865 résultats
19848622BASTEI 03/1984. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197621603BASTEI 1976. 1. softcover. Mit dem großem Jubiläums-Poster! DER JUNGE HÄUPTLING BASTEI paperback
19712092902140600693Kurosaki Publishing 1971. Soft Cover. Fine. The book is in fine condition. Kurosaki Publishing paperback
19932091502135708002Azu shuppan 1993. Soft Cover. Fine. The book is in fine condition. Azu shuppan paperback
1931017463David McKay 1931. Book. Very Good. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. Very Good Copy Of Book 1. First Edition 1931. Wear To The Green .Spine. Very Scarce Original Title of The Great Disney Mouse. . David McKay Hardcover
19389047Walt Disney Enterprises Whitman 1938 1938 Soft Cover. No Jacket. First Edition. PBO 1938 1st edition Oversized Bright Color Wraps Cover minor rub wear & small Tear near Spine Small corner Crease & scuff spine NF-/VG AS-IS SOFTCOVER Interior Nice Tight Clean pgs slightly darkened from Age few very small stains couple pgs some pencil numbers or outlinefew pgs small chip tear. First Edition. Soft Cover. Walt Disney Enterprises Whitman, 1938 paperback
19329586Philadelphia: David McKay Company 1932. First editions. 8vo. Unpaginated. Both in illustrated boards lacking jackets color illustrations throughout significant spine and edgewear Book 1's front hinge is cracked good/very good. David McKay Company unknown
1931606920Philadelphia: David McKay Company 1931. 1st. Hardcover. Good/None. Disney Studios. Color illustrated boards unpaginated. Illustrated with full color drawings of Mickey Mouse and friends. Light wear to cover corners and 1 1/2" closed tear at bottom front hinge. Page 14 has a 1" closed tear on right margin - this does not effect text or illustrations. Clean tight copy. Record # 606920 David McKay Company hardcover
1970014351Paris ICART Instutut Supérieur des Carrières Artistiques 1970 In-8 carré Relié par deux vis en laiton
19735748BILDSCHRIFTEN WILLIAMS 1973. 1. softcover. KINDERCOMIC BILDSCHRIFTEN (WILLIAMS) paperback
197319399BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197319870BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197321457BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197319440BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197319075BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197321350BASTEI 1973. 1. softcover. Heute mit Silberpfeil-Poster! Anmerkung: Ich hätte das Poster Mondkind genannt! DER JUNGE HÄUPTLING BASTEI paperback
197321260BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197321070BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197723738BASTEI 1977. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
197318734BASTEI 1973. 1. softcover. DER JUNGE HÄUPTLING BASTEI paperback
19304710Paris 1930 aucune reliure Deux tirages gélatino-argentiques d'époque assemblés en un panorama de 34,5 x 16 cm et montés sur carton (49 x 32 cm), signature du photographe sous l'image, étiquette du studio photo Lecram en bas à droite.
1940117240Culver City CA: RKO Radio Pictures 1940. First Edition. First Edition large quarto. The deluxe annual for RKO Studios' 1939-1940 season. White linen with embedded spiral binding. 56 pages. Features films such as "The Hunchback of Notre Dame" numerous literary adaptations with large images of the books themselves "The Deerslayer" "Ivanhoe" "The Swiss Family Robinson" "Tom Brown's Schooldays" full-page spreads for directors Garson Kanin George Stevens Leo McCarey and Gregory La Cava; and actors Carole Lombard Ginger Rogers Cary Grant Charles Laughton Harold Lloyd in the spotlight as a producer rather than an actor George Sanders in "The Saint" series Anne Shirley Douglas Fairbanks Jr. Stan Laurel and Oliver Hardy Richard Dix Anne Neagle Victor McClagen and Jean Hersholt; and a special section advertising 18 Technicolor Disney features. Very Good plus with a some turning to the outer corners light scuffing to the cloth but quite attractive overall. RKO Radio Pictures unknown books
194520947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2†x 2 1/4â€. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.†On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown
194520947ELos Angeles: Republic Pictures 1945. Original 1945 Studio Pass to Republic Pictures Studio for Hollywood columnist Jimmy Starr. Metallic gold cardstock 3 1/2†x 2 1/4â€. Studio passes were given to press and industry representatives allowing the bearer access to the studio’s lot and sets. It reads in full: “Republic Press Pass April 1st to crossed out Dec. 31 1945 Republic Studios To Publicity Department Only Name Jimmy Starr typed Publication L.A. Herald Express typed Violations of the Requirements of this Pass Will Result in Its Permanent Cancellation. No. 23 Director of Studio Publicity signed This Pass Not Valid Unless Signed by Holder on Reverse Side.†On the verso is a printed set of basic terms regarding the holder of the pass without Mr. Starr’s signature. About fine with the most minute trace of use. Jimmy Starr 1902 - 1990 is best known as a Hollywood columnist though he was also a writer and actor known for The Corpse Came C.O.D. 1947 A Night for Crime 1943 and Pink Pajamas 1929. Republic Pictures specialized in Westerns and movie serials and was notable for developing the careers of John Wayne Gene Autry and Roy Rogers. Some of the 1945 Republic Pictures films for the time period Mr. Starr may have enjoyed include such popular productions as The Vampire’s Ghost with John Abbot and Peggy Stewart Flame of Barbary Coast with John Wayne and Ann Dvorak The Chicago Kid with Donald Barry and Otto Kruger Tell It To a Star with Ruth Taylor and Robert Livingston Scotland Yard Investigator with Sir Aubrey Smith and Erich von Stroheim and Dakota with John Wayne and Vera Ralston. Republic Pictures unknown books
196892685New York: The Studio Museum in Harlem 1968. Very Good. Two-page exhibition list probably produced on a photocopier. Accompanying the exhibition list also probably produced on a photocopier is a two-page Press Release dated November 14 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title of course refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment" said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously. The Studio Museum in Harlem unknown
