[INDIAN MINIATURE PAINTING].Biblio.com
292 résultats
112812India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Jackdoujie' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112808India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'boudaoutaar' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112805India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Rhayaoutuare' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112806India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Badzarinaut' . light surface soiling 155 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112800India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Buldoo' . light surface soiling 155 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112810India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Booda' . light surface soiling 150 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112801India probably Rajasthan second half of the nineteenth-century. . Single illuminated miniature painting on card illustration in opaque pigments heightened in gold contemporary ink inscription in English to upper margin reading 'Rousidaiyce' . light surface soiling 155 x 100 mm; house in modern card mount. Dimensions; 225 x 173mm 8¾ x 6¾ inches.<br /> <br /> India, probably Rajasthan, second half of the nineteenth-century. unknown
112941India probably Bundi circa 1780 AD. . Single leaf illuminated manuscript on paper in Sanskrit with illuminated miniature in the text lightly rubbed overall bright and attractive unexamined out of frame 205 x 115 mm; mounted and framed Germany gallery label to verso.<br /> An attractive manuscript leaf from a dispersed eighteenth-century manuscript of the Gita containing the heading for the seventh chapter of the text reading 'Gyan-Vigyan Yoga Namm Seventh Chapter'. The miniature set on a beautiful outdoor terrace next to a running stream shows a dialogue between Sri Krishna and Arjun.<br /> India, probably Bundi, circa 1780 AD. unknown
117474Rajasthan India circa 1840. . Single illuminated miniature on card ink and gouache heightened in gold depicting the ruler standing proud with his sword and shield in the holster full leaf 298 x 215 mm miniature 235 x 150 mm; leaf double-ruled in black with borders painted red reverse blank a bright and attractive example.<br /> Maharana Sangram Singh also known as Maharana 'Sanga' 1482-1528 was an important ruler in sixteenth-century India. He was the ruler of Mewar from 1508 to 1528 and his territories included parts of present-day Rajasthan Gujarat and Madhya Pradesh. He is known for being a defiant leader turning Mewar into a formidable state in the eyes of the Indian subcontinent with the Fortress of Chittorgarh standing as a symbol of Rajput resilience and pride.<br /> Rajasthan, India, circa 1840. unknown
117476Rajasthan circa 1820. . Single illuminated miniature on card ink and gouache on paper heightened in gold and silver depicting various figures wrestling performing actobatics and weightlifting reverse blank full leaf 255 x 180 mm miniature 148 x 102 mm; single text-block to upper edge of miniature with script in black devangari script against a yellow back-drop miniature framed within multiple rulings of navy and silver edges painted red some light singer-soiling one small worm-hole.<br /> Traditionally this raga song is depicted by a group of men performing skill and strength exercises. Here three male figures appear to be performing in an open space with their garments piled up in the foreground reinforcing the image of a public display.<br /> Rajasthan, circa 1820. unknown
112940India Malwa circa 1630 AD. . Single leaf ink and gouache painting on paper image double-ruled and framed within red borders total leaf 200 x 175 mm; lightly faded with some chipping of paint with slight loss of pigmentation outer edges a little worn contemporary ink inscription to reverse in Sanskrit tipper-into card mount.<br /> Keshav Das d. 1601 was a renowned Indian court poet best known for the Rasikapriya which is considered a pioneering work of Hindu literature dealing with the classification of idealised types of male and female lovers nayakas and nayikas and their emotions and interactions. The work was compiled around the 1590s probably in Bundelkhand to the east of Malwa and the present painting is from a near-contemporary series of illustrations depicting scenes from the poems. Three leaves from the same series are housed in the Ashmolean Museum's collections these all dated c. 1630 also described as Malwa accession nos. EA2012.200 EA2012.202 EA2012.201.<br /> India, Malwa, circa 1630 AD. unknown
119661Mughal India possibly Murshidabad mid- to late-18th century. . Single miniature painting on card opaque pigments with gold depicting a scene with a Prince on horseback accepting a drink from a gold vessel from a village maiden miniature 282 x 179 mm full album page 394 x 255 mm; painting framed within multiple gilt rulings innermost frame painted with delicate pink and white flowers on a spiralling green vine set against a richly gilt background some very minor surface soiling overall in exceptionally bright and attractive condition framed and glazed.<br /> Scenes painted around imagined amorous encounters between the 'prince and village girl' were popular among artists during the late Mughal period in centres such as Delhi Lucknow and Murshidabad. The concept of 'love at first sight' was similarly echoed in the tradition of the courtly poets of the pan-European middle ages and can be seen echoed through their visual arts.<br /><br />The inspiration behind the theme in this painting was likely rooted in Persian literary sources the Nayrang'i Eshq The Charm of Love by Mughal Sufi poet Ghanimat Kunjahi d. 1695 AD being one such example. Written during a period of considerable Muslim-Hindu cultural interaction the poem was later absorbed into Sanskrit works and grew further in popularity. One notable section of the poem stanza 40.7 describes how in pursuit of a stag Shahid comes upon a village where he is struck by the sight of village girls at a well and is particularly struck by the beauty of Wafa the daughter of the village headsman see C. Shackle Persian Poetry and Q dir Sufism in Later Mughal India: Ghan mat Kunj h and his Mathnaw -yi Nayrang-i 'ishq in The Heritage of Sufism: Volume 3 Late Classical Persianate Sufism Boston 1999. <br /><br />In this painting a beautiful maiden leans across to offer the handsome stranger a drink from the well. Neither appears abashed and their eyes fix upon each other as if a spell has been cast. Of note is the way their hands come together around the vessel of water though they do not touch. The mono green background gives a prominence to this encounter watched by the other village girls. There are subtle details that give context to the scene the stranger's courtly attire and jewelled ruby dagger. His companion's falcon hints at their noble status. By contrast the village girl's sari is tied in the style of a working women as she draws water from the well. For notable examples see Indian Painting 16001870 Oliver Forge & Brendon Lynch New York 2012 and Painting 91 in Domains of Wonder B.N Goswamy & C. Smith 2006.<br /> Mughal India, possibly Murshidabad, mid- to late-18th century. unknown
114054Post Mughal India probably late 19th century. . Single large illuminated miniature on paper ink and gouache on paper depicting the view of the Siege of Khandahar in modern-day Afghanistan total leaf 760 x 545 mm miniature 690 x 470 mm; miniature double-ruled in gilt framed decorated with spiraling florettes a few light surface smudges leaf a little cockled mounted to thick card.<br /> A very large and impressive view of the Siege of Khandahar the Mughal-Safavid war of 1649-1653 as presented in the Padshahnameh of Shah Jahan. <br /><br />The Padshahnameh is illustrated chronicle of the reign of Shah Jahan the fifth Mughal emperor commissioned during his reign as a propagandist celebration of his kingdom and dynasty. The text is a detailed chronological narrative of each day of the emperor's reign describing his daily activities court ceremonies as well as the significant events in Emperor Shah-Jahan's life such as the durbars lavish processions and glorious victories on the battlefield.<br /> Post Mughal India, probably late 19th century. unknown
192058739Philadelphia PA: The Philadelphia MuseumsCommercial Museum of Philadelphia Exhibits Bureau ca. 1920. Archive of 52 mounted silver gelatin photographs sized 7 x 9 in. mounted on 9.75 x 12 in. gray studio board mounts all imprinted w/ white lettering at lower right corners and captions below images a few have photographer’s original imprints w/in the negative and printed explanatory text on light gray versos minor edgewear rubbing wear to some corners minor bowing to mounts as usual a few boards w/ edgewear wear at corners 1 photo w/ soiling still a VG group of photos w/all retaining bright strong contrast. This archive serves as an excellent surviving visual aid from the “Miniature Museum†exhibits created by the Commercial Museum of Philadelphia before and after World War I in order to promote foreign trade and develop international commerce for U.S. products. Sponsored by manufacturers suppliers and many different companies who would supply products to the Commercial Museum these interactive exhibits were intended to illustrate not only useful products of other countries and the advantage for trade in the U.S. but also to underlie important facts of modern industry. Dispatched for free these sample exhibits contained a cupboard at the base in which an educator or lecturer could place photographs and additional exhibits which would revolve on loan for assorted subjects to be taught. The photographs preserved here include those used originally with such trays as the “Beverages; Brush Fiber; Carbon; Coconut; Cotton; Cow; Flax; Gums & Resins; Iron; Ores & Metals; Rice; Rope Fiber; Rubber; Silk; Spice; Sugar & Wheat.†For instance this unknown instructor ordered for the “Beverages Drawer Exhibit†the photographs “Picking Tea†in Japan “Tea Factory†in Ceylon “Tea Ships†in Formosa Taiwan or “Picking Coffee†in Brazil which would have then been used with a series of large folding or rolling maps to be displayed as part of a multi-media presentation. As the cases were heavy and fragile these were sent out in place and further education materials would be dispatched to enhance their use but unfortunately classroom usage resulted in frequent lost and damaged photographs. Also present here are photos for “Camels Carrying Charcoal†into Constantinople Turkey; “Cutting Bananas†in Jamaica; “Cocoanut Plantation†& “Making Cocoanut Oil†in Ceylon; or the “Iron Furnace†in Hankow China or “Rope Factory†in Hong Kong. Two of the photos for Mexico include one still retaining the original caption for Charles Betts Waite of a smelter operation in Aguascalientes Mexico and another of the Sirena Mine in Guanajuato Mexico with the photographer’s imprint scratched out in negative but appears to have been a Winfield Scott image. Other images show the bustling harvesting of spices in Ceylon Singapore Jamaica and German East Africa rubber plantations in the Amazon Valley of Brazil and panning gold in Vancouver B.C. and hydraulic gold mining in Otago New Zealand with image by Burton Bros. of Dunedin. The Rice and Silk sections both offer excellent views of both processes in late Meiji and Taisho-era Japan. The Commercial Museum which originally opened in 1897 was the foremost source of international trade knowledge for American manufacturers in the early 20th Century. Slowly other Trade Commissions and Exhibitions supplanted the Commercial Museum and by the 1950’s the Miniature Museum visual aid exhibits had become obsolete and many had been broken up or photographs and samples dispersed through use. Although the Museum continued to provide programming and display exhibits until 1994 it was then closed indefinitely. See: Charles R. Toothaker Curator Educational Work of the Commercial Museum of Philadelphia Bulletin 1920 No. 13 Dept. of the Interior Bureau of Education 1921 includes images of assorted variations of the original oak sample cases and even large display of possible photo choices; Katelyn Wolfrom Rise and Fall of the Philadelphia Commercial Museum: How a Forgotten Museum Forever Altered American Industry Independence Seaport Museum Spring 2010. The Philadelphia Museums,[Commercial Museum of Philadelphia, Exhibits Bureau], hardcover
19906680Montreal: Roger Huet 1990. 4 Vols miniatures 4x3cm each 40pp. Frontis illustrations publisher's portrait and ad at rear. Various colors of flexible leatherette tooled in gilt with marbled endpapers. Fine condition. <br /> <br /> Charming set of inspirational volumes from the Montreal miniature book publisher Roger Huet. Roger Huet unknown
18281036Oxford: Printed by S. Collingwood and Co. at the Clarendon Press. 1828. 32mo 9 x 5.5cm. Contemporary 'cathedral binding' of full red morocco with embossed gothic architectural decoration to the boards and spine. Owner's name "A. Berriman" in gilt to the upper board and the date "Jan. 1. 1834" to the lower board. A very good copy the binding firm with a little rubbing to the extremities and a small worm hole to foot of the lower joint. The contents with a some cracking to the rear hinge a little scattered foxing and some minor creasing to a few page corners are otherwise in very good order. A charming miniature prayer book in an attractive gothic 'cathedral binding'. Oxford: Printed by S. Collingwood and Co. at the Clarendon Press. hardcover
202136783Riverside CA: Bo Press Miniature Books 2021. Hardcover. Fine. Hardcover. Pat Sweet describes herself as creating illuminated miniature books of curiosity humor and delight. She creates both miniature under 3 inches and macro-miniature under 1 inch books. This book is from a limited edition which is signed by the artist.<br /> <br /> Number 24 of 30 variant copies. Each copy is in a different box bound in papers to match the box. According to the book artist: "Bo Press Miniature Books began in 2007 with a little book called Celestial Variations. Since then another one hundred and forty-seven one hundred and forty-eight now books have emerged with subjects as diverse as maps of real and imaginary places poetry architecture history flea circuses and books themselves.<br /> <br /> The History of Bo Press is a collection of every book I've ever written illustrated designed and published that I can remember since then. This is a fairly easygoing bibliography and a few lacunae are to be expected from someone like me who hates to keep records. The book listings include title author illustrator pages dime."<br /> <br /> Both volumes are bound in tan marbled paper with paper title labels to spines and front boards. Housed in a box with removable lid covered in tan marbled paper with green dragon skin patterned paper onlay. The box is lined with green and gold marbled paper. Slight bump to one corner of box lid else fine. Each volume is 170 pages. Size: Books: 2 3/4 x 2 1/8 inches; Case: 3 x 2 1/4 x 1 5/8 inches. ARTB/091123. Bo Press Miniature Books hardcover
202136780Riverside CA: Bo Press Miniature Books 2021. Fine. Number 21 of 30 variant copies. Each copy is in a different box bound in papers to match the box. Pat Sweet describes herself as creating illuminated miniature books of curiosity humor and delight. She creates both miniature under 3 inches and macro-miniature under 1 inch books. This book is from a limited edition which is signed by the artist. According to the book artist: "Bo Press Miniature Books began in 2007 with a little book called Celestial Variations. Since then another one hundred and forty-seven one hundred and forty-eight now books have emerged with subjects as diverse as maps of real and imaginary places poetry architecture history flea circuses and books themselves.<br /> The History of Bo Press is a collection of every book I've ever written illustrated designed and published that I can remember since then. This is a fairly easygoing bibliography and a few lacunae are to be expected from someone like me who hates to keep records. The book listings include title author illustrator and pages." Both volumes are bound in tan marbled paper with paper title labels to spines and front boards. Housed in a slipcase covered in marbled paper and off-white handmade paper with a metal chain lining the seams of where the papers meet. Each volume is 170 pages. Size: Books: 2 3/4 x 2 1/8 inches; Case: 3 x 2 1/4 x 1 5/8 inches. ARTB/091123. Bo Press Miniature Books unknown
202136978Riverside CA: Bo Press Miniature Books 2021. Hardcover. Fine. Hardcover. Small open edition signed by the author. Issued earlier in 2021 the Bo Press Bibliography was bound in thirty different ways! This book documents each of the thirty bindings with a color image and descriptive text. Bound in white paper covered boards with fleur-de-lis pattern. Black paper title label to front board. Pristine. The endpapers are a photographic image of the artist's studio. Size: about 2.5 x 2 inches. MINI/122723. Bo Press Miniature Books hardcover
200863087Manchester UK: The John Rylands University Library University of Manchester 2008. Oblong 4to. 11.25 x 9.25 in. With 100’s of colour photo illustrations. Scarlet-coloured publisher’s cloth colour plate mounted front cover w/ open-backed slipcase NF/NF copy. First edition 1st printing of this superb catalogue documenting the miniature book fine binding artist’s binding collection commissioned and assembled by Neale M. Albert including traditional geometric abstract representational gems lettering and more. The John Rylands University Library, University of Manchester, hardcover
76484Duchesne Paris 1752. . Bound in an attractive contemporary red morocco with gilt ornaments to covers and spine endpapers with a gilt geometrical pattern.<br /> This fine copy is the first volume of this celebrated almanach published until 1815 and republished several times afterwards. It contains a precise list of for the past year all the theatre pieces that were played in the most renowned Parisian theatres such as the Comédie Française the Comédie Italienne and the Opéra. The Almanach also contains notes on the works and on theatre in general a list of the comedians and musicians currently working at the Comédie and excerpts taken from several dramas.<br /> Duchesne, Paris, 1752. unknown
76494Marcilly Fils Paris 1822. . IN RED PAPER IMITATING MOROCCO with gilt panel decoration kept in matching slipcase. <br /> This fine clean copy contains numerous songs and verses about nature. From the myth of the birth of the rose from the love of Zephyr and Flora to the admiration of a butterfly and a description of dusk these verses to be sung on traditional French melodies - including the national anthem Allons enfants de la Patrie - deal beautifully with the themes of seasons times of the day flora and fauna illustrated by twelve fine engraved plates.<br /> Grand-Carteret Les Almanachs français 1476. Marcilly Fils, Paris, [1822]. unknown
76492Jules Didot for Janet Paris 1826. . Engraved title 156 pp. including 48 with engraved music 8 pp. calendar for 1827 5 engraved plates with protection leaf.<br /> In this fine example of miniature binding the refined French woman of the early nineteenth century could find a variety of songs to interpret on well-known melodies. Beautifully illustrated by five engraved plates this copy also contains fourteen song sheets with tunes composed by composers of the time such as Louis-Emmanuel Jadin and Antoine Romagnesi. <br />Original printed binding with allegorical figures matching slipcase with beautiful decorative prints.<br /> Grand-Carteret Les Almanachs français 1899: "Vers 1820 . D'après un catalogue de librairie". Jules Didot for Janet, Paris, [1826]. unknown
51474London: Longman and Co. 1856 . A scarce miniature bible in the original leather binding and with central clasp in working order. 64mo. 2" x 2" x 0.75" 5.4 cm x 5cm x 2cm . Dark brown tooled leather binding "renaissance style" with the original metal clasp. Edges rubbed and bumped. Marbled endpapers. Owner's details to endpaper dated 1860. Contains facsimile title-pages of the 3rd edition London printed for Thomas James 1693 with titles: Verbum Sempiternum; and New Testament Salvator Mundi. Clean text throughout ending with the Chiswick Whitttingham colophon. VG . "A reprint from James' edition of c. 1700 '3rd edition with amendments' but no illustrations. An epitome of the Bible in verse written by John Taylor and commonly known as the Thumb Bible originally published in 1611." - see British Library - COPAC. "The term 'Thumb Bible' was first coined by Longman and Co. of London in the mid-eighteenth century when they used it on the title page of an edition in 1849 probably as a reference to the midget Tom Thumb Charles Stratton who had visited London with P. T. Barnum in 1844. Thumb Bibles continued to be printed in the eighteenth and nineteenth centuries. Approximately 300 different editions survive. As well as being published in English versions were printed in French German and Dutch." - See Wikipedia . London: Longman and Co., 1856 . hardcover
1942BB114<p>MINIATURE BOOK "Unknown Country" the Story of Czechoslovakia by Preston Benson. London: Lincolns-Prager 1942. With diagram map inside front cover 16pp photographs. 32mo 95pp; pictorial printed wrappers. Fine copy. <br />First edition. On the history and anti-Nazi resistance of Czechoslovakia. Measures 3-1/4 x 2-1/4 inches. <br />No other copy in commerce besides a 1943 revised version printed in the USA.</p> Lincolns-Prager paperback
