pages which have illustrations sketched in pencil. 21 pages have watercolors not counting painted letters. Two pages have finished well-executed pen-and-ink drawings. Followed by blank leaves constituting half of the album. John de Kay 1872-1938 was an American entrepreneur millionaire author and eccentric. With earnings from publishing ventures he invested in the Mexican meatpacking business becoming in the process the "Sausage King of Mexico". By 1909 his meatpacking business in Mexico had a book value of $22 million which translates to about $500 million in today's dollars although he sold his interest in the business to the Mexican government five years later for just $5 million still over $100 million in today's dollars. With his fortune he produced his own play "Judas" on Broadway with no less a star than Sarah Bernhardt as Mary Magdalen. The play with its depiction of a vampish heroine was shut down by the police after its opening night. It was also banned in Boston and Philadelphia. De Kay reportedly infatuated with Bernhardt showered jewelry and other gifts on her. De Kay went on to pen many other works on a wide range of topics including women's rights the labor movement Mexico and world peace as well as at least one work of poetry. As a man of great wealth de Kay owned substantial properties in both France and England as well as having a lavish apartment in New York. We have not been able to discover anything about the presumed illustrator credited in pencil on the cut out back of the FEP Winifred Elliot whose enchanting work is to us the glory of this manuscript. As far as the manuscript this is an anthology of disparate pieces including poetry prose meditations and apercus some of which might be rightly deemed ruminative essays except the organization tends to be somewhat discursive and the purpose is not so much the setting forth of an argument as much as the gathering of loosely linked insights and observations. The writing style can be epigrammatic but also pompous and pretentious perhaps deliberately so as the tone desired would seem at times to be biblical and prophetic. Topics include the law of beauty the soul on being etc. In one essay entitled "On Civilization" de Kay appears to propound rather radical notions. He writes for instance: "The individual is not to expect any help from a Government so long as that Government is organized upon the theory that it is right that a few men may claim the ownership of the earth. . . " If we wish to flatter de Kay we could say some of his writing prefigures that of Kahlil Gibran. On the other hand it shares some kinship with the fusty belletrists of the Late Victorian period as well. However one might assess the writing on its own we would maintain it has merit in how it complements the artwork which it deserves credit for having inspired. The artwork generally has a strong affinity to the pre-Raphaelite style. Here are opulent floral borders seraphs aplenty Medievalist historicism and fantasy. We especially like a page which abounds with butterflies painted with magnificent detail. Condition: Rebacked with matching navy morocco with most of original spine re-mounted but loss of everything from lowest raised band to below from the original spine. Considerable amount of rubbing of leather along edges with a few minor abrasions to leather elsewhere. One shallow but wide ding on rear upper edge. Silk moire endpapers suffering some edge tattering. The FEP is deliberately scooped out neatly so by edge of turn-ins to reveal on back pencilled information about the book. We have relied on this information for the title and also as solidifying the attribution and dating. The pages have light edge toning and an occasional stray mark or smudge. <br /><br /> books
1913006192London 1913. Full Morocco. Very Good. A strange lyrical manuscript that celebrates the spiritual the mystical and the beautiful. Oblong 25.5 by 37 cm. 49 pages with content many of which are illustrated with watercolors until the last few unfinished pages which have illustrations sketched in pencil. 21 pages have watercolors not counting painted letters. Two pages have finished well-executed pen-and-ink drawings. Followed by blank leaves constituting half of the album. John de Kay 1872-1938 was an American entrepreneur millionaire author and eccentric. With earnings from publishing ventures he invested in the Mexican meatpacking business becoming in the process the "Sausage King of Mexico". By 1909 his meatpacking business in Mexico had a book value of $22 million which translates to about $500 million in today's dollars although he sold his interest in the business to the Mexican government five years later for just $5 million still over $100 million in today's dollars. With his fortune he produced his own play "Judas" on Broadway with no less a star than Sarah Bernhardt as Mary Magdalen. The play with its depiction of a vampish heroine was shut down by the police after its opening night. It was also banned in Boston and Philadelphia. De Kay reportedly infatuated with Bernhardt showered jewelry and other gifts on her. De Kay went on to pen many other works on a wide range of topics including women's rights the labor movement Mexico and world peace as well as at least one work of poetry. As a man of great wealth de Kay owned substantial properties in both France and England as well as having a lavish apartment in New York. We have not been able to discover anything about the presumed illustrator credited in pencil on the cut out back of the FEP Winifred Elliot whose enchanting work is to us the glory of this manuscript. As far as the manuscript this is an anthology of disparate pieces including poetry prose meditations and apercus some of which might be rightly deemed ruminative essays except the organization tends to be somewhat discursive and the purpose is not so much the setting forth of an argument as much as the gathering of loosely linked insights and observations. The writing style can be epigrammatic but also pompous and pretentious perhaps deliberately so as the tone desired would seem at times to be biblical and prophetic. Topics include the law of beauty the soul on being etc. In one essay entitled "On Civilization" de Kay appears to propound rather radical notions. He writes for instance: "The individual is not to expect any help from a Government so long as that Government is organized upon the theory that it is right that a few men may claim the ownership of the earth. . . " If we wish to flatter de Kay we could say some of his writing prefigures that of Kahlil Gibran. On the other hand it shares some kinship with the fusty belletrists of the Late Victorian period as well. However one might assess the writing on its own we would maintain it has merit in how it complements the artwork which it deserves credit for having inspired. The artwork generally has a strong affinity to the pre-Raphaelite style. Here are opulent floral borders seraphs aplenty Medievalist historicism and fantasy. We especially like a page which abounds with butterflies painted with magnificent detail. Condition: Rebacked with matching navy morocco with most of original spine re-mounted but loss of everything from lowest raised band to below from the original spine. Considerable amount of rubbing of leather along edges with a few minor abrasions to leather elsewhere. One shallow but wide ding on rear upper edge. Silk moire endpapers suffering some edge tattering. The FEP is deliberately scooped out neatly so by edge of turn-ins to reveal on back pencilled information about the book. We have relied on this information for the title and also as solidifying the attribution and dating. The pages have light edge toning and an occasional stray mark or smudge. unknown
196352194Major Magazines Inc. Very Good. 1963. First Edition. Single Issue Magazine. Very Good magazine in stapled wraps with some spine wear and minor age discoloration to the pages. 66 pages unmarked; DD0622 SHLF; 4to 11" - 13" tall; 66 pages . Major Magazines Inc unknown
1987RO60078713Scop House. 1987. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 511 pages.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1997Q-0834116545Beacon Hill Press 1997-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! Beacon Hill Press paperback
