Atlas.Livre Rare Book
834 résultats
1930101081930 Paris, PLMet J. Barreau, vers 1930. Un album de format in 8° de 20 pp.; illustrations en noir dans le texte, Une carte, 2 planches couleurs pleine page de Louis morin et René Lelong. Couverture cartonnée souple, illustrée en trois couleurs
1930101111930 Paris, Plm et J. Barreau; vers 1930. Un album de format in 8° de 20 pp.; illustrations en noir dans le texte; deux planches couleurs en pleine page d'après JOB. Couverture cartonnée souple illustrée en 2 couleurs.
101101930? Paris, PLM et J. Barreau; vers 1930. Un album de format in 8° de 20 pp.; illustrations en noir dans le texte; 2 planches couleurs en pleine page d'après H. Rousseau et G. Rousselin; couverture cartonnée souple en 3 couleurs.
1930252511930-1935 29 Aquarelles, gouaches collages et maquettes originales, 9 études à l'encre et à la mine de plomb et 48 éditions diverses, (1929-1935), in 8 et in 4.
198450837ABLondon u.a., Academy Editions u.a., 1984. 29 x 21,5 cm. 107 S. mit sehr zahlr. Abb. Illustr. OKart., 50837.jpg Revised, enlarged edition.
1980376BBLondon, Academy Editions, 1980. 31 316 S., reichl. illustr., Gewebe mit silberner Titelvign.,Or.-Umschl., Sehr guter Zust.,
198047096CBLondon, Academy Edition, 1980. 4°. 30,5 cm. 315 Seiten. Original-Leinenband mit Original-Schutzumschlag.
198752975Stuttgart : Klett-Cotta 1987. 384 S. : 450 Abb., davon 400 farb. ; 31 cm, mit Schutzumschlag Gewebe, gebundene Ausgabe, Leinen, Exemplar in gutem Erhaltungszustand
19871029450Stuttgart : Klett-Cotta, 1987. 384 S. Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag in Schuber.
47905Academy Editions.1982.In-folio toilé noir,avec jaquette illustrée en couleurs.315 p.Iconographie importante noire et en couleurs. BE.Jaquette légèrement froissée.En anglais.
34318London. Academy Editions. 1977. In-4. pleine toile avec jaq. Très nbrs ills. et photographies en N&B et couleurs. 256 p. Bon état intérieur. Jaq. défraichie, frottée en 4ème de couv.
192071761920 Paris, Armand Guérinet, Editeur des Musées Nationaux, sans date ( vers 1920) ; ensemble de 116 planches ( sur 120), précédées de 2 feuillets de texte ( Titre et Table), sous chemise cartonnée, étiquette imprimée au 1er plat ; 2 séries de 47 /48 planches et 69/ 72 planches de photographies en noir montrant fleurs, fruits, rameaux, feuillages, branchages, Imprimeur Photographe Alfred Aron, Paris.
193254742Paris, Les Éditions Albert Lévy 1932. 1932. 4° 384 S. und ca. 120 S. mit sehr vielen Abbildungen, teils im Kupfertiefdruck, Halblederband der Zeit mit goldgeprägtem Rücken.
ORD-17768Paris. Renouard. Laurens. Sans date. Vers 1900. 30 planches couleurs, in-f° (265 x 353 mm) sous chemise cartonnée dos toile grise fermée par des rubans, table des gravures, complet. Chemise tachée et un peu abîmée, planches en bon état.
192513127PARIS LAROUSSE 1925 1 830 gravures, 2 planches en couleurs. Paris, Librairie Larousse, 1925. grand in-8 en toile verte estampée et argentée. 1 f. n. ch. titre, 519 p.
1098London. Octopus Books Limited. 1974. 4to. Beautiful silver and turquoise binding in DJ. Fine condition. 108 colored photos by Angelo Hornak unknown books
20533Double feuille, 35,5 X 27,5 cm.
1933134251Chicago Illinois: Century of Progress International Exposition Committee Kaufman-Fabry Photographers 1933. By far the most beautiful" souvenir of the Century of Progress Exposition First and only edition of this spectacular highly limited-issue souvenir album for the Century of Progress exposition an event which was to have a profound influence on modernist architects for decades to come and served more generally as an invaluable "repository" of Art Deco motifs. A small number of these presentation albums were created as gifts for the Board of Trustees Officers and Founder Members for the Exposition by the official photographers. World Cat. records only 15 copies at 12 locations all but a couple with identifiable recipients; just a handful of copies at auction. This copy from the library of Orville J. Taylor 1885-1969 noted Chicago Attorney Century of Progress Trustee World War I veteran who served as Major with the 86th Division of the A.E.F. but unfortunately is also remembered as the author of the whitewash "Taylor Report" on the black market activities of US personnel after World War II. The remarkable images include the spectacular Grand Fountain at night; aerial views across the grounds by night and day; the facade of the Paul Philippe Cret-designed Hall of Science which typifies the linear geometric Art Deco style of the Fair together with an image of the interior of the Great Hall where smartly dressed crowds scurry past wall text announcing Planck's Quantum and Einstein's Relativity theories; the Electrical Building with a shot of the circular court the central Electrical Fountain with its chromed canopy reflecting the iridescent jets of water playing below; the stunning Transportation Building at night with its sunrise façade brightly illuminated from within and by day showing the cables from which the domed roof was "flown"; a night time view of the lowering Adler Planetarium which contained the only Zeiss projector in America at the time; a selection of views of the national "villages" - Black Forest Belgian English Colonial Italian and the Streets of Shanghai - and a shot of Italo Balbo's squadron of Savoia-Marchetti SM 55X flying boats overflying Lake Michigan. Founded around 1910 by Charles D. Kaufmann 1888-1948 a Bohemian-American and Herman Fabry c.1879-1955 German-American Kaufmann & Fabry was a Chicagoan commercial photographic studio specialising in architectural photography. The firm is perhaps best remembered for its work recorded here as official photographers to the 1933 Century of Progress World's Fair. They were not only awarded the rights for publishing and distributing photographs and for the publication of photo illustrations they also operated a highly lucrative camera shop and film processing lab on the Exhibition grounds for the duration of the Exposition. "Surprisingly little has been written about Kaufmann & Fabry - either the business or the men themselves. They claimed to have the most thoroughly equipped photographic plant in America. We are lucky in the next century to have this splendid sample of their artistry and a magnificent souvenir of the Century of Progress. of the thousands of printed books and souvenirs produced around the fair Kaufmann & Fabry's album of photographs is by far the most beautiful" Chicago by the Book p.127. Folio 347 x 295 mm original full blue-grey morocco by Arthur Hertzberg gilt ruling and Art Deco lettering including the recipient's name on front cover and spine blue moiré silk endsheets. 52 unnumbered leaves mounted on white linen hinges the first with a silver gelatin photo title the recipient's name added calligraphically followed by 51 warm sepia-toned original silver prints 278 x 203 mm each captioned in pencil in an attractive cursive hand. A touch rubbed front hinge starting toward the head but remains a excellent exemplar. unknown
2386Paris 1929. 4to. Graphics by Jean Carlu Paul Colin Hermann Paul. An important and early periodical issue with emphasis on typography and the graphic arts including poster design. Binding a bit soiled interior fine with all illustrations present including beautiful tipped in plates of posters. unknown books
1930135058Germany: c.1930s-40s. Plastic fantastic A flamboyant example of Bakelite - or possibly casein plastic - being used to eye-catching effect for a souvenir album here repurposed and comprising illustrations of art deco furniture and interiors: a perhaps incongruous use for a binding redolent of the marbling in Bavarian baroque churches. Few such fragile and fascinating albums could have survived repeated handling. Bakelite a synthetic resin was invented in 1907 by Belgian-born American chemist Leo Hendrik Baekeland. It was widely used in the 1920s and by the 1930s "enjoyed a vogue in colourful costume jewellery and novelties" Ency. Brit. Casein plastics - the product of formaldehyde and the milk protein casein - readily absorbs dyes and can therefore often be coloured. "It can be made translucent and opaque and is used mainly for jewellery buttons brushes and handles for example umbrellas. In the early 20th century it served as an imitation of natural materials such as ivory tortoiseshell and horn" Plastic Identification Tool website. The single smaller half-tone print present here bears the logo of "AVVR" presumably a Spanish furniture company and is titled "Comedor No. 63" "Dining room No. 63". In commerce we trace a similar binding being used as a photograph album by GIs in early 1950s Germany differing in colour and labelled "Murnau-Bavaria". Landscape octavo album 195 x 272 mm. With 14 hand-coloured photographs of drawings printed on white card 166 x 228 mm numbered in pencil mounted on recto of 14 brown card leaves with cobweb-pattern tissue guards remaining leaves blank the whole wite-stitched; half-tone photographic illustration 122 x 167 mm mounted on verso of first leaf. Original marbled Bakelite post binder front cover marbled in orange back cover in greens and browns lettered "Souvenir of Germany" on front cover in raised blue-green Bakelite below this lettered "Bavaria" on a dark green label within a yellow Bakelite ornamental frame both mounted with adhesive stitched at the spine with orange plastic twine posts with marbled dark blue and orange Bakelite caps. Large pictorial Bakelite device sometime removed from front cover a couple of chips to front larger chip to fore edge repaired with adhesive rear board lifting at foot where adhesive has dried; prints a little toned creased and finger-soiled the odd tear to guards some repaired with opaque tape: a very good example. unknown
1931WRCLIT39459Paris 1931. Oblong octavo. String-tied typographic wrappers. Illustrations.Twenty-two pages printed on rectos only. Stain to top left corner affecting the interior but never detracting from the objects. One wrapper corner eroded away covers a bit stained and soiled but a good copy of an uncommon item. Catalogue of the Marbrerie L. Lecat Francois - Cousolre & Jeumont featuring designs for everything from ashtrays to crucifixes many in classic Art Deco forms. unknown books
1925851881925. ART DECO THE JOHN PLAIN BOOK 1925. Chicago: The John Plain Company 1925. 97 pp. 4to. quarter brown cloth with brown paper covered boards color pastedown label to front cover. Spine worn at heel and crown with small tear to top section. Light wear and a few pale spots to boards; label rubbed corners slightly bumped. Title and last page slightly foxed; the rest of the text is fine. Laid in are a Dealer letter on company letterhead; a ring size chart; four printed envelopes addressed to the company; one printed post card addressed to the company; three Dealer's Standard Conditional Sales Contracts blank; a Dealer's Confidential Price List; and a promotional flyer printed in dark brown on stiff brown paper: "Ask to see our complete showing of top quality diamonds men's and ladies' watches rings pins jewelry silverware clocks bags pearls ivory dresser sets." B/w illustrations of ladies' and men's diamond rings in the Deco style buttons brooches watches and watch cases belt buckles mantel clocks pens more. Page 45-46 has a short closed tear at the top edge not affecting text or images. Some pages are printed in two three or four colors - pp. 83-90 are in full color and feature pearls from L. Heller & Son of Paris and New York. Very good overall. unknown books
1925851881925. ART DECO THE JOHN PLAIN BOOK 1925. Chicago: The John Plain Company 1925. 97 pp. 4to. quarter brown cloth with brown paper covered boards color pastedown label to front cover. Spine worn at heel and crown with small tear to top section. Light wear and a few pale spots to boards; label rubbed corners slightly bumped. Title and last page slightly foxed; the rest of the text is fine. Laid in are a Dealer letter on company letterhead; a ring size chart; four printed envelopes addressed to the company; one printed post card addressed to the company; three Dealer's Standard Conditional Sales Contracts blank; a Dealer's Confidential Price List; and a promotional flyer printed in dark brown on stiff brown paper: "Ask to see our complete showing of top quality diamonds men's and ladies' watches rings pins jewelry silverware clocks bags pearls ivory dresser sets." B/w illustrations of ladies' and men's diamond rings in the Deco style buttons brooches watches and watch cases belt buckles mantel clocks pens more. Page 45-46 has a short closed tear at the top edge not affecting text or images. Some pages are printed in two three or four colors - pp. 83-90 are in full color and feature pearls from L. Heller & Son of Paris and New York. Very good overall. unknown
ORD-17973Beaux-Arts, les Meubles Allemands, les Meubles Alsaciens, les Plantes à Rosaces, les Industries Artistiques Bretonnes, le 5e Salon des Artistes Décorateurs, Un Jugement Allemand sur l'Art Lorrain et sur la Femme Française, la Vannerie son enseignement en France à l'Ecole de Fay-Billot (Haute-Marne), les Plantes à Chatons, l'Osier.- Nancy. Arts Graphiques Modernes. 1910. 6 fascicules in-4° (256 x 325 mm) de 40 pages libres chacun, sous chemises imprimées en rouge, très nombreuses illustrations en noir dans le texte et 8 hors textes couleurs de: Braunagel (le Jouet alsacien), Wittmann (place Stanislas), Éventail, Chéret (Tapisserie), Hestaux (Les bouleaux), Victor Prouvé (Affiche pour Art et Industrie), et du même, Diplôme, Albert Besnard (Paravent). Sans les sommaires, mais semble complet. On joint la table des matières de juillet-décembre 1909). Chemises un peu abîmées, mais bon état des articles.
ORD-17974l'Art Décoratif en Champagne, L'Éclectique, Paroles de Décorateur, la Caricature Alsacienne. Le sixième Salon des Artistes Décorateurs, Appel adressé par la Société des Artistes Décorateurs, Les arts appliqués aux Salons: I. Société Nationale. II. Société des Artistes Français. Le sculpteur Félix Voulot, l'art et l'art industriel de l'Indochine, L'art décoratif au Salon des Humoristes, le Flambe d'eau, Répertoire d'art décoratif moderne Les Vases 1 et 2, L'Art à la Caserne, Les Insectes en Art Décoratif les Papillons. Nancy. Arts Graphiques Modernes. 1911. 6 fascicules in-4 (253 x 330 mm), comptant chacun 40 pages libres, sous chemise illustrée d'un grand dessin de Victor Prouvé à 2 teintes, sommaire dans un cartouche, très nombreuses illustrations en noir dans le texte et 1 hors texte couleurs de Braunagel (Alsaciens), celui sur les papillons manque. Chaque chemise est complète. Les hauts de feuilles du n°de Mai ont été affectées par l'humidité et sont parfois un peu abîmées marginalement, sinon plutôt bon exemplaire.
