307 résultats
[1 blanco],[8],377,12],[1 blanco] pp., met gegraveerd vignet (drukkersmerk met Jezuïetenlogo) op titelblad, volperkamenten band uit de tijd licht bevlekt maar in goede staat, 15cm., "Eerst in't Spaensch door R.P. Martinus de Roa beschreven, daer naer verduytscht by p. Franciscus De Smidt,.." en opgedragen "aen den edelen heere mijn heere Paschasius Franciscus Van Den Cruyce, Heere van Bouchout, Hove ende Stoovers", goede staat, cfr. De Backer-Sommervogel VII-1313-12, R95550
1639R95550Hantwerpen [Antwerpen], by de weduwe van Jan Cnobbaert/ by het Prosessen-huys der Societeyt Jesu 1639 [1 blanco],[8],377,12],[1 blanco] pp., met gegraveerd vignet (drukkersmerk met Jezuïetenlogo) op titelblad, volperkamenten band uit de tijd licht bevlekt maar in goede staat, 15cm., "Eerst in't Spaensch door R.P. Martinus de Roa beschreven, daer naer verduytscht by p. Franciscus De Smidt,.." en opgedragen "aen den edelen heere mijn heere Paschasius Franciscus Van Den Cruyce, Heere van Bouchout, Hove ende Stoovers", goede staat, cfr. De Backer-Sommervogel VII-1313-12, R95550
1652LRB100204in-12° reliure parchemin à la hollandaise. Titre à l'encre du temps en long sur le dos. Quelques pages papier jauni, parfait état. 12 ff° - 477 p.
1587LRB140201Pliage en in-4°, mais dimensions d'un in-16. Demi chagrin à nerfs chocolat, Titre frappé au dos, reliure XIX e siècle. Coins renforcés. Parfait état. Page de titre légèrement salie, traces marginales d'un démontage (pour faire une nouvelle reliure ?). Tâche oxydée sur le titre. Complet 112p.
15820499Venise, Ex Officina Damiani Zenati, 1582. En latin. Un fort volume in-8, 206 x 165 mm pour 55 mm d'épaisseur. 61 pp. non paginées + 795 pp. Relié plein vélin d'époque. Plats muets, dos avec mention calligraphiée d'une partie du titre et du (sur)nom de l'auteur, trois nerfs soulignés de gravures, coutures non soulignées près de la coiffe et de la queue, tranchefiles. Toutes tranches marbrées. Mention calligraphiée du "P. Benedictus Ambrosettus" en revers de la page de titre, un peu d'espace baillant à la reliure près de la page de titre, le bloc des pages étant ensuite relié de façon homogène. Dédicace de "Damianus Zenarus" au patricien et sénateur vénitien Francisco Longo, table des matières "Capitum Elencus" avec les huit parties du livres et leurs sous-parties, dites chapitres (3 pp.), suivi de l'"Index Compendiosus Secundum Alpha beti ordinem operis praesentis", le tout non paginé et faisant 61 pp. en tout. Le corps du livre est paginé de façon curieuse : deux pages sont comptées comme une seule page, avec un nouveau nombre à chaque page de droite, soit 396 pp. indiquées pour 794 + 1 pp. Avec lettrines tout au long du texte. Très petits trous de mites épars, en particulier en haut près de la reliure des premières pages de la Summa proprement dite, qui se réduisent rapidement jusqu'à disparaître totalement dès la page 13, sans perte au texte. Marbrure des tranches partiellement décolorée. Dos et plats bien conservés, intérieur remarquablement frais. *************************** Venice, Ex Officina Damiani Zenati, 1582. In Latin. A 55 mm thick octavo volume of 206 x 165 mm. 61 pp. (unpaginated) + 795 pp. Bound in full contemporary vellum. Blank covers, spine with calligraphic mention of part of the title and the author's (sur)name, three raised bands underlined with engraved lines, non-underlines seams near the head and tail, headbands. All edges marbled. Calligraphic mention of "P. Benedictus Ambrosettus" on the back of the title page, a little gaping space at the binding near the title page, the block of pages then being bound in a homogeneous manner. Dedication of "Damianus Zenarus" to the Venetian patrician and senator Francisco Longo, table of contents "Capitum Elencus" with the eight parts of the book and their sub-parts, called chapters (3 pp.), followed by the "Index Compendiosus Secundum Alpha beti ordinem operis praesentis", all unpaginated and 61 pp. The body of the book is paginated in a curious way: two pages are counted as a single page, with a new number on each right-hand page, i.e. 396 pp. indicated for 794 + 1 pp. Very small moth holes scattered around, especially at the top near the binding of the first pages of the Summa itself, which quickly become minimal until they disappear completely from page 13, without loss to the text. Marbling of the edges partially discolored. Spine and covers well preserved, pages noticeably clean.
AMO-44961812 [Sans lieu, i.e. Seysses, Toulouse] 1 volume in-4 (24,5 x 20,5 cm) de 348 pages chiffrées et 6 pages de table non chiffrées. Reliure pleine basane fauve de l'époque (première reliure). Usures et manques. Important manque de cuir dans la moitié supérieure du dos. Un coin sommairement anciennement réparé, roulette dorée en encadrement des plats, gardes et doublures de papier marbré. Intérieur parfait. Ecriture très lisible. Manuscrit autographe mis au propre contenant le texte définitif qui sera imprimé en 1814 sous le titre : Traité sur l'époque de la fin du monde, et sur les circonstances qui l'accompagneront, par un Solitaire (à Versailles, de l'imprimerie de J. A. Lebel) avec en plus et inédits, de la page 306 à 311, une importante Note de l'auteur, et de la page 313 à la page 348, des Observations sur le manuscrit d'un solitaire, Lettre de Mr B*** à Mr P***.
1593ST20495Amsterdam: Robert Robbertsz Le Canu 1593. FIRST EDITION. 192 x 140 mm. 7 1/2 x 5 1/2". 48 leaves fo. H2 and M4 blank. <br/> Contemporary stiff vellum smooth spine ink lettering on spine. WITH 15 HAND-COLORED ILLUSTRATIONS with eight woodcuts four in-text four full-page and SEVEN ENGRAVED FOLDING PLATES. Front pastedown with engraved bookplate of Vincent van Gogh cousin of the artist. USTC 423175. Vellum a little soiled occasional faint dampstains to head edge of text block leaves not as fresh as they once were insignificant fraying to edges of a folding plates and a few leaves one folding plate with two-inch tear to one corner not touching image two folding plates with short tears along central fold other trivial defects but still an excellent copy the text clean the coloring still rich and the binding solid.<br/> <br/> This is an intriguing and attractive piece of Dutch religious history stuffed full of engraved folding charts and calculations determining the moment the world will end; it also has a curious provenance as indicated by the charming engraved bookplate belonging to the cousin of the painter Vincent Van Gogh. Our author Robbert Robbertsz le Canu 1563-1630 was a Mennonite schoolmaster in Amsterdam whose scholarly output ranged from astronomy and maritime science to poetry and theology. In this work he uses the Jewish holidays and major biblical figures to build out a chronology of the world from Adam to Christ to the apocalypse with numerous charts illustrating the passage of time. Seven of these charts which vary in size and scale are illustrated with anonymous but attractively executed engravings of biblical events and have been hand-colored. This eschatological work is very rare: OCLC finds no institutional copies outside Europe and we could trace just two copies at auction in 1974 and 2001. The Friedlander copy in the latter year brought $6463 at Christie's-New York that copy is described as having eight folding tables while the 1974 copy had seven as does ours and as does the copy in the National Library of the Netherlands. Our copy is from the library of Vincent Van Gogh 1866-1911 the cousin of the painter by the same name. An art dealer and bookseller by trade he inherited his bookshop and gallery from his father Cornelis van Gogh 1824-1908 the brother of the artist's father. The two Vincents spent much time in the gallery growing up with the artist making numerous references to "Uncle Cor" in his letters noting the enjoyment he took in looking at the artworks and illustrated books in his uncle's shop; it is entirely possible that those books included the present volume. The bookplate itself contains a story of the artistic circles in which the Van Gogh family existed: it was executed by Marius Bauer 1867-1904 who etched four separate bookplates for our Vincent Van Gogh. The two apparently met when Bauer was drawing cartoons for Van Gogh's father's periodical "Kroniek"; Cornelis described Bauer as having "een goed oog voor de zotheid der dingen" "a good eye for the ridiculousness of things". That eye is evident in this amusing bookplate which depicts the bookseller as a haggard caricature hunched over his book with a magnifying glass an embodiment of how many a bookseller has felt on a bad day. Robert Robbertsz Le Canu] unknown